Nashua Community Concert Association--Historical Archives harold bauer pianist Dino Borgioli - tenor John Sebastian Mia Slavenska -dancer Baltimore Symphony Orchestra, with Reginald Stewart, pianist http://www.gran-net.com/ncc/archive.htm
Extractions: Return to History The Nashua Community Concert Association 's first season was in 1931-32. The following list shows the variety of performers and performances we have presented over the years, including some of the finest artists of their times. You will notice that the number of concerts presented in each season has increased over the years. This is a measure of the success of the Nashua Community Concert Association
Casals Festival - Pablo Casals Biography Receives an invitation from Queen Victoria to offer a concert at the CrystalPalace in London. Tours throughout his native Spain with pianist harold bauer. http://www.festcasalspr.gobierno.pr/casals.html
Extractions: Offers his first violin recital in El Vendrell. This recital caused great discomforts on the promising musician. Due to his habit of performing with his eyes closed. his friends jokingly called him "the blind musician". This infuriated him to the extent that he swore to abandon playing the violin and take up another instrument. Discovers the cello. Moves to Barcelona to continue his music studies. His first cello recital is held in Barcelona. Travels to Paris. Begins performing as second cellist with the orchestra of the Follies Marigny Theatre. Travels to Portugal invited by King Carlos and Queen Amelia to perform a recital at the Royal Palace in Lisbon. Returns to Paris and appears as soloist with the Maestro Lamoureux Orchestra. Receives an invitation from Queen Victoria to offer a concert at the Crystal Palace in London. Tours throughout his native Spain with pianist Harold Bauer. Tours the United States of America. Tours South America. Is invited by President Theodore Roosevelt to give a recital at the White House in Washington, D.C. Travels to Russia in a concert tour the year of the first Russian revolution.
Mason & Hamlin Organ Company Certificate 1880 Mason was an accomplished pianist who was heir to a substantial musical legacy . Virtuosos including Rachmaninoff, Ossip Grabreilwitsch, and harold bauer http://www.scripophily.net/mashamorcomw.html
Extractions: Qty: Beautifully engraved warranty certificate from the issued in 1880. This historic document was printed by the American Banknote Company and has an ornate border around it with vignettes of allegorical men and women and pictures of all the different awards the company has won. This item has the printed signature of the comapny name and is over 123 years old. With the demise of the player piano and the advent of the Great Depression, U.S. piano sales dropped to 30,000 units in 1930, from a high of 323,000 in 1924. Like all other piano firms, American Piano was locked in a struggled for survival and was forced to consolidate all its manufacturing operations at a plant in East Rochester, New York.
TROY CHROMATIC CONCERTS first full concert was presented with pianistcomposer Edward A. MacDowell asguest artist. pianists Eugen d Albert, harold bauer and Josef Hofmann; http://www.crisny.org/not-for-profit/trychrom/history.htm
Extractions: At the National Archives in Washington is a stone plaque with the inscription, "What is Past, is Prologue". As Troy Chromatic Concerts celebrates its long awaited Centennial Season, we take pride in recalling a truly extraordinary past, with memorable performances by many of the world's finest artists from Edward MacDowell and Lillian Nordica, to Kathleen Battle and Julian Bream. We also look with anticipation to a future which will continue this tradition of excellence into the next century. Indeed, providing the highest standards of programming for our audiences has been the beacon guiding our efforts from the very beginning. In the late eighteen hundreds, the rise of major orchestras and concert halls in such urban centers as Boston, New York and Chicago greatly encouraged a desire for the best in music among an increasingly aware and discerning public in smaller cities as well. It was during this exciting age that Chromatic Concerts was conceived, and steadily grew into the remarkable series which has so richly enhanced the cultural life of the Capital Region for the past century. The inspiration for the concerts developed out of student recitals presented by the noted Troy area teacher Dr. J. Albert Jeffery in the early 1890s. Held in private residences and small halls, they soon expanded to include local artists, and by 1894 David Cowee, Jr., prominent Washington Park resident and a pupil of Dr. Jeffery, led the group to organize as The Chromatic Club. A slate of officers was elected with Mrs. Frederick F. Buell as President; Mrs. Charles E.Hanaman, Secretary; and Miss Sarah Thurman, Treasurer. Cowee himself assumed the mantle of Manager-Treasurer of Concerts, and with vision, determination and energy directed the Club's progress for the following three decades.
Extractions: NACOGDOCHES, TEXAS - The Stephen F. Austin State University College of Fine Arts and the School of Music will present pianist Andrea Anderson in a guest lecture-recital at 7:30 p.m. Saturday, Jan. 29, in Cole Concert Hall. Admission is free and open to the public. During Anderson's program, "From Harpsichord to Grand," she will take the audience on an historical journey as she performs on the clavichord, harpsichord, forte piano and grand piano. (Click on photo to enlarge) Pianist Andrea Anderson will present a recital-lecture "From Harpsichord to Grand" at 7:30 p.m. Saturday, Jan. 29, in Cole Concert Hall. Anderson will take the audience on an historical journey as she performs on the clavichord, harpsichord, forte piano and grand piano. Dr. Andrew Parr
Extractions: Same day shipping... CDs free in contiguous 48 United States... 40% shipping charge to other locations worldwide. Free UPS Ground. Free 1st Class US Postal Service... contiguous 48 States. Pianos and musical instruments shipped free within 50 mile radius of the Pro Piano purchasing office (stairs, steps and other difficulties, levied a slight charge.) Other destinations on a "case by case" basis, determined by mileage, stairs, difficult contingencies, etc. (Please add 8.625% Sales Tax to all sales consumated and delivered within New York State. Please add prevailing sales tax on all orders consumated and delivered within the State of California from San Francisco or Los Angeles offices.) Foreign and non-contiguous 48 State orders, please add 40% to advertised price.)
Harold 1874 harold L. Ickes, social activist, New Deal politician 1873 harold bauer,English/US pianist, BeethovenAssociation 1872 harold Fraser-Simson, composer http://www.brainyhistory.com/topics/h/harold.html
Extractions: Select an event Meet Jill Beck Lawrence University Jazz Ensemble Welcome to Chicago 2004 La Traviata Fifty Years: In Anticipation of Your 50th Class Reunion President Richard Warch Farewell Tour Jeffery Meyer, '96, Piano, and Paul Vaillancourt, Percussion Paul McComas, '83, introduces his new novel Unplugged Subterranean Love Story Welcome to Chicago 2003 Freshman Studies Revisited Lawrence Concert Choir Lawrence University Jazz Combo I Welcome to Chicago 2002 The French Connection The Divas of Mozart's Day AfterHours at the Art Institute of Chicago Envisioning the Campus of Tomorrow Welcome to Chicago 2001 Lawrence End of Summer Picnic Mozart's "The Magic Flute" Welcome to Chicago 2000 The Dead Sea Scrolls Task Force on Residential Life Listening Session with Alumni Dinner with President Warch The Lawrence University
Table Of Contents harold bauer, The Question of Piano Tone . Hans von Bülow, As Teacher andInterpreter Ignaz Friedman, SelfDevelopment a Necessity for the pianist http://web.doverpublications.com/cgi-bin/toc.pl/0486427811
Extractions: American History, American...... American Indians Anthropology, Folklore, My...... Antiques Architecture Art Bridge and Other Card Game...... Business and Economics Chess Children Clip Art and Design on CD-...... Coloring Books Cookbooks, Nutrition Crafts Detective, Ghost , Superna...... Dover Patriot Shop Ethnic Interest Features Gift Certificates Gift Ideas History, Political Science...... Holidays Humor Languages and Linguistics Literature Magic, Legerdemain Military History, Weapons ...... Music Nature Performing Arts, Drama, Fi...... Philosophy and Religion Photography Posters Psychology, Education Puzzles, Amusement, Recrea...... Science and Mathematics Shakespeare Shop Sociology, Anthropology, M...... Sports, Out-of-Door Activi...... Stationery, Gift Sets Stationery, Seasonal Books...... Summer Fun Shop Summer Reading Shop Teacher's Store Travel and Adventure Women's Studies Clearance Center Piano Mastery: The Harriette Brower Interviews
Pianist Voro Plays UI Guest Recital Sept. 28 Irina Voro, a classical pianist whose emotional performances have been for piano by the early 20thcentury piano virtuoso and teacher harold bauer; http://www.uiowa.edu/~ournews/2004/september/091704voro.html
Extractions: University of Iowa News Release Sept. 17, 2004 Pianist Voro Plays UI Guest Recital Sept. 28 Irina Voro, a classical pianist whose emotional performances have been hailed as "one of a kind," will present a free guest recital at 8 p.m. Tuesday, Sept. 28, in Harper Hall of the University of Iowa Voxman Music Building. Her eclectic program avoids the best-known Romantic piano repertoire, featuring instead lesser known works from the 18th to the 20th century. It also includes a style of performance that Voro has created on her own, what she calls "l'Excital." Made up of "lexis," meaning "word," and "recital," "l'Excital" combines classical music with Voro's personal poetic narratives and imaginative sound and visual effects to accent particular compositions. The narrations by Voro were recorded by Shannon Christy, and are played back while Voro performs the music being discussed. Voro said that the idea of personalizing the recital in this way came to her during one of her performances. "I felt like explaining to the people what I 'saw' in that music, and the audience's response afterwards was simply amazing! It turned out that the people appreciated the music even more after I told them my rather personal story about it. . . . I realized that that might be a way to revitalize the interest for classical concerts, to do (elegantly) away with the 'stiff and stuffy' part of the genre. Music is philosophy in sounds. Why not let people overtly tap into the performer's imagination and use it as a starting point for their own flights of fancy?"
TRISTANO, Lennie : MusicWeb Encyclopaedia Of Popular Music 78) pianist, composer, teacher. Born during an epidemic, he was blind by age A Lennie Tristano Trio including bauer recorded for Keynote 46 with Clyde http://www.musicweb-international.com/encyclopaedia/t/T81.HTM
Extractions: TRISTANO, Lennie b 19 March '19, Chicago; d 18 Nov. '78) Pianist, composer, teacher. Born during an epidemic, he was blind by age eleven. He also played reeds and played in dixieland and rhumba bands, absorbing everything. He recorded in NYC '45 with trombonist Earl Swope ( b 4 Aug. '22, Hagerstown MD; d Intuition '96 coupled with a Warne Marsh album, with notes by Martin.) Tristano was a rapidly evolving artist of great originality who stayed ahead of his audience; he was aware of this, saying of the '49 sextet, 'Instead of consolidating our position, it was always in a state of development, and that's no way to sell something.' A similar lineup without Bauer recorded for Prestige as the Lee Konitz Quintet '49; some sources said Tristano played piano, discographies say it was acolyte Sal Mosca ( b 27 April '27, Mt Vernon NY). The Metronome All-Star date '49 recorded three takes of Tristano's 'Victory Ball' (based on Gershwin's ''S Wonderful') which were anything but cold; Charlie Parker not only improvised on the chords but (unusually for him) on Tristano's theme. (Tristano was usually critical of other musicians, but loved Parker.) He opened a studio in NYC '50 and concentrated on teaching, knowing that he was not going to make a living as a leader; later students included English-born pianist Ronnie Ball and bassist Peter Ind (
University Of Miami Libraries: Archives & Special Collections harold bauer Papers harold bauer (18731951) was a world-renowned pianistwho taught mid-winter master piano classes at the University of Miami from http://www.library.miami.edu/archives/papers/m0025_find.html
Extractions: Visit us on the Web Overview Title: Harold Bauer Papers, 1925-1976 (bulk 1940-1951) Collection No: Extent: 0.50 linear ft. (1 box) Repository: Location: Abstract: Harold Bauer (1873-1951) was a world-renowned pianist who taught mid-winter master piano classes at the University of Miami from 1941 to 1951. He also served as a curriculum development consultant to the School of Music with an emphasis on raising the standards of piano instruction at the University. Administrative Information Acquisition Information: Transferred from the Albert Pick Music Library, 1983.
Archives And Special Collections - Otto G. Richter Library harold bauer Papers (M0025) harold bauer (1873-1951) was a world-renownedpianist who taught mid-winter master piano classes at the University of Miami http://www.library.miami.edu/archives/manuscriptregisters.html
Extractions: The Archives and Special Collections (ASC) houses manuscript collections of personal papers and corporate records as well as the historic archives of the University of Miami. Below are links to online registers of select manuscript collections. For more information, please contact us at asc.library@miami.edu [A] Leonard Albasi/Gill Family Collection (M0467) - The Leonard Albasi/Gill Family Collection contains eight copy negatives and ten copy prints of 1937 photographs of American pilot Amelia Earhart at an unidentified airfield, possibly in Miami. James Horace Alderman Collection (M0443) - The James Horace Alderman Collection consists of the typescript of "The Life Story of James Horace Alderman." Horace Alderman (ca. 1882-1929) was a Prohibition-era smuggler and rum runner who in 1927 killed three Coast Guard agents and was hung two years later in Fort Lauderdale. Richard Lewis Aldrich Papers (M0007) - The Richard Lewis Aldrich Papers contain the writings, research and teaching notes, correspondence, poetry, clippings, and employment records of Richard Lewis Aldrich (1897-1976), former faculty in the University of Miami's Art and Art History department. Included here is Aldrich's manuscript of
Post-WW2 Ampico, Duo-Art, Welte Piano Rolls KLA Klavier Music Rolls (harold Powell, Burbank, California) 1974-1979 *=*=*=*=*=*=* CAT TITLE (COMPOSER) pianist/EDITOR 30001 African Echoes http://mmd.foxtail.com/MMMedia/PostWW2.html
Extractions: Vocalstyle 12973 (88-note) with Ampico expression added. The purpose of the list below is to identify song titles and performers and especially to give recognition to the editors who laboriously added the new expression codes to the music roll. It may be considered a supplement to the rollographies that list virtually all of the reproducing rolls issued before WW2. Special recognition is given Bill Flynt, of Dallas, Texas, who added the Ampico expression codes to the bulk of the songs listed from the early 1970s. "Many of the songs were originally recorded at the QRS recording studio by Roger Williams, Eubie Blake, Liberace and others. By special permission of Ramsi Tick, President of QRS, AMR reissued these rolls using the original master recordings to apply the Ampico coding." Primary producers of post-WW2 reproducing piano rolls and 3-letter abbreviations: AMI - AMICA (Automated Musical Instrument Collectors' Association)
School Of Music Buys New Grand Piano For Recital Hall bauer said the $85000 price tag, which could fund as many as three decades One of the challenges of being a pianist is that, at some point in time, http://www.niu.edu/northerntoday/2004/sept7/piano.shtml
Extractions: @import url(/northerntoday/ntstyle.css); navigation content contact Quick Links A-Z Index Admissions University Libraries General Information Mailing Address Administrative Offices Campus Support Services Human Resource Services Office of the President Athletics Convocation Center Giving to NIU International Programs Research Programs Acceptable Use Policy NIU Security Certificate Current Issue Archived Issues Publication Schedule Subscribe ... Office of Public Affairs
Compact Disc Index, Leonarda CDs, Women Composers harold Jones, flute; Colette Valentine, piano Nanette Kaplan Solomon, pianist.Composers Victoria Bond, Tania León, Jane Brockman, Ruth Schonthal, http://www.leonarda.com/cdindex.html
Piano Concerto No. 3 In C Minor, Op. 37 harold bauer was the soloist in the National Symphony Orchestra s first performanceof this work, with Hans Kindler conducting, on December 13, 1936; http://www.kennedy-center.org/calendar/index.cfm?fuseaction=composition&composit
BUSCHMAN-TENEMENT SERIES_4_2002 didn t sound the way they should, regardless of how accomplished the pianistwas. From Rachmaninoff, to Horowitz, from harold bauer to Emil Gilels. http://www.hawkwindcreations.com/BUSCHMAN_TENEMENT SERIES_4_2002.htm
Extractions: We called it a 'middle class' tenement. It was a term we used to distinguish the fine line of difference in living conditions between ourselves and the poor unfortunates living in 'lower class' tenements. If you lived in a middle class tenement you and your family were racially segregated but ethnically mixed. Therefore, we were an ethnic stew made up of similarly colored ingredients. People in 'middle class' tenements had one thing in common, they all felt superior to their neighbors in the same building. If a family had the misfortune to live in a 'lower class' tenement they didn't feel superior to anything and their landlord collected his rent with two body-guards in attendance. There were no 'upper class' tenements. Our tenement was a five story building with a cellar. The word "basement" was not a part of our vocabulary. Each floor housed a family with roots in a different part of Europe. The tenement was the spawning ground of the children of the twentieth century, it was the melting pot they boiled and bubbled in, the roots of the homeland survived only in the memory of the old folks. The roots of the families in our 'middle' class tenement were as diverse as an Irish grass widow on the top floor, my family, comprised of Germans and English on the fourth, a large Jewish family from Poland on the third, and so on down the line to the Savino's on the first floor, whose three sons went to work in the uniforms of the sanitation, police and fire departments.
Seeker: The Piano - Apr. 2001 From Rachmaninoff to Horowitz, from harold bauer to Emil Gilels. None of themhave been able to erase the mental picture of my mother with her head bobbing http://www.seekermagazine.com/v0401/harrypiano.html
Extractions: We called it a 'middle class' tenement. It was a term we used to distinguish the fine line of difference in living conditions between ourselves and those poor unfortunates living in 'lower class' tenements. If you lived in a middle class tenement, you and your family were racially segregated but ethnically mixed. Therefore, we were an ethnic stew made up of similarly colored ingredients. People in 'middle class' tenements had one thing in common: they all felt superior to their neighbors in the same building. If a family had the misfortune to live in a 'lower class' tenement, they didn't feel superior to anything and their landlord collected his rent with two body-guards in attendance. There were no 'upper class' tenements. Our tenement was a five-story building with a cellar. The word "basement" was not a part of our vocabulary. Each floor housed a family with roots in a different part of Europe. The tenement was the spawning ground of the children of the twentieth century, the melting pot they boiled and bubbled in; the roots of the homeland survived only in the memory of the old folks. The roots of the families in our 'middle' class tenement were diverse: an Irish grass widow on the top floor, my family, comprised of Germans and English on the fourth, a large Jewish family from Poland on the third, and so on down the line to the Savino's on the first floor, whose three sons went to work in the uniforms of the sanitation, police and fire departments.
Mlist_log0307: The New York Times: "Harold C. Schonberg, 8 harold C. Schonberg, 87, Dies; Won Pulitzer Prize as Music Critic for The both practical musicianship he was a capable pianist - and a passion for http://listproc.ucdavis.edu/archives/mlist/log0307/0009.html
