Jazzvaka - Program Med seg har hun pianist Takle, som har bistått ved flere opptredener. anders Persson piano Lennart Ginnan bass Adam Nussbaum trommer http://www.trondheimjazzforum.no/tjf.php?action=2
Everything About Teaching And Learning The Piano Top Level Adult Group piano methods Your Favorites (Ellen johansen, 200112-01) (anders Arnqvist, 2002-01-18) 3rd Movement of the Waldstein Sonata (Daniel http://www.greenspun.com/bboard/q-and-a.tcl?topic=Everything About Teaching and
Literature / SMIC The coplayers in this band have been anders Jormin, Rune Carlsson and Jon I chose Jan Johansson, Georg Riedel and Egil johansen as co-players. http://www.mic.stim.se/avd/mic/prod/jazzfacts.nsf/WebNewsHidden/Bobo Stenson and
Nyhet I den har medspelarna hetat exempelvis anders Jormin, Rune Carlsson och Jon Jag valde då Jan Johansson, Georg Riedel och Egil johansen som medspelare. http://www.mic.stim.se/avd/mic/prod/jazzfacts.nsf/WebNewsHiddenSwe/Bobo Stenson
Kv anders Persson piano lördag den 17 kl 20. Position Alpha Arve Henriksentrumpet, Trygve Seim saxophones, Per Oddvar johansen percussion. http://www.kulturverket.com/kv.html
ECM During those studies he met pianist Christian Wallumrød, coproducer of thepresent disc Øyvind Brække and Per Oddvar johansen are both in The Source, http://www.ecmrecords.com/Background/ECM/1700/Bgr_1744.php
Extractions: News Artists Catalogue/Shop Tours ... About ECM A new name for ECM's ever-expanding roster of Scandinavian talent. "Different Rivers" is Norwegian saxophonist Trygve Seim's first album under his own name. Some biographical information: Trygve Seim was born in Oslo in 1971, and took up the saxophone at the age of 14. His earliest inspirations were, he says, Jan Garbarek, electric Miles Davis, and ECM's documentation of European improvising. Seim studied jazz at the Trondheim Conservatory. During those studies he met pianist Christian Wallumrød, co-producer of the present disc and an ECM artist in his own right (see "No Birch" ECM 1628) and together they formed the group Airamero, which made Scandinavian tours with Kenny Wheeler and played in Germany with Nils Petter Molvær. In 1992, Seim, now based back in Oslo, joined the "little big band" Oslo 13 and appears on its 1993 album "Live"; when leader Jon Balke left the group in 1995, Seim and fellow saxophonist Morten Halle became the ensemble's principal composers. In 1993, Seim co-founded the quartet The Source, a group originally rooted in the free jazz tradition but which has since developed a personal style of its own. The Source has played several concerts in which they are joined by the Cikada String Quartet (the classical ensemble that has appeared on ECM recordings by Bent Sørensen, Annette Peacock, Arild Andersen and Mats Edén). A Source/Cikada album will be issued by ECM in 2001. 1993 was also the year in which Seim launched the Trondheim Kunstorkester, a large ensemble containing many of the players now featured on "Different Rivers". "We started as a free music orchestra. I would just write small themes and then we would improvise: all of us were in the free music area at the time. In recent years, structure has become more im-portant to me, and some of the pieces we play now are totally composed."
ECM Leader/pianist Christian Wallumrød, born 1971, grew up in Kongsberg, Flaten anddrummer Per Oddvar johansen) and the Rosseland/Wallumrød/Eick Trio (with http://www.ecmrecords.com/Background/Background_1628.php
Extractions: News Artists Catalogue/Shop Tours ... About ECM From the very beginning of its history, ECM Records has championed the improvised music of the Far North. Its already substantial "nordic panorama" is now further expanded with the debut album of a trio made up of three young Norwegians. Their subtle, serious, original music shows an astute awareness of the achievements of Scandinavian jazz, yet also looks beyond it. No Birch (the title alludes to a famous poem by Swedish writer Karin Boye) is quietly adventurous, proposing a nexus between what one might term the post-Feldman, quasi-subliminal impulse of specific new music directions on the one hand, and developments in free playing that could be traced back to Paul Bley's daring use of space on the other. Either tendency can bring a musician to the realization that the absence of sound can be as potent and energizing as its presence, and indeed the Wallumrød Trio is unafraid to broach the brink of silence. The internal dynamic of the band derives from the adroit balancing of its members' musical preferences. To oversimplify, Wallumrød is the band's "jazz" player, Henriksen makes free improvisation his first priority, and Kjos Sørensen's percussion colours reflect his commitment to modern composition. It is perhaps the latter's presence that most quickly establishes the trio's originality. Born in 1965, Kjos Sørensen is the group's senior member and a musician recognized as the foremost classical percussionist in Norway today. He studied in Oslo, Banff and Versailles, before taking up posts as principal percussionist with the Bergen Philharmonic, the Stavanger Symphony and the Norwegian Radio Orchestra. His solo recital repertoire includes pieces by Xenakis, Stockhausen, Lachenmann, Donatoni, Volans, Denissow and many others. Kjos Sørensen has developed an improvised language to accompany modern dance together with violist Gro Løvdahl, recently demonstrated in the ballet Ploss in Oslo, and also works frequently with noted French percussionist Jean-Paul Drouet.
Untitled Document Muziek E. Grieg Strijkkwartet in g opus 27; DM johansen Strijkkwartet opus 35; Bij deze zes standaardwerken van de pianoliteratuur voelde de pianist http://www.avroklassiek.nl/klankarchief/0504.asp
Extractions: Op de binnenkant van hun nieuwe CD staat een foto met de leden van het Matangi Kwartet. Stevig ingepakt, maar met de kou op hun gezichten, proberen ze de handen te warmen bij een open vuurtje. Op de achtergrond rijzen besneeuwde bergen op. De boodschap laat weinig te raden over: deze CD gaat dus over een koud land. Het raffinement zit hem in de binnenkant. Want zo simpel het reclameplaatje oogt, zo verrassend divers is het repertoire: drie weinig gespeelde strijkkwartetten van Edvard Grieg, David Monrad Johansen en Julius Röntgen. Met Scandinavia vervolgt het Matangi Kwartet het pad dat ze met hun vorige cd single Bats from Hell zijn ingeslagen: weg van de mainstream, op zoek naar het experiment en de eigen vorm. Tekenend in dit verband is, dat de leden van het kwartet de begeleidende teksten in het CD-boekje zelf geschreven hebben. Altviolist Karsten Kleijer legt uit wat de drie componisten precies met elkaar te maken hebben en de overige leden vertellen onder welke omstandigheden ze zélf met de gespeelde stukken kennis hebben gemaakt. Met deze eenvoudige kunstgreep halen ze deze onbekende werken dichter naar de luisteraar/lezer toe.
Hösten 2002 I kvartetten ingår Jonas Knutsson saxofoner, anders Persson - piano, John Pohlman, som också medverkar som pianist i välbekanta tradjazz- och http://www.ejk.nu/2002_2.html
Lars Westin: Jazz In Sweden - An Overview (10) pianist Jan Lundgren (b. 1966) has collaborated with several musicians from Since 1954 Norwegian drummer Egil johansen (b. 1934) has lived in Sweden, http://www.visarkiv.se/en/jazz/sida_10c.htm
Extractions: Lars Westin: Jazz in Sweden - an overview Modern mainstream (3 of 3) Trumpeter Anders Bergcrantz (photo: Pentti Ronkanen (b. 1961) from Malmö has also played with many Danish groups in Copenhagen as well as fronting bands of his own; his American quartet has appeared at famous jazz venues in New York City. Alto and soprano saxophonist Håkan Broström (b. 1955) is not only a noted soloist and leader of his own group but also an excellent composer. Numerous younger musicians, such as trumpeter Peter Asplund (b. 1969) and alto saxophonist Johan Hörlén (b. 1967) play music in the wide field of modern mainstream. Pianist Jan Lundgren (b. 1966) has collaborated with several musicians from previous generations, most notably Arne Domnérus . The main part of his wide range of activities consists of a trio with bass and drums which plays music firmly rooted in jazz tradition, while at the same time making successful explorations into material that is significantly Swedish, ranging from folklore to pop music. Pianist Åke Johansson (b. 1937) is one of many musicians from the older generation who maintain the musical language of their younger years. He is a member of the group CBQ (Contemporary Bebop Quintet), which also includes tenor saxophonist Stefan Isaksson (b. 1956). One of the foremost soloists in this style, tenor saxophonist
::: M U S I K K L O F T E T ::: anders Mossberg har programmert kompet, og Vidar Lunden har mikset. Akkompagnert av Per Oddvar johansen på trommer og Olav Knerten Kamfjord på bass. http://www.musikkloftet.no/content/sladder/sladder_arkiv.html
Extractions: -har omsider sluppet sin nye CD og høster lovord for albumet "Seven Days On The Road"; "...denne gjengen skårer stort på både sjarm og innlevelse, men det er selve musikken som til slutt biter seg fast" (fra Aftenposten), "...det er bare å fastslå at plata er usedvanlig velprodusert" (fra Dagsavisen). Vi gratulerer! 26.11.03 Dr. Bekkens liveplate "...kan en pianist/ vokalist/ komponist/ tekstforfatter med bopæl på Finnskogen skildre en selvdød ku hjemme på plenen og samtidig formidle følelsen av å befinne seg nær jazzens vugge? Svaret er - utrolig nok - bekreftende. Dr. Bekken, med døpenavnet Tor Einar Bekken, sto for høydepunktet under Oslo Jazz Festival med en rå konsert på Muddy Waters" (fra anmeldelsen i Aftenposten). 24.11.03 Litt av hvert
JR.com: Music / Jazz Personnel Jacob Young (guitar); Vidar johansen (bass clarinet); anders JorminRelease Date 08/13/2004 Personnel anders Jormin (double bass); http://www.jr.com/JRSectionView.process?Ns=NewRelease&N=18670 4294050597&Ne=500
Thema - Our Releases The pianist Øyvind Aase has made Hurum´s music his own Aase understands theuniqueness of David Monrad johansen Ten Norwegian nursery rhymes op. 14 http://www.thema.no/english/releases.htm
Thema - Utgivelsene He has a substantial reputation as a pianist, but never suggests that he is merely 42 (anders Jynge). En kviddrende Lærke; Vaarmorgen i Skogen; Blaaveis http://www.thema.no/utgivelsene.htm
Acoustic Records De fire musikerne anders Lønne Grønseth (tenorsaksofon og bassklarinett), pianist Dave Skinner følger opp med både tøffe McCoy Tynertakter og nydelig http://home.c2i.net/acousticrecords/sphinx_reviews.htm
Extractions: Ut fra det store intet dukka kvartetten Sphinx opp for ett år siden med sin debut-CD. Sjøl de som følger godt med i norsk jazz måtte innrømme at de ble presentert for fire bortimot ukjente unge musikanter. Nå foreligger oppfølgeren, og bekreftelsen på at vi har med meget talentfulle unge herrer å gjøre. Mye av årsaken til at bassisten Audun Ellingsen, trommeslageren Ulrik Ibsen Thorsrud, tenorsaksofonisten og bassklarinettisten Anders Lønne Grønseth og den engelske pianisten Dave Skinner har levd i relativ musikalsk anonymitet her hjemme, er nok at de alle sammen har bodd og studert i England i flere år - nærmere bestemt i Leeds.
Acoustic Records Vi snakkar om anders Lønne Grønseth (saksofon og klarinett), Audun Ellingsen (bass)og Bandet fikk sin form i Leeds (2000), da med pianist Dave Skinner. http://home.c2i.net/acousticrecords/sphinx_reviews_1.htm
Extractions: Kvartetten Sphinx har eksistert siden 2000 og har bestått av tre fjerdedeler norsk ungdommelig pågangsmot og kreativitet og en fjerdedel engelsk ditto pianisme. Nå har nordmennene flytta hjem fra sine jazzstudier i Leeds og framstår som pianoløs trio med alle de muligheter det gir. Dessuten har de invitert med seg Petter Wettre på halvparten av denne dobbeltutgivelsen, noe som fører til ekstra utfordringer for både fastboende og gjest. Ut fra det store intet dukka bassisten Audun Ellingsen, trommeslageren Ulrik Ibsen Thorsrud, saksofonsisten og bassklarinettisten Anders Lønne Grønseth og pianisten Dave Skinner opp med den ganske så hemmelige utgivelsen "Sphinx" for knappe tre år siden. Nysgjerrigheten blei umiddelbart vekka og med oppfølgeren "Speaks The Riddle Of The Undisputed Truth" for to år siden, bekrefta kvartetten at dette norsk/engelske samarbeidet hadde utvikla seg til noe svært så spennende innen moderne, akustisk jazz. Nå er det altså trioutgava av Sphinx som viser seg fram og uten piano, eller andre akkordinstrument, går tankene lett i retning giganter som Joe Henderson og ikke minst Sonny Rollins som satte standarden for hva dette formatet kunne inenholde. Jeg har også kongerikets representanter mistenkt for å ha lyttet til og latt seg inspirere av de nevnte herrene, men også andre retningsgivere som Ornette Coleman og Dewey Redman kan ha vært med på å stake ut kursen. Uansett har Sphinx Trio kun benytta jazzhistoria til å la seg inspirere og søke etter et eget uttrykk - noe jeg føler de er på veldig god vei til.
Extractions: Jazz MP3s Jazz News Table of Contents Final Chorus ... Company Info Your location: JazzTimes.com Columns and Features Web Exclusive > The Sound of Young Norway Why are these guys wearing these sweaters? Because they're Norwegian, that's why. The government issues these button-ups to each and every citizen of the country to keep the cold out and the nationalist pride up. OK, so we kid about the haberdashery-as does In the Country, the fantastic experimental-jazz trio sporting the Dale of Norway duds-but we are serious about our passion for Norwegian jazz. All Ears ( all-ears.no Kongsberg Jazz Festival ( kongsberg-jazzfestival.no Molde Jazz Festival ( moldejazz.no Natt Jazz ( nattjazz.no Northwest Passage ( northwestpassagefestival.com Oslo Jazz Festival ( oslojazz.no Trondheim Jazz Festival ( trondheim-jazzfestival.no Vossa Jazz ( vossajazz.no Rune Mortensen ( runemortensen.no Truls Haugland ( trulshaugland.net 2l.musiconline.no
MIC with bassist Bjørn Alterhaug and saxophonist Bjørn johansen together with While his death leaves a great gap in Norwegian music, the pianist was http://www.mic.no/mic.nsf/doc/art2002102109435117750972
Extractions: The snowball effect - part 2 In this second instalment in a series of three, UK-based journalist Michael Tucker presents his Rough guide to (New) Norwegian Music. This excellent article, which was first published in respected Avant Magazine, gives the reader a comprehensive look into four decades of Norwegian jazz and contemporary music. Four of the most beautiful of all Norwegian jazz records were released in the latter half of the 1970s: the 1975 Soturnudi by the Guttorm Guttormsen Quartet, with Guttormsen (saxes), Brynjulf Blix (piano), Carl Morten Iversen (bass) and Espen Rud (drums); the 1978 Til Jorden (To the Earth), which featured poet Rolf Jacobsen reading his work to music composed by pianist Egil Kapstad, with bassist Bjørn Alterhaug and saxophonist Bjørn Johansen together with Karin Krog in the accompanying ensemble; Moments, also of 1978, which found various musicians, including ex-Jan Garbarek Group pianist Terje Bjørklund and saxophonist John Pål Inderberg in a largish ensemble (including another excellent pianist Per Husby) interpreting eleven lyrically-charged compositions by bassist Alterhaug, and the 1979 Albufeira, with alto and soprano saxophonist Guttorm Guttormsen leading a quartet with bassist Iversen again present, but with Rune Klakegg now on piano and Jørgen Næss on drums.
Printed From Mic.no/english Jan Garbarek (200x180) The Snowball 1999 Serenity by the Bobo Steson Trio (with Swedish bassist anders Featuring pianist Finnerud, bassist Bjørnar andresen (who appeared on Terje http://www.mic.no/mic.nsf/printstory/art2002102109435117750972
Extractions: In this second instalment in a series of three, UK-based journalist Michael Tucker presents his Rough guide to (New) Norwegian Music. This excellent article, which was first published in respected Avant Magazine, gives the reader a comprehensive look into four decades of Norwegian jazz and contemporary music. Four of the most beautiful of all Norwegian jazz records were released in the latter half of the 1970s: the 1975 Soturnudi by the Guttorm Guttormsen Quartet, with Guttormsen (saxes), Brynjulf Blix (piano), Carl Morten Iversen (bass) and Espen Rud (drums); the 1978 Til Jorden (To the Earth), which featured poet Rolf Jacobsen reading his work to music composed by pianist Egil Kapstad, with bassist Bjørn Alterhaug and saxophonist Bjørn Johansen together with Karin Krog in the accompanying ensemble; Moments, also of 1978, which found various musicians, including ex-Jan Garbarek Group pianist Terje Bjørklund and saxophonist John Pål Inderberg in a largish ensemble (including another excellent pianist Per Husby) interpreting eleven lyrically-charged compositions by bassist Alterhaug, and the 1979 Albufeira, with alto and soprano saxophonist Guttorm Guttormsen leading a quartet with bassist Iversen again present, but with Rune Klakegg now on piano and Jørgen Næss on drums.
