Angela Lear M.Mus ARAM LRAM ~ Angela Lear Classical Pianist ~ Angela Lear M.Mus ARAM LRAM ~ Angela Lear Classical Pianist ~ Angela Lear Chopin Researcher, Hello and Welcome to the Website of Angela Lear where http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126
Angela Lear M.Mus ARAM LRAM ~ Chopin Rersearcher Angela Lear M.Mus ARAM LRAM ~ Chopin his prerogative as the composerpianist to make any such revisions. http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126
Angela Lear The Polish Cultural Institute is pleased to invite you to a lecturerecital by the renowned British pianist Angela Lear. http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126
Mailgate Rec.music.collecting.cd Angela Lear - Chopin Recordings British concert pianist Angela Lear has many fulllength sound files selected from her five volumes in "The Original Chopin" CD Series available on http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126
MV3, With Gordon Rumson And Keith Bramich Angela Lear Concert Pianist. Chopin is at the core of the repertoire for the piano. http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126
Angela Lear International Concert Pianist BIOGRAPHY Following her London Bishopsgate Hall debut recital at the age of twelve Angela Lear began her concert http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126
Michael Letchford Artists Angela Lear Angela Lear Pianist. Following her London Bishopsgate Hall debut recital at the age of twelve Angela Lear began her concert career. http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126
The Chopin Files PianoPublicDomain.com. Classical Midi Connection. Alkan Site. Anneli Rydahl Official Homepage. Angela Lear, pianist and Chopin scholar Chopin http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126
UK Classical Links - Impulse ANGELA LEAR PIANIST http//classicalmus.hispeed.com/lear/ http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126
Extractions: Impromptu in A flat Op.29,Lento con gran espressione in C sharp minor Op.Posth (K. 1215-22),Nocturne in F sharp minor Op.48 No.2,Waltz in E flat major Op.posthumous,Impromptu in F sharp major, Op.36,Marche Funebre in C minor, Op.posthumous (KI059-68) Oxford Ed. Op.72 No.2, Trois Mazurkas Op.50 (1) G major (ii) A flat Major (iii) C sharp minor, Polonaise in A flat major Op.53 ('Heroique'). Angela Lear The Original Chopin (Volume 3) Ballade in F minor, Op.52, Grande Valse Brillante in E flat major, Op.18, Scherzo in B minor, Op.20, Nocturne in B major, Op.62 No.1, Polonaise in C sharp minor, Op.26 No.1, Mazurka in C minor, Op.56 No.3, Ballade in F major, Op.38, Nocturne in E flat major, Op.9 No.2 with original variants, Polonaise in B flat minor. Op.posth., Scherzo in E major, Op.54. Chopin held strong views about the performance of his music, and the directions he left in his manuscripts are so specific that its astonishing how far modern performance practice has departed from the stated intentions of Chopin . Most Chopin pianists over-dramatise the music of Chopin playing too loudly and too fast, with scant attention to inappropriate pedalling. Chopin experts have long sought to remedy the situation and to recapture the true style of playing his music among them Angela Lear what Chopin really intended. I hope you enjoy visiting my website Angela Lear M.Mus ARAM LRAM. Angela Lear has many Chopin recordings available on CD, Angela Lears chopin recordings are unique and a pleasure to experience. Hear what chopin really intended, Many CD's are available of Angela Lears Chopin recordings, please enter the official Angela Lear site for more information about my chopin recordings on CD available from Angela Lear and her Record Company.
Angela Lear M.Mus ARAM LRAM FRSA Classical Pianist Chopin angela lear M.Mus ARAM LRAM FRSA Classical pianist Chopin Researcher As the result of angela lear winning a Gold Medal for her performance of Ravels http://www.angelalear.co.uk/main.htm
Extractions: Chopin held strong views about the performance of his music, and the directions he left in his manuscripts are so specific that its astonishing how far modern performance practice has departed from Chopin's stated intentions. Most pianists over-dramatise Chopin's music, playing too loudly and too fast, with scant attention to phrasing and dynamics and with inappropriate pedalling. Chopin experts have long sought to remedy the situation and to recapture the true style of playing his music among them Angela Lear. her Chopin, alongside other performances, even by some of the most respected pianists, is a revelation ... Hear what Chopin really intended. 'BBC Music Magazine' - awarded five stars for performance
Angela Lear - The Original Chopin pianist angela lear Records Chopin as the Master Intended One pianist, angelalear, has endeavored to produce recordings of Chopin s music which are as http://www.geocities.com/Vienna/2217/lear.htm
Extractions: The intimate and poetic nature of Chopin's music naturally lends itself to very personalized interpretations of the music by pianists - arguably more so than any other composer. This fact has resulted in recordings of Chopin's repertoire which vary dramatically from artist to artist, based on the particular interpretation of the pianist. It has also fostered a one hundred and fifty year old debate over just how to interpret Chopin's music. When we listen to a recording of Chopin's music, are we hearing the music as Chopin intended, or are we hearing how that particular pianist "reads" the music? Are we hearing Chopin or the artist who is playing his music? Does it matter? Surely it does. How an artist enunciates a particular phrase of the music affects its meaning - just as in human speech. This fact is particularly relevant to Chopin's music because it is so lyrical, poetic, and even narrative at times. Is a particular Mazurka, for example, a whimsical trifle or a solemn tone-poem? The answer is, usually, what the individual playing it thinks it is. Given the wide-ranging interpretations of Chopin's music in the form of recordings, we have the opportunity to seek out the "best" Chopin - "who does the best Preludes", "who does the best Ballades", etc. There are piano competitions which try to answer the question, "Who plays Chopin the best?" But what about the question, "How did Chopin want his music played?" - which ultimately begs the question, "What did Chopin mean - what was he saying?"
The Unofficial Chopin Homepage angela lear records Chopin as the Master intended (Why you should visit her site!) Chopin as pianist and Teacher thoughts from one of his pupils http://www.geocities.com/Vienna/2217/
Extractions: Angela Lear records Chopin as the Master intended (Why you should visit her site!) Links to other Chopin and Classical music sites Chopin Gallery - Images of the Master List of all Chopin works "Guns Smothered in Flowers" - My essay on Chopin Chopin recordings recommended by visitors. Chopin as Pianist and Teacher - thoughts from one of his pupils Quotes from Chopin himself Accounts of Chopin in performance by his contemporaries Chopin book reviews, biographies, recommended reading, reference, etc. My personal description of each of Chopin's genres (styles of composition) Essay on piano technique for Chopin by W. Stephan Kutrzeba (A must read!)
Michael Letchford Artists | Angela Lear angela lear pianist As the result of angela lear winning a Gold Medal forher performance of Ravels Miroirs she had a period of study with Nadia http://www.michaelletchfordartists.co.uk/artists/angela_lear/
Extractions: Pianist Following her London Bishopsgate Hall debut recital at the age of twelve Angela Lear began her concert career. After winning numerous competitions and prizes she studied at the Royal Academy of Music with Professor Guy Jonson (Senior Piano Professor and former pupil of Cortot and Rachmaninov). As the result of Angela Lear winning a Gold Medal for her performance of Ravels Miroirs she had a period of study with Nadia Boulanger. From 1972-76 Angela Lear worked with Louis Kentner, who introduced her to the importance of researching into Chopins autograph manuscripts and original sources due to the discrepancies contained in various edited publications. Angela Lear has undertaken extensive research studies into Chopins manuscripts and related sources and continue to be her life-long devotion. Angela Lear has toured the U.K. and abroad extensively giving recitals and is also in demand for her lecture-recitals on Chopin. She has performed at major concert venues worldwide, including recitals for international Chopin Societies and the Polish Embassy in London, and has had the privilege to be invited by the Chopin Society of Warsaw to give Chopin Recitals at the Castle Ostrogski and the composer's birthplace at Zelazowa Wola. Michael Letchford Artists e-mail
Michael Letchford Artists Lane (MezzoSoprano) Lada Valesova (pianist) Paolo Vaglieri (Conductor) angela lear (Piano) Aviva Timonier (Soprano) Rita Bouboulidi (pianist) http://www.michaelletchfordartists.co.uk/
Angela Lear by angela lear. Sunday, 28 September 2003 7.30pm Institute is pleased toinvite you to a lecturerecital by the renowned British pianist angela lear. http://www.polishculture.org.uk/EVENTS_2003/angela_lear.html
Extractions: Angela Lear "…her Chopin, alongside other performances, even by some of the most respected pianists, is a revelation …Hear what Chopin really intended." BBC Music Magazine Programme An introductory talk on selected compositions with comparative interpretations illustrated (approx. 15 minutes) Chopin Recita l
EVENTS/ART recital by angela lear Polish jazz pianist Leszek Mozdzer + Gilad Atzmon The Orient House Ensemble more. 4 November 2000 Reid Concert Hall http://www.polishculture.org.uk/archive_music_intro.html
Welcome To Piano.com lear, angela British concert pianist who is dedicated to performing the worksof Chopin as the composer intended. She has spent over 30 years researching http://www.piano.com/pianist/pianist_classical.cfm
Extractions: 2 Gordon Rumson BRAVE HEART listen 0:00-0:37 ]. Perhaps also she does not have the highest level of poetic sensibilities such as Emil Gilels (who does?), but Lear is capable of lyricism, heroism, fancy and delight in splendid quantity. I say this and say it in this way because Lear has put herself forward in the arena of Chopin performance and placed herself at odds with virtually the entire general tradition of Chopin interpretation. This is a dangerous thing to have done. It will not do to compare her with some giant, find her wanting and then denigrate her researches and findings. She deserves a fair hearing judged upon her own merits, capacities and contributions. Therefore, let me repeat, Angela Lear is an excellent pianist and musician. The current approach with the Chopin Etudes is to play them as gigantic tournaments of pianistic virtuosity (and even Lear believes they occupy the highest summit though I think they do not) with fantastic vehemence and absolute clarity of the notes. Edmund Burke, that sad conservative who did not fully grasp his own thoughts, rightly understood that the obscure, the veiled and the unclear could actually have a more profound impact than the plain and precise. As he stands at the onset of Romanticism in poetry and music, his observations may indeed have been borne out by the music of Chopin.
