61. Orchestra Of St. Luke's 25 in C Major, with the Czech pianist ivan moravec as soloist, and Symphony No. 38, “Prague,” two works that were written simultaneously. http://www.oslmusic.org/about/season0405.html

ABOUT US An Introduction The Orchestra The Chamber Ensemble Board of Directors ... Special Projects NEWS FROM ST. LUKE'S Orchestra of St. Luke's Announces 2004-2005 Season For The Orchestra and The St. Luke's Chamber Ensemble St. Luke’s Marks 30th Anniversary of Its “Impossible Dream” “St. Luke’s started as a chamber ensemble with the impossible dream that it could do everything from Baroque to contemporary and chamber ensemble to chamber orchestra – this was our vision from the very first day,” said OSL President and Executive Director, and co-founder, Marianne Lockwood. “That it has grown to embrace all of that and more, with a list of pre-eminent collaborating artists, presenters, and venues, has extended beyond any of our wildest expectations.” Commenting on the vitality of music-making that is the St. Luke’s trademark, Lockwood said, “We have a core of extraordinary musicians who thrive on the variety of what we do – orchestral, chamber, old, and new. This is what St. Luke’s is all about, and even after three decades, it keeps us all young.” The St. Luke’s synergy is on view in particular in concerts in its 2004-2005 Carnegie Hall and Zankel Hall seasons: countertenor David Daniels performs as soloist with the Orchestra at its October 21 season opening Carnegie concert with Sir Roger Norrington, in music of Purcell and Handel, and also joins the St. Luke’s Chamber Ensemble for its opening Zankel Hall concert on October 27, for cantatas of Scarlatti. And Principal Conductor Donald Runnicles, in his second of two Carnegie concerts, the “Postcard from Prague” on March 31, 2005, steps from the podium to the piano to join St. Luke’s musicians for one work, Martinu’s La revue de cuisine, a jazz ballet suite for clarinet, bassoon, trumpet, violin, cello, and piano.

62. Beethoven: 32 Sonatas (of the Pathétique) impressed me as the most tragicsounding performance I have ever heard from any pianist. ivan moravec. Read Other Rave Reviews http://www.robert-silverman.com/cd/Beethoven32.html

Ludwig van Beethoven The Thirty-two Sonatas performed by Robert Silverman an Orpheum Masters 10-CD Box Set (KSP 830) This album was named to the top 10 CDs of 2000 by Soundstage.com http://www.soundstage.com/music/ Placed on Audiophilia.com's "A List" http://www.audiophilia.com/software/ak50.htm A Juno Award nominee for 2000 A Grammy is the US equivalent of a Juno Fanfare (May-June 2004) (complete 4-page review on request) "I cannot remember enjoying the complete Beethoven sonatas as much as in these utterly engaging performances by Robert Silverman...Silverman plays these masterpieces as musically as anyone I have ever heard The music is first, not the playing of the music. He plays them naturally, as if he has lived with them all his life ... His rendition (of the Path tique) impressed me as the most tragic-sounding performance I have ever heard from any pianist. Few pianists utilize pauses as effectively as Silverman; they are literally breathtaking ... His ability to balance the various components of the last movement makes it a truly poetic performance...Very few pianists I've heard can do much more than just get through the turgidity of the (op. 106, the Hammerklavier ) fugue of fugues, but Silverman's clear conception of the movement's destination enables him to cut through its seeming awkwardness with insight and imagination. Silverman's reverence for the (late sonatas) carries the day. He revels in Beethoven's ability to save us from the existential abyss with a glorious fugue. Few musicians so convincingly detail the thrill of fuguing their way into one of Beethoven's greatest apotheoses as does Silverman ... I recommend these as highly as possible."

63. STLtoday - Entertainment - Music Back in the 1960s, pianist ivan moravec made a legendary recording of music by Debussy that contains sounds so subtle it is hard to believe they come from a http://www.stltoday.com/stltoday/entertainment/reviews.nsf/concert/story/5B981E6

64. PlaybillArts: Features: Sounds Of The Symphony For its fourth and final concert of the season, the orchestra, its principal conductor, Donald Runnicles, and pianist ivan moravec join forces on March 31 http://www.playbillarts.com/features/article/1440.html

September 12, 2005 Home Classical Music Opera Dance ... Search NEW New Recordings Spotlight Classical Music Opera ... Printer-friendly Carnegie Hall, March 2005 Sounds of the Symphony By Margaret Shakespeare 01 Mar 2005 Two of the world’s great orchestras—one 30 years old, one going back more than a century and a half—grace the stages of Carnegie Hall this month. "Carnegie Hall is one of the very few places that belong on the Mount Olympus of music," Clemens Hellsberg, president of the Vienna Philharmonic Orchestra, says with a smile. He ticks off others on the fingers of one handthe Amsterdam Concertgebouw; La Scala in Milan; and the Musikverein and Opera House (Staatsoper), both homes of the Vienna Philharmonic. A member of the first violin section of the latter's venerable and famously self-managed orchestra, Hellsberg continues, "All the great concert halls have their own particular history and personality. And playing at Carnegie Hall has been a big goal for every musician." "From the day Carnegie Hall opened its doors in 1891, orchestras have been an integral part of the Hall and its programming. And that tradition continues to this day," says Klaus Jacobs, Vice Chairman and Acting Executive Director of Carnegie Hall. "As an international concert hall," he continues, "we are proud to present the greatest orchestras from all over the world. This season we have more than 60 different concerts by nine international and 15 American orchestras." Among the international orchestras is the superb Vienna Philharmonic, which has presented an annual series of concerts here since 1989. On March 11-13, the orchestra will be performing works of Beethoven, Brahms, Mahler, and others, with conductor Mariss Jansons.

65. Music Directory: M Mañanes, Michel Spanish pianist; brief biography and contact information. moravec, ivan - Complete discography, concert schedule, biographical and http://www.jazar-music.com/directory/Instruments/Keyboard/Piano/Pianists/M/

Jazar-music Bands and Artists Dedicated To Music! M All you ever wanter to know about "M", links, news, articles, buy cds, and many more... Music Directory Instruments Keyboard Piano ... Pianists : M A B C D ... McPhee, Colin Links Magalh£es and Schumann Duo - Portuguese based pianists Luis Magalh£es and Nina Schumann. Includes CVs, reviews, concerts, and repertoire. Malikova, Anna - Russian-born pianist and teacher, living in Germany. Biography, photos, competitions, records and reviews. Ma±anes, Michel - Spanish pianist; brief biography and contact information. Mantooth, Linda - Official site of Texas-based pianist. Includes biography, performance dates, photos, audio samples, reviews, and quotes. Mariano, Cesar Camargo - Brazilian pianist, arranger, and composer. Biography, discography, media samples, agenda, interviews, and photos. Marshev, Oleg Martini, George - Atlanta-based pianist and singer. Biography and booking information. Mascolo-David, Alexandra - Portuguese pianist with an international career; page includes biographical notes, recordings and reviews. Mastroyiannis, Dino

66. Fort Bragg Center For The Arts: Performers Ms. James is a pianist. She holds degrees in music from Douglas College, She studied with ivan moravec in Chicago and Prague and subsequently with Karl http://www.fortbraggarts.org/performers.html

Performers Upcoming Event: Concert: "Stone-Zimmerman Duo" on Sunday, October 30, 2005 in Mendocino We're lucky to have the opportunity to listen to many fine musicians share their talents with us through the Fort Bragg Center for the Arts Music Series concerts as well as through other cultural venues on the beautiful Mendocino coast. To honor their achievements, we've gathered here short biographies of our key performers (listed in alphabetical order). Burke Schuchmann cellist Mr. Schuchmann studied in London with William Pleeth for five years. He also studied for extended periods of time with Margaret Rowell and Colin Hampton. After finishing his studies in England, he became Principal Cellist and soloist with the Salzburger Solisten in Austria. He has performed extensively as a soloist and chamber musician in Europe and the United States. Mr. Schuchmann is the artistic director of the Palomarin Chamber Music Foundation and conducts the Berkeley and Marin Chamber Music Workshops as well as a chamber music workshop near Siena, Italy. He has recently inaugurated an all-cello workshop ("Cello Heaven") in Mendocino. Mr. Schuchmann has taught on the faculties of California State University, Chico (CSUC) and at the University of California, Berkeley and is currently on the staff of the San Domenico School's Conservatory of Music.

67. Pianist -- Facts, Info, And Encyclopedia Article A pianist is a person who plays the (A stringed instrument that is played by depressing ivan moravec (Click link for more info and facts about Benno http://www.absoluteastronomy.com/encyclopedia/p/pi/pianist.htm

Pianist [Categories: Pianists] This article deals with those who play the piano. For other uses, see (Click link for more info and facts about pianist (disambiguation)) pianist (disambiguation) A pianist is a person who plays the (A stringed instrument that is played by depressing keys that cause hammers to strike tuned strings and produce sounds) piano A professional pianist can perform solo pieces, play with an (A musical organization consisting of a group of instrumentalists including string players) orchestra or smaller (A group of musicians playing or singing together) ensemble , or accompany one or more (A person who sings) singer s or solo (Someone who plays a musical instrument (as a profession)) instrumentalist s. A performing (Click link for more info and facts about classical) classical pianist usually starts playing piano at a very young age, some as early as three years old. Many well-known classical (Someone who composes music as a profession) composer s were able pianists themselves; for example, (Prolific Austrian composer and child prodigy; master of the classical style in all its forms of his time (1756-1791))

68. Classical Music CDs G - Library - University Of Canterbury GOULD as pianist, First pavan and galliard (711) / Byrd Fantasy in C (335) moravec, ivan (b.1930, Czechoslovakia), 01/73. OGDON, John (19371989, http://library.canterbury.ac.nz/art/musi/cd/cdmusg.shtml

UC Home Courses Departments Library ... Search Classical Music CDs in the Library G Composer, performer, group Title of composition(s) or CD CD no. GABRIELI, Giovanni (c. 1553/6-1612, Italy) The antiphonal music of Gabrieli for brass ensemble and organ GABRIELI Motets GABRIELI Music for San Rocco, 1608 includes In ecclesiis a 14; Sonata No. 19 a 15; Domine Deus meus a 6; Timor at tremor a 6; Jubilate Deo a 10; Sonata No. 18 a 14; Sonata No. 20 a 22; Magnificat a 33 GALLO, Domenico (1680-1762, Italy) Sonata no. 12 in E major (violin and piano) attrib. Pergolesi GALUPPI, Baldassare (1706-1785, Italy) Sonata no. 5 in C 01/61 no. 1 GARDEN, Steve, see: DIFFERENT TRACKS GAVIN, Nigel, see: DIFFERENT TRACKS GAVRILOV, Andrei (b.1950, Moscow) GAZZANIGA, Giuseppe (1743-1818, Italy) Don Giovanni, Opera excerpts GEMINIANI, Francesco (1680-1762, Italy) 12 Concerti grossi GEMINIANI Sonata in A major, op. 4 no. 10

69. Classical Music CDs M - Library - University Of Canterbury MAGALOFF, Nikita (Swiss pianist, b.1912, St Petersburg), Piano sonata in C, Hob. moravec, ivan (b. 1930, Czechoslovakia), Polonaise in A flat, op. http://library.canterbury.ac.nz/art/musi/cd/cdmusm.shtml

UC Home Courses Departments Library ... Search Classical Music CDs in the Library M Composer performer, group Title of composition(s) or CD CD no. MACDOWELL, Edward (1860-1908, USA) MCLEOD, Jenny (b. 1966, NZ) Toneclock Pieces MACMILLAN, James (b.1959, Scotland) The Confession of Isobel Gowdie ; Tryst MACMILLAN Veni, Veni, Emmanuel ;After the Tryst; "...as others see us..."; Three Dawn Rituals; Untold / [Evelyn Glennie, solo percussion] MACMILLAN Visitatio sepulchri MAGALOFF, Nikita (Swiss pianist, b.1912, St Petersburg) Piano sonata in C, Hob. XVI: 48 / Haydn Nocturnes, in B flat minor, op. 9, no. 1 ; in E flat, op. 9, no. 2 ; in B, op. 9, no. 3 / Chopin 6 grandes tudes d'apr s Paganini / Liszt Carnaval / Schumann Bolro in C ; Piano sonata no. 1 in C minor ; Tarantelle in A flat, op. 43 ; Mazurka in B flat, op. 17, no. 1 ; Mazurka in E minor, op. 17, no. 2 ; Mazurka in A flat, op. 17, no. 3 ; Mazurka in A minor, op. 17, no. 4 ; Rondo la Mazur in F, op. 5 ; Variations brillantes, op. 12 ; Allegro de concert in A ; Ecossaises: no. 1 in D, op. 72, no. 3; no. 2 in G, op. 72, no. 4 ; no. 3 in D flat, op. 72, no. 5 / Chopin MAHLER, Gustav (1860-1911, Austria)

70. New Music Calendar André Previn, Music Director, Conductor, and pianist Denyce Graves, MezzoSoprano ivan moravec, Piano Janacek Idylla (Selections) http://www.newmusicon.org/calendar/nyc0503.html

NEW MUSIC CALENDAR NEW YORK AND VICINITY Previous month Calendar Home Next month March 2005 Wednesday, March 9, 2005 at 8:00 PM Oslo Philharmonic Orchestra Anne-Sophie Mutter, Violin Previn: Violin Concerto Strauss: Eine Alpensinfonie, Op. 64 Isaac Stern Auditorium, Carnegie Hall Tickets: $24, $28, $38, $55, $75, $82 Thursday, March 10, 2005 at 8:00 PM Oslo Philharmonic Orchestra Denyce Graves, Mezzo-Soprano Ravel: Alborada del gracioso Gershwin: Piano Concerto in F Major Previn: Honey and Rue Isaac Stern Auditorium, Carnegie Hall Tickets: $24, $28, $38, $55, $75, $82 Friday, March 11, 2005 at 7:30 PM Keller Quartet Debussy: String Quartet in G Minor, Op. 10 Ligeti: String Quartet No. 1 Brahms: String Quartet in A Minor, Op. 51, No. 2 Weill Recital Hall, Carnegie Hall Tickets: $42 Friday, March 11, 2005 at 7:30 PM Fred Hersch: Leaves of Grass Fred Hersch Ensemble Kurt Elling, Voice Kate McGarry, Voice Ralph Alessi, Trumpet/Flugelhorn

71. New York Chronicle By Jay Nordlinger Zoltán Kocsis, Yefim Bronfman, ivan moravec, JeanYves Thibaudet. The pianist, persevering, treated parts of this movement almost as a scherzo, http://www.newcriterion.com/archive/23/jan05/jay(dec04).htm

New York chronicle by Jay Nordlinger A E Following the partita were three pieces of Brahms, including the Intermezzo in B G C D minor, and the Symphony No. 2 in D major; the program for the second was the Piano Concerto No. 2 in B flat, and the Symphony No. 4 in E B B As for the orchestra, it was better in the B creakiness . The pianist, persevering, treated parts of this movement almost as a scherzo, not so much playing the notes as playing with them. He came back, however, with suitable Brahmsian majesty. And his octaves were frighteningly fast and accurate. But he also missed a fair amount of notes, forgivable in the ordinary pianist, but unusual for this one. As for our poor horn players, they continued to crack, and flat, and otherwise horrify. The Andante featured a badly out of tune oboe, but a decent cello. (The cello is a solo instrument in this movement, along with the piano.) Pletnev was once again uncharacteristic here: He committed some unseemly pounding. (You might say there is no other kind, but that is debatable.) Toward the end, however, he managed to project the right air of holiness. E G A Symphonic Dances Night Two featured Vadim Repin, the young violin virtuoso, in the Tchaikovsky concerto, and the orchestra did a suite from

72. New York Chronicle By Jay Nordlinger The soloist was ivan moravec, now in his midseventies, and one of the best Orchestra and pianist were totally mismatched. moravec was an aristocrat http://www.newcriterion.com/archive/23/jun05/jay(may05).htm

New York chronicle by Jay Nordlinger T his season, the Metropolitan Opera again turned to Cav and Pag Cavalleria Rusticana Pagliacci , that stellar double bill. Neither Mascagni nor Leoncavallo ever had another big success, but they each had one more than most people ever have. Any composer (with sense) would be proud to claim either of these works. Together, they should provide a boffo night of verismo. He showed a fine understanding of both Cav and Pag . The opening of the former was beautiful, like the petals of a flower, unfolding. Later, the famous Intermezzo would be much the same. That wonderful orchestral interlude is best simple and unaffected, and this is what Davies allowed it to be. In the course of Cavalleria Rusticana , the orchestra broke down badly a couple of times, but mainly it stayed on track, as it did during I Pagliacci These productions come courtesy of Franco Zeffirelli, and they are two of his most enduring. (Frankly, all Zeffirelli productions endure.) Few people create Italy onstage as well as Zeffirelli, and, in Cav Pag Singing Santuzza in Cav Don Carlo , also at the Met. (Eboli is a classic mezzo role.) Perhaps it is enough to say that Urmana is a singer.

73. Pianist - Enpsychlopedia A professional pianist can perform solo pieces, play with an orchestra or smaller ensemble, Arturo Benedetti Michelangeli Hamish Milne ivan moravec http://psychcentral.com/psypsych/Pianist

home resource directory disorders quizzes ... support forums Pianist This article deals with those who play the piano. For other uses, see pianist (disambiguation) A pianist is a person who plays the piano A professional pianist can perform solo pieces, play with an orchestra or smaller ensemble , or accompany one or more singers or solo instrumentalists A performing classical pianist usually starts playing piano at a very young age, some as early as three years old. Many well-known classical composers were able pianists themselves; for example, Wolfgang Amadeus Mozart Ludwig van Beethoven Franz Liszt Johannes Brahms ... Robert Schumann , and Sergei Rachmaninoff were all virtuoso pianists. Most pianists specialize in certain composer(s)'s music or a certain period to some extent. Most western forms of music can make use of the piano. Consequently, pianists have a wide variety of forms and styles to choose from, including jazz classical music , and all sorts of popular music Below is a list of well-known or influential pianists of different genres. Contents showTocToggle("show","hide")

74. Undergraduate Music Degree Programs - University Of North Texas Recently, the college has welcomed flutist James Galway, pianist ivan moravec and Simone Pedroni, winner of the 1993 Van Cliburn International Piano http://www.unt.edu/pais/insert/umusi.htm

Search Undergraduate Majors: UNT Home Undergraduate Majors and Interests College of Music Music Degree Programs For more information on admission to UNT (800) UNT-8211 www.unt.edu E-mail: undergrad@unt.edu Phone: (940) 565-2681 Fax: (940) 565-2408 TTY: (940) 369-8652 University of North Texas Undergraduate Admissions P.O. Box 311277 Denton, Texas 76203-1277 For more information on this program www.music.unt.edu E-mail: undergrad@music.unt.edu Phone: (940) 565-2791 Fax: (940) 565-2002 University of North Texas College of Music Undergraduate Adviser P.O. Box 311367 Denton, Texas 76203-1367 Additional Links Undergraduate Majors and Interests College of Music AA/EOE/ADA Last update: May 27, 2005 Comments, suggestions or corrections for this site: moffitt@unt.edu Career potential About the college of music Talented musicians from all over the world attend the UNT College of Music, which is among the largest music schools in the United States. About 1,100 undergraduate and 500 graduate students enroll each year. Performing artists and scholars of music regularly visit to lecture, perform and teach classes. Recently, the college has welcomed flutist James Galway, pianist Ivan Moravec and Simone Pedroni, winner of the 1993 Van Cliburn International Piano Competition. College of Music alumni include Metropolitan Opera sopranos Patricia Racette and Emily Pulley and the late tenor Timothy Jenkins; saxophonist Lou Marini, who played with the group Blood, Sweat and Tears and with the Saturday Night Live band; Jeffrey Rathbun, assistant principal oboist with the Cleveland Orchestra; Elisabeth Adkins, associate concert master with the National Symphony Orchestra; Brian Jones, timpanist with the Detroit Symphony; Anthony Molinaro, winner of the 1997 Naumburg International Piano Competition; and Wayne Foster, winner of the 1997 Dallas International Organ Competition. Our alumni also have performed with numerous opera companies, symphony orchestras, bands and other ensembles throughout the United States and the world.

75. THE GRADUATE CENTER, CUNY Immortal Beethoven The pianist ivan moravec, piano His fingers accomplish the impossible. ÷Brentano Program Beethovenâs Moonlight Sonata; 32 Variations http://www.gc.cuny.edu/spotlight/spotlight_great_music.htm

Great Music for a Great City Returns to Graduate Center Artistic Director and Pianist Caroline Stoessinger. Camellia Johnson, Soprano, performing Sunday, September 7. Imani Winds, performing Sunday, September 7 Composer Antonin Dvorak, whose life and music will be celebrated September 7th in the program In Celebration of Dvorak's 162nd Birthday Few would dispute that New York City is the music capital of the world, yet access and exposure to classical music is often limited. To help weave the legacy of great music into the fabric of New Yorkâs community and educational life, The Graduate Center of the City University of New York will once again be offering its Great Music for a Great City series. Under the artistic direction of Caroline Stoessinger, this yearâs series will highlight the works of Beethoven and the inherent humanitarian expression of his music. Also, actress Lynn Redgrave will narrate a special staged performance of Schubertâs "Winterreise" (see January 18). The fall/winter schedule will feature three different components: a varied series of concerts, a series of Beethoven concerts by the Shanghai String Quartet, and a series of lectures. There is a fee for the lectures (see below) and the concerts are free on a first-come first-served basis, though reserved seats are available to those making a tax deductible contribution. The series is an initiative of The Graduate Centerâs Office of Continuing Education and Public Programs. For additional information, call 212-817-8215

76. The 5 Browns: Classical Piano Prodigies Hit The Top Of The Charts They re not at the tail of the piano looking at the pianist s face, Etudes she famously cut in the early 80s) and the talented Czech ivan moravec. http://mixonline.com/mag/audio_browns/

var towercount = 0; var buttoncount = 0; var vertbannercount = 0; var smsquarecount = 0; var rectanglecount = 0; var spotlightcount = 0; var vertrectanglecount = 0; var lgsquarecount = 0; var bannercount = 0; var halfbannercount = 0; Home Current Issue Reviews Mix Forums ... Online Extras Recording Applications Interviews Projects Mastering/Authoring ... Studio Business Products Reviews New Products Buyer's Guides Live Sound Applications Tour Profiles Products Sound for Picture Film/TV Facilities Products New Media New Formats Internet Audio Products Facility Design Applications Profiles Products Education Directory Showcase Articles AES New Products Guide ... Primedia Business The 5 Browns By Blair Jackson Jun 1, 2005 12:00 PM CLASSICAL PIANO PRODIGIES CLIMB TO THE TOP OF THE CHARTS E-mail this article As I write this in mid-April, the 5 Browns' eponymous debut album (actually, a dual-layer CD/DVD, the latter with a surround mix and video documentary) has been sitting atop the Billboard Classical chart for more than two months. There have been appearances on The Tonight Show , stories in magazines and even a 60 Minutes Because this issue of Mix Since recording the 5 Browns, Martyn has worked on a number of other classical piano recordings, such as Dubravka Tomsic for IPO Records, Cuban master Juana Zayas (who is re-recording the Chopin Etudes she famously cut in the early '80s) and the talented Czech Ivan Moravec. But he's also clearly enjoying the unparalleled success of

77. Untitled 2004 ivan moravec (pianist), Zdenìk Mácal (conductor) Patronage Musica nova-international competition in electroacoustic music. http://chr.nipax.cz/main.html

Czech Music Council Is one of the national sections of non-government organization Council International of Music UNESCO . It is an integral part of structures fortifying the civic principle of society. The character of its activity corresponds with the aims of UNESCO. On these civic, humanistic and democratic principles Czech Music Council restaured its activity in February 1993 (the Council was founded in 1972 and its situation was therefore limited by the contemporary political system). The Concil revival was not initiated only due to internal needs to study the situation of Czech music culture in the period of the political and economical transformation but also due to the European Music Council which in this period started a trend of the European music live integration. The aims of the organization have been declared in the Statutes of Czech Music Council. Musicologist Prof. PhDr. Ivan Poledòák, DrSc. has been elected in office of the organization President. The Czech Music Council associates 40 important music institutions, individual members (including the Council presidium) and honorary members. The Czech Music Council follows the tradition of the Council International of Music and since 1994 has been annually awarding exceptional activities across all genres and styles of Czech music culture. The curent aims of Czech Music Council are to continue in the active cooperation with the government institutions (Ministry of Culture, Ministry of Education etc.), on the solution of urgent problems its members encounter in the field of music life, especially as far as legislation, education or ecology are concerned. Within the international network, the Czech Council concentrates on the programs of European Music Council and on the Action Plan for Music of European Music Office.

78. CAMA : 2001-2002 Season Events ivan moravec, Piano Wednesday, April 10, 2002. Vassily Primakov, Piano Monique McDonald, Soprano Vassily Primakov, pianist. Monique McDonald, Soprano http://www.camasb.org/archives/2001-02.shtml

OUR SEASON TICKETS BROCHURE CONTACT ... HOME ARLINGTON SERIES Gewandhaus Orchestra, Leipzig Monday, October 15, 2001 Los Angeles Philharmonic Saturday, November 10, 2001 WDR Symphony Orchestra, Cologne Thursday, February 14, 2002 Academy of Ancient Music Sunday, March 10, 2002 Tuesday, March 19, 2002 Los Angeles Philharmonic Thursday, May 9, 2002 MASTERSERIES at the Lobero Pinchas Zukerman, Violin Monday, December 10, 2001 Lynn Harrell, Cello Sunday, March 3, 2002 Ivan Moravec, Piano Wednesday, April 10, 2002 Vassily Primakov, Piano Saturday, June 1, 2002 SPECIAL CONCERTS Andrew von Oeyen, Piano Presented by CAMA's International Circle January 13, 2002 Lehmann Hall, Music Academy of the West Konrad Kono, Piano Special KinderConcert April 7, 2002 Lobero Theatre Gewandhaus Orchestra, Leipzig Herbert Blomstedt, Conductor

79. SLSO Blog: March 2005 Archives 23, played by ivan moravec. A bit of program reversal for how this weekend’s conductor and a Czech pianist rehearsing the music of Franck and Mozart. http://www.slso.org/blog/archives/2005_03.htm

SLSO Blog Main March 31, 2005 One, Two You have got to love a conductor who starts the orchestra with a count that goes “One, two, buckle my shoe ." Posted by Eddie Silva at 04:37 PM March 30, 2005 Voice Over Early morning, William Eddins was rehearsing on the piano backstage again, a softer, more melodious mood than the rollicking jazz rhythms of the day before. Yet when he took the podium to rehearse the orchestra through Saint-Saëns and Rachmaninoff, he was a conductor without a voice. Rather, he had a voice, but it could barely be heard – a lower-register rasp that made me think of old blues musicians telling their life history through whiskey-soaked vocal chords. For Eddins, however, it was the notorious pollen-infested St. Louis air afflicting him. Eddins pressed on, as did the orchestra. After the lunch break Eddins was back at the keyboard long before rehearsal resumed, like a man at a fountain regaining his strength finding it at the place where his voice was clear. Posted by Eddie Silva at 04:44 PM March 29, 2005

80. Princeton - Weekly Bulletin 4/15/02 - Calendar Of Events ivan moravec, piano. Taplin Auditorium, Fine. Mozarteum Orchestra of Salzburg, Hubert Soudant, conductor; with Valery Afanassiev, pianist. http://www.princeton.edu/pr/calendar/02/04-15-02.html

Princeton Weekly Bulletin Calendar of events April 15-21, 2002 previous archive next Calendar editor ... Et cetera Monday, April 15 Arts 4:30 p.m. Canadian studies/humanities reading. Michael Ondaatje, novelist and poet. Helm Auditorium, McCosh 50. 7 p.m. University concerts/Friends of Music master class. Ivan Moravec, piano. Taplin Auditorium, Fine. F 8 p.m. McCarter Theatre performance. Emerson String Quartet and the Kalichstein/Laredo/Robinson Trio. McCarter Theatre. Lectures 4 p.m. Electrical engineering seminar on electronic materials and devices. "Free-Surface Microfluidics: Wet Printing and Thermocapillary Actuation." Anton Darhuber. C207 Engineering Quadrangle. 4 p.m. Mathematics PACM colloquium. "Structure Prediction in Protein Folding." Christodolous Floudas. 214 Fine. 4 p.m. Molecular biology lecture. "Control of X-Chromosome Inactivation by a Sense:Antisense Pair." Jeannie Lee, Harvard University. 003 Thomas Lab. 4:30 p.m.

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