Joys Of Music Project dinu lipatti (19171950). There was a great deal more to lipatti s art than and made his public debut, as both pianist and composer at the age of four. http://www.geocities.com/petrud98/joysofmusic/fcomposer14.html
Extractions: Dinu Lipatti (1917-1950) "There was a great deal more to Lipatti's art than "divine spirituality". There was also charm, pathos and intellectual power, a breathtaking rhythmic energy combined with an almost inhuman control (his "Alborada" is not only unsurpassed but unequaled) and a profound awareness of pianistic colors" "Almost 40 years after his death from leukaemia at the tragically early age of 33, the aura of saintliness which surrounded Lipatti in life clings, undiminished, to his memory. Born in Romania, Lipatti began playing the piano while still in infancy and made his public debut, as both pianist and composer at the age of four. After taking second prize at the Vienna Piano Competition in 1934 (a miscarriage of artistic justice which cause Alfred Cortot to dissociate himself from the jury), Lipatti moved to Paris, where his mentors included Cortot, Charles Munch (conducting), Paul Dukas (composition) and Nadia Boulanger. With concerts in Germany, Italy and Paris (where Poulenc discerned in him a "divine spirituality") Lipatti's fame as a performer spread rapidly. J eremy Siepmann Selected by Alexandru Serban
MusicMoz - Bands And Artists: L: Lipatti, Dinu: Links dinu lipatti The Last Recital - Contains notes about his activity and reviews.dinu lipatti - the legendary Romanian pianist - Provides a detailed http://musicmoz.org/Bands_and_Artists/L/Lipatti,_Dinu/Links/
Culture - Music - Dinu Lipatti dinu lipatti. (March 19, 1917 December 2, 1950). Romanian pianist who careerwas tragically cut short by his death from leukemia at age 33. http://www.ici.ro/romania/en/cultura/m_lipatti.html
Cultura - Muzica - Dinu Lipatti pianist si compozitor român. Crescut întro familie cu traditie muzicala - tatal sau Dupa o ameliorare aparenta, starea de sanatate a lui dinu lipatti http://www.ici.ro/romania/ro/cultura/m_lipatti.html
Track Details - Crotchet Web Store for solo flute including legendary pianist dinu lipatti s Introduction etAllegro. ARTISTS Irma Kolassi Zino Francescatti Solomon dinu lipatti http://www.crotchet.co.uk/artists/Dinu Lipatti.html
Cornerstones CD Notes | Lipatti | Classical Music | Mark Ainley These are the notes to the archiphon CD dinu lipatti Cornerstones, Who couldhave imagined that a pianist who never left Europe and made just over http://www.markainley.com/music/classical/lipatti/cornerstones.html
Extractions: It is worth mentioning that the immense value of any unpublished Lipatti recordings cannot be translated into financial worth. It is possible that some collectors have continued to hold onto their prized possessions in the belief that they will one day be worth a fortune. The longer any recordings remain technically unrestored in private hands, the lower their commercial viability becomes. It is to be hoped that any such collectors will recognize that the value of these performances can only be measured by the effect that they can have on the musical public at large. Spin the Moose Media Introduction to Historical Recordings Favorite Pianists Dinu Lipatti ... Lipatti's Plans
Prince Of Pianists | Lipatti | Classical Music | Mark Ainley dinu lipatti is one of the most mystical of pianists, yet over a half century after He is still generally thought of as a BachMozart-Chopin pianist, http://www.markainley.com/music/classical/lipatti/prince_of_pianists.html
Extractions: This is a revised form of an article that was published in the Summer 1999 edition of International Piano Quarterly. It has been updated with information that has since come to light. Dinu Lipatti is one of the most mystical of pianists, yet over a half century after his premature death, most pianophiles know little more than the sketchy biographical information published with the frequent reissues of his critically lauded recordings. He received no more than a parenthetical mention in the classic tome The Great Pianists, Harold C. Schonberg's only comment being that "his death in 1950 at the age of 33 took away a pianist who would have been one of the major figures of the century." Such observations overlook the fact that before his death, Lipatti was already considered one of the greatest pianists and musicians to have graced the concert stage. His solo programmes were equally bold and varied. He performed in one recital four Preludes and Fugues of Bach, Beethoven's Waldstein Sonata, Schumann's Etudes Symphoniques, and Ravel's Le Tombeau de Couperin. One 1947 Chopin recital was a heroic survey of the composer's works: 6 Preludes, 3 Etudes, Sonata Op.58, Ballade op.52, Mazurka Op.50 No.3, Scherzo Op.20, Nocturne Op.27 No.2, Waltz Op.34 No.1, and Polonaise Op.22. At other times, his recitals focused on one large-scale work, such as the Waldstein, Chopin B Minor Sonata, or the Etudes Symphoniques, the rest of the programme being a historical progression of smaller-scale compositions from Bach through Chopin, Brahms, Liszt, and through to modern composers like Debussy, Ravel, de Falla, and Enescu.
Extractions: Crotchet The Chopin is one of the composer's richest works, but its teeming counter-melodies and its profusion of contrasting ideas, not to speak of its technical demands in a purely mechanical sense, often lead to confusion and have discouraged frequent performance. No one has justified (indeed removed) its complexities more than Lipatti. No one has found a more natural dialogue in the first movement between the divine impetuousness of the primary material and the melting loveliness of the secondary theme, and in the Largo his long singing lines and his delicate accompanying figures converse freely with one another. It seems a banal comment but when in the wild spin of the finale heavy chordal writing is set against filigree passage-work it really does seem impossible that only one person is playing. The Liszt is deeply poetic while respecting the more extrovert character of the composer and the duets with Nadia Boulanger must be some of the most upbeat Brahms ever recorded, yet with no sacrifice of their deeply romantic nature. A black mark to EMI here for, firstly, giving the whole set only one track and, worse, for listing them numerically instead of in the order in which they are played (the above is correct, with no.6 played both at the beginning and at the end). Seldom has a fringe work like the Enescu had a performance which has revealed such a range of colour and clarity of utterance in it.
Extractions: Dinu Lipatti's renowned recording of the Schumann Piano Concerto makes a welcome reappearance in the distinguished ranks of EMI's 'Great Recordings of the Century' series. And well it might, for despite the obvious drawback of fifty-year-old sound there is indeed something special about it. Illness brought the pianist's early death in 1950, just weeks after he had performed the Mozart C major Concerto at the Lucerne Festival, again with Karajan conducting. If the recorded sound of this live performance does not have the advantages of the occasional studio retake, there is the frisson of a special occasion running through every bar. In his excellent insert notes Richard Osborne mentions that the audience was aware of Lipatti's circumstances - he was by now mortally ill - and the reception they give the performance is nothing less than ecstatic.
JEAN NEGULESCO dinu lipatti (19171950) began playing the piano while still in infancy andmade his public debut, as both pianist and composer atthe age of four. http://cpcug.org/user/stefan/lipatti.html
Extractions: Dinu Lipatti (1917-1950) "Almost 40 years after his death from leukaemia at the tragically early age of 33, the aura of saintliness which surrounded Lipatti in life clings, undiminished, to his memory. Born in Romania, to parents noth wealthy and musical, Lipatti began playing the piano while still in infancy and made his public debut, as both pianist and composer atthe age of four. After taking second prize at the Vienna Piano Competition in 1934 (a misscarrige of artstic justice which cause Alfred Cortot to dissocaiete himself from the jury), Lipatti moved to Paris, where his mentors included Cortot, Charles Munch(conducting), Paul Dukas (composition) and Nadia Boulanger. With concerts in Germany, Italy and Paris (wherr Poulenc discerned in him a "divine spirituality") Lipatti's fame as a performer spread rapidly. There was a great deal more to Lipatti's art than "divine spirituality". There was also charm, pathos and intellectual power, a breathtaking rhythmic energy combined with an almost inhuman control (his "Alborada" is not only unsurpassed but unequaled) and a profound awareness of pianistic colors" Jeremy Siepmann
Newbooks March28-April3 BACH, MOZART, SCARLATTI, SCHUBERT SOUND RECORDING / dinu lipatti. MCD17860 . PRINCE OF VIRTUOSOS A LIFE OF WALTER RUMMEL, AMERICAN pianist / CHARLES http://www.lib.uwo.ca/music/nbmarch28.htm
Classical Music - The UK Magazine For The Music Professional Brian Priestley catches up with the brilliant young jazz pianist Gwilym Carola Grindea introduces us to a littleknown side of dinu lipatti s art, http://www.rhinegold.co.uk/magazines/pi/pi-editorial.cfm
Extractions: 'Nothing succeeds like success,' says the old saw. But success can also provoke hostility, envy and misinformation. In his lifetime, Felix Mendelssohn was the man who had everything. Born rich, he was both brilliant and charming, not only a great musician, a great genius indeed, but a man of many talents and accomplishments, who consorted with the highest in the land (in many lands), while seemingly having time for everyone, whatever their background or attainment. In the world of classical music, he was the ultimate celebrity â particularly in German-speaking lands and in England, where he was all but worshipped. Unlike many distinguished men, his reputation survived him. Towards the end of the 19th century, however, he fell from grace. His importance was deemed increasingly negligible, and even well into the 20th century, his claims to greatness as a composer were held by many to be spurious. On no account, in many quarters, was his name to be mentioned in the same breath as those of his contemporaries Chopin, Liszt and Schumann, let alone Brahms, later on. Today, however, his star is once more in the ascendant as his importance is being reaffirmed. But it's not all Mendelssohn and things Mendelssohnian. In Unsung Heroes, Murray McLachlan explores the music of Boris Tchaikovsky, Leslie Howard talks about his indefatigable journey into the nether reaches of Lisztiana, Alyn Shipton meets Ray Bryant, and John York, as ever, catches up on the latest music publications.
Andante Boutique - Frederic Chopin - Solo Piano, Volume I dinu lipatti (piano) Geneva, Radio Studio No. 2, 9 July 1950 It is good tohear Ferruccio Busoni, another legendary pianistcomposer, http://www.andante.com/boutique/Shop/index.cfm?action=displayProduct&iProductID=
Andante Boutique - Concertgebouw Orchestra - 1940-1958: Eduard Van Beinum a Bach concerto with the visionary pianist dinu lipatti, dinu lipatti (piano)Eduard van Beinum (conductor), Concertgebouw Orchestra 2 October 1947 http://www.andante.com/boutique/shop/index.cfm?action=displayProduct&iProductID=
Ny Side 1 dinu lipatti RumanianFrench pianist, composer and teacher. Bucharest, 19.03.1917 -Geneva, 02.12.1950. When dinu lipatti died at the age of 33, http://hjem.get2net.dk/Brofeldt/Catalogue_l.htm
Extractions: A B C D ... Z L Josef Labor Austrian composer, pianist and organist Horowitz, Bohemia, 29.06.1842 - Vienna, 26.04.1924 Three years old (in 1845) Labor contracted smallpox which resulted in total blindness. Thus his first education was at the Institute for the Blind in Vienna and having showed remarkable musical talent he went on to the Conservatory of Gesellschaft der Musikfreunde as a pupil of Simon Sechter (composition), who had also been Bruckner's teacher and Eduard Pirkhert (piano). In 1866 Labor and King George settled in Vienna where Labor taught the piano to Arnold Schönberg, Julius Bittner and Paul Wittgenstein and even started to take lessons himself in organ working with a famous church musician in Gmunden (Upper Austria) - with the very appropriate name Johann Evangelist Habert. Johann Evangelist Habert
Piano Music For The Left Hand Alone (And mind you - a pianist s hand is a very delicate instrument; either it works100 % or it dinu lipatti also commented on this issue, see appendix. http://hjem.get2net.dk/Brofeldt/
Extractions: Vienna, 05.11.1887 - New York, 03.03.1961 The site is meant to serve two purposes: 1. To widen the knowledge of this unique art, and 2. To encourage the readers to contribute with corrections and additional information about composers and works to make the site as complete as possible. So comments will be welcomed - at the bottom of the page you can click to contact me. No attempts have been made to make this page interesting with fancy effects, visual gimmicks or any such things. Its sole purpose is to serve this musical phenomenon, which by closer acquaintance will prove rewarding and contain interesting stories from the tragic to the funny.
Dinu Lipatti - Wikipedia, The Free Encyclopedia dinu lipatti (March 19, 1917 December 2, 1950) was a Romanian pianist whose lipatti was born in Bucharest into a musical family his father was a http://en.wikipedia.org/wiki/Dinu_Lipatti
Wolfgang Lempfrid: Dinu Lipatti Kaum ein pianist unseresJahrhunderts dürfte mit soviel Ehrfurcht genannt werden, http://www.koelnklavier.de/texte/interpreten/lipatti.html
Extractions: Literatur (Auswahl) , und Francis Poulenc sah in ihm einen sein Leben unter dem Zeichen der Gnade stand. (Transparenz) seiner Interpretationen: Lipatti als durchdringender Vergeistigung Oder anders gefragt: Läßt sich die Faszination, die von dem Musiker Lipatti ausging, auch heute noch nachvollziehen? Ein Versuch bietet sich an; immerhin ist seine künstlerische Hinterlassenschaft vergleichsweise überschaubar. Im Handel erhältlich sind derzeit rund sieben Stunden Musik, davon Etliches in doppelter Ausführung, als Studio-Produktion und Konzertmitschnitt. Entsprechend schmal ist auch das eingespielte Repertoire: Bach (mit Vorliebe in Bearbeitungen), zwei Scarlatti-Sonaten, Schubert-Impromptus, einzelne Werke von Liszt, Ravel und Enesco, ein wenig Mozart, die Klavierkonzerte von Schumann und Grieg, und vor allem Chopin. Beethoven hingegen fehlt ganz. Nur zögernd näherte Lipatti sich dem "Neuen Testament" der Klavierspieler an; von den 32 Sonaten hat er nur die "Waldsteinsonate" öffentlich gespielt. Vorwärtsdrängend und mit vibrierender Nervosität dann der erste Satz von Mozarts a-moll-Sonate KV 310 - das einzige Mal, daß Lipatti das Gefühl vermittelt, er müsse gegen die ihm verbleibende Zeit anspielen. Melodiebögen reißen unvermittelt ab, und die Durchführung brodelt bedrohlich im Pianissimo. Ein gelegentliches kurzes Aufbäumen ins Forte, dann fällt alles wieder in sich zusammen. Ein Mozart, der nicht im eigentlichen Sinne schön, dafür jedoch mit jeder Faser wahrhaftig ist. Der Vorwurf, Lipattis Kunst gehe das Dramatische ab, wird spätestens in seinem letzten Konzert ad absurdum geführt; man kann sich durchaus vorstellen, wie seine Interpretation der "Waldsteinsonate" geklungen haben muß.
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Dinu Lipatti - Wikipedia Translate this page Als dinu lipatti am 19. März 1917 in eine gut situierte Bukarester Als ihmdie Jury nur den zweiten Preis zugestand, verließ der pianist Alfred Cortot http://de.wikipedia.org/wiki/Dinu_Lipatti
