Extractions: MSS 55, The Horowitz Papers in the Irving S. Gilmore Music Library of Yale University Title: Register to the Papers of Vladimir and Wanda Toscanini Horowitz. Dates: Created by: Wladimir Horowitz and Wanda Toscanini Horowitz Call number: MSS 55 Repository: Irving S. Gilmore Music Library, Yale University Quantity: 65 linear ft. (132 archival boxes, 33 folio boxes) Abstract: Correspondence and other papers, photographs, and additional materials by and about the Russian-American pianist Vladimir Horowitz (1903-1989) and his wife Wanda Toscanini Horowitz (1907-1998) In 9 series as follows: I. Correspondence. II. Programs and Program Notes. III. Photographs. IV. Clippings. V. Scrapbooks. VI. Contracts, Royalty and Box Office Statements, Expenses. VII. Items from the Library of Vladimir Horowitz. VIII. Awards. IX. Miscellaneous Items. Access Restrictions: The collection is open to researchers by appointment. There are no restricted materials in the collection. Please contact the Special Collections staff to schedule an appointment. Some of the materials may be stored at the Library's off-campus shelving facility, so researchers should allow at least two business days to have the appropriate boxes paged.
Extractions: Young Concert Artists Series to present Ukrainian pianist NEW YORK - Ukrainian pianist Alexander Mikhailuk will make his debut at the Young Concert Artists Series at the 92nd Street Y on Tuesday, March 2. Mr. Mikhailuk won the 1997 Young Concert Artists European Auditions in Leipzig, hosted by the Felix Mendelssohn Bartholdy Hochschule fur Musik. In New York he won first prize at the 1998 Young Concert Artists International Auditions, where he was also awarded the Paul A. Fish Memorial Prize. He will make his debut in the Young Concert Artists Series as the first recipient of the Peter Jay Sharp Prize of Young Concert Artists. Born in Boryspil, Ukraine, in 1970, Mr. Mikhailuk began studying piano at age 6, and gave his first public performance at age 8 as a soloist with the Ukrainian State Orchestra. He attended the Kyiv Central Music School, studying with Mikhail Karafinka, and continued his studies with Evgenyi Timakin at the Central Moscow Music School. In 1987 Mr. Mikhailuk entered the Moscow Conservatory, where he studied with Evgenyi Malinin and earned both undergraduate and post-graduate degrees. Mr. Mikhailuk moved to Germany in 1996, where he currently studies with Lazar Berman and James Tocco. He has performed in masterclasses given by Paul Badura-Skoda in Brussels and Klaus Hellwig in Berlin.
Extractions: Home Ticket Discounts Gold Club Archives ... Kids' Shows - cities and regions - Atlanta Austin Baltimore Berkshires Boston Canada Cape Cod Chicago Colorado Connecticut Costa Mesa Dallas/Fort Worth DC Metro Delaware Detroit Florida Houston Kansas City Kentucky Las Vegas London Long Island Los Angeles Minneapolis New Hampshire New Jersey New Orleans New York North Carolina Ohio Omaha Oregon Philadelphia Phoenix Pittsburgh Providence San Diego San Francisco Seattle South Carolina St. Louis Tennessee Virginia Westchester/Rockland Broadway Shows Paul Badura-Skoda Piano Recital Faust Harrison Piano Showroom
Helicon Records Kleos Classical Music A Man and His Music, paul Badura Skoda, A Man and His Music, paul Badura - Korean born pianist, Jung-Ja Kim has won extraordinary critical acclaim for http://www.heliconrecords.com/code/NewReleases1.asp
Extractions: In this recording, he performs bassoon concertos by Franz Danzi and Johann Baptist Vanhal. The Chamber Orchestra is the Camerata Kiev conducted by Alexander Ostroski. The Music of: Isidor Achron, Lazar Saminsky, Ernest Bloch, Conductor: David Amos The Royal Scottish National Orchestra, Barry Goldsmith, Piano Three mid-twentieth century composers, two of whom have had little of their music performed or recorded in the last 50 years. Offered here are two piano concertos by Isidor Achron, never before recorded, performed by Barry Goldsmith, a work by Lazar Saminsky, titled, The Vow, intended for piano and orchestra, but never completed, then discovered by Barry Goldsmith in a two piano version with sketching including orchestral orchestration. Here it has been completely orchestrated for piano and orchestra and offered as a newly discovered work.
PIANO SONATAS MAIN_G baduraskoda, paul. Noch einmal zur Frage Ais oder A in The great pianistthat I was able to hear, for myself and also meet and exchange a few friendly http://www.raptusassociation.org/sonmuskriteinle.html
Extractions: As lay people, we can find expert comments on the works of classical music in books, periodical publications and in CD brochure comments. These may be rendered from a variety of viewpoints: from that of the biographer, that of the musicologist, that of the music critic or that of the active musician. Here, with respect to Beethoven's 32 piano sonatas, first of all, I want to list the relevant literature that I found in the bibliographical listings of the books I consulted in creating this section. Besides Thayer's standard biography, the authors I consulted are, in alphabetical order: Barry Cooper (Beethoven: 2000), Joachim Kaiser (Die 32 Klaviersonaten Beethovens und ihre Interpreten: 1975), William Kinderman (Beethoven: 1995) und Maynard Solomon (Beethoven: 1977 und 1998). The following list is arranged in the alphabetical order of the authors of the works I found and lists the titles of the works written by them, particulars with respect to each publication and by what above-noted authors they have been listed in their respective bibliographical sections. Autor Title Particulars with respect to the Publication Mentioned by: Badura-Skoda, Paul
Biographie Paul Badura-Skoda paul baduraskoda is one of the most important pianists of our time. was thepianist who had the largest number of records available in the market. http://www.badura-skoda.com/printbio.htm
Extractions: Biography PAUL BADURA-SKODA is one of the most important pianists of our time. A legendary artist who has been heard in all the world´s greatest concert halls, and for years was the pianist who had the largest number of records available in the market. His musical personality is characterized by complete immersion in music, a passionate search for the essential, and a sense of artistic responsibility. It soon becomes evident to any listener that he loves music with every part of his being. In 1945, Badura-Skoda entered the Vienna Conservatory, and two years later won first prize in the Austrian Music Competition and a scholarship which allowed him to study with Edwin Fischer. These years laid the foundation for Badura-Skoda´s artistic future. In 1949, Wilhelm Furtwängler and Herbert von Karajan became aware of Badura-Skoda´s outstanding talent, and invited him to play concerts. Practically overnight the young viennese became a world-famous artist. Since then, Badura-Skoda has been a regular and celebrated guest at the most important music festivals, and a soloist with the world´s most prestigious orchestras. In addition to Furtwängler and von Karajan, he has collaborated with such renowned conducters as George Szell, Karl Böhm, Lorin Maazel, Zubin Metha, Sir Charles Mackerras, Sir Georg Solti, Kent Nagano and John Eliot Gardiner.
Pianists, The Piano Forums, pianist audio samples, master pianists, piano compositions. Wittgenstein,paul. paul Wittgenstein entry in The Wikipedia Encyclopedia . http://www.zeroland.co.nz/classical_pianists.html
Events, Concerts, Recitals paul baduraskoda Join us for a rare opportunity to hear the legendary Austrianpianist paul badura-skoda in an intimate setting. His recital Friday evening http://www.faustharrisonpianos.com/piano-events.asp
Extractions: Winter/Spring 2005 Twelve-Hour benefit PIANOTHON Sunday March 6th, 2005 12 noon to 12 midnight Special Series to Inaugurate Our New Performance Space Faust Harrison Pianos is proud to present Pianists for the New Millennium , an ongoing concert series, featuring outstanding pianists performing in a variety of genres from classical and jazz, to contemporary avant-garde. These concerts showcase exceptional musicians performing standard repertory, new or original compositions, and who are taking the piano into the future with their unique artistry and adventurous spirit. These concerts will also inaugurate the opening of our new performance space/showroom which accommodates up to 100 people and creates an intimate environment to hear pianists in a salon-style setting.
Piano Accompanist For Recitals And Competitions In Essex Studied at Accademia Musicale Chigiana Siena with paul Badura Skoda, FrancoFerrara and Worked as repetiteur and pianist with English Bach Festival, http://www.uk-piano.org/piano-accompanists/essex.html
Extractions: Email: I am a secondary school teacher based in Colchester. I have had many years experience accompanying for concerts, recitals and exams both in and outside schools. I have also played for dance schools, hotels and restaurants. I can sight-read well so there is no need to get music to me in advance. I am willing to travel to most parts of Essex and South Suffolk. Email: I studied at Trinty College of Music and Royal Academy of Music working closely with singing teachers as regular accompanist. Studied at Accademia Musicale Chigiana Siena with Paul Badura Skoda, Franco Ferrara and Carlo Maria Giulini. Worked as repetiteur and pianist with English Bach Festival, Royal Ballet, Royal Academy of Dancing and many reknown singers and instrumentalists. Although the much of my career is in conducting, I often appear as soloist and accompanist and am pianist of the Moray Piano Trio. In 1993 I was elected an Associate of the Royal Academy of Music. Joy Roles Grade 8 piano practical grade 6 theory
Piano And Keyboard Teachers In Essex later at Accademia Musicale Chigiana, Siena, with paul Badura Skoda; I often appear as soloist and am pianist in the Moray Piano Trio. http://www.uk-piano.org/piano_teachers/essex.html
Extractions: E-mail: Young, friendly and experienced teacher with a degree in Music from Cambridge University. As well as teaching, I take an active part in community music-making and am Musical Director of the Brightlingsea Youth Panto Group. Emphasis is on a combination of high quality of teaching within a relaxed, non-pressured and fun atmosphere. Work towards exams or just play the piano for fun.
AVIE CLASSICS The great Viennese pianist paul Badura Skoda offers us two interpretations ofthe same piece, played 39 years apart. The first is taken from a historical http://www.newnote.com/avie_classics.html
Classical Music - Andante - Frank Martin's Piano Concertos paul baduraskoda (piano) Sebastian Benda (piano) Orchestra Della Svizzera ItalianaChristian Benda (conductor). ASV Frank Martin s music was touched by http://www.andante.com/article/article.cfm?id=14327
Marylene Dosse Marylène Dosse teaches studio piano and is pianist with the Castalia Trio. She studied with paul Badura Skoda and Alfred Brendel. http://www.music.psu.edu/Faculty Pages/dossebf.htm
Agency 3-Jazz & Classic Music In 1995, Solene began her career as a concert pianist. Maria Rezzo, IlonkaDeckers, Emmy HenzDiémand, paul Badura Skoda, Eugenio Bagnoli and Konstantin http://crea.html.it/sito/agency-3/5.htm
Extractions: In 2000, Solène got a first Prize at the "Sucy-en-Brie competition", a first medal in the "Claude Kahn four hands competition", the honorary prize at the "Royaume de la Musique competition" and the first prize (with one consent) at the " Saint-Nom-la-Bretèche competition". She has also been the recipient of various international prizes : in Germany (French-German competition) and Italy (Premio Gramsci competition).
Elwood Paul paul Elwood Banjo, Clogging Platform, Metronome and Tape had interpretivestudy with Leo Brouwer, Beverly Wolf, paul baduraskoda, and Aaron Copland. http://www2.brevard.edu/pelwood/recital04.htm
Extractions: When Falla started working on this composition he gave it the title "Nocturnes" which still indicates the atmosphere of the three sections. Most pianists and conductors play the work in a well structured manner and even sometimes with a certain straightforwardness. Curzon and Jorda however work together in a fine tuned atmospheric recording. Jorda is a conductor from the old school and he takes time for phrasing and subtle dynamic variations and so achieves a sense of sultry and mysteriousness, the air bearing heavy scents. It is a rendition which was hardly experienced before (and after, I must say). This performance shows once more all too clear how crucial the cooperation is of all the musicians involved. A true treasure that was well recorded with the piano well embedded in the orchestra. The liner notes of Westminster WL 5075 deal extensively with the structure and the nature of Beethoven's Op. 111 and Op. 2 No. 2. There are however no data about the pianist Kurt Appelbaum with whom Westminster started a complete cycle of Beethoven Sonatas. From six discs produced only the one containing Sonatas Nos. 9 and 24 was well received (WL 5090). Westminster apparently abandoned the project and substituted Appelbaum for Paul Badura-Skoda but Demotte says that the wisdom of this choice was to be questioned because Badura-Skoda was much too young.
About ANAM Beethoven and Mozart with paul Badura Skoda; Bach with Rosalyn Tureck; Timothy Young is the Academy pianist at the Australian National Academy of http://www.anam.unimelb.edu.au/About/aboutbody.html
Extractions: The ANAM vision is to be the national centre of excellence for the further development of young musicians with outstanding talent, capability and dedication, and who aspire to significant national and international performing careers. There are three guiding values that underpin commitment to the ANAM vision: A commitment to musical performing excellence. An obligation to young musicians of outstanding talent and dedication, wherever located, and whatever their economic resources, to support the development of their skills. A commitment to national leadership in the development of Australia's music performance training.
Reissue CDs, MAY02, Pt. 2 - AUDIOPHILE AUDITION paul baduraskoda, pianoforte Johann Schantz, 1790 The legacy of Britishpianist Solomon Cutner (1902-1988) continues to expand on CD Testament http://www.audaud.com/audaud/MAY02/REISSUES/recds2MAY02.html
Extractions: MOZART: Piano Sonatas - A Major, K. 284; C Major, K. 309; A Major, K. 311; Allegro in B-flat Major, K. 400; Allegro in G Minor, K. 312 Paul Badura-Skoda, pianoforte Johann Schantz, 1790 While I do not tend to favor "authentic" instruments, I wanted to audition excerpts from Paul Badura-Skoda's 1990 Mozart cycle, as played on a period instrument, having heard him in concert in Atlanta some years ago and still favoring his Concerto No. 22 with Furtwaengler from 1952. Badura-Skoda claims his "conversion" to the lighter, more fluent action of period instruments came in 1948, after a recital by Isolde Ahlgrimm. The more transparent articulation, the fluid staccato effects he achieves, compensate for the loss of sonorous weight the modern piano provides. I I am particularly impressed by Badura-Skoda in the tricky, often surprising antics of the C Major Sonata, K. 309, where Mozart often trades the top line with its accompaniment, as well as using daring, irregular metric feet. He takes the usually slow, elegant Adagio at a slightly more Andante pace. The broken-style of K. 284 holds a world of digital demands, including stunning orchestral effects, as well as variations that reveal Mozart's own notions of ornaments. The Rondos in these recordings really shimmer, the middle and upper registers of the Schantz keyboard's enjoying a definable 'ping' that sets this recording apart. Besides the immensely spirited Sonata in A, K. 311, an old favorite, the real find in this survey is the little, dark Allegro in G Minor, K. 312 (590d), written around 1790, that has all the imploded fury of the C Minor Concerto, K. 491. Its use of canon clearly hearkens to Mozart's late studies of Bach. This disc is thoroughly musical in every way.
University Of Nebraska-Lincoln - Scarlets Web - 9/2/99 The Piano Gala will include performances by paul Barnes, Ann ChangBarnes As a solo pianist, Chang-Barnes was the winner of a national audition in 1983, http://www.unl.edu/scarlet/v9n21/v9n21arts.html
Extractions: Pat Hazell Revisits Childhood in The Wonder Bread Years Ross Fall Film Schedule Starts Off With Limbo Sept. 12 Piano Gala Dedicates New Steinway Instrument ETV Briefs Moeser 1st Guest on New ETV Series TONIGHT Hagel's Return to Vietnam Featured on Statewide Dragon Tales Premieres For Pre-School Audience Q+A Interview Series Features Hispanic Publisher PAT HAZELL (right) reclines among loaves of puff bread. He likes it that way. Comedian Pat Hazell remembers a simpler time. A time when green army men ruled, Etch-A-Sketch was king and Kool-Aid stands were big business. Take a nostalgic field trip with Hazell's one-man show (and tell), The Wonder Bread Years, coming Sept. 8, 9, 10 and 12 to the Johnny Carson Theater for six performances as part of the Lied Center for Performing Arts' season. Performance times are 8 p.m. on Sept. 8 and 9, 7 and 9 p.m. on Sept. 10, and 2 and 6 p.m. on Sept. 12. A native of Omaha, Pat Hazell caught the attention of Jerry Seinfeld when they were both performing at the Comedy & Magic Club in Los Angeles in 1986. Hazell then toured as Seinfeld's opening act. Hazell was a writer on Seinfeld's Emmy award-winning television show and has also written for "Lois and Clark: The New Adventures of Superman," "Love and War" and Showtime's "Aspen Comedy Special." Hazell's comedy play Bunk Bed Brothers was developed into the television show, "American Pie," which was a mid-season replacement series. Hazell has also made seven appearances on "The Tonight Show." He can currently be seen in advertising for Baker's Supermarkets.
