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81. DW3 Classical Music Resources - Advanced Search Results
Includes information about the life and music of the great violin teacher. A tribute to mischa elman. Includes a biography and sound files in RealAudio
http://www.lib.duke.edu/dw3/SPT--AdvancedSearch.php?vn=Subject&vv=Violin&Debug=

82. Classical Net - Books About Music - Instrumental
Violinists interviewed mischa elman, Zino Francescatti, Joseph Fuchs, CarrollGlenn, Jascha Heifetz, louis Kaufman, Fritz Kreisler, Yehudi Menuhin,
http://www.classical.net/music/books/instrumental.html

Books About Music
Instrumental
INTRODUCTION
The purpose of this list is to provide an overview of books related to instruments: their history, manufacture, and playing. We welcome feedback, suggestions, additions, and corrections to this information.
Want to recommend a book? Use the Book Information Submission form General Strings Winds ... Keyboard
General
Musical Instruments Through the Ages
Descriptions of the historical development of musical instruments with information on ancient performance practice.
The Oxford Companion to Musical Instruments , Anthony C. Baines. Oxford University Press. 1992. ISBN
Descriptions of a wide variety of Western and nonWestern musical instruments with information on playing techniques, harmonics, instrumental timbre, acoustics, pitch, and historical development.
Musical Instruments Through The Ages, , Alexander Buchner. Crown.1973. ISBN
This is a beautiful, oversized "coffeetable" book with illustrations from works of art, and photographs of historical instruments.
The New Langwill Index . William Waterhouse. Tony Bingham. 1993. ISBN (hardcover).

83. All Things Strings: Reviews
All Things Strings offers violin, viola, cello, and bass resources for The sweettoned, unabashedly sentimental mischa elman was Heifetz’s exact
http://www.stringsmagazine.com/issues/strings94/reviews.shtml
document.write(code);
Excerpted from Strings magazine, May/June 2001, No. 94
On Record
LEGENDARY
VIOLINISTS
OF THE PAST
A Guide to the Best of the Recent Reissues
by Edith Eisler
There has been a surge of interest in the great violinists of the past recently, as if audiences have tired of the undifferentiated, mass-produced–sounding performances often heard today and begun yearning for the "good old days" when players could be clearly identified by their tone and personality. The resulting flood of reissues on compact disc offers a fascinating look at the style and characteristics of the greatest violinists of the last century. In this selective report on the concerto repertoire, I hope to reclaim some less-known players and stimulate further explorations. The earliest violinist recorded here is Carl Flesch (1873–1944), who is remembered mainly as a great teacher but whose recording of the Beethoven and Brahms Concertos (

84. Violin Concerto In D Major, Op. 77
Program notes and related information about Violin Concerto in D Major, Op. 77 . mischa elman was the soloist and Hans Kindler the conductor in the
http://www.kennedy-center.org/calendar/index.cfm?fuseaction=composition&composit

85. Violin, Cello & Chamber Music List For Louis Speichler's Classical Music Records
mischa elman NM/NM EP V2304 $30 MELODIYA M10 45029 VIVALDI,VIOLIN mischa elman NM/NM V-2305 $45 VANGUARD VRS 1099 HEBRAIC MELODIES/ACHRON,BLOCH
http://members.aol.com/lourecords/lsviolin.html
Louis Speichler's Classical Music Records
You may download this list and use for the sole purpose of purchasing records from Louis Speichler. All other uses, reproductions or modifications are prohibited. [Home page] [Record list] [Bottom]
[Home page]
... [Top]

86. POTPOURRI/206
mischa elman, violin virtuoso in the Romantic tradition and one of the foremostviolinists of the 20th century, born Jan. 20, 1891, in Talnye, Ukraine.
http://www.ukraine-observer.com/articles/206/633
ISSUE: 206 "To appear well-dressed, be skinny and tall,"
-Cooley Mason. POTPOURRI
Yesterday
On April 28, 1947, Poland saw the beginning of Operation Wisla, the forced resettlement of about 150,000 ethnic Ukrainians to the Polish hinterland. Polish President Aleksander Kwasniewski recently apologized to Ukraine for the actions of the former Polish communist regime. The Ukrainians were deported from the so-called Zakerzonia, that is, the traditionally Ukrainian lands of Kholmshchyna, Pidliashshia, Nadsiania and Lemkivshchyna, which happened to be on the Polish side of the border.
Early in the morning on April 26th, 1986, an explosion occurred at the No. 4 reactor of Ukraine's Chernobyl nuclear power plant, located not far from Kyiv. Around 30 people were killed and about 200 more were treated for acute radiation poisoning. Large areas of land in Belarus, Russia and Ukraine were contaminated to various degrees. The accident occurred during a test of the turbines, which involved the turning off of the automatic shutdown system. An unexpected surge in power led to a steam explosion that lifted the top off the reactor and released fission products into the atmosphere, followed by another blast that spewed out burning graphite and fuel. The main casualties were among fire fighters, who quickly extinguished the blaze, then the cleanup crews and finally people living in the immediate vicinity.
On the same day, in 2001, Prime Minister Viktor Yushchenko was dismissed by parliament in a no-confidence vote engineered by Communist hardliners and Ukrainian big business. Yushchenko had served as chairman of the National Bank and had then been made premier under then President Leonid Kuchma in December 1999.

87. FORWARD : News
did in the footsteps of such legendary figures as mischa elman, Jascha Heifetz, Stern was one of the first major violinists to champion such modern
http://www.forward.com/issues/2001/01.09.28/news9.html
SEPTEMBER 28, 2001 current issue back issues subscribe
Violinist, Ardent Zionist Isaac Stern, 81
By RAPHAEL MOSTEL
FORWARD CORRESPONDENT Isaac Stern, who died of heart failure September 22 at the age of 81, was remembered this week as one of the greatest violinists of the 20th century, but also, like the Jew he was, as one who could not help arguing with the world to make it a better place. Whether organizing, preserving, rainmaking, mentoring, buttonholing or just lending his prestige and presence in solidarity, Stern was seen as an embodiment of the rabbinic principle that one righteous person can make all the difference. "Being a Jew means caring about more than things within your own little sphere," said Stern's daughter, Shira Stern, who carried on the family tradition of making a difference when she became one of the first female rabbis in the United States. "And in that respect, my father was an extraordinary Jew. He was passionate for causes of social justice, for education and for preservation of what is best in society." In a small but typical example, Stern, himself a Russian immigrant, jumped at the chance to be one of the first artists to tour the Soviet Union when Nikita Khrushchev began to open up the country after the death of Stalin in 1956. As anticipated, Stern's violin playing raised the roof in his performances. But he raised a bit more than the roof by also publicly engaging Khrushchev in a debate about artistic freedom, instantly putting the issue on the front burner internationally.

88. INKPOT#65 CLASSICAL MUSIC FEATURE: Leonid Kogan - An Inktroduction And Tribute
It was a recording of Tchaikovsky s Violin Concerto played by Leonid Kogan such as to rival mischa elman his mastery of technique more secure than the
http://inkpot.com/classical/kogan.html
Leonid Kogan
by Ng Yeuk Fan Several years ago, I was at my usual haunt - a CD shop specialising in classical and audiophile stuff, when the sales assistant-friend I had become so familiar with handed me a disc and asked me for my opinion about it. I looked at the brown ugly covers with much skepticism. It was a recording of Tchaikovsky's Violin Concerto played by Leonid Kogan on the Arlechinno label. I had already heard countless numbers of this concerto and was in possession of several rather good recordings. [I flipped on the S$300 headphones... an additional service provided by the now defunct HI-FI Corner, famed for their service and no-limit listen-before-you-buy policy at no additional costs - and about the S$300 headphones, they provided at least 12 for their listening stations in a shop the size of my bed room!!! Major shops should follow suite if they care to earn the business of audiophiles and ...] ....to my amazement - "? gasp ] - who on earth is this Leonid Kogan?" Leonid Borisovitch Kogan (1924-1982) was born in Dnepropetrosk, a small Russian town. At age ten, having learnt the basics of violin from his photographer-father who was also an amateur violonist, the family moved to Moscow so that young Kogan could receive tutoring from the famed Leopold Auer.

89. Classical Music - Andante - Schnittke: Complete Violin Concertos
Alfred Schnittke s Second, Third, and Fourth Violin Concertos, displays littlein common with either mischa elman s lushness or Heifetz s intensity.
http://www.andante.com/article/article.cfm?id=15751&highlight=1&highlightterms=&

90. William Primrose Biography
Caruso and Emmy Destinn and by some of the leading violinists of the day‹EugeneYsaÿe, Jan Kubelik, mischa elman, Fritz Kreisler, and Josef Szigeti.
http://music.lib.byu.edu/piva/WPbio.html
William Primrose's Life and Career
As one of the world's premiere violists, William Primrose left a legacy well worth preserving. His lengthy career included membership in the NBC Symphony, associations with an array of quartets and chamber ensembles, a remarkable solo career, numerous teaching appointments, and important pedagogical publications. In his engaging memoirs, Walk on the North Side In 1919, when William was about fifteen, the family moved to London where he had received a scholarship to attend the Guildhall School of Music and William began to study violin under Max Mossel. Although he received a gold medal, the Guildhall's highest honor, at his 1924 graduation, William later admitted that he hadn't been what the Guildhall considered an ideal student: I was supposed to take secondary piano, theory, and counterpoint, but I skipped them all. The reason here . . . was my ear. If I had been given something in the way of advanced harmony and counterpoint, I might have been interested. But everything started from the fons et origo . . . (from the beginning). . . . I was so little inspired by violin instruction at the Guildhall School that I kept in the cloakroom a volume of concertos edited by Joachim, which I would retrieve before my lesson and read in class. And that would be my lesson for the day.

91. 4 Tay | Violin & Piano
It can take its place beside mischa elman s (collection), to which it is These are not sung, but heard as transcriptions for violin and piano made by
http://www.classicalcds.net/4tay/violinpiano.html
4 Tay Records
Solo Piano Chamber Music Jazz Electronic ... Choral Music
[Click on Titles for Sound Samples]
KING DAVID'S LYRE
A CELEBRATION OF JERUSALEM 3,000

Zina Schiff, violin
Cameron Grant, piano
Program
Caprice Hebraique
- Alexander Krein
- Alexander Krein
(Lullaby for violin solo) Sonata for Violin Solo - David Hush
Three Jewish Dances
- Marc Lavry Sea-Murmurs - Mario Castelnuovo-Tedesco Sephardic Melody - Paul Ben-Haim King David's Lyre - Hanoch Jacoby Second Prelude - George Gershwin The Critics Say: FANFARE "It can take its place beside Mischa Elman's (collection), to which it is equal in depth of musicianship and superior in recorded sound. Highly recommended." AMERICAN RECORD GUIDE "This is one of the most beautiful recordings of Jewish music I've heard. Schiff is a great violinist in every way." JOURNAL OF JEWISH MUSIC AND LITURGY "This collection, in celebration of Jerusalem 3,000, is an invaluable contribution." SAN DIEGO JEWISH TIMES "...an outstanding disk, which I highly recommend to anyone who is swept by the emotions, the nostalgia and the meaning behind this worthy release."

92. Leopold Auer VIOLIN PLAYING As I Teach It
Leopold Auer (1845—1930) belonged to that select company of violin mischa elman,Jascha Heifetz and Efrem Zimbalist (Sr.) were among Auer’s students.
http://www.midi-classics.com/p1495.htm
Auer - VIOLIN PLAYING
Leopold Auer
VIOLIN PLAYING
As I Teach It
Leopold Auer (1845—1930) belonged to that select company of violin virtuosos who not only established the level of artistic excellence for the nineteenth century, but also trained many of the violinists who surpassed that level in the twentieth. Mischa Elman, Jascha Heifetz and Efrem Zimbalist (Sr.) were among Auer’s students. Himself a pupil of the great Joseph Joachim, Auer will always be regarded as one of the most important violin pedagogues in history. Receiving poor direction at an early age is disastrous for a violinist. As Auer says, “There is no instrument whose absolute mastery at a later period presupposes such meticulous care and exactitude in the initial stages of study as does the violin.” With this book every beginning violin student will have the benefit of the finest guidance. Unabridged (1980) republication of the 1960 Lippincott edition, a republication of the original (1921) edition. xii + 99pp. 5 3/8 x 8 1/2. Paperbound
ISBN 0—486—23917—9
Order Now!

93. Alexander Markov - Reviews
Mr. Markov scoops and slides with an emotional intensity that has all but vanishedfrom contemporary violin playing. Somewhere mischa elman is smiling.
http://www.alexandermarkov.com/reviews.htm

    CRITICAL ACCLAIM
    "The most exciting violin recital this listener has heard in quite some time. Mr. Markov's playing is marked by a Romantic effusion that comes so naturally it never seems vulgar or affected. He seems to have stepped directly out the past: although he is a young man - he plays like an old 78 recording come to life, without the pop and sizzle of shellac. Mr. Markov scoops and slides with an emotional intensity that has all but vanished from contemporary violin playing. Somewhere Mischa Elman is smiling."
    The New York Times
    The New York Times
    New York, Sunday, May 10, 1998
    Classical Briefs
    By David Mermelstein
    Philharmonic Orchestra,
    conducted by Lawrence Renes.
    Erato 0630-17878-2; CD. Vieuxtemps: Violin Concertos Nos. 2, 4, 5 Alexander Markov, violinist; Monte Carlo Though less well remembered than such iconic figures as Paganini and Sarasate, Henri Vieuxtemps was among the most famous virtuoso fiddlers of the 19th century. And like his more illustrious colleagues, he was also a gifted composer; best known naturally, for fiendishly difficult concertos. In this century, Heifetz was Vieuxtemps' most celebrated exponent, but artists as varied as Vasa Prihoda and Sarah Chang have recorded his concertos. Now comes Alexander Markov, a Russian-born American, with volatile accounts of the Second, Fourth and Fifth Concertos.

94. Artists 1937-2001
mischa elman, violin Russian Imperial Singers Sigrid Onegin, contralto 2 193839Mozart Boys Choir Richard Bonelli, baritone Gaspar Cassado, cello
http://www.musicone.org/Pages/Artists 1937-2001.html
Artists 1937-2002 (By Year)
MusicOne: The Santa Fe Concert Association
Home
Artists (By Instrument)
Mission
History ...
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Dalies Frantz, piano
Mischa Elman, violin
Russian Imperial Singers
Sigrid Onegin, contralto
Mozart Boys Choir
Richard Bonelli, baritone
Gaspar Cassado, cello
Duci de Kerejarto, violin
Anya Enters Dance Company
Simon Barere, piano
Josephine Antoine, soprano Barrerre Symphony Don Cossacks Chorus Eugene List, piano The Coolidge String Quartet Francesco Goya, guitar Zadel Skolovsky, chorus The Trapp Family Singers Helen Jepson, soprano Henry Temianka, violin Bruna Castagna, mezzo-soprano The Krauter Trio Gregor Piatagorsky, cello

95. RR-uut Muusikakogus
Hebraic melodies / performed by mischa elman, violin, Joseph Seiger, piano. New York Vanguard, 19?. - 1 heliplaat 33 1/3 p/ (ca 50 ) - DC-17318
http://www.nlib.ee/html/anded/muus/m004_01.html
RR avaleht UUT RAHVUSRAAMATUKOGU
MUUSIKAKOGUS

ISSN 1406-3921 RAAMATUD NOODID HELISALVESTISED RAAMATUD Eesti Muusikaakadeemia Väitekirjad . - Tallinn : Eesti Muusikaakadeemia, 2003- - PE A/2142; 1 [1] Rumessen, Vardo Teater. Muusika. Kino : 1982-2001 : bibliograafia Mustakallio, Marja . "Teen nyt paljon musiikkia" : Fanny Henselin (1805-1847) toiminta modernisoituvassa musiikkikulttuurissa / Marja Mustakallio. - Åbo : Åbo Akademis förlag, 2003. - 358 lk. - 2-04-00129 Das Schleswig-Holstein-Musik-Festival / herausgegeben vom Schleswig-Holstein-Musik-Festival ; Fotografie Helmut R. Schulze ; mit einer Rede von Bundespräsident Richard von Weizsäcker und Textbeiträgen von Leonard Bernstein ... [et al.]. - Heidelberg : Edition Braus, 1990. - 232 lk. - 4-03-00239 Suomen etnomusikologisen seuran julkaisuja . - Jyväskylä : Gummerus, 1988- - PL A/5905; 3 NOODID Advendilaulud segakoorile / [[koostaja]: Kaie Tanner]. - [Tallinn] : Eesti Segakooride Liit, 2003. - 41, [2] lk. koos kaanega - NA-08493 Mägi, Ester

96. Great Violinists Of The Bell Telephone Hour
2 in D minor (Weiniawski) by mischa elman, and Violin Concerto No. 1 in Dmajor (Paganini) by Yehudi Menuhin. more ». MPAA Rating Not Rated
http://www.rottentomatoes.com/m/great_violinists_of_the_bell_telephone_hour/
Great Violinists of the Bell Telephone Hour (1959-1964)
GREAT VIOLINISTS OF THE BELL T... Select Video ... TOP RENTALS * Monster-in-Law * Sahara * Beauty Shop * Guess Who * A Lot Like Love NEW RELEASES * Palindromes UPCOMING * Kingdom of Heaven CURRENT RELEASES * The Accidental Spy * Alexander - Alias - The Compl... * Almost Heroes * Around the World ... * The Associate * Ballad of Jack an... * Beauty Shop * Because of Winn-D... * The Brown Bunny * The Chase * Cocktail * Conspiracy of Sil... * Constantine * Cypher * Dallas 362 * Dead And Breakfast * The Deal * Duplex * Dust to Glory * Encino Man * Green Card * Guess Who * Harry And Max * Hidalgo * Home on the Range * Hotel * Ice Princess * Jack * King's Ransom * A Lot Like Love * A Low Down Dirty ... * Mad Love * Made-Up * Man of the House * Merci Docteur Rey! * Mindhunters * Mom and Dad Save ... * Monster-in-Law * Mr. 3000 * Mr. Destiny - Operation Condor ... * Pokemon - Heroes:... * Pokemon 4Ever * Primo Amore * The Prophecy * Raising Helen * The Ring Two * Ringu 2 * Sahara * A Simple Twist of... * The Sixth Man * Son of the Pink P...

97. Rabin, Francescatti, Heifetz, Grumiaux, Oistrakh, A.o. On 7" 45 RPM Records.
Great violinists play gems on 45 RPM single and extended play vinyl records. mischa elman is accompanied by pianist Leopold Mittman on RCA 4479162.
http://www.xs4all.nl/~rabruil/nostalgia.html
Igor Oistrakh plays Beethoven's Violin Romances with the
Gewandhaus Orchestra and conductor Franz Konwitschny. Little things
mean a lot:
some cherished 7" records HOME
LP PAGE

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Arthur Grumiaux does the same with the Concertgebouw Orchestra conducted by Bernard Haitink.
And so does Rudolf Koeckert and Die Bamberger Symphoniker and Ferdinand Leitner. Francescati's Romances were recorded with "The Symphony Orchestra" conducted by Jean Morel, released by Philips. Heifetz with Beethoven's Romances on La Voix de Son Maitre Super 45 tours Microsillon 7 ERF 102. William Steinberg is the conductor. Kreisler favorites: Liebesleid, Liebesfreud, Caprice viennois and
The "Two Oistrakhs" play Bach's Sonata for two violins with pianist Wladimir Yampolski on a 7" Dutch 33 RPM Concert Hall release. Jascha Heifetz plays Vocalise (Rachmaninoff),
Scherzo Tarantelle (Wieniawski), Berceuse (Stravinsky) and Romanza Andaluza (de Sarasate) with Emanuel Bay on RCA 26034.

98. Buywell Just Classical - 'Sir Georg Solti - Original Masters' CD Label: Decca, C
Artists, mischa elman (violin), Georg Kulenkampff (violin). BEETHOVENViolinSonata No.9 Kreutzer ; Violin Concerto (mischa elman/ LPO)
http://www.buywell.com/cgi-bin/buywellic2/02357.html
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International Labels Recent additions Specific searches Australian/NZ Artists Aust./NZ Composers Specific browses Artist collections SACDs only DVDs only Browse by Category ... For the young Miscellaneous Your Security Currency Conversion G.S.T. (Australia only) [Back] Sir Georg Solti - Original Masters SKU: Price: AU jazconvert(43.45) Label: Decca Cat. No.: Medium: CD No. Discs: When Sir Georg Solti died in September 1997, a month before his 85th birthday, he had been an exclusive Decca artist for 50 years. During this incredible exclusive association Solti made some of the legendary recordings in the history of the gramophone. What is sometimes forgotten is that when Solti first signed to Decca in 1947 it was as a pianist and his first recordings were as partner with violinist Georg Kulenkampff (all of their recordings are included here with the exception of one Mozart Sonata). Solti was a musician of broad sympathies who, during his long career, continued to explore repertory that was new to him. All of the recordings included here are receiving their first international CD release and the recordings of Kodaly and Richard Strauss are released with the co-operation of Deutsche Grammophon.

99. Kathleen Parlow - Biographies - The Virtual Gramophone
After attending a concert by another fourteenyear-old violin sensation, Mischaelman, the Parlows sought out elman s professor, Leopold Auer.
http://www.collectionscanada.ca/gramophone/m2-1022.1-e.html
Kathleen Parlow - Childhood and Education
The woman who became the most respected female violinist of her time was born in Fort Calgary, Alberta in 1890. She was the only child of Charlie Parlow, a Hudson's Bay Company employee, and his wife, Minnie Parlow. Her mother took Kathleen to live in San Francisco when Kathleen was four, and they did not return to live in the nation of her birth until 1940. Mother and daughter nevertheless retained strong ties to Canada; in fact, as Kathleen's international career developed, she was often billed as "the Canadian violinist". Minnie Parlow herself played the violin, so while in California she gave her daughter a half-size violin. Kathleen received lessons at first from a cousin, Conrad Coward, who was a professional violin teacher; it was he who first called her a prodigy. As her immense talent declared itself, she was sent to the violin professor, Henry Holmes. Parlow's rapid ascension was partly due to being home-schooled, where she could devote more time to her instrument than she could have through normal schooling. Parlow herself believed that nature was responsible for the ease with which she mastered even the most difficult violin technique: "I have a very good hand for a fiddle. It has a big stretch.… There really is such a thing as a physical aptitude for the violin, and I had it" (Hambleton, 1978).
Source
Leopold Auer, Kathleen Parlow's teacher and mentor

100. Shinichi Suzuki | Suzuki Association Of The Americas
recording of Schubert?s Ave Maria, played by a famous violinist named MischaElman. He was amazed that a violin could make such a beautiful tone?he had
http://www.suzukiassociation.org/about/suzuki/
Suzuki Association of the Americas
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    Shinichi Suzuki
    Shinichi Suzuki, the man who developed the Suzuki Method, died on January 26, 1998, at his home in Matsumoto, Japan. Though he lived to be 99 years old, Dr. Suzuki always seemed young. He was full of energy, and was cheerful and loving to everyone he met.
    Shinichi Suzuki was born on October 17, 1898, in Nagoya, Japan. He was one of twelve children and his father owned a violin factory. Shinichi and his brothers and sisters played near the factory and saw instruments being made, but the children never realized what beautiful sounds could come from a violin. When he was seventeen, Shinichi heard a recording of Schubert's Ave Maria , played by a famous violinist named Mischa Elman. He was amazed that a violin could make such a beautiful tone because he had thought it was just a toy!
    After this, Shinichi brought a violin home from the factory and taught himself to play. He would listen to a recording and try to imitate what he heard. A few years later he took violin lessons from a teacher in Tokyo. Then, when he was 22 years old, he went to Germany and studied with a famous teacher named Karl Klingler. Shinichi also met his wife Waltraud in Germany. They married and moved back to Japan, where he began to teach violin and play string quartet concerts with his brothers.
    Shinichi had always loved children and became very interested in teaching them. He thought that children could learn music just as they learned to speak - starting when they were very young and hearing music all around them. He believed that all children have the talent to learn if they are taught well by loving parents and teachers. These were very unusual ideas at that time. If children did play an instrument, they started learning when they were ten or eleven. Also, most people thought that musical talent was a special thing that only a few people had.

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