81. Brecht And The Historical Galileo giambattista della porta was twentynine years older when Galileo. He was bornin Naples in 1535, and died in 1615, when Galileo was at the peak of his http://www.nmsu.edu/~honors/brechtessay.html

BRECHT AND THE HISTORICAL GALILEO By William Eamon New Mexico State University The conflict between Galileo and the Church took place within a densely charged political atmosphere. The new science threatened both the Church’s traditional role as aribter of doctrinal truth and its position as a great European power. What were the political issues at stake in the debate over Copernicanism? We can approach this question from two directions, asking (a) what political interests did the Church have vested in the traditional worldview; and (b) what interests did the Galileans stake in Copernican worldview. Given the profoundly human dimension of this conflict, we should also ask: what were Galileo’s choices? The first question, the Church’s political investment in the Aristotelian-Ptolemaic cosmology, is about Counter-Reformation politics. In the century-and-a-half prior to Galileo’s trial, Italy and the Church suffered a succession of severe setbacks. The French invasion left Italy in a state of political wreckage and set the stage for a poisonous rivalry between the Holy Roman Emperor, the Papacy, and the King of France. At the same time, the Church faced dissension within its own ranks. When the sixteenth century opened, scarcely anyone in Europe doubted the need for reform of the Church. Most called for a reform from within, but Luther, that Papal Bull-burning German, crossed the Rubicon. Breaking completely with the church, he split Christendom into two belligerent blocs, and added a vicious ideological element to the Cold War of the sixteenth century.

82. William Eamon Secrets of Nature ; Books of Secrets ; giambattista della porta ; VannoccioBiringuccio, in The Scientific Revolution An Encyclopedia, ed. http://www.nmsu.edu/~honors/weamon.html

William Eamon Regents Professor of History S. P. and Margaret Manasse Chair Director, Honors College History of Science and Medicine Early Modern Europe Renaissance Italy Department of History New Mexico State University Box 30001 MSC 3HON Las Cruces, NM 88003 Office Hours, Fall 2004: T Th 2-3 p.m. (Conroy Honors Center, Rm 103) Telephone: 505-646-2005 weamon@nmsu.edu Education: University of Montana, B.A., 1968 (History) University of Montana, M.A., 1970 (History) University of Kansas, Ph.D., 1977 (History of Science) Research Topics/ Interests: Medieval and Early Modern Science The Scientific Revolution Science and Popular Culture Magic and Occult Traditions in Renaissance Europe Science and Culture in 16th Century Italy and Spain Courses Offered Honors 224G: God and Nature History 301G: Origins of Modern Science History 302G: Science in Modern Society History 304: Medicine and Society History 433: Renaissance and Reformation History 440: The Scientific Revolution Research Seminar: Popular Culture in Early Modern England click for details Selected Publications Science and the Secrets of Nature: Books of Secrets in Medieval and Early Modern Europe (Princeton: Princeton University Press, 1994); paperback edition, 1996. Nominated for Pulitzer Prize; winner of the History Book Award, Association of American Publishers. Italian translation:

83. Incredible Foods, Solteties, And Entremets porta, giambattista della. Magia Naturalis. http//members.tscnet.com/pages/omard1/jportac14.html (June26, 2001). RETURN http://www.godecookery.com/incrd/incrd.htm

NAVIGATION BAR THIS SITE'S RECIPES: A boiled Peacock may seem to be alive A dish of particular colors A Goose roasted alive A young Pigeon with his bones pulled out ... Trojan Hog SEE ALSO: Gode Cookery Table of Contents UPDATES: A Word from the Cook A Boke of Gode Cookery Recipes Medieval Recipe Translations Gentyll manly Cokere ... Glossary of Medieval Cooking Terms ARTICLES ON COOKERY: A Chaucerian Cookery Regimen Sanitatis Salernitanum How to Cook Medieval Messe it Forth ... Alabama Renaissance Faire IMAGES: A Feast For The Eyes Tacuinum Sanitatis RESOURCES: Gode Cookery Bookshop The Merchants Page Boke of Gode Links Gode Cookery Selected Site of the Month ... Gode Cookery Discussion Group WEB NAVIGATION: The Gode Boke Ring Gode Cookery Bibliography RECIPES MAY BE FOUND IN: A Boke of Gode Cookery Recipes Medieval Recipe Translations Gentyll manly Cokere A Renaissance Cookery Book ... Godecookery.com Gode Cookery is a non-profit site which relies on donations and fundraisers for its existence. Please consider a donation via PayPal to help us remain on the Internet. GOODE COOKYS PLEASE VISIT: The Gode Cookery Bookshop Medieval Cookery Books for sale at the Bookshop A companion site to Illusion Foods "The imitations of dishes and special presentations assume a deeper, almost philosophical meaning if we consider the theory of Levi-Strauss, according to which the preparation of food constitutes one of the major culture-creating achievements of humanity, the cooking of the raw an act of establishing culture. In these dishes man transcends nature either by transforming the foodstuffs (e.g. cooked peas turned into a hare-roast), or by preparing them in a nobler or more artistic form, as is the case with the special presentations. The chef thus becomes a creator, like the painter who adds symbolism to his depiction of nature, who transcends nature by capturing the meaning given to it by God through his creation of meaning."

84. TecaLibri: Giambattista Della Porta: Opere Translate this page giambattista della porta opere www.tecalibri.it http://web.infinito.it/utenti/t/tecalibri/D/DELLAPORTA-G_OPE.htm

classici italiani TecaLibri Giambattista Della Porta: opere Nasce a Napoli. 1586 L'Olimpia 1589 Magia naturalis 1592 La fantesca 1593 Della rifrazione ottica 1600 La furiosa 1601 La Cintia 1604 I due fratelli rivali 1606 L'astrologo 1606 Tre libri de' spiritali 1607 Il moro Muore il 4 febbraio a Napoli.

85. Susan Derges : Natural Magic - An Exhibition At The Museum Of The History Of Sci and physical science by giambattista della porta, first published in 1558.A Renaissance scholar, della porta is renowned for the broad spread of his http://www.mhs.ox.ac.uk/derges/guide.htm

Natural Magic Susan Derges Artist Susan Derges has been conducting research towards new work at the Museum of the History of Science at the University of Oxford. Natural Magic is the outcome of Derges's year-long residency in Oxford. The residency is part of the millennium celebrations for Year of the Artist. Year of the Artist began on 1 June 2000 and is the largest and most ambitious arts project ever mounted in England with over 1000 artists working in 1000 places nationally. It seeks to raise the status and profile of living artists and give them opportunities to take their work in new directions. Born in 1955, Susan Derges has established an international reputation with one-person exhibitions in London, Cambridge, Edinburgh, New York, San Francisco and Tokyo. Characteristically, her practice has involved cameraless, lens-based, digital and reinvented photographic processes, and encompasses subject matter informed by the physical and biological sciences as well as landscape and abstraction. Her art comprises an ongoing enquiry into the relationship of the self to the observed. Elemental science Celia Joicey Our eyes are only glass windows; we see with our imagination

86. The Strains Of The Voice giambattista della porta s Natural Magick of 1584 devoted a chapter to the topicof Whether Material Statues May Speak By Any Artificial Way . http://www.bbk.ac.uk/english/skc/strains/

The Strains of the Voice Steven Connor What is a voice? It is a straining of the air. Sound, wrote Aristotle, is a kind of pathos, a suffering. The air is battered, stretched, percussed when there is sound. The voice never simply appears, but is expressed, its shape formed out of resistance. What resists the voice? The heaviness, the reluctant inertia of things, the world’s weary wish to hold its peace. The voice must overcome this lethargy deep down things. It is a striving, and a disturbance: it subjects the world to strain. Instress Stimme also signifies a tuning, or pitching. My voice is said to be my own, because nobody else can use my voice, or be in the place of my voice, without theft or deception. But perhaps this is so not because the voice is my property, but because it is, to borrow Gerard Manley Hopkins's term, my ‘instress’, the power by which my coherence (which Hopkins named ‘inscape’) is conveyed or borne out. Extending this to non-vocal objects, as Hopkins does, instress becomes the way in which such objects 'voice': each hung bell's Bow swung finds tongue to fling out broad its name;

87. No Links To Writers Translate this page della Corte, Carlo della porta, giambattista della Valle, Federico Dell’ Arco,Mario Dessi, Giuseppe Di Giacomo, Salvatore Di Giovanni, Domenico http://www.litterae.net/Italian writers.htm

LITTERAE Multilingual literary magazine An almost-comprehensive List of Italian Writers A B C D ... Z Accetto, Torquato Accrocca, Elio Filippo Achillini, Calucio Addamo, Sebastiano Agosti, Stefano Aganoor Pompilj, Vittoria Alamanni, Luigi Albertano Da Brescia Albertazzi, Ferdinando Alberti, Barbara Alberti, Leon Battista Albinati, Edoardo Aleardi, Aleardo Aleramo, Sibilla (Faccio, Rina) Alfieri, Vittorio Algarotti, Francesco Alighieri, Dante Allacci, Leone Almansi, Guido Altomonte, Antonio Alvaro, Corrado Amicis, Edmundo De Ammannati, Laura Battiferri Andrea Da Barberino Andreini, Giovan Battista Andreini, Isabella Angeli, Siro Angelini, Claudio Angelino, Luciano Aniante, Antonio Angiolieri, Carlo Antonaros, Alfredo Antonielli, Sergio Antonio Da Ferrara Antonio Da Tempo Antonioni, Michelangelo Arbasino, Alberto Aretino, Pietro Argiropulo, Giovanni Arienti, Giovanni Sabadino degli Ariosto, Ludovico Arpino, Giovanni Arrigo Da Settimello Artusi, Pellegrino Ascoli, Graziadio Isaia Asprea, Luca

88. Oe Magazine - Education Beat What do Hubbert s Peak, giambattista della porta, Geronimo, Donald MacMillan,and the mysterious lights of Marfa, TX, have to do with optics? http://oemagazine.com/fromTheMagazine/dec03/edu.html

december 2003 special focus: metrology measuring success toward a standard nanometer metrology aims for precision feature lithography grows up tutorial what's in store for holography departments president's letter editor's desk eye on technology business spotlight ... design desk education product innovations product trends test talk spie world ... Download PDF of this article guiding students to light A new line of educational materials illuminates optics learning. By Steven Moore, Center for Image Processing in Education What do Hubbert's Peak, Giambattista della Porta, Geronimo, Donald MacMillan, and the mysterious lights of Marfa, TX, have to do with optics? The answer is they all provide narrative hooks to capture the imagination of secondary-school students and guide them into learning how light plays a starring role in the world around us. Re-enactment of a heliograph station at Fort Bowie, Arizona. (WYNNE BROWN) At the middle school and high school levels, optics is usually taught as part of physical science or general science courses. In laboratory exercises used in such courses, students discover properties of light with all kinds of technology: lenses, prisms, lasers, mirrors, wave tanks, Slinky toys, telescopes, online applets, detectors, cameras, overhead projectors, kaleidoscopes, and even glass kitchenware. Although these technologies grab the attention of students and are used to teach them important principles of light, typical secondary school science activities don't integrate the story of light into students' lives or place optics into a human context. The new

89. Commentary, July 12, 2002 — Coming Next Week, Evolution And Cold Reading (?), A an excerpt from an interesting piece by giambattista della porta, written in1584. Randi comments Up to this point, della porta s observations are http://www.randi.org/jr/071202.html

July 12, 2002 Next week I will begin featuring a series of observations by ancient writers on the charlatans of their Reader Michael McCarron has an interesting parallel to draw for us.... I was thinking today as I read your articles and while pondering the exploits of Van Praagh and Edward. I came upon an interesting comparison. I thought that in a funny way, those psychics that "talk to the dead," work in the same way that evolution does. Not only is their technique similar in its workings, it's also similar in the way it doesn't work. A "psychic" starts out by making a bunch of random statements and hopes for a "hit" among the accumulated audience. When a "hit" is acknowledged, he jumps on it and builds better predictions with other statements that are thrown out for possible inclusion. The "misses" are forgotten about, and the "hits" are saved in the memory to be used in the summation to show how well the "reading" has worked. palmaris longus ? Not "mistakes," I know, but if taken from a "creationist" point of view, certainly they are! Both evolution and these "psychics" can seem to have powers or supernatural origins, but both can be explained with some thought and some understanding of how things work. Might be a good book idea, eh? Let me explain a couple of terms here. The muscles referred to above are rather mysterious, and one has an uncertain function. Judging from discussions I've referred to on these muscles, I use my

90. A Selection Storia Della Scienza - History Of Science Early English Text Society della porta, giambattista Natural Magick Galilei,Galileo. Etesti, 20+ titoli. Liberliber Huygens, Christiaan Systema http://www.imss.fi.it/~tsettle/

La Storia e la Filosofia della Scienza, della Tecnologia e della Medicina The History and Philosophy of Science, Technology and Medicine Una Selezione di Siti Web e di altre Fonti A Selection of Web and other Sources A cura di: 4 July, 2005 Index Indice By way of Introduction The sites selected for this list conform loosely to criteria determined by the nature of the Istituto e Museo di Storia della Scienza and the students and scholars who have either visited it in Florence or have had reason to come to its Homepage. There is no attempt to provide a full listing of internet resources for the history of science or its many sister disciplines; it is hoped that the sources indicated will give access to that wider world. The Istituto is one of the main centers for those disciplines in Italy and Europe, and it provides several on-line services, including this one. The Museo has an important, specialized collection of scientific instruments and artifacts. Emphasized here, then, are Italian and European sites with related activities or interests. Emphasized also are sites which are the result of concerted efforts on the part of their designers to explore the use of the internet for serious research and teaching, wherever they may be in the world. Index A Titolo di Introduzione I siti selezionati in questo elenco si conformano ai criteri determinati dalle caratteristiche dell' Istituto e Museo di Storia della Scienza Indice Indice Index General History of Science Storia della Scienza Generale Other Sites of Interest Altri Siti d'Interesse Instruments Strumenti Soggetti Topics ... Discussion Lists GENERAL HISTORY of SCIENCE STORIA della SCIENZA GENERALE

91. Lucia Rodler Le Funzioni Della Fisiognomica Da Della Porta A Lombroso Translate this page quanto detto conviene fare riferimento al trattato che giambattista della porta ha Anche in questo caso della porta prende le mosse dal mondo greco, http://www.griseldaonline.it/percorsi/3rodler.htm

Bibliografia essenziale F. Caroli (a cura di), L'anima e il volto. Ritratto e fisiognomica da Leonardo a Freud (Milano, Palazzo Reale, 30 ottobre 1998-14 marzo 1999) , Electa, Milano 1998; J-J. Courtine, C. Haroche, Histoire du visage (XVIe-début XIXe siècle) , Rivages/Histoire, Paris 1988, trad. it. Storia del volto , Sellerio, Palermo 1992; P. Getrevi, Le scritture del volto. Fisiognomica e modelli culturali dal Medioevo ad oggi , Franco Angeli, Milano 1991; M. Giuffredi, Fisiognomica, arte e psicologia tra Ottocento e Novecento , CLUEB, Bologna 2001; P. Magli, Il volto e l'anima. Fisiognomica e passioni , Bompiani, Milano 1995; L. Rodler, Il corpo specchio dell'anima. Teoria e storia della fisiognomica , Bruno Mondadori, Milano 2000; M.M. Sassi, La scienza dell'uomo nella Grecia antica , Bollati Boringhieri, Torino 1988.

92. Lucia Rodler Le Funzioni Della Fisiognomica Da Della Porta A Lombroso Versione S Translate this page quanto detto conviene fare riferimento al trattato che giambattista della porta ha Anche di là dalla simulazione, per della porta resta vero che un http://www.griseldaonline.it/percorsi/3rodler_print.htm

Lucia Rodler Le funzioni della fisiognomica da Della Porta a Lombroso L'interesse per la fisiognomica nasce da una curiosità per così dire filosofica circa il nesso tra corpo e anima, esteriorità e interiorità, che costituisce uno dei processi di tematizzazione più complessi della cultura occidentale. Bisogna anzitutto prestare attenzione alla teoria della percezione, così come suggerito tra gli altri da Rudolph Arnheim e Ernst Gombrich . Si comprende allora che l'occhio non registra tutti i dati visivi, ma ne seleziona alcuni sulla base di uno schema mentale che riconosce gli elementi più semplici (nel senso di marcati, che risaltano con evidenza) e stabili (uno sbadiglio mi sfugge, una serie di sbadigli no). Questo per un'esigenza di economia percettiva. La percezione infatti ha bisogno di organizzarsi subito in comprensione utile alla sopravvivenza. Perciò ognuno interpreta i dati che ha selezionato partendo da sé: non per caso nelle Lezioni americane , alla voce Visibilità , Italo Calvino si diceva convinto che «la nostra immaginazione non può che essere antropomorfa» . Ecco allora che la selezione operata dall'occhio sul corpo di una persona che sta di fronte risponde al bisogno di attribuire un senso coerente a ciò che circonda.  E poiché difficilmente si accetta di avere sbagliato, Gombrich ha parlato di un vero e proprio «pregiudizio fisiognomico».

93. Porta Translate this page giambattista della porta nait à Naples aux alentours de 1540 ses biographes, Giovanni Battista (or giambattista) della porta (1535 -1615) was a natural http://webperso.easyconnect.fr/baillement/lettres/porta.html

Introduction Charcot mardi 23 oct 1888 Nouvelles conceptions en anglais ... embryologie et examen clinique Complications Que sont les tics et les tocs? Maladie de Gilles De La Tourette ... Dr Walusinski Recherche par mot du site : avec l'aide de FreeFind Biographies de neurologues J Poirier J Poirier A Rouen La physionomie humaine Iean Baptiste Porta Neapolitain 1545-1615 Naples Du baaillement (page 250) Gellius rapporte une histoire d'un certain Homme, qui estant dans le Barreau pour entendre un Iujement, en presence des Iuges baailla baailler , il sauva ainsi par la response la prise qu'on luy alloit faire. Giovanni Battista della PORTA De humana physiognomonia Vico Equense : Josephus Cacchius, 1586 magie Magie naturelle en italien a chambre obscure. C'est par le truchement de la physique, que Porta s'oriente vers la Physiognomonie De Furtivis Literarum Notis le principe de la chambre noire Giovanni Battista (or Giambattista) della Porta (1535 -1615) was a natural philosopher and physician who made significant scientific contributions, he was first, for example, to recognize that light rays have a heating effect. However, his approach employed many principles now known to be invalid and in his pursuit of the ancient pseudo-science of physiognomy he tried to determine a man's character from his outward resemblance to animals. This work was written in Latin and first published in 1586 under the title De humana physiognomia. It saw 19 editions before 1701, and has been translated into Italian (1598; translation by Salvatore Scarano), German (1651), French (1655), and English (1817).

94. Archeologia Architettura Della Translate this page 22. giambattista della porta The Sister 30. giambattista della porta TheSister Nuzzo Tra ordine della storia e storicita Saggi sui saperi http://www.hallarchitecture.com/top/sites/10/1/archeologia_architettura_della.ht

95. 1^ Maratona Delle Orobie - Oltre Il Colle Valle Serina Translate this page Sentiero delle Orobie e del Sentiero della porta, giambattista Cortinovis . Alla soglia dell’ingresso nel suo centesimo anno di vita, giambattista http://www.valbrembanaweb.com/maratonadelleorobie/

OLTRE IL COLLE (Valle Serina) Competizione agonistica, la prima Skyrace - corsa del cielo - nella storia dello sport bergamasco. 3000 metri di salita distribuiti lungo un percorso di 38 chilometri su sentieri scoscesi, pascoli e creste rocciose, toccando tutte le vette della Val Serina. Una sfida estrema per i piu' forti. Foto Gallery e Classifica della 1^ Maratona delle Orobie “La GranValSerina” si chiude con il grande successo della prima “Maratona delle Orobie” e l’assegnazione dei riconoscimenti “Profili” LA CLASSIFICA DELLA MARATONA DELLE OROBIE I RICONOSCIMENTI “PROFILI” La Gran Val Serina Nell’ambito dell’Anno Internazionale delle Montagne viene conferito il riconoscimento “PROFILI” ad Angelo Gamba Giambattista Cortinovis Battista Scanabessi Fabio Maj Fausto Bonzi Pieralberto Carrara Fulvio Mazzocchi Luisa e Augusta Bianchi Per informazioni: coop. Sinapsi, t. 035. 240844 - Roberto Cremaschi, t. 348.4021664 - Vittorio Rinaldi,t. 338.5312802 Bergamo, settembre 2002 Info online Nome e Cognome: Data di Nascita: E-mail: Telefono: Testo: Inoltra Per cancellare i dati

96. Padres De La Grafología Translate this page Juan Bautista de la porta Italia giambattista della porta. giambattista dellaporta, nació en Vico Equense a 12 millas al sur de Nápoles, un 12 de noviembre http://www.portalgrafologico.com.ar/popes.htm

Juan Huarte de San Juan Camilo Baldo Marco A. Severinus Juan Bautista della Porta ... Pedro D'Alfonso Juan Huarte de San Juan "El Examen de ingenios para las ciencias" (Baeza, 1575). Si desea puede leer el Camilo Baldo Italia "Trattato come de una lettera misiva si cognoscano la natura e qualitá dello scrittore" ("Tratado sobre cómo a través de una carta manuscrita se conoce la naturaleza y cualidad del que escribe”), Marco Aurelio Severinus Italia "Vaticinator, sive tractatus de divinatione litterali" (Adivinador o tratado de la adivinación epistolar). Juan Bautista de la Porta Italia Su obra más importante se denomina "De la fisonomía humana". Fue escrita primeramente en Latin y publicado en el año 1586 bajo el titulo de De humana physiognomia. Tuvo 19 ediciones hasta 1701, y ha sido traducido al Italiano como Della fisionomia dell'huomo (1598; traducida por Salvatore Scarano), al aleman (1651), al francés (1655), y al ingles (1817). Este trabajo describe la ciencia de la "phisiognomía"; esto es, el descubrimiento del carácter y personalidad de una persona estudiando su apariencia exterior del cráneo.

97. Wicca Chat - Witchcraft - Wicca giambattista della porta (JOHN BAPTIST porta ) (giambattista della porta) (15351615) 134. With porta, giambattista della. De humana physiognomonia. http://www.wicca-chat.com/naturalmagic/naturalauthor.htm

Preface Author Natural Magick About the Author The Author And His Work" Giambattista della Porta (JOHN BAPTIST PORTA ) (Giambattista della Porta) Introduction 1658 English Translation - "Natural Magick" 1558 - "Magia Naturalis," Book I-IV (Latin) (Dr. Laura Balbiani) Della Porta's Life (Giambattista Della Porta, Dramatist: by Louise Ceorge Clubb, 1965) Natural Magic and the Secrets of Nature (Chapter 6 - Science and the Secrets of Nature, by William Eamon) The Naming of the Telescope (Edward Rosen, Forword by Harlow Shapley, Henry Schuman, Inc. 1947) Giambattista della Porta, And his Natural Magick (Derek J. Price - Smithsonian Institution, Washington DC - June 10 1957) Giambattista della Porta (Biography in Encyclopaedia Britannica) Reference (Source: http://www.physics.wisc.edu/~shalizi/White/magic/magic.html Porta, Giambattista della (Compiled by: Richard S. Westfall ) Giambattista della Porta (I538-I6I5) (Provided by Samten de Wet) De humana physiognomonia Giambattisa Della Porta's Comedy La Trappolaria (1596) Introduction Giambattista della (John Baptist) Porta (1535-1615), was a Neapolitan scholar of notable ability who had devoted great attention to the study of natural and physical science. Porta visited most of his known world to gather and perfect the knowledge utilized in his writings. His first work, "Magiae naturalis"- "Natural Magick" was first published in 1558 in "four" books (written, according to the author, "Porta, " when he was fifteen years old, - see "Preface To The Reader" in "Natural Magick"). It was later expanded to twenty books compended into one volume in 1584. In this form the book had a great vogue, being translated from the original Latin into the principal European languages, and republished in the Latin edition in many places for a hundred years. The translation presented here is the final compendium of his life's work, completed when he was fifty years old.

98. List Of Scientists By Field Translate this page porta, giambattista della. porta, giambattista della. porta, Luigi. portal, Antoine.Portevin, Albert Marcel Germain René. Portevin, Albert Marcel Germain http://www.indiana.edu/~newdsb/p.html

Pacchioni, Antonio Pacini, Filippo Pacini, Filippo Pacinotti, Antonio Pacioli, Luca Pacioli, Luca Packard, Alpheus Spring Padoa, Alessandro Pagano, Giuseppe Painter, Theophilus Shickel Paley, William Palisa, Johann Palissy, Bernard Palissy, Bernard Palladin, Aleksandr Vladimirovich Palladin, Aleksandr Vladimirovich Palladin, Vladimir Ivanovich Palladin, Vladimir Ivanovich Pallas, Pyotr Simon Pallas, Pyotr Simon Palmer, Edward Pander, Christian Heinrich Pander, Christian Heinrich Paneth, Friedrich Adolf Paneth, Friedrich Adolf Pannekoek, Antonie Papaleksi, Nikolai Dmitrievich Papanicolaou, George Nicholas Papanicolaou, George Nicholas Papin, Denis Pappus of Alexandria Pappus of Alexandria Pappus of Alexandria Paracelsus, Theophrastus Philippus Aureolus Bombastus von Hohenheim Paracelsus, Theophrastus Philippus Aureolus Bombastus von Hohenheim Paracelsus, Theophrastus Philippus Aureolus Bombastus von Hohenheim Paracelsus, Theophrastus Philippus Aureolus Bombastus von Hohenheim Pardies, Ignace Gaston Parenago, Pavel Petrovich Parent, Antoine Parkhurst, John Adelbert

99. Porta Photo Album Generator porta. A nononsense, hassle-free photo album generator. giambattista dellaporta (1535-1615) porta is a small program that turns a directory with JPEG/TIFF http://www.stegmann.dk/mikkel/porta/

Porta A no-nonsense, hassle-free photo album generator Porta is a small program that turns a directory with JPEG/TIFF images into a neatly formatted web photo album. Besides being free its primary virtues are: It's fast, it's simple to use, it's lightweight, and it produces clean and uncluttered web pages that will load fast and look good in all modern browsers. Example Porta album Giambattista della Porta (1535-1615) was the first to add a convex lens to the camera obscura. This amplified its light sensitivity significantly and thus constituted a major step towards the cameras of today. Add the meaning of the Latin word porta (gate) and you have the full "story-behind-the-name". How to make a photo album? Making a photo album requires you to locate an image directory. Next, the window to the right is shown. Pressing enter starts album generation and shortly after is the result shown in your browser. Simple and fast. However, if you like to tweak program options , delve into the: Skins Multi-language support Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian

100. Giovanni Battista Della Porta Translate this page Giovanni Battista della porta avait vingt-huit ans quand, en 1563, il écrivit lelivre auquel il doit sa renommée de cryptologue. http://www.apprendre-en-ligne.net/crypto/porta/biographie.html

Giovanni Battista Della Porta (1535-1615) Chapitre: II. Histoire de la cryptologie Prérequis: Aller vers : > Stéganographie Trithème Page d'accueil Table des matières Lexique C'est un jeune prodige napolitain, futur fondateur de la première société scientifique de la Renaissance, qui a fait la synthèse des idées de ses prédécesseurs qui devait aboutir à la forme moderne de la substitution polyalphabétique Giovanni Battista Della Porta avait vingt-huit ans quand, en 1563, il écrivit le livre auquel il doit sa renommée de cryptologue. De Furtivis Literarum Notis , composé de quatre livres, traitant respectivement des chiffres anciens, des chiffres modernes, de la cryptananalyse, des caractéristiques linguistiques qui favorisent le décryptement, représente la somme des connaissances cryptologiques de l'époque. Il récapitule les procédés classiques de ses prédécesseurs, mais il n'hésite pas à les critiquer: le vénérable alphabet du Parc à cochons n'est utilisé, écrit-il avec mépris, que «par les croquants, les femmes et les enfants». Porta classait les procédés en trois catégories: le changement de l'ordre des lettres (transposition), de leur forme (substitution par symboles), de leur valeur (substitution par alphabet cryptographique). Bien que sommaire, c'est le premier exemple de la répartition maintenant classique des procédés en deux principes:

A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z

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