81. LivingHymns.org >> Al Smith Biography Young Mother Smith had always loved the violin and in the set were two recordsby a talented violinist named albert Spaulding, a family member of the famous http://www.livinghymns.org/bio.htm

Al Smith 1916-2001 The fascinating life of Dr. Smith began on November 8, 1916 in a small Holland Dutch community in northern New Jersey where the news of the day reported that "Mr. and Mrs. Barney Smith" had become the proud parents of a baby boy who they named Alfred Barney Smith. Young Mother Smith had always loved the violin and in the set were two records by a talented violinist named Albert Spaulding, a family member of the famous Spaulding family who manufactured athletic equipment. He played some of the beautiful compositions written by the world-renowned violinist, Fritz Kreisler, such songs as "The Old Refrain", "Liebesfreud", "Caprice Viennois", etc. The young father and mother were thrilled with the recordings and four-year-old Alfred in the months and years ahead would learn to love them too. We thought these early and interesting details deserved more than just a casual mention. It was these early decisions by his young parents that helped build the foundation and set the direction Alfred would go in the future. At fourteen he was invited to a tent meeting in Hawthorne, New Jersey, where he accepted Christ as Savior. He was thrilled upon hearing the one hundred and fifty people in the tent singing "Saved, Saved, Saved" and "One Day." That day he fell in love with Gospel music It was a love that never left him.

82. Albert Einstein In an affidavit by Mary Spaulding, wife of the famous violinist Alfred Spaulding,was preserved a conversation she had with albert Einstein in the New York http://www.christianscience.org/Einstein.htm

Dr. Albert Einstein Science without religion is lame; Religion without science is blind. Albert Einstein, 1941 Few people today realize how much Albert Einstein studied Science and Health with Key to the Scriptures, supported its conclusions, and admired its author, Mary Baker Eddy. Dr. Einstein was known to visit Christian Science churches and Reading Rooms in the New York and New Jersey areas. There have been numerous anecdotes and quotes preserved over the years from individuals who have had knowledge of, or contact with Dr. Einstein, in connection with Christian Science. "R.S. of WA, was told years ago by the librarian of the New York Reading Room which Dr. Einstein frequented, that upon his leaving the Reading Room one day he commented, 'You people don't know what you have in that book (meaning Science and Health).'" "In an affidavit by Mary Spaulding, wife of the famous violinist Alfred Spaulding, was preserved a conversation she had with Albert Einstein in the New York City Reading Room on 42nd Street. Dr. Einstein's high regard for Science and Health is reflected in the following: 'Science and Health is beyond this generation's understanding. It is the pure science. And, to think that a woman knew this over eighty years ago!'"

83. BPO Seasonal Repertoire Weinberger Prelude and Fugue on Dixie Griffes - The Pleasure Dome of Kubla KhanWagner - Tannhäuser Overture albert Spaulding, violinist http://www.music.buffalo.edu/bpo/bxr-4041.htm

BPO Classics Repertoire 1940-41 Kleinhans Music Hall Dedication Concert 12 October 1940 Bach/Autori - Toccata and Fugue in D minor Beethoven - Violin Concerto in D major, op.61 Brahms - Symphony No.1 in C minor, op.68 Franco Autori, conductor Eudice Shapiro, violinist 7 November 1940 Weber - Oberon: Overture Bach - Concerto in A minor for Four Pianos Stravinsky - Firebird Suite Sibelius - Symphony No.2 in D major, op.43 Franco Autori, conductor Frances Louise Barrell, pianist Lydia Hoffman-Behrendt, pianist Anna Kowalska, pianist Eva Rautenberg, pianist 21 November 1940 Wagner - Die Meistersinger: Overture Wagner - Wagner - Wagner - Siegfried Idyll Wagner - Wagner - Wagner - Wagner - Franco Autori, conductor Beal Hober, soprano 5 December 1940 Haydn - Symphony No.88 in G major Bach - Piano Concerto No.1 in D minor Copland - Outdoor Overture Chopin - Krakowiak, op.14 Respighi - Pines of Rome Franco Autori, conductor Lily Dymont, pianist 9 January 1941 Mozart - Symphony No.35 in D major, K.385 "Haffner"

84. Past Artists albert Spaulding, violinist Arthur Hackett, tenor Zoellner String Quartet albert Spaulding, violinist Percy Grainger, pianist Flonzaley String Quartet http://www.tuesdaymusicalomaha.org/past.htm

85. Nashua Community Concert AssociationHistorical Archives General Platoff Don Cossacks albert Spaulding violinist Canterbury Trio -violin, cello, and piano, with David Jolley, French horn Ballet de France http://www.gran-net.com/ncc/archive.htm

86. UI Symphony Performs Bolero On Oct. 27 Concert The concerto was then offered to violinist albert Spaulding, who premiered itwith the Philadelphia Orchestra in 1941. After two leisurely movements that http://www.uiowa.edu/~ournews/2004/october/101404symphony.html

87. Edward MacDowell a Columbian emigré living with the MacDowells (later the teacher of the Americanviolinist, albert spalding), and took occasional lessons from a young http://www.eroica.com/phoenix/jdt148-emd.html

Back to the Phoenix Records Catalog Order ... Edward MacDowell WORKS FOR PIANO performed by Alan Mandel (2-CD set) Alan Mandel, piano Edward MacDowell After marrying Marian Nevins, MacDowell settled for about three years (1885-1888) in Wiesbaden where the couple received among other musical friends, George Templeton Strong, Jr., George Whitefield Chadwick, Arthur Foote, and most importantly, Benjamin Johnson Lang, one of the arbiters of musical taste in Boston. Lang subsequently convinced MacDowell to move to the Boston area to pursue his career as a composer, performer, and teacher. He made his American debut in Boston as composer-pianist at a Kneisel Quartet concert at Chickering Hall, November 19,1888 playing three movements from his First Modern Suite and assisting in Goldmark's Piano Quintet in B-flat. On Lang's recommendation, Wilhelm Gericke invited MacDowell to play Ids new Second Piano Concerto, Op. 23, with the Boston Symphony Orchestra in the spring of 1889, but he actually played the work with an orchestra under Theodore Thomas in New York, s Chickering Hall on March 5, 1889, a month before the Boston concerto April 12, The conductor Frank van der Stucken invited MacDowell to play the concerto in a concert of American music at the Paris Exposition Universelle on July 12. From that inaugural year of 1888 to 1896, when he left Boston to accept an appointment as Columbia University's first professor of music, MacDowell's successes as a virtuoso and composer continued unabated. It was during this period that most of the major works on which his reputation as a composer rests were created: Hamlet and Ophelia, Op. 22; Lancelot and Elaine, Op. 25; Six Love Songs, Op. 40; First Orchestral Suite, Op. 42;Sonata tragica, Op.45; Eight Songs, Op. 47; The Indian Suite (Second Orchestral Suite), Op. 48; Sonata eroica, Op, 50; and Woodland Sketches, Op. 51.

88. Foundation : HUSH - Young Virtuosos Jennen NgiauKeng is a demonstrating violinist on the 2003 and 2004 AMEB ViolinTechnical winning the albert Spaulding Prize for the most outstanding http://www.rch.org.au/rch_foundation/events.cfm?doc_id=8694

89. Albert Spalding - Wikipedia Translate this page Der Neffe des Baseballers albert Goodwill spalding erhielt bereits 1895 eine Im Zweiten Weltkrieg war spalding Mitglied einer Division für http://de.wikipedia.org/wiki/Albert_Spalding

Albert Spalding aus Wikipedia, der freien Enzyklop¤die Albert Spalding 15. August in Chicago 26. Mai in New York City ) war ein US-amerikanischer Violinvirtuose und Komponist. Der Neffe des Baseballers Albert Goodwill Spalding erhielt bereits eine Violinausbildung und erwarb im Alter von 14 Jahren das Diplom des Konservatoriums von Bologna als Professor f¼r Musik. Danach studierte er zwei Jahre am Conservatoire in Paris und trat daneben mit groŸem Erfolg als Violinvirtuose auf. AuŸerdem nahm er Kompositionsunterricht bei Antonio Scontrino und Juan Buitrago trat er gemeinsam mit Camille Saint-Saens in Florenz auf, es folgten Konzertreisen duruch Frankreich und England. kehrte er in die USA zur¼ck, wo er erneut Konzertreisen, u.a. mit dem New York Symphony Orchestra unternahm. F¼r Thomas Alva Edison spielte er im Laufe von zwanzig Jahren ¼ber einhundert Tonwalzen- und Plattenaufnahmen ein. In den folgenden Jahren f¼hrten ihn Konzertreisen nach Holland, Belgien, Deutschland, –sterreich, Russland, Finnland, Norwegen, Schweden und D¤nemark. W¤hrend des Ersten Weltkrieges diente er als Soldat der U.S. Army in England, Italien und Spanien. In den 1920er Jahren widmete er sich neben seinen Konzertreisen besonders dem neuen Medium Radio. Im Zweiten Weltkrieg war Spalding Mitglied einer Division f¼r Psychologische Kriegsf¼hrung in Italien.

90. Which Versions Of La Folia Have Been Written Down, Transcribed Or Recorded? spalding, albert (violin) albert spalding plays Tartini Sonata in G minor,Bach - Prelude in F sharp minor, Corelli - Sonata in A, Sonata in D, http://www.folias.nl/html5c.html

Which versions of the later Folia have been written down, transcribed or recorded? (in alphabetical order of composer, letter C) Chaconne (1999-2001) The chaconne follows rather accurately the Folia chord progression throughout the piece. The repetitive character reminds me of the Folia by Ian Krouse . A piece that instantly pops up in my mind listening to Chaconne is "Continuum" by Gyorgy Ligeti a classical in the contemporary repertoire for harpsichord, another instrument with plucked strings. Although plucked strings cannot create a continuous motion of legato, the very fast repetition of tones, resulting in three wavelike movements, suggests that such an impression can be created in Chaconne. Trio Polycordes: Isabelle Daups (harp), Jean-Marc Zvellenreuther (guitar), Florentino Calvo (mandolin) 'Volume 2' You'll need a MP3-player (like Winamp, or XingMp3player) to listen to the file below. You can download it from the web ( www.mp3.com

91. Archivio Dynamic 3 - Anno 2001 Isaac Stern, violin (Dvorák) albert spalding, violin (Chausson) New York PhilharmonicOrchestra. Live recording, New York, 1950 and 1951. http://www.radiotorregenova.it/musica/dynamic/03.html

info@dynamic.it ARCHIVES 03 (2001) FEBBRAIO - MARZO Gioachino Rossini (1792-1868): OTELLO (Complete opera - 3 Cds 1st recording of the "Malibran" version, including both happy final and tragic final Paolo Arrivabeni, conductor - The Festival of Martina Franca has by now become a welcome rendezvous for the lovers of opera who wish to rediscover some of the last century's most important theatrical works. Many of these have become rarities being very seldom performed internationally not on account of musical shortcomings but because of the progressive stiffening of the lyrical seasons' programs. This Otello by Rossini, for example, recorded live during the last summer's Festival, is a real masterpiece and represents a very important stage in the composer's creative career. The version here recorded is the one written in 1831 for the great soprano Maria Malibran (as Otello !) and includes, in addition to the tragic finale from Shakespeare's famous story of love and death, also an alternative happy conclusion. Anton Rubinstein (1829-1894): The Sonatas for piano and cello - Sonata No. 1 Op. 18 in D Major for piano and cello - Sonata No. 2 Op. 39 in G Major for piano and cello -

92. Classical Voice Of North Carolina Another Curtis violinist, Herbert Braumel, after a few hours of study, 1941, with albert Spaulding and the Philadelphia Orchestra under Eugene Ormandy. http://www.cvnc.org/reviews/2005/052005/Carolinachamber.html

Carolina Chamber Symphony's Audacious Program Succeeds by William Thomas Walker WFU's Brendle Recital Hall may have been far from full on May 12, but those who were there for the Carolina Chamber Symphony's season finale were avid listeners. A large proportion of the audience was made up of students, and the local Salvation Army made it possible for some school-age children to attend. Many of the musicians that make up the CCS are principals or assistant principals of the Greensboro Symphony or the Winston-Salem Symphony. Guest conductor David Wiley selected an audacious program that would have been challenging for an established music director with a long working relationship with his players, much less a visitor who had to meld performances from only three rehearsals. All but one of the programmed pieces are normally played by full-sized orchestras. Greensboro-based composer Russell Peck is building a sizeable list of successful compositions that have been taken up by many orchestras. Signs of Life II The Good Music Guide – Briselli "complained that they were too full of Barber's characteristic lyricism." He demanded technical fireworks to show off his virtuosity, but when he saw the bravura ending, with its four minutes of non-stop brilliance, he pronounced it unplayable, whereupon Fels asked for his money back. Another Curtis violinist, Herbert Braumel, after a few hours of study, was able to play it for the school's founder, Mrs. Curtis Bok, its director, Josef Hofmann, and composer Gian Carlo Menotti. A deal was struck, Barber kept the advance, and Fels and Briselli relinquished all performance rights. Braumel performed it with the Curtis Institute Orchestra under Fritz Reiner in 1939, and the official premiere took place on February 7, 1941, with Albert Spaulding and the Philadelphia Orchestra under Eugene Ormandy.

93. BARBER James Buswell, violinist; Royal Scottish National Orch/Marin Alsop, cond. A year later albert Spaulding introduced it publicly with Eugene Ormandy and http://classicalcdreview.com/sbvcon.htm

BARBER: Violin Concerto, Op. 14. Souvenirs (Ballet Suite), Op. 28. Serenade for Strings , Op. 1. Music for a Scene from Shelley , Op. 7. James Buswell, violinist; Royal Scottish National Orch/Marin Alsop, cond. NAXOS 8.559044 (B) (DDD) TT: 64:20 The winner here is James Buswell’s distinguished playing of the lovely concerto that Barber completed in 1940, which has since become the most recorded American violin concerto. Yet its history was plagued by complaints from the Curtis Institute student for whom it was commissioned by his adoptive father, Samuel Fels, the naphtha soap magnate. The first two movements were claimed to be too simple, and the finale too difficult. A pair of fellow Curtis students, with Fritz Reiner conducting, proved the stepson flat-out wrong. Barber refunded half of the fee, but in return asked for full rights. One hopes it made him a lot of money. A year later Albert Spaulding introduced it publicly with Eugene Ormandy and the Philadelphia Orchestra, although it wasn’t recorded until the LP era (first by Louis Kaufmann on the Orion label, if my decimated library can be trusted). Isaac Stern gave it The Big Push in 1964 with the NYP (still available on Sony as part of “The Bernstein Century”). By Y2K, the late Schwann/Opus listed versions by 10-count’em-10 violinists (Ruggiero Ricci twice, the finer one on Reference Recordings), ranging from Joshua Bell to Walter Verdehr. Of these I’ve kept Elmar Oliveira with Slatkin and the Saint Louis Orchestra, reissued in an EMI

94. Violin@web By Fstrings Translate this page SCHWALBE, Michel, SHAHAM, Gil, SITKOVETSKY, Julian, spalding, albert It was first time for me to listen a Violin. He was very powerfull and very http://www.fstrings.com/player/bbs.asp

‰‰‘t‰ÆBBS ‰‰‘t‰Æƒ‰ƒCƒuƒ‰ƒŠ‚Ö–ß‚é “ŠeƒKƒCƒhƒ‰ƒCƒ“ ‰‰‘t‰Æ‚̘b‘è‚ðV‚½‚É“Še ¦Šù‚É“Še‚Ì‚ ‚鉉‘t‰Æ‚͉º‚ÌŠe‰‰‘t‰Æ‚̃e[ƒuƒ‹‰º‚̃tƒH[ƒ€‚æ‚è“Še‚µ‚ĉº‚³‚¢(ƒŠƒXƒg’†‚É‚Í‚ ‚è‚Ü‚¹‚ñ)B ¦íœ‚͉‰‘t‰Æƒ‰ƒCƒuƒ‰ƒŠ‚©‚炨Šè‚¢‚µ‚Ü‚·B Player: ¥‘I‘ð‚µ‚Ä‰º‚³‚¢ BELL, Joshua BERIOT, Charles de BOBESCO, Lola BRODSKY, Jascha CAMPOLI, Alfredo CERNOCH, Vitezslav CHUNG, Kyung-Wha CONTZEN, Mirijam CORELLI, Arcangelo DAVID, Ferdinand DE VITO, Gioconda DELAY, Dorothy DINICU, Grigoras DUMAY, Augustin ECK, Franz EHNES, James ELMAN, Mischa ENESCO, Georges ETO, Toshiya FRANCESCATTI, Zino FUJIWARA, Hamao GALAMIAN, Ivan GINGOLD, Josef GOTOU, Yuichirou HAHN, Hilary Hiroo,MWTO HUBAY, Jeno HUGGETT, Monica JOACHIM, Joseph JOSEFOWICZ, Leila KAGEYAMA Seiji KAMIO, Mayuko KASHIMOTO, Daishin KAWABATA, Narimichi Kersey, Eda KLEMKAMPFF, Georg KOBAYASHI, Mie KOBAYASHI, Takeshi KRASNER, Louis KROLL, William KUBELIK, Jan KUBOTA, Takumi MARSICK, Martin-Pierre-Joseph MASSART, Joseph Lambert MATSUNO Hiroaki MEYERS, Anne Akiko MIZUNO, Sachika MUTTER, Anne-Sophie OCHIAI, Tetsuya ODNOPOSOFF, Ricardo OISTRAKH, Igor

95. IClassics (by albert Spaulding and the Philadelphia Orchestra under Eugene Ormandy), Barber / Korngold Violin Concertos. violinist Gil Shaham s inspiring http://www.iclassics.com/featureArticle?contentId=397

96. UW LIbraries - Music Library - Music Fiction The first violin. Holt, 1878. Franklin, Charles. Face the music. Hale, 1957. spalding, albert. A fiddle, a sword and a lady. 1953. Spicer, Bart. http://www.lib.washington.edu/music/mystery.html

Music Fiction/ Music in Literature A Bibliography of Musical Fiction John R. Gibbs Abrahall, Clare H. Prelude. Oxford U. PR., 1947. Adamson, Lydia. A Cat with a fiddle : an Alice Nestleton mystery. Signet, 1993. Aiken, Joan Last movement. Doubleday, 1977. Albert, Richard N. From blues to bop : a collection of jazz fiction. Louisiana State University Press, 1990. Albrand, Martha. A door fell shut. New American Library, 1966. Albrand, Martha. Final encore. St. Martin's, 1978. Aleichem, Sholem. Kokhavim to'im (Wandering Stars). Sifre hemed, 1992. Alexander, Edward. Opus. Xlibris, 2000. Alexander, Lynne. Resonating bodies. Atheneum, 1989. Allbeury, Ted. Snowball. Peter Davies, 1974. Allan, Dina. Melody of murder. Zebra, 1979. Alldritt, Keith. Elgar on the journey to Hanley . Deutsch, 1979. Allen, S. Bop fables. Simon and Schuster, 1955. Allis, Maguerite. Charity Strong . Putnam, 1945. Ames, Delano. Murder, maestro, please. Reinhart, 1952. Amis, Kingsley. The Alteration.

97. TIME Magazine The musical bills for the week hold the name of albert Spaulding. This violinistis a musician of steady growth. He seems constantly deepening in warmth and http://www.time.com/time/magazine/article/0,9171,881372,00.html

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98. Hilary Hahn led by Fritz Reiner, though the official premiere came in 1941 with violinistAlbert spalding and the Philadelphia Orchestra under Eugene Ormandy. http://www.sonyclassical.com/artists/hahn/adnews.html

Winner of the 2001 Cannes Classical Award in the Solo/Orchestra 20th Century category Violinist Hilary Hahn premieres a new violin concerto written for her by American composer Edgar Meyer on a new CD which also features Samuel Barber's Violin Concerto. Joining Hahn for the recording are conductor Hugh Wolff and the Saint Paul Chamber Orchestra , with whom she collaborated in the world premiere performances of the Meyer concerto just a few days before the recording was made. A composer and double bass virtuoso equally at home in classical and traditional American music, Meyer is like Hahn an exclusive Sony Classical artist. The label commissioned the violin concerto for Hahn. "I could not be happier that a work with so much spirit, power, dramatic range and lyrical beauty is dedicated to me," Hahn said in describing the work, which she calls "a superb and challenging concerto by one of the most original composers writing in the late twentieth century." Coupled with it is a more established work that also has strong ties to the Curtis Institute of Music the Violin Concerto of American composer Samuel Barber. Barber, a Curtis alumnus, wrote his concerto in 1939 as a commission for a young violinist and Curtis graduate who was displeased with the final results. It was another Curtis student, Herbert Baumel, who proved in an impromptu test that the concerto's finale was not "unplayable" as had been suggested. Baumel gave the unofficial first performance of the concerto with the school's orchestra, led by Fritz Reiner, though the official premiere came in 1941 with violinist Albert Spalding and the Philadelphia Orchestra under Eugene Ormandy.

99. Prisoner Of Love On December 1, 1940, André Kostelanetz and his orchestra ( with violinist AlbertSpaulding ) inaugurated the Coca Cola Company s Pause That Refreshes On http://kokomo.ca/early_years/prisoner_of_love.htm

Prisoner of Love Music by Russ Columbo and Clarence Gaskill with lyrics by Leo Robin 1st recording 1945 ~ With Russ Case and His Orchestra Produced by Eli Oberstein and Herb Hendler Recorded at RCA Victor Studio 2, New York City Recording Time 3:25 Recorded December 18, 1945 Matrix No. D5VB - 991 Take 1 - 1A SESSION MUSICIANS December 18, 1945 Orchestra AFTERNOON 1:30 TO 4:45 PM NO OVERTIME Leader: Russ Case Contractor: Union Musicians Viola ~ Howard Kay Viola ~ Henry Pakaln Cello ~ Maurice Brown Harp ~ Zepp Moscher Guitar ~ Danny Perri Piano ~ Sam Liner Drums ~ John Williams Violin ~ Jacques Gasselin Violin ~ Bertrand Hirsch Violin ~ Harry Hoffman Violin ~ Samuel Rand Violin ~ Kurt Dieterle Violin ~ Les Kruczek Sax ~ Frank Trumbaur Sax ~ Russell Banser Sax ~ Murray Cohen Sax ~ Jess Carneel Sax ~ Paul Ricci Trumpet ~ George Erwin Trumpet ~ John Lausen Trumpet ~ Anthony Natoli Trombone ~ William C. Rank Trombone ~ Will Bradley Bass ~ Robert Haggart Single release: RCA-78RPM-20-1814-B Single Flip Side: " All Through the Day "

100. Program Notes albert Spaulding was soloist in the first San Francisco Symphony His violin,the one he played when he introduced the Mendelssohn Concerto—a 1742 http://www.sfsymphony.org/templates/router.asp?callid=3408&nodeid=3325

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