Richard Hatch - Insomniac Mania Synopsis Richard hatch Took The Time To Conduct A Phone Interview With Me. Richard Well I ve known david, and david s just a nice guy, http://www.insomniacmania.com/interview_default.php?id=40
The Foundation Dec 2 glen Rose performs Cole Porter. If you don t know who we are talking The Dorothy Edwards hatch Scholarship was established by a $20000 memorial http://www.prineville-crookcounty.org/foundation/found_projects.cfm
Extractions: Crook County Foundation Scholarship and Community Scholarships: Community: Picnic in the Park Get ready for a community celebration of food, family, and music. CCF is planning four free concerts in Pioneer Park. Save your Wednesdays for music- July 20, July 27, Aug 3, Aug 10. Food booths where local restaurants highlight their specialties will be available. Plan to join the fun right after work. Music starts at 5:30 pm. Bring a chair and a friend! Here is the concert lineup: July 20 - Paul deLay Portland's premier harmonica artist and songwriter will bring his contemporary blues sound to Prineville. According to Westcoast Blues Review ?Paul is not just great?he's without a doubt the most brilliant, creative and talented blues harmonica player on the planet.? Check out his sound at www.pauldelay.com/recordings.ihtml
Extractions: (Castle Music) New Faces . Their elder siblings however, know him as the songwriting / producing machine behind the ginormous curates egg of 60s pop hits that make up this handsomely retro-packaged, definitive compilation. On the classic side, Tone gets Petula Clark belting away like a kicks-starved majorette on US No 1 smash Downtown and squeezes the fantastic, soppy Euro-ballad Joanna out of Scott Walker at a time when hed much rather have been intoning the rum Belgian chansons of Jacques Brel. The Foundations doubtless energised many a Kray-filled Soho lounge with the horny Hammersmith soul of Call Me, and Merseybeat gets to show off one of its hardier progeny, The Searchers' "Sugar and Spice". Amid these gems there's a glut of mostly pleasing ballads, cod-soul and nifty string-laden harmony pop from the likes of Mark Wynter, Mrs Hatch herself, Jackie Trent and even latter-day Coronation Street matriarch Sue Nichols. Yet more Hatch nepotism comes in the form of his sister, doe-eyed poppet Ninette, with flower-power paean "I Just Wonder Why". Utterly naïve and anachronistic it may be, but it's no less prepossessing and pretty for that. Honourable mention too for "Two Of Each", "Mally Page", "The Sands of Time" and at least a dozen other obscure Pye Records acts that a certain Mr Austin Powers would be more than happy to crank up on the Dansette in his Mayfair pad.
Ninfinger Productions: Scale Models david Weeks. (Ed. note The illustrations don t really come through very well in The hatch used on Shepard s spacecraft was thicker and heavier than on http://www.ninfinger.org/~sven/models/rms_tips/mr3.html
Extractions: Building the Mercury-Redstone David Weeks (Ed. note: The illustrations don't really come through very well in the size needed for this page. Therefore, I have created an Adobe PDF file of the full size drawings that you can download and print on your own printer. The links for the downloads will be at the end of this article. The part numbers for the Mercury capsule called out in the article are identical for both the Revell and Monogram issues of the kit (including the recent SSP reissue)) Series rekindled my interest. After purchasing a handful, they sat on the shelf while other projects occupied my time. Then in 1989 I saw where Glencoe was going to re-release Hawk's old Jupiter C kit in 1/48 scale. I'd seen the original item at kit collectors' shows, but its price had kept me from purchasing, especially if I was going to stick it together with glue. Anyway, Glencoe's notice gave me an idea: why not combine the two kits to create a replica of Alan Shepard's historic flight vehicle (MR-3). I did some basic research and didn't come up with much. Most of the coffee-table books on manned spaceflight concentrated on Apollo and the Space Shuttle with Project Mercury beeing only briefly discussed and the Mercury hardware barely touched, so I dug deeper. Each Mercury spacecraft was configured to the mission assigned, so no two were alike. Externally, two basic types of operational spacecraft were built by McDonnell Aircraft, the major differences were in the type of windows and side hatch. Spacecraft number 7 (Shepard's) was the only example of the early type to be manned. Figure 1 shows the basic dimensions of the Mercury spacecraft and escape tower.
Guitar, Piano And Voice Sheet Music - Title Index Scorch Digital Sheet Music Don t Sleep In The Subway by Tony hatch and Dalton by John david Souther, Don Henley, Jackson Browne and Glenn Frey http://www.musicnotes.com/SheetMusic/index/GuitarPianoVoice/html/defaultD.asp
Extractions: SIGN IN VIEW CART WISH LIST PLACE ORDER ... MY ACCOUNT title or artist title artist/composer keyword search for: back to Table of Instruments with Voice View sorted by Composers, Lyricists and Performers Keyword/Subject Style or Form A B C [D] E F G H ... Z Titles beginning with the letter D by Bob Di Piero, Steve Seskin and Mark D. Sanders
RECORDINGS Also works by Peter hatch, Peter Hannan, david Mott and Gordon Monahan.Musica Viva (CBC Records), 1993. An audio composition inspired by Glenn Gould. http://www.chass.utoronto.ca/~chatzis/recordings.htm
Extractions: AWAKENING String Quartet No. 1 (The Awakening) String Quartet No. 2 (The Gathering) Compact disc consisting of Christos' two string quartets. The St. Lawrence String Quartet (Geoff Nuttall, violin; Barry Shiffman, violin; Lesley Robertson, viola; Christopher Constanza, cello). Barry Shiffman, executive producer; Theresa Leonard, producer; Mark Willsher, recording engineer. EMI Classics 72435 25. Released in Canada and internationally: March 29 2005; in USA: May 10 2005. For more info click HERE Christos Hatzis:
Grammy Awards Al de Lory By the Time I Get to Phoenix (glen Campbell) Victoria de losAngeles (Gonzalo Soriano, pianist) - Victoria de los Angeles Sings Debussy http://www.goldderby.com/lostmind/year/1967/1967grammy.htm
EContact! 7.1 - JTTP 2004 Freida Abtan Steven Barnett - Nicolas Basque - Samuel Beaudoin - david Patrick Valiquet was trained as a pianist at McGill University and now lives http://cec.concordia.ca/jttp/2004/
Extractions: Steve Barnett has been obsessed with sounds and soundscapes for his entire life and has been involved in sound production for just over four years. He is currently finishing his first year in the Concordia Electroacoustic program, and this piece was his final project for the year. It is an electroacoustic recreation of the beautiful and spacious jazz tune, Nefertiti, originally written by Wayne Shorter in 1967. With his Minidisc recorder, Audiomulch, Sound Forge and Acid Pro 3 he can be found working on new and exciting projects such as this eight-minute piece, entitled rather appropriately, "Nefertiti Undercover". Nicolas Basque Andrew Watson 29.10.2003 11:23 AM Room 209
Coolfer Cuban Opposes hatch s Candidacy. (The Ledger) For Mark s sake I hope he does Ferrer s death follows the passing of Buena Vista pianist Ruben Gonzalez in http://www.coolfer.com/blog/
Extractions: The day started out with a brief introduction by Jenny Toomey, the executive director of the Future of Music Coalition. After saying hello and thanking those of us who showed up early, she talked a bit about FOMC's relationship to New Orleans, its pledge of support to the city and her appreciation of how the music community has reached out to those affected by the disaster. Then it was on to the panels. Panel 01: "Guiding Aritst Through Tremendous Change" From left to right: Michael Hausman (Michael Hausman Artist Management), Clyde Valentin (Director, Hip Hop Theater Festival), Shoshana Zisk (Management, George Clinton Enterprises), Charles Bissel (The Wrens), Bertis Downs (Advisor, R.E.M.), Peter Jenner (Manager, Sincere Management/Secretar General, IMMF), Eric Brace (Moderator) Moderator Eric Brace guided the panelists through discussions about the changes that are â and sometimes aren't â happening in the music business. All were in agreement that the current business model, based on selling physical product, is outdated, and all acknowledge and embrace the ways new technologies allow artists to take more ownership in their careers and market themselves to consumers. The most visionary and eloquent thoughts were expressed by Peter Jenner , the current manager of Billy Bragg and former manager of T Rex, The Clash and Pink Floyd, among others. "No one knows which (business model) is going to be the important one,â he said when the topic came to the troubles with the current business model. âNo one knows how we're going to get paid for them. We know the Internet and mobile phones are out there, people use them, people are going to get music from them, and there's going to be some money knocking around there for them."
MUSINGS & RAMBLINGS: August 2005 Archives Out in the parking lot Carl Bowers had just popped the hatch of his SUV and The solos were hot from the beginning and david and Glenn were both on the http://www.sonomatunes.com/weblog/archives/2005/08/
Extractions: SONOMA TUNE'S WEBLOG Main Whew....what a weekend!! I think I'm calling it quits for the weekend unless I decide to fight the Accordion festival traffic in Cotati and hit Bobby Young and Motordude Zydeco at tradewinds and Spancky's. It is weird going into "clubs"during the day and they both are early afternoon shows. OT, even with an earlier start, getting up at 3am, and I thought I had made good time until.....on the way home, I'm driving along the twisting, narrow, two-lane mountain road that I drive everyday, behind a P/U truck and there appears a cloud of amber dust in front of him. He slows and pulls to the side and right in front of me is a truck on the other side wrapped in barbed wire on the side of the road facing me and it was tore up! It bounced off a big old Cypress tree that was on our side. The smoke and dust was still there and out of the wreckage appeared a lady screaming for help a bloodied mess.
San Diego Magazine Archives Highwayman, an old countrywestern standard recorded by glen Campbell. Don hatch is hosting a karaoke night at the Travelodges Waterfront Club. http://www.sandiegomag.com/issues/december96/karaoke.shtml
Extractions: By Ron Donoho Its 9 oclock on a Saturday... and Im sitting in a long, narrow sing-along piano bar at Kellys Steak House in Mission Valley. The regular crowd shuffles in... to hear Paul Gregg, whose ivory tickling provides the only perceptible wattage in the dimly lit room. Theres an old man sitting next to me... wearing Bavarian lederhosen. Making love to his tonic and gin... Filling a Naugahyde stool, this burly gentleman decides to celebrate Oktoberfest by crooning Elvis Cant Help Falling in Love. And the piano sounds like a carnival... So now a red-coiffed ex-burlesque dancershes legally deafshimmies off her stool. And the microphone smells like a beer...
Composition Glenn Buhr received a BMus degree from the University of Manitoba, a MMus degreefrom the Dr. hatch s compositions are in a large number of genres, http://info.wlu.ca/~wwwmusic/compos.html
Extractions: Composition students have access to two Electro-Acoustic Music Studios (Studio A and B) which use a micro-computer-controlled digital audio and MIDI-based facility to create "tape" compositions. A variety of synthesis techniques are available including FM , Analog, and Sampling. Signal processing (outboard' equipment) and both digital and analog recording equipment complete the facility. A third station is used for music notation. Studio A has been assembled to facilitate MIDI based composition. It uses a computer interface (O'S Studio 3), which allows MIDI control information to flow freely between software programs and external sound modules, synthesizers and effects unit s. Currently, Opcode StudioVision Pro and Max are the primary software programs resident on the computer, controlling synthesizers including the Alesis QS-6 and Roland DX7-II. Once completed, projects can be realized via the Spirit Auto 24-8-2 mixer to various playback media (cassette, DAT). Studio B is specifically designed for digital audio recording, manipulation and storage. It uses a computer interface (Audiomedia III card), which allows the importation of music/sound from any standard media (cassette tape, DAT, CD). Once residen t on the computer hard disk, the sound can be edited and manipulated using the Protools editing/DSP program, as well as external processing modules. Once completed, projects can be exported, via digital or analog paths, to various playback media (CD-R, c assette, DAT).
Derby Playhouse – Company Biographies CAST Sarah Annis John Barr Michael Cahill Glenn Carter Sophie Caton CREATIVE TEAM Karen Louise Hebden Steven Richardson david Plater http://www.derbyplayhouse.co.uk/companyBiogs.htm
Aventa - Past Concerts horn / Ron Kilian, Cary Chow, piano / Dave Humphrey, Masako Hockey, Gordon Mumma, Glenn Buhr, Linda Catlin Smith, and Peter hatch. http://www.aventa.ca/past-concerts.htm
Extractions: Alix Goolden Performance Hall (Pandora at Quadra) Bill Linwood, conductor, percussion / Susan Young, soprano / Lanny Pollet, flute / Patricia Kostek, clarinet / Darnell Linwood, horn / Ron Kilian, Cary Chow, piano / Dave Humphrey, Masako Hockey, percussion / Darren Buhr, doublebass Gilles Tremblay, Solstices
The 1998-1999 Season The Reverend Lionel Toop, david Schucker. Penelope Toop, Brenda Pollard Set Construction, Russell Bennett , Mark Cannon, Troy Hamilton, Glenn Hyde, http://www.lawtontheater.org/Past Productions/1998-1999.htm
Extractions: The Lawton Community Theatre 1998 - 1999 Season The Sound of Music Maria Rainer Leslie Brennan Sister Berthe Frederica Grant Sister Margaretta Martha McCartney The Mother Abbess Elizabeth Carson-Rodriguez Sister Sophia Deb Flores Captain von Trapp Troy Hamilton Franz Glenn Hyde Frau Schmidt Gretchen Murphy-Bowman Liesl Heather Nicole Fields Friedrich Mark Nielsen Louisa Cassy Lynn Hill Kurt Matthew Wampler Brigitta Emily Chambers Marta Katherine Bonnin Gretl Brooke Brubaker Rolf Gruber Dennis Meyer Elsa Schrader Jennifer Jones Ursula Annie Solstad Max Detweiler Joe Langley, Scott Richard Klein Herr Zeller Scott Bonnin Frau Zeller Janice Nielsen Baron Elberfeld Tim Snider Baroness Elberfeld Amy Rittenhouse A New Postulant Emily Langley Admiral von Schreiber Keith Petras Orphan Chorus Servants Neighbors Musicians Keyboard Nelda Milligan Percussion Kenneth Schell Horn Peter Burke Production Staff Director Scott Richard Klein Musical Director Linda Chapman Childrens Acting Coach Sally Simpson Set Design Travis Bohannan Stage Manager Victor Leary Assistant Stage Manager April Johnston Lighting Console Operator Nick Mosiman Follow Spot Operators Properties Stage Crew
The 1978-1979 Season Pippin, Glenn Ruffenach. Charles, his father, Bruce Creed Roustabouts,Greg English, david Gabriele, Tim McCandliss, Michael Perez http://www.lawtontheater.org/Past Productions/1978-1979.htm
Extractions: The Lawton Community Theatre 1978 - 1979 Season Pippin Leading Player Robert M. Urban Pippin Glenn Ruffenach Charles, his father Bruce Creed Lewis, his half-brother Jim Ring Fastrada, his stepmother Janice Coffman Berthe, his grandmother Muriel McCoy Catherine, a widow Sandra Sylvester Theo, her son Julio Collado Other Players Pamela Beishline, David Dinsmore, Greg English, Gwen Groves, Leslie Layton, Jimmy Lewis, Robert McGuire, Debby Pitts, Anita Rupp, William Rupp, Sherri Urban Musicians Piano Jan Blomgren Drums Kent Fountain Bass John Woods Guitar Jim Casteel Flute Vanessa White Production Staff Directed by Irby Darnell Choreographed by Gwen Groves Lighting Design Emma Prophet Costume Design Lucy Freeman Stage Manager Karen Ruffenach Assistant SM Charis Maynard Music Coordinator Aves Munson Vocal Coach Michael Sylvester Production Manager Boyd Fisher Assistant PM Richard Moon Set Construction Jack Brennan, Bill Simms, Al Turner, "Bo" Bowman, Bill Irwin Lighting Crew Chief Susan Pinkerman Lighting Crew Barbara Millier, Paul O'Leary, Bob Ring, Al Turner, Amy McIntyre, Mark O'Connor
ADASA Hawaii - Discography Other artists on their roster at the time were Glenn Campbell, Call Me waswritten by Tony hatch, most famous for Petula Clark s Downtown . http://www.donnaloren.net/Discography.asp
Extractions: To play the sound clips, QuickTime is required. Click Here to Download QuickTime 45 RPM Releases Year Label Number Title/Description Song Clip Fable I Think It's Almost Christmas Time At age 9, Donna was performing in Los Angeles as part of "The Moppets Group" and was already taking her career very seriously. This was her first record, recorded under her real name, Donna Zukor, and produced by Jesse Hodges, who also arranged the vocals on Donna's 1963 release, "If You Loved Me". The B-Side was "My Christmas Prayer", vocal by Jesse Hodges. None Skylark Honey Buggie None Skylark Keeping Company None Ramada The More I See Him None Ramada (Oo-we) Can't You See None Crest Hands Off In 1962, Donna was signed by the American Publishing Company to sing demos. Other artists on their roster at the time were Glenn Campbell, Johnny Rivers, Hal Blaine, Frank Gorshin and Jimmy Bowen. Donna was the company's first artist and this was their first production on the Crest label. It was also the first record under the Donna Loren name. It was produced by Jimmy Bowen (his first production), arranged by Gene Page and recorded at Goldstar Studios in Hollywood. None Crest I'm So Lonely In 1962, Donna was signed by the American Publishing Company to sing demos. Other artists on their roster at the time were Glenn Campbell, Johnny Rivers, Hal Blaine, Frank Gorshin and Jimmy Bowen. Donna was the company's first artist and this was their first production on the Crest label. It was also the first record under the Donna Loren name. It was produced by Jimmy Bowen (his first production), arranged by Gene Page and recorded at Goldstar Studios in Hollywood.
| | | | | WASBE2005_Singapore | | | | at Boston University and for the general public in Boston s hatch Shell. Glenn Price (Canada) currently serves as the WASBE International Youth Wind http://www.wasbe2005.com/12iyworg.htm
Extractions: Introduction The WASBE International Youth Wind Orchestra (IYWO) is an ensemble of approximately 50 outstanding young musicians, ages 18 to 25, from throughout the world. The ensemble performs the finest compositions composed for the wind orchestra medium, and is conducted by internationally renowned conductors. The next performance of the IYWO will be at the 12th Biennial Conference of the World Association of Symphonic Bands and Ensembles (WASBE) to be held in Singapore from 10 to 16 July 2005. This weeklong conference will be attended by hundreds of conductors, composers, performers, publishers, teachers, instrument makers and friends of wind music from many nations around the world and will include performances by some of the finest wind band/ensembles from throughout the world. Rehearsals are daily and will conclude with a concert on 16 July at 3.30pm at the Esplanade Concert Hall under the baton of Felix Hauswirth and Yasuhide Ito. The Artistic Director is Dr. Glenn D. Price. With tradition, this is part of the conference's "finale". History The WASBE International Youth Wind Orchestra began in 1987 when the Boston Conference organizers, Frank Battisti (USA) and Lee Chrisman (USA), asked William Johnson (USA) to form an international youth honor band to perform at the 3rd WASBE International Conference held at Boston University, Boston, Massachusetts, USA. The band was formed and Col. John Bourgeois (USA) and Geoffrey Brand (UK) served as its conductors. The ensemble performed for both the conference at Boston University and for the general public in Boston's Hatch Shell.
