Marshev, Oleg Born in Baku, former USSR, OLEG MARSHEV trained with Valentina Aristova at the Gnesin School for Highly Gifted Children and with Mikhail http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126
Oleg Marshev - Reviews MAGAZINE April 2001 A truly marvelous pianist (Sauer Piano Sonatas) full text HIGH FIDELITY - April 1993 Oleg Marshev plays divinely http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126
Oleg Marshev - Piano Recital - New Zealand Music - Recital Internationally acclaimed pianist Oleg Marshev gives his Wellington recital at the Ilott Theatre, Wednesday 28th April at 8.00 pm. http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126
Oleg Marshev OLEG MARSHEV pianist. L.V.Beethoven Sonata in Eflat Majot, Op.31, No.3 J.N. Hummel Rondo in E-Flat Major, Op.11 http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126
Danacord Records - About The Company there's Anton Rubinstein's Fourth Piano Concerto, with the young Russian pianist Oleg Marshev, again under Stupel. "Marshev was not doing any http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126
Oleg Marshev - Biography oleg marshev is probably the first pianist ever to have recorded the completeworks for piano and orchestra by the great Russian four, Tchaikovsky, http://www.olegmarshev.com/
Oleg Marshev - Reviews Virtuos, poetisch, elegant oleg marshev begeisterte in der Folkwang This pianist s voyage of discovery unearths an ambitious romantic concerto http://www.olegmarshev.com/reviews.shtml
Welcome To Piano.com marshev, oleg concert pianist and master class instructor, born in Baku.Mañanes, Michel - biography and repertoire for this pianist and educator based in http://www.piano.com/pianist/pianist_classical.cfm
Oleg Marshev oleg marshev pianist Born in Baku, former USSR, oleg marshev trained withValentina Aristova at the Gnesin School for Highly Gifted Children and with http://www.concertalliance.org/Marshev.html
Extractions: pianist L.V.Beethoven Sonata in E-flat Majot, Op.31, No.3 J.N. Hummel Rondo in E-Flat Major, Op.11 S. Thalberg Grande Fantasia da concerto su "Traviata" di Verdi Op.78. S. Rachmaninoff Four Preludes Sonata No.2 in B-Flat Minor, Op. 36 Born in Baku, former USSR, OLEG MARSHEV trained with Valentina Aristova at the Gnesin School for Highly Gifted Children and with Mikhail Voskresensky at the Moscow Conservatory where he completed his Performance Doctorate in 1988 gaining the Diploma with Honor. Marshev is thus a direct representative of the fifth generation of Russian pianism since Liszt, through Alexander Siloti, Konstantin Igumnov and Voskresensky's teacher, Lev Oborin. Marshev's First Prize in the 1988 "Pilar Bayona" International Piano Competition (Spain) proved the first in a series of illustrious competition victories which have confirmed the artist's reputation as one of the most talented Russian pianists of his generation: in 1990 he took First Prize and the Gold Medal at the AMSA World Piano Competition of Cincinnati; in 1991 First Prize at the Concorso Pianistico Internazionale "Citta di Marsala" and the following year he was awarded the coveted Primo Premio Assoluto in the Italian capital's premier competition, the Concorso Pianistico Internazionale "Roma 1992". In addition to numerous engagements in his native country, Marshev has performed all throughout the world from Canada to New Zealand. 1991 saw his New York debut with a highly acclaimed recital at the Lincoln Center "Alice Tully Hall". Next year for the first time he appeared at the Amsterdam Concertgebouw which led to other invitations to perform at this prestigious hall. Engagements for 2000 included appearances with West Virginia Symphony, Asheville Symphony, Akron Symphony, Symphony of Americas, recitals in Montreal, Glasgow, tours in Florida, Great Britain, Denmark and New Zealand. Resident in Italy, he is also in increasing demand as a teacher, holding masterclasses in Spain, Italy, Great Britain and the USA, and as a competition jury member (including that of the World Piano Competition in Cincinnati).
Extractions: This is an excellent disc in a number of ways. One of its characteristics is that it is a condensed survey of the entire piano music output of Rachmaninov. Let me explain. There are three works on this disc; the Five Fantasy Pieces Op. 3, the Second Piano Sonata in B flat minor and the Corelli Variations . Now the Opus 5 was written shortly after the composer's student years came to an end. The Piano Sonata dates from his fortieth year and the Corelli Variations was the very last original composition for piano, being written in 1931. However that is not all. Two of the
Musical-instruments: Keyboard: Piano: Pianists: M So Musical marshev, oleg. marshev, oleg. Official site of concert pianist. Includes news,reviews, biography, concerts, andCD recordings. {English and Italian versions http://www.somusical.com/musical-instruments/keyboard/piano/pianists/m/
La Bottega Discantica - 35c86f753bd6fe56d5d6f601a922b137 HD KOPPEL Composer et pianist vol. 1 Piano concerto n. 3 op. Aarhus SymphonyOrchestra; LOUGHRAN James (dir); marshev oleg (pf) http://www.discantica.it/5_output.php?casap=DACO&casa=&compositore=&esecutore=&t
Music Directory M marshev, oleg Official site of concert pianist. Includes news, reviews, biography,concerts, andCD recordings. {English and Italian versions http://www.jazar-music.com/directory/Instruments/Keyboard/Piano/Pianists/M/
Extractions: M All you ever wanter to know about "M", links, news, articles, buy cds, and many more... Music Directory Instruments Keyboard Piano ... Pianists : M A B C D ... McPhee, Colin Links Magalh£es and Schumann Duo - Portuguese based pianists Luis Magalh£es and Nina Schumann. Includes CVs, reviews, concerts, and repertoire. Malikova, Anna - Russian-born pianist and teacher, living in Germany. Biography, photos, competitions, records and reviews. Ma±anes, Michel - Spanish pianist; brief biography and contact information. Mantooth, Linda - Official site of Texas-based pianist. Includes biography, performance dates, photos, audio samples, reviews, and quotes. Mariano, Cesar Camargo - Brazilian pianist, arranger, and composer. Biography, discography, media samples, agenda, interviews, and photos. Marshev, Oleg Martini, George - Atlanta-based pianist and singer. Biography and booking information. Mascolo-David, Alexandra - Portuguese pianist with an international career; page includes biographical notes, recordings and reviews. Mastroyiannis, Dino
Danacord DACOCD 601 Even the mere mention of the name of the pianist on this CD will have many seasoned This wouldnt surprise me, because oleg marshev is a thoroughly http://home.wanadoo.nl/ovar/shosrev/dacocd601.htm
Extractions: Recorded: 29 July 2 August 2002 in the Konserthuset of Helsingborg Danacord DACOCD 601 It must have been knocking on for forty years ago that I read a review of a recording of Mahlers First Symphony penned by the late, great Deryck Cooke. With so many recordings of the work already in the catalogue, he argued that the only possible justification for bringing out yet another was to produce an outright winner. What followed in that review could be summarised in four words: - and this is it. Thats my opening gambit done for a Burton, so how then do I start this review? Well, it will have to be Rather more prosaically, but stick around - it wont stay that way for long! The prosaic fact is that, before I say anything else, I must declare an interest. Its nothing to write home about, really, just that having written the booklet note I cant comment on its quality. Other reviewers will perhaps fill you in. The experience did teach me a fair bit about the company, though; not so much facts and figures (for those, you can look at http://www.danacord.dk/), but more about their entire attitude and approach to making records. In natures realm, its generally the case that the smaller the brood, the more care the parent takes of each individual offspring. Something similar might be said of companies. Vast, pan-global industries churn out CDs like frog-spawn, their instincts geared to survival of the species rather than individual progeny. Danacord, as a small company with a rate of production (or should that be reproduction?) rather more akin to that of the Giant Panda, by comparison lavishes bags of tender love and care upon each offspring. Our expectation, that we should therefore find issues more thoughtfully conceived and of a consistently higher individual standard, tends to be confirmed by a quick trawl through their extant Musicweb reviews.
RACHMANINOFF oleg marshev, pianist; Aarhus Symphony Orch/James Loughran, cond. Young Russianpianist oleg marshev has won a number of major prizes, http://classicalcdreview.com/sroleg.htm
Extractions: DANACORD 582 (3 CDs) (DDD) (M) TT: 65:12 / 45:42 / 54:47 Young Russian pianist Oleg Marshev has won a number of major prizes, the first of which was the 1988 Pilar Bayona (REVIEW) . Marshev also has recorded all of Prokofiev's solo piano music and the five piano concertos as well as a number of "Danish Romantic Piano Concertos," with complete sets of piano/orchestra works of Tchaikovsky and Shostakovich in the works. Unfortunately, this set of the Rachmaninoff concertos will not add to Marshev's reputation. Throughout his tempi are cautious, almost reticent, and there are few instances of full-blown dynamic pianism so appropriate for this music. The opening chords of Concerto No. 2 are played without imagination. Concerto No. 3 is particularly sedate, and there is no magic in the problematic Concerto No. 4, a work particularly magnificent in the hands of Arturo Benedetti-Michelangeli and Earl Wild. Rachmaninoff's 1934 recording of his Paganini Rhapsody Rhapsody fit onto just two CDs, but because of slow tempi this isn't possible on these performances.
Emil Von Sauer Etudes oleg marshev, pianist DANACORD DACOCD 487 (F) (DDD) TT 7721 Young Russianpianist oleg marshev, winner of many prestigious prizes in the piano http://classicalcdreview.com/omes.htm
Extractions: DANACORD DACOCD 487 (F) (DDD) TT: 77:21 Sauer's works include 2 piano concertos, 2 sonatas and 29 concert studies, 20 of which are included on this recent CD issued in Europe about two ears ago, only now (May 2001) in the U.S. Only one, the first, is actually called "concert-etude," in G-flat; with a playing time of 8:34 it is the longest of all. The others have colorful, imaginative titles (Sighing Breezes, The Hunt, Sirens, Bird Songs etc. with one called "L'Eteuf" (which apparently has something to do with a tennis ball) translated as "fangball." Although all are of extreme difficulty, several are devoted to specific piano techniques, i.e. octaves and trills. All are salon music of the highest order with an abundance of arpeggios and gossamer textures. The sedate center section of Vision , in B minor is quite similar to the central section of Chopin's Scherzo No. 3. Young Russian pianist Oleg Marshev, winner of many prestigious prizes in the piano competition world, plays Sauer's music with finesse as well as technical assurance. It's a delectable program, best taken in small doses and has been very well recorded. If you have a keen interest in Emil von Saueryou might investigate the superb 3-CD set (Marston 53002) containing his Liszt recordings along with many shorter pieces recorded in the late '20s and '30s when Sauer was in his prime a collection that includes two of the concert etudes on the new Danacord recording. A second Marshev is in the works which will include the remaining concert etudes and other Sauer pieces.
Extractions: December 21, 2001 DOMENICO CODISPOTI, ARTIST CERTIFICATE STUDENT AT MEADOWS SCHOOL OF THE ARTS, WINS FIRST PRIZE AT PILAR BAYONA INTERNATIONAL PIANO COMPETITION Pianists from around the world applied to play at the 10-day competition. Only 36 contestants, representing 14 countries, were admitted. The Pilar Bayona International Piano Competition began in December 1983 as a tribute to famed Spanish pianist Pilar Bayona (1897-1979). The event is held once every three years in Zaragoza. Previous winners have included Dror Biran, Valeria Resian, Claudio Martinez Mehner, Oleg Marshev, Igor Kamentz, Martin Soderberg and Johan Schmidt.
Aarhus Symfoniorkester - Rachmaninov den russiske pianist oleg marshev under ledelse af forhenværende chefdirigent oleg marshev er allerede et kendt navn på Danacord, for hvem han har http://www.aarhussymfoni.dk/sw346.asp
Extractions: Indspilningerne af Rachmaninovs samlede værker for klaver og orkester for pladeselskabet Danacord med Aarhus Symfoniorkester, den russiske pianist Oleg Marshev under ledelse af forhenværende chefdirigent James Loughran er blevet en succes: Det fransk/britiske Pianist Magazine valgte udgivelsen til Editors Choice. Oleg Marshev er allerede et kendt navn på Danacord, for hvem han har indspillet adskillige CDer med musik af bl.a. Prokofiev, Liszt, Rachmaninov, Richard Strauss samt Rued Langgaard og dennes far Siegfried. Marshev er uddannet i Moskva, men er nu bosat i Italien, hvorfra han hyppigt drager ud og giver koncerter verden over. »On hearing Oleg Marshev's opening salvo in Rachmaninov's First Concerto (and his eruption into the cadenza later in the same movement) I was predisposed to like these performances. Indeed, they prove to be honest, committed, and founded on ample technical aplomb. These performances struck me as genuinely felt and absorbing ones.«
Classical CD Reviews, Pt. 2 JAN02 - AUDIOPHILE AUDITION Acclaimed pianist Martha Argerich in two recent CDs for Piano Orchestrain C Minor; EMIL HARTMANN Piano Concerto in F Minor oleg marshev, p. http://www.audaud.com/audaud/JAN02/CLASSICAL/clcds2JAN02.html
Extractions: Acclaimed Pianist Martha Argerich in two recent CDs... CHOPIN: Sonata for Cello and Piano Op. 65; FRANCK: Sonata for Violin and Piano in A Major (played on cello); DEBUSSY: Sonata for Cello and Piano in D Minor; CHOPIN: Polonaise brillante Op. 3 - Mischa Maisky, cello/Martha Argerich, piano - DGG 289 471 346-2: - John Sunier Martha Argerich Live Recital - SCHUMANN: Fantasiestucke, RAVEL: Sonatine, Gaspard de la nuit - EMI Classics 57101-2: Recorded live at the Concertgebouw a little over a decade ago, this unusual program pairs two composers not often sharing the stage. Perhaps the intent was to demonstrate the fantastic mental images and feelings that could be portrayed by genius composers via only the piano keyboard. The Romantic fantasy pieces of Schumann alternately represent his two sides - the strong and active Florestan and the dreamy, introspective Eusebius. The contrasts are clearly delineated by Argerich. Ravel's Sonatine is in an understated classic form free of fantastical pretensions, but Gaspard de la nuit, based on a satanic poetic vision by Aloysius Bertrand, is a masterpiece of theatrical tone-painting. I have several versions of this Ravel gem but Argerich brings to it a depth and dimension not heard in any of the others. - John Sunier Two more important additions from the Naxos American Classics series...
Sulivan Sweetland - Hannu Lintu with his Helsingborg Symphony Orchestra for Danacord The Sound of Shakespeare and Shostakovich piano concertos (with pianist oleg marshev). http://www.sulivansweetland.co.uk/emmasweetland/html/lintu.htm
Extractions: biography Hannu Lintu was born in Finland and began his musical studies with the cello and piano at the Sibelius Academy in Helsinki. He went on to study conducting with Atso Almila, Ilja Musin, Eri Klas and Jorma Panula at the Sibelius Academy. He also studied with Myung Whun Chung at the Accademia Chigiana in Italy and in 1994 won the Nordic Conductor's Competition in Bergen. Lintu has held Artistic Director positions with the Helsingborg Symphony Orchestra (2002-2005), Turku Philharmonic Orchestra (1998-2001) and with the Bergen Collegium Musicum chamber orchestra (1995-1997). He is a regular guest conductor of the Avanti! Chamber Orchestra in Finland and was the Artistic Director of their 2005 Summer Sounds Festival , reinforcing his strong commitment to contemporary music. In Finland Lintu works regularly with all the major orchestras including the Finnish Radio Symphony, Helsinki Philharmonic, Lahti Symphony and Tampere Philharmonic. Elsewhere in Europe Lintu has made guest appearances with the Berlin Symphony, Deutsche Kammerphilharmonie, Stuttgart Philharmonic, Stuttgart Radio Symphony, Klangforum Wien, Orchestre National de Belgique, Swedish Radio Symphony, Royal Stockholm Philharmonic, Bergen Philharmonic, Norwegian Radio Symphony and Danish Radio Symphony. Outside Europe he has worked with the Toronto Symphony, Oregon Symphony, Adelaide Symphony and Nagoya Philharmonic in Japan. Festival appearances include the Berliner Festspiele, Golden Autumn Festival in Beijing, Flanders Festival and the Adelaide Festival.
