Michel Leeb larsen, carter Composer and pianist; has recorded classical piano CDs and composesfilm scores; sound clips. Leeb, Christina (1976) Young austrian pianist http://www.zuccaweb.it/personaggi-maschili/Michel-Leeb.asp
Fantasia Suite carter larsen s music is at the core of a progressive marketing campaign. concert pianist/composer carter larsen is a protege of John Adams. http://www.fantasiasuite.com/
Extractions: Fantasia Suite and the piano are the prime symbols in the promotion of Neo- Romanticism directed to an ever more prosperous, sophisticated and trend setting 21st century audience. Recognition of Carter Larsen's music will be enhanced by extensive endorsement from today's greatest living performers. One of the most brilliant musical talents on the market today, concert pianist/composer Carter Larsen is a protege of John Adams. Larsen studied in London and Paris with a direct lineage of history's greatest composers including Mozart, Haydn, Beethoven, Liszt, Chopin, Saint-Saens and Ravel. He has established regular worldwide exposure through concerts, radio and television appearances.
Pianist carter larsen Catherine Gordeladze Cecil Taylor Cesar Camargo Mariano Chad Twedt Chantal Kreviazuk Cheryl Hodge Chiara Bertoglio Chick Corea http://www.prartmusic.com/html/cool_piano.htm
Quite A Concert In Store For Us! And Elliott carter was in the midst of this all, giving a small filmed interviewjust before the He s a very good pianist. However, for whatever reason, http://www.newmusicon.org/v12n3/tribeca_film.html
Religious Piano Collections Lloyd Larson, 21, $ 17.50. Gospel pianist 25 Embellished Hymns Volume 2 Little Chorale Preludes for Piano 7 Classic Hymns, John carter, 03, $ 19.95 http://www.opus-two.com/PianoReligious.html
Hoeptner Review Of The 2004 RMRF Festival headliner Max Morath, widely respected singer, pianist, and author, Morten Gunnar larsen followed with a Eubie Blake rag from the 1970s, http://www.ragtimers.org/Hoeptner_Review_2004.htm
Extractions: Return to RMRF Home page A Review of the ROCKY MOUNTAIN RAGTIME FESTIVAL 2004 By Fred Hoeptner Headlined this year by Max Morath, renowned musician entertainer who has been living a ragtime life for more than 40 years, the twelfth annual Rocky Mountain Ragtime Festival opened Thursday, July 14 in Boulder, CO and closed the following Monday evening having presented four major evening concerts, eleven hours of specialty concerts, a symposium session, a cabaret session, a Sunday brunch and dance, and indeterminate hours of late evening afterburner sessions. The Board of Directors chaired by Jack Rummel had obtained funding from the Scientific and Cultural Facilities District of Denver, the Gordon Gamm Gift Fund, radio station KGNU, and the donations of many individuals. Musical Director Scott Kirby had accomplished his usual superb job of selecting performers and organizing the programs. In addition, a cadre of 26 indispensable volunteers helped to make the festival a roaring success. The venue for Thursday, Friday, and Saturday concerts and the symposium was again the comfortable air-conditioned and acoustically superb Unity Church, with the Saturday evening cabaret, after hour sessions, and Sunday brunch and dance at a new location, the elegant Millennium Harvest House Hotel. The Monday concert was held as usual at the Chris Finger Piano Company showroom in nearby Niwot. The Finger Company also furnished the superb Schimmel concert pianos used for the concerts. While the emphasis at the concerts remained on ragtime, this most eclectic of the festivals digressed as usual into other syncopated musical genres.
Housewright Music Symposium Vision 2020 Warrick L. carter is former director of Disney Entertainment Arts for Walt Libby larsen, Music Instruction for 2020, speech presented at Vision 2020 http://www.menc.org/publication/vision2020/carter.html
Extractions: Jellison Contents Introduction Impact of School on Adult Life Deciding What's Meaningful Assessment and Meaningful Experiences, Skills, and Knowledge: Looking at the Data ... Response by Warrick L. Carter Response to Judith A. Jellison's "How Can All People Continue to Be Involved in Meaningful Music Participation? " Warrick L. Carter Warrick L. Carter is former director of Disney Entertainment Arts for Walt Disney Entertainment in Lake Buena Vista, Florida. Introduction Our topic addressing "How can all people continue to be involved?" presupposes that at one time "all people" have been involved in some form of meaningful music participation. I would suggest that, although it has been an historic goal of music education, we have failed to successfully provide meaningful music participation for all people. Our question rather should be, "How can we provide meaningful musical experiences so that all people will seek to continue music participation in later life?" School to Adult Life The MENC document Opportunity-to-Learn Standards for Music Instruction. Grades PreK-12 appropriately identifies the participation of music in adult life as the ultimate goal for music education experiences: "[I]t is important to note that the ultimate objective of all standards, all music curriculums, and all school personnel is to help all students gain the broad skills and knowledgethat will enable them to function effectively as adults and to contribute to society in today's world and tomorrow's.''
American Theatre Organ Society Gaylord carter, whose 80year performance career defined theatre organist pianist William Teaford and organist Shirley Obert closed the service with a http://www.atos.org/Pages/Journal/Carter/carter.html
Extractions: Gaylord Carter, whose 80-year performance career defined "theatre organist," died November 20, 2000, at age 95. One of the world's renowned silent film accompanists and best-known theatre organists, this incredible human being gave sound to silent movies and introduced whole generations to the joy of the theatre pipe organ. The organ was Gaylord's lifelong playground, and he used it as his special effects sound stage for silent films, producing thunderous music for battles, ominous chords for villains, and trick sounds for punch lines. "At its best, the music is felt but not noticed," he once told the Los Angeles Times . "When it's right, you should lose yourself in the picture."
Library Of Congress Information Bulletin - August 2004 9; carter Quintet; Reicha Quintet in Bflat Major, op. 100, no. 1-2 BarnumsBird by Libby larsen (Library of Congress commission). World premiere http://www.loc.gov/loc/lcib/0109/sing.html
Extractions: 2001-2002 Concert Season Operas by Libby Larsen and Roger Reynolds Premiere I Hear America Singing Concert Season Tickets are required for all Library of Congress concerts. Tickets will be distributed by TicketMaster at (301) 808-6900, (410) 752-1200 in the Washington area or for others at (800) 551-7328. Each ticket will carry a nominal service charge of $2, with additional charges for phone orders and handling. Tickets are also available at TicketMaster outlets; for a complete list, visit the TicketMaster site www.ticketmaster.com. Although the supply of tickets may be exhausted, there are often empty seats at concert time. Interested patrons are encouraged to come to the Library by 6:30 p.m. on concert night to wait in the standby line for no-show tickets. All concerts will be held in the Coolidge Auditorium, located on the ground floor of the Thomas Jefferson Building, 10 First Street S.E., at 8 p.m., unless otherwise noted. Concerts from the Library of Congress 2001-2002 Programs subject to change without notice Sept. 28
Library Of Congress Announces 2001-2002 Concert Season February 12 Barnum s Bird by Libby larsen (Library of Congress commission) - World May 31 Paquito D Rivera and His Band with Regina carter, violin http://www.loc.gov/today/pr/2001/01-112.html
Extractions: Premieres of Operas by Libby Larsen and Roger Reynolds Are centerpieces The 2001-2002 season of "Concerts from the Library of Congress" presents a rich array of free public programs offering classical music, jazz, folk and popular music, musical theater, dance and film events. I HEAR AMERICA SINGING As part of the Library's multiyear celebration of America's rich musical creativity called "I Hear America Singing," the Music Division will be producing a series of broadcasts on the Library's Web site in 2002. This project will provide free Internet access to the Library's unsurpassed musical treasures through a database of recordings, reproductions of manuscripts and printed music, moving and still images, and discussions by scholars and performers. "I Hear America Singing" will include lectures, master classes, symposia and other educational programs that will examine a national musical legacy embracing the range of American musical expression. CONCERT SEASON Premieres of six Library of Congress commissions are slated for the coming season, including operas by Roger Reynolds and Libby Larsen and chamber works by Paquito D'Rivera, Donna Long, Ralph Shapey and Augusta Read Thomas.
Celebrity Orchestra Virtuoso pianist. Almost pursued a career as concert pianist. John Quincy Adams,6th President Vince carter, Professional Basketball Player Saxophone. http://www.musicfriends.org/fun/celeborch.html
Lori Laitman: Performances Soprano Barbara Quintiliani and pianist Craig Terry will present Loris BecomingA Redwood the program will include Libby larsen s Cowboy Songs, http://www.artsongs.com/hear/performances
Extractions: var portal_url='http://www.artsongs.com'; @import url(http://www.artsongs.com/ploneColumns.css); @import url(http://www.artsongs.com/plone.css); @import url(http://www.artsongs.com/ploneCustom.css); You are here: artsongs.com Listen to Lori's Works Performances MEET HEAR EXPLORE BUY ... CONTACT Your browser is not running scripts: we assume you need or desire content only, without design. Otherwise, please view on a modern script-enabled browser with CSS and, optionally, Flash. Performances Document Actions Recent and upcoming performances of Lori's work. April 1, 2005, 8 pm, Jordan Hall, Boston MA May 20, 2005, 8 pm, Alice Tully Hall, New York, NY âLori Laitman: Sax and Sopranoâ will be presented by The Arden Duoâ (Carolyn Bryan, saxophone from Georgia Southern University and Sandra McClain, soprano from the University of Virginia and Mary Baldwin College) at 10:30 am - 12:00 pm on March 19, 2004 at the Kresge Theater, Carnegie Mellon University. This lecture/recital is part of the Seventh Festival of Women Composers International presented by the Indiana University of Pennsylvania. On March 19, 2004 at 7 p.m. at CUNY Graduate Center, Elebash Recital Hall, 365, Fifth Avenue, NY, NY, mezzo-soprano Lynn Helding, pianist Jennifer Blyth and actress Karen Lordi will present âEmily Dickinson This is My Letter to the World.â The program features Dickinsonâs poems in settings by William Bolcom, Aaron Copland, Jake Heggie, and Lori Laitman interspersed with dramatic readings of selected Dickinson letters. Call 1-212-817-8215 to reserve tickets.
Summer2003 Our introduction to Elliott carters music began when we performed his First The program for this concert will include works by Haydn, Libby larsen, http://www.pacificaquartet.com/summer03.html
Extractions: In Fall 2003 the Pacifica Quartet begins a two-year term as Resident Quartet of the Lincoln Center Chamber Music Society II. Pacifica competed for this coveted post against several other outstanding ensembles in May 2002. The quartet is honored to receive this appointment and participate in the continuing tradition of chamber music excellence at The Chamber Music Society. The Pacifica Quartet has been appointed to the faculty of the University of Illinois School of Music. As part of their residency, they will appear in a three-concert series at the Krannert Center. The Pacifica will continue as artist-in-residence ensemble at the University of Chicago. Why We Play the Carter Cycle Always dealing first and foremost with the human experience, these five quartets are full of vitality, passion, and unique musical vision. The music not only portrays many of our deepest emotions, but goes a step beyond by showing representations of the processes by which we think and feel, from the dreamlike state of the First quartet expressing how our ideas are formed by subconsciously connecting one thought to the next, to the musical representation of very human connections of confrontation, discipleship, and companionship in the Second. Then comes the Third, two duos on stage playing what seem to be completely different pieces of music. At the beginning of the piece, one only hears chaos. However, as the piece progresses we realize that the focus gradually becomes the connections and relationships between these duos.
Aboutus In the December concert, they will be joined by acclaimed pianist Gilbert The Pacifica Quartet s concert of Elliott carter s five string quartets made http://www.pacificaquartet.com/news.html
La Folia -- Composed And DeComposed: Music Of Our Centuries I love carters thornier works too, but this was exquisite, Recently, aforeign pianist friend who excels in conservative twentieth century piano music http://www.lafolia.com/archive/koenig/koenig200011composed.html
Extractions: Online Music Review La Folia Home] [Archives by Contributor] [Archives by Date] ... Page] Composed and deComposed: Music of Our Centuries Steve Koenig [November 2000. Originally appeared in La Folia Fratres Einstein Grosse Fugue Requiem Cantigas Folksongs , originally a song cycle, the text taken from a setting of the autobiography of the runaway Cuban slave Esteban Montejo. Never one to eschew politics in much of his music, Henze here has nothing to scare away our editor; this is not a polemic work. Sez who? Ed. Officium Breve Canon a 4 Nuages grise and La Lugrubre gondola were quite different from the Chopin, quite modern moody and dark rumblings. The Liszt Sonata in B minor seemed to fly by, interesting in itself but merely a good performance. Generous with encores, we had three more Chopin pieces that were stunning, the Ballade , he would record the cycle. He smiled and said yes, although not all of them. He led me to believe DG would be amenable to this. Hout , for sax, marimba, guitar and piano from 1991, was clever and cute, though not deep, with its jazz-like sax riffs and honks. If it were a boy, it would be called a twink. The 1996
Carter Minor & Jason Barker : Blues Duo The carter Minor Jason Barker Blues Duo simple, direct, and heartfelt music . talents to the highlyregarded pianist Robert Griffin and John Larson. http://www.steelbender.com/bluesduo.html
Extractions: Carter Minor and Jason Barker have teamed up to form an entertaining duo saluting their common love for blues music. The pair have been developing a dynamic act since they made their first appearance at Bogart's of Raleigh, NC in April 2002. Their performances were so well-received that the popular venue asked them to host "Blue Mondays" twice per month: a regular engagement which continued for over a year. Little Walter to Jimi Hendrix and many points in between, the duo strives to retain the soulfulness of the music's founding fathers while putting their own distinctive stamp on the songs. By using an electronic rhythm machine with real-time control and low-wattage amplifiers, Minor and Barker manage to create a sound that is equally at home in small restaurant-style environments where volume concerns might be a priority, or in larger venues than can accomodate a more powerful approach. Minor and Barker's musical paths have crossed on numerous occasions during the past decade before their current project took flight. Both are longtime veterans of the music scene based in the Triangle area of North Carolina. They have shared the stage many times and been involved in a number of recording sessions together. Carter Minor has over 35 years of experience as a talented artist with diverse tastes. An accomplished jazz singer with an equally-adept touch for blues and gospel, Minor was raised in a family where music was important. His father played piano for the legendary
Extractions: An Evening with Sammy Cahn: Its Almost Magic Also see Bob's review of Immoral Imperatives will be providing delightful dont miss entertainment for lovers of The Great American Songbook through May 16 at Metuchens Forum Theatre. Sammy Cahn made a memorable 1972 appearance during the legendary early years of the Lyrics and Lyricists series at Manhattans 92nd Street Y abetted by three singers and a pianist. The evening was so special that in 1974, with only the slightest of modifications, he brought his presentation to Broadway under the title Words and Music , where it was a critically acclaimed success. In subsequent years, he performed the show in London and on tour. The presentation written in its entirety by Cahn was an exceedingly fine work of popular art, but it is doubtful that many thought of it as anything more than a richly entertaining concert style entertainment by the extremely clever lyricist. With Cahns passing in 1993, I would not have expected to ever see it again. However, to our great good fortune, someone came up with the idea that the work could be revived with an actor performing the role of Sammy Cahn. And so, bedecked with a new title, it is now providing New Jersey audiences with one of the most delightfully entertaining evenings of the theatre season. If it is an evening of the ...and then I wrote variety, and Im not ready to concede that it is, it transcends the limitations of the genre. When seen with an actor portraying Cahn, it feels more like the one man plays celebrating such writers as Mark Twain and Charles Dickens which have enriched our stages for so many years. Unerringly, Cahn was able to organize the stories and observations which made him a terrific raconteur to fit what has proven to be an ideal format for a humorous autobiographical musical play which deserves to become part of our stage literature.
Utah Centerville, Carol s Classy pianist, Carol Beck. Centerville, Dynamics, The,Diane Moon Salt Lake City, Esther larsen s Studio, Esther larsen http://www.nfmc-music.org/State Pages/Utah.html
Extractions: Utah Senior Clubs City Club Name Club President Bluffdale Riverton Piano Club Connie Jones Cedar City Southern Utah Piano Lucinda Duncan Delta West Millard Music Club Glena Moody Ephraim Central Utah Piano Barbara Dalene Hoytsville Summit County Piano Kathy Chappell Kaysville Bonneville Piano Club Diane Morrell Murray Salt Lake Piano Ann Harrington Nephi Juab Piano Margaret Thomson Orem Orem South Piano Judy Johnson Provo Provo South Piano Judy Hunsaker Salt Lake City Davis County Piano Alecia Racker Salt Lake City Midvalley Piano Julie Newton Salt Lake City Salt Lake Flute Karen Perkins Salt Lake City Salt Lake Voice Club Rebecca Glade Sandy Sandy A Piano Bruce Beckman Sandy Sandy B Piano K Smith Sandy Sandy C Piano Renee Harris SLC UFMC Festival Chairman Sandra Breysz Spanish Fork Utah Valley South Freda Leifson West Bountiful Salt Lake Strings Karen Child West Jordan
Composers Datebook, 2/16/2004 - 2/22/2004 1982American Jazz composer and pianist Thelonious Monk, age 64, in Englewood, 1977 Elliott carter A Symphony of Three Orchestra, by the New York http://composersdatebook.publicradio.org/listings/datebook_20040216.shtml
