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81. Albany Records Martian Counterpoint
marilyn nonken, piano David Rakowski, composer The Third, Man marilyn nonken,piano David Rakowski, composer Ten of a Kind (Symphony 2) Concerto
http://www.albanyrecords.com/cgi-bin/miva?Merchant2/merchant.mv Screen=PROD&Stor

82. Salvatore Martirano Composition Award 1996 WINNER
Program for October 16, 1997 FGH marilyn nonken, piano marilyn nonkenhas emerged as one of the most talented young pianists dedicated to
http://ems.music.uiuc.edu/~martiran/HTdocs/SMCA_winner.html
Salvatore Martirano Composition Award 1996 WINNER
The Salvatore Martirano Memorial Composition Award is an international competition for young composers which carries a cash prize and a performance of the wining composition. The competition is held in memory of Salvatore Martirano who was a professor of composition at the University of Illinois from 1963 to 1995. The First Annual Salvatore Martirano Memorial Composition Award Concert will be a recital of contemporary piano music by Marilyn Nonken. This recital will feature a performance of the winning composition Echoes' White Veil which was written for Nonken by New York composer Jason Eckardt. Nonken will also perform Martirano's Cocktail Music and works by Harvey, Rakowski, and Salonen. Eckardt and Nonken are co-directors of Ensemble 21 which is a contemporary music group in New York City.
Program for October 16, 1997 FGH Marilyn Nonken, piano
Etudes for piano (1991-96)David Rakowski
Trombeau De Messiaen for piano and tape Jonathan Harvey
Intermission Cocktail Music (1967) Salvatore Martirano
Echoes' White Veil (1996) Jason Eckardt (winner, Martirano Composition Award)

83. Thomas Moore's New Music Links -- Piano
Muraro, Roger home page; Nasveld, Robert home page; nonken, marilyn.marilyn nonken page at Ensemble 21; marilyn nonken page at CDeMUSIC; marilyn nonken
http://research.umbc.edu/~tmoore/nml/piano.html

84. Clarice Smith Performing Arts Center At Maryland
marilyn nonken hangs out where other pianists fear to tread, and she packs enoughartistry and technique for the journey (The Village Voice).
http://www.claricesmithcenter.umd.edu/website/c/performances/performance?rowid=6

85. Microsuoni: Morton Feldman
Performed by marilyn nonken, recorded 2003. The place Triadic Memories takes us is Performed by marilyn nonken. The DVDAudio version is presented in
http://www.microsuoni.com/artists/feldman.morton.html
Morton Feldman
Artist: Morton Feldman Title: Composing By Numbers - The Graphic Scores 1950-67 Label: Mode Format: CD Cod. nr.
The Barton Workshop
James Fulkerson, director
Projection I
Taco Kooistra, cello
Projection II
The Barton Workshop, James Fulkerson, conductor
Projection III
Philip Corner and Frank Denyer, pianos
Projection IV Marieke Keser, violin and Frank Denyer, piano Projection V The Barton Workshop, James Fulkerson, conductor Intersection I The Barton Workshop, Jos Zwaanenburg, conductor Marginal Intersection The Barton Workshop, Jos Zwaanenburg, conductor Intersection II Frank Denyer, piano Intersection III Frank Denyer, piano Intersection IV Taco Kooistra, cello Out of 'Last Pieces' The Barton Workshop, Jos Zwaanenburg, conductor The Straits of Magellan The Barton Workshop, James Fulkerson, conductor In Search of An Orchestration The Barton Workshop, Jos Zwaanenburg, conductor When Feldman met Cage in the winter of 1949, they quickly established a friendship based upon a similarity of intent and a mutual respect for the work each was doing. Soon thereafter, Feldman showed a string quartet he had been writing to Cage. Cage's enthusiasm for this work, and delight in Feldman's being unable to explain "how" he had written it, gave Feldman an all important "permission" to follow his intuition.
  • This period of time marks the beginning of Feldman's "graph music", so named because it was written on graph paper, but also because it is part of a larger movement in 20th century music during which music notation departed from the traditional staff notation and began to incorporate a great deal of graphic symbols.
  • 86. Marilyn Nonken At Piano Marilyn Nonken At Piano Collection ID LIB
    marilyn nonken at piano. marilyn nonken at piano 1st Subject Name, nonken,marilyn. 1st Subject Function, Piano
    http://ubdigit.buffalo.edu/cgi-bin/viewer.exe?CISOROOT=/LIB-MUS009&CISOPTR=182&C

    87. Marilyn Nonken: Musician
    Classical musician, marilyn nonken, concerts. Musician marilyn nonken ConcertConcert The Peabody Computer Music Consort Presents The Complete Piano
    http://www.eventjar.com/musician/N/marilyn_nonken.html
    Musician: Marilyn Nonken Concert: Concert: The Peabody Computer Music Consort Presents The Complete Piano Music Of Tristan Murail
    Updated on Sunday September 4, 2005 8:27pm EDT
    Home
    Classical Musicians N Marilyn Nonken
    Marilyn Nonken Concerts
    Concert: The Peabody Computer Music Consort Presents The Complete Piano Music Of Tristan Murail

    Peabody Institute

    March 26, 2004, 7:30pm
    Griswold Hall , Baltimore, Maryland
    Qualifiers: Marilyn Nonken (piano). Marilyn Nonken related Web pages
    Search for images at Google.com
    EventJar Newsletter Subscribe to our FREE weekly Museum Exhibits Newsletter to keep up to date with art exhibit openings across America. subscribe unsubscribe Enter your e-mail address: Read our About Us Site Map Submit Your Site Contact ... Advertise With Us JAR Networks P.O. Box 231, Boston, MA 02117

    88. Ostrava Days 2003 Institute And Festival
    Saxophone Joseph Kubera, Piano marilyn nonken, Piano Frederic Rzewski, and marilyn nonken, performing major works for piano by John Cage,
    http://list.mail.virginia.edu/pipermail/silence/2003-July/000526.html
    Ostrava Days 2003 Institute and Festival
    PKSEM@aol.com PKSEM@aol.com
    Thu Jul 31 13:41:54 EDT 2003 For Immediate Release July 22, 2003 Contact: Donel Young Phone: (732) 295-2406 OR: Dita Eibenova, Director of OD Institute +420 596 203 426, eibenova@ocnmh.cz More information about the silence mailing list

    89. Taimur Sullivan-recordings
    marilyn nonken, piano Michael Lowenstern, bass clarinet marilyn nonken, pianorecorded 6/03. Tent of Miracles by Martin Bresnick recorded 9/03
    http://www.threetwo.org/sullivan/records.html
    biography concert schedule listen reviews commissions recordings links contact Real Standard Time
    PRISM Quartet
    Jazz compositions by Matthew Levy and Tim Ries. With Larry Goldings (organ), John Riley (drums), Ben Monder (guitar), Franck Amsallem (piano). Innova Recordings #515
    purchase

    Out of Chaos
    Music of Jason Eckardt
    new release: 6/2004 Tangled Loops (soprano saxophone and piano)
    with Marilyn Nonken, piano Mode Records #137
    purchase
    modus nodus
    chamber works 2002-03
    Elizabeth Hoffman Barrissement D'Elephant (baritone/soprano saxophone , pno, bs cl, vla, vcl, perc) Three Short Stories (solo alto saxophone) Albany Records #TROY610 purchase Crossing the BLVD Music by Scott Johnson Earsay Productions purchase Banjaxed Music by Zack Browning Black Notes for alto saxophone and tape Capstone Records #CPS-8697 purchase Billband: Blurred Music by Bill Ryan Todd Reynolds (violin), Wayne du Maine (trumpet), Taimur Sullivan (saxophones), Michael Lowenstern (bass clarinet), Steve Gosling (piano), David Cossin (percussion)

    90. MusicMoz - Instruments: Keyboard: Piano: Bands And Artists: N
    nonken, marilyn Specializes in modern music Information, discography, repertoire,concerts. Nyiregyhazi, Ervin (1903-1987) - Brief biography,
    http://musicmoz.org/Instruments/Keyboard/Piano/Bands_and_Artists/N/
    Search
    Whole Directory
    free-text
    band or artist name
    song title
    album
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    free-text
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    Top Instruments Keyboard ... Bands and Artists
    Links:
    • Neuhaus, Heinrich (1888-1964) - Associazione Musicale Heinrich Neuhaus-Italia, is dedicated to this Russian pianist and teacher. It also includes Svjatoslav Richter, Emil Gilels, Radu Lupu, and others. Nonken, Marilyn - Specializes in modern music: Information, discography, repertoire, concerts. Nyiregyhazi, Ervin (1903-1987) - Brief biography, obituaries and selected reviews.
    This category needs an editor This category incorporates modified data from the Open Directory Project. Help build the largest human-edited directory on the web. Submit a Site Open Directory Project Become an Editor validate ... edit

    91. Performances
    marilyn nonken, piano. University of California Berkeley. NOVEMBER 18 ViolinSongs, *premiere* performed twice. Susan Narucki, soprano, and Curtis Macomber,
    http://home.earthlink.net/~ziodavino/album1_015.htm
    Bio Compositions Recordings Performances Do you really look like that? Are you the font guy? Davy's lexicon Teaching ... Reviews SEPTEMBER 22 Inside Story (piano trio).*premiere* Curtis Macomber, violin; Norman Fischer, cello; Jeanne Kierman, piano. Duncan Hall, Rice University, Houston, Texas.
    OCTOBER 9 Two Can Play That Game (bass clarinet and marimba). Jay Niepoetter, bcl and Jonathan Bisesi, marimba. Marine Chamber Ensembles, George Washington Masonic National Memorial Auditorium, Alexandria, Virginia.
    OCTOBER 14 Inside Story (piano trio). Curtis Macomber, violin; Norman Fischer, cello; Jeanne Kierman, piano. Music in the Mountains, Norwich, Vermont.
    OCTOBER 15 E-Machines (etude #1). Stephen Gosling, piano. American Modern Ensemble, Tenri Cultural Institute, New York City.
    OCTOBER 23 When the Bow Breaks (violin solo). Daniel Stepner, violin. Irving Fine Memorial Concert, Slosberg Recital Hall, Brandeis University, Waltham, Massachusetts.
    OCTOBER 30 Ain't Got No Right (etude #67). Amy Dissanayake, piano. Soundfield, Fazioli Studio, Chicago, Illinois.
    NOVEMBER 20 Killer B's (etude #63) *premiere* Danielle Ingram, Briston Chapel, Westminster Choir College, Princeton, New Jersey.

    92. On The Wings Of Gabriel: Programmes: ELISION Ensemble
    Work Chris DENCH Passing bells night (2004/05) marilyn nonken piano solo Peter NEVILLE percussion, marilyn nonken piano, Michael HEWES sound
    http://www.elision.org.au/programmes/2005/gabriel.html
    Home Programmes 2005 Programme Terrain ... nothing elsewhere
    8:30pm, Saturday 22 January 2005
    Iwaki Auditorium
    ABC Southbank Centre, Melbourne Broadcast live-to-air on ABC Classic FM ELISION Ensemble
    Franck OLLU
    conductor
    Liza LIM Spirit Weapons (2000) Part One
    Rosanne HUNT violoncello solo
    Liza LIM Ming Qi (Bright Vessel)
    Peter VEALE oboe
    Peter NEVILLE
    percussion
    Chris DENCH Passing bells: night
    Marilyn NONKEN piano solo
    WORLD PREMIERE
    Dominik KARSKI motion+form
    Joan WRIGHT amplified contrabass
    Marshall McGUIRE
    harp
    Peter NEVILLE
    percussion
    WORLD PREMIERE
    Brian FERNEYHOUGH Les Froissements des Ailes de Gabriel
    guitar solo, flute/piccolo/bass flute, oboe/cor anglais, clarinet/clarinet in Eb, bass clarinet/contrabass clarinet, horn, trumpet/soprano trombone, trombone/bass trumpet, piano, guitar, harp, percussion, violin, violoncello
    Geoffrey MORRIS
    guitar solo
    Franck OLLU
    conductor
    Performers Franck OLLU conductor Paula RAE flute/piccolo/bass flute Richard HAYNES clarinet , Brian CATCHLOVE clarinet/contrabass clarinet , Peter VEALE oboe , Tristram WILLIAMS trumpets , Ysolt CLARK horn Benjamin MARKS trombone/bass trumpet Susan PIEROTTI violin Rosanne HUNT violoncello Joan WRIGHT contrabass Peter NEVILLE percussion , Marilyn NONKEN piano Michael HEWES sound design/technician , Ken MURRAY guitar Marshall McGUIRE harp ELISION Ensemble gratefully acknowledges the financial assistance of the Commonwealth of Australia through the Australia Council , its arts funding and advisory body; the State of Queensland through

    93. Ostrava Days 2003 - Festival
    Roscoe Mitchell Selected I (2003)** 1000 pm Philharmonic Hall, Dum kulturymesta Ostravy marilyn nonken, Piano Morton Feldman Triadic Memories (1981)*
    http://www.ocnmh.cz/days2003_festival.htm
    OSTRAVA DAYS 2003
    New Music Festival, August 24-30
    Festival Program
    Sunday, August 24
    7:00 pm Philharmonic Hall, Dum kultury mesta Ostravy
    MUSIC IN SPACE: WORKS FOR MULTIPLE ORCHESTRAS
    Roscoe Mitchell, Saxophone
    Thomas Buckner, Barytone
    Petr Kotik and Zsolt Nagy, Petr Vronsky, Conductors
    Petr Kotik Variations for 3 Orchestras (2003) (World Premiere)
    Olga Neuwirth Locus...dublure...solus for 3 Orchestras (2003) (World Premiere) Phill Niblock 3 Orchids for 3 Orchestras (2003) (World Premiere) Roscoe Mitchell Surface Covered in Cracks (2003) (World Premiere) Roscoe Mitchell Non-Cognitive Aspects of the City (2003) (Czech Premiere) Tristan Murail Gondwana (1980) (Czech Premiere) Earle Brown Available Forms II for 2 Orchestras (1962) Download Detailed program (RTF) Podrobný program ke stazení (RTF) Monday, August 25 4:30 pm Janacek Conservatory - Concert Hall Hana Kotkova, Violin Monika Streitova, Flute Eniko Ginzery, Cimbalom Andrea Mudronova, Piano Igor Frantisak, Clarinet Soloists of the Ostrava Center for New Music Marián Lejava (Slovakia), Conductor

    94. GML New Acquisitions In Music 3/02: CDs
    nonken, marilyn. American spiritual sound recording new piano works. CRI,New York, NY p2001. CDisc Z CAA 1827. nonken, marilyn.
    http://www.uwm.edu/Libraries/Music/Rcntacq/cd302.html
    Music Recent Acquisitions – CDs 1/1/02 – 3/31/02 Aebersold, Jamey. New approach to jazz improvisation [sound recording] : play-a-long book and record set / Jamey Aebersold. Jamey Aebersold, New Albany, Ind. : C-Disc AEB 2025 v.97 Babbitt, Milton, 1916- Piano works [sound recording] / Milton Babbitt. Harmonia Mundi France, Arles, France : C-Disc Z CAA 1826 Bach, Johann Sebastian, 1685-1750. Partita no. 1 in B minor, BWV 1002 [sound recording] / Bach. Piano sonata no. 1 in C minor, op. 4 / Chopin. String quartet / Debussy. BBC Music Magazine, [London] : C-Disc Z DAA 1030 Bjerken, Xak. High rise [sound recording] CRI, New York, NY : C-Disc Z CAA 1831
    Bolcom, William. View from the bridge [sound recording] / William Bolcom ; [libretto by Arnold Weinstein and Arthur Miller, based on the play by Arthur Miller]. New World Records, New York, NY : C-Disc Z DAA 1027 Chaucer, Geoffrey, d. 1400. Canterbury tales [sound recording] / Geoffrey Chaucer. Pearl, Sussex : C-Disc Z DAA 1070 Cohen, Gerald, 1960- Generations [sound recording] / Gerald Cohen. CRI

    95. Philadelphia Inquirer 03/09/2005 Tonic Modern Sounds, Off The
    large audience spent Saturday night hearing marilyn nonken play Charles Ives dense, Pity the young composers on the first half of nonken s program.
    http://www.philly.com/mld/philly/entertainment/11085192.htm

    96. List Of Performances - Composer Names Starting With Scho
    Schoenberg, Arnold, Drei Klavierstucke (preopus), 11/13/2001, Goethe Institute,Boston, MA, marilyn nonken, No. Schoenberg, Arnold, Drei Klavierstucke,
    http://www.yesterdayservice.com/PerfScho.html
    Yesterday Service, Inc.
    Performances - Composer names starting with Scho
    Navigation
    Yesterday's Home Performance List Publisher Links Internet Classical Music Resources ... Troubleshooting
    Mon. - Sat. 10:00AM to 6:00PM EST. Yesterday Service at Cambridge Music Center 1902 Massachusetts Avenue 2nd Floor Cambridge, MA 02140 USA tel: (617) 547-8263 fax: (617) 661-9246 Contact Esther Breslau by e-mail:
    or tel: (781)641-0951 Monday through Friday, 11:00 am until 4:00 pm.
    Write to Esther at: 64 Hodge Road, Arlington, MA 02474. Yesterday Service Performance List / Names Starting with Scho Performances: 103 Composer Title Date Location CityState Group Participants Premiere Schobert, Johann Sonata in A for Harpsichord and Violin, op 14/5 First Church (Congregational) Marlborough, MA Musicians of the Old Post Road Julia McKenzie/Vln Daniel Ryan/Vc No Schobert, Johann Sonata in A for Harpsichord and Violin, op 14/5 Worcester Historical Museum Worcester, MA Musicians of the Old Post Road Julia McKenzie/Vln Daniel Ryan/Vc No Schobert, Johann Sonata in A for Harpsichord and Violin, op 14/5

    97. Articles Written For AUFBAU By Leonard J. Lehrman Old Sources Of
    sung with noble perseverance by soprano Cheryl Marshall, accompanied by pianistMarilyn nonken, and dedicated by the composer to his family I never met
    http://artists-in-residence.com/ljlehrman/articles/aufbau54.html
    Articles written for AUFBAU by Leonard J. Lehrman Old Sources of Inspiration:
    [Washington Square at Merkin
    LICA's Queens Composers
    The Robeson Centennial]

    AUFBAU 64:8 April 10, 1998 p13
    1313 words [minus 106 = 1207:
    possible cut in 4th paragraph]
    April 5, 1998 "Dead nations never rise again." These are the concluding words of the long poem, "The Jewish Cemetery at Newport" by Henry Wadsworth Longfellow (1807-1882). At a Merkin Hall concert by the Washington Square Contemporary Music Society (founded 1975), Bruce J. Taub's musical setting of it received its world premiere, sung with noble perseverance by soprano Cheryl Marshall, accompanied by pianist Marilyn Nonken, and dedicated by the composer to his "family I never met who were shot and buried in a mass grave when the Nazis invaded Husiyatin, Poland on July 6, 1941." Most of the setting is straight, quick, syllabic, and square [(in 4/4 time)]. The words of the last line, however, receive five different melodic treatments, ending with a final repetition of the hindsightfully redolent words, "never... again." The verbal manipulation is a gimmick, but one that could work, especially with a little pruning of the 60 lines of text. Ms. Marshall and Ms. Nonken were joined by violinist Deborah Wong and cellist Gregory Hesselink in another world premiere of a more texturally varied, at times quasi-impressionistic setting by Robert Carl (b. 1954) of an even older text, in French, by the philosopher Blaise Pascal (1623-1662), based on his Pensees. Unfortunately, only the first half of the text was printed in the program, so it was hard to follow the last four or so of the eight(?) movements. The use of cello tremolandi and pianistic explosions were, however, particularly effective in the early sections.

    98. Brian Sacawa
    Yet I ve seen some great performances where the pianist played with the scoreMarilynNonken s recital of the complete Boulez piano sonatas stands out.
    http://www.sequenza21.com/2005_03_13_bsarchive.html
    PerformerBlogs@Sequenza21.com
    Friday, March 18, 2005 Memory slip

    I'm going to stay out of the scuffle on the main page. However, there's one issue from Anthony De Mare's concert that both Anthony Tommasini and Frank Oteri bring up in their review and rebuttal, respectivelyplaying from memory.
    One fact from Mr. De Mare's concert that they both mention, was that Mr. De Mare needed to go off stage to retrieve the score for Mr. Rzewski's work after failing to be able to perform it from memory. That took a lot of guts. And I'm glad that neither Mr. Tommasini or Mr. Oteri castigated Mr. De Mare for doing so. Rather, both give him credit for a wonderful reading of the work with the score.
    So this makes me wonder, who cares if you play with music in front of you? Does it matter that much? A great performance of a work will transcend the score. When I play a concert, I've internalized the score to a point where I don't really need itin a way I'm playing from memory. But it's nice to have it there as a reference, especially if the music is extremely difficult and complex. (I do play Stockhausen's In Freudschaft from memory, but that's because he specifies that it needs to be played from memory in the score. There is so much choreography that reading a score during performance would be impossible anyway.) It's pretty easy to tell if a performer "owns" the piece or is using the music as a crutch.

    99. Meet The Composer - THE WORKS
    Commissioned in 1997 (Commissioning Music/USA) by Ensemble 21 for pianist MarilynNonken, Milton Babbit s Allegro Penseroso was performed by pianist John
    http://www.meetthecomposer.org/works.html
    ABOUT MTC
    Board of Directors

    Staff

    Contact Meet The Composer
    ...
    WHAT'S NEW

    Announcements and program news
    MTC SPOTLIGHT
    Interviews with current MTC awardees
    ON THE MAP

    Features on MTC composers and events
    PROGRAMS

    APPLICATIONS
    PROGRAM CALENDAR
    Performance info for MTC sponsored events, including dates and ticket info COMPOSERS IN CONVERSATION Archived interviews LINKS Links to composers and arts organizations HOME THE BODY OF WORKS WORKS: SIGHTS (photo gallery) WORKS: SOUNDS (MP3 sound clips) In 1982, when the Orchestra Residencies program was developed, a funding phenomena at Meet The Composer began. Since then, the last twenty-one years have seen Meet The Composer fund composers from Adams to Zorn, resulting in a sum of over 700 commissions, at last count. This grand tally provided MTC the ammunition for last summer's (2002) marathon concert, appropriately titled, The Works , in Minnesota. The Southern Theater Photo: Mike Barich The noon to midnight event not only turned the spotlight on what has been the mission of MTC since its inception, supporting the creators of new music, but the broad and diverse program also served another purpose: to keep music alive by contributing it to the world's repertoire. To those who enjoyed The Works from morning to night at Minneapolis' Southern Theater, and there were many, the event was a treat for the ears; 12 hours of the best MTC has to offer.

    100. TRISTAN MURAIL - Complete Piano Music
    La Mandragore (1993) CD2 (Total 3919) Les travaux et les Jours (2003) MarilynNonken piano. Murail MSV CD92097(a+b) FP
    http://www.metierrecords.co.uk/text/97.htm
    Tristan MURAIL
    CD1 (Total 57:31)
    Comme un oeil suspendu et poli par le songe... (1967)
    Estuaire (1972)
    La Mandragore (1993)
    CD2 (Total 39:19)
    Les travaux et les Jours (2003)
    Marilyn Nonken piano
    "Murail" MSV CD92097(a+b) FP Order CD Musical Pointers
    "An important CD for all lovers of the piano; it gave me a thrill comparable to first hearing, decades ago, the Kontarsky LPs of all Stockhausen's piano pieces.
    Tristan Murail (b. 1947) explores the piano itself, finding within its resonance, and bringing inescapably to our ears, harmonics and microtones - notes to hear although they have not been played - the supposed unavailability of which compounds the instrument's reputation as an equal-tempered anachronism, little changed since its heyday in the 19th Century. Murail does not epouse the modern fashionable 'tortures' of the precious instrument; clusters (Cowell) preparations (Cage) using the piano's case and pianist's body for their percussive possibilities (Rzewski) electrical distortion (Stockhausen), nor does Nonken have to delve into its innards to 'scrape and pinch' the strings; how ungainly pianists often look doing so! Whilst I don't despise the results of any of those innovations, Tristan Murail (aided essentially by a silent environment and superb studio recording) shows us through the fingers and pedalling of Marilyn Nonken that the equal-tempered instrument remains 'a vast reverberating chamber' with sonorities 'rich and complex, bursting with harmonics, and naturally untempered'.

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