81. St. Petersburg Times: 2b 0n The Web PETERSBURG It takes a marvelous pianist to find something fresh in lugansky also played Rachmaninoff s much less familiar Piano Concerto No. http://www.sptimes.com/2005/01/16/Artsandentertainment/Solo_pianist_brings__.sht

sptimes.com Text-only News sections Entertainment AP The Wire Business Citrus County ... Find your local news section Weekly sections Brandon Times City Times Homes Outdoors ... Xpress Special Sections Arena football Buccaneers College football Devil Rays ... Yellow Pages Subscriber Services Subscribe Renew Help Advertise Place an ad In print Online Market Info Join Us Internships Scholarships Times Jobs Contact us ... tampabay.com Entertainment links Movies TV Times Weekend Movie links Internet Movie Database Mr. Showbiz Film.com Hollywood.com TV links WEDU-3 WFLA-8 WTSP-10 WTVT-13 ... PAX-66 TV Networks ABC CBS FOX NBC ... UPN Review Solo pianist brings 'Rhapsody' to Rachmaninoff The Florida Orchestra repeats its program at 7:30 tonight at Ruth Eckerd Hall and 7:30 Monday night at Tampa Bay Performing Arts Center. $15.50-$50.50. By JOHN FLEMING, Times Performing Arts Critic Published January 16, 2005 ST. PETERSBURG - It takes a marvelous pianist to find something fresh in Rachmaninoff's most famous melody, and Nikolai Lugansky did it. The melody, of course, is the lushly romantic variation that comes about two-thirds of the way through the Rhapsody on a Theme of Paganini , and Lugansky was the piano soloist in Saturday night's concert by the Florida Orchestra at Mahaffey Theater.

82. Floridian: Sorrowful, Powerful Rachmaninoff who plays this weekend, followed by nikolai lugansky and Kirill Gerstein. lugansky, who has made a number of Rachmaninoff CDs, balances the http://www.sptimes.com/2005/01/06/news_pf/Floridian/Sorrowful__powerful_R.shtml

Weather Sports Forums Comics ... Movies Sorrowful, powerful Rachmaninoff Florida Orchestra music director Stefan Sanderling defends the sentiment often derided by the Russian composer's critics and showcases his works this month. By JOHN FLEMING, Times Performing Arts Critic Published January 6, 2005 ST. PETERSBURG - Stefan Sanderling thinks Rachmaninoff gets a bad rap. Hollywood music, romantic kitsch - such are the less than complimentary terms often applied to the composer's piano music in particular. "His music was obviously used for describing the big emotions," Sanderling said. "But this is not the fault of the music. It's typical Russian, nostalgic music. What is wrong with sentimental music, if it's honest?" Sanderling makes the case for Rachmaninoff throughout January, leading the Florida Orchestra in a festival of his piano music, featuring three soloists, all from Russia: Lilya Zilberstein, who plays this weekend, followed by Nikolai Lugansky and Kirill Gerstein. Not all of Rachmaninoff's works for piano and orchestra are created equal. The most popular are the Piano Concerto No. 2 and the Rhapsody on a Theme of Paganini. Sanderling had to exercise some diplomacy in assigning each soloist. "It was hard to decide because everyone wanted to play the second concerto and the Rhapsody," the music director said on a recent afternoon, having a cappuccino at a bagel shop near his St. Petersburg home. "Nobody wanted to play the fourth concerto and the first concerto, which are not so familiar in their repertoire. For pianists like these, the second and the Rhapsody, they don't even have to look at it. They have played it 50 times, 100 times in their lives."

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GMT+2 Entretien avec Nikolai Lugansky Paris, le 12 février 2005 Vous êtes le lauréat de plusieurs concours internationaux (Concours Bach, Concours Rachmaninov, Concours pour jeunes musiciens de Tbilissi) et vous avez obtenu la médaille d’argent du concours Tchaïkovski de Moscou. Était-ce un passage obligé pour le jeune musicien que vous étiez ? Naturellement, les concours internationaux ne sont pas des obligations. D'ailleurs, il y a quelques pianistes qui n'ont jamais participé à ces concours. Il est vrai que certains artistes vivent dans le milieu musical depuis l'enfance, ils connaissent les musiciens les plus réputés et les chefs d'orchestre les plus célèbres. En revanche, d'autres doivent se faire connaître et les concours s'imposent, ce qui est mon cas puisque que mes parents sont des scientifiques. Parmi les trois concours que vous citez, seul le concours Tchaïkovski a vraiment été important pour ma carrière. Comment êtes-vous venu à la musique ? Mes parents aimaient la musique, mais ils connaissaient les sacrifices et les exigences demandés aux apprentis-musiciens qui doivent constamment travailler et qui de ce fait, non pas une enfance “ normale ”. Mon père a été très surpris, lorsqu'il a découvert que j'avais l'oreille absolue. Il m’a fait rencontré un musicien, a acheté un petit piano et j’ai pu étudier quelques pièces. Notre voisin qui était également musicien lui a alors déclaré que j'avais du talent et qu'il était nécessaire que je poursuivre mes études à l'école centrale musicale de Moscou. J'y suis entré en 1979 et à cette époque, l'éducation musicale dispensée aux jeunes musiciens était excellente.

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94. Música Clássica - A Página Oficial Do Canal De IRC (#musica_classica)... Translate this page Entre outros maestros de topo, nikolai lugansky apresentou-se sob a Em França,nikolai lugansky apresentou-se em concertos no Théâtre des Champs Elisées http://musicaclassica.home.sapo.pt/lugansky.html

//Top Navigational Bar III (By BrotherCake @ cake@brothercake.net) //Permission granted/modified by Dynamicdrive.com to include script in archive //For this and 100's more DHTML scripts, visit http://www.dynamicdrive.com Your browser does not support inline frames or is currently configured not to display inline frames. Secções Início ClássicoNotícias Musicalidades Celebridades XXI ... Links IRC: musica_classica@netcabo.pt Celebridades do século XXI Nikolaï Lugansky Nikolaï Lugansky (piano) Nikolai Lugansky nasceu em 1972 em Moscovo. Medalha de Prata no VIII Concurso Internacional Bach de Leipzig, em 1988, laureado no Concurso Nacional Sergei Rachmaninov, também em 1988, e no X Concurso Internacional Tchaikovsky, foi então considerado como «um dos maiores talentos da nova geração russa». Ainda como aluno de Tatiana Nikolaeva, fez a sua estreia em Londres em 1990, no Wigmore Hall, substituiu Maria João Pires num concerto em Utrecht e deu um recital no Concertgebouw, integrado no ciclo «Cinco Talentos Russos». Desde então, tem sido um convidado regular do Wigmore Hall, do Royal Festival Hall, do Royal Albert Hall e do Concertgebouw, tendo nesta última sala participado na série «Grandes Pianistas», juntamente com Alfred Brendel, Radu Lupu, Murray Perahia, Krystian Zimmerman e Shura Sherkaski. Entre outros maestros de topo, Nikolai Lugansky apresentou-se sob a direcção de Frans Brüggen, Christoph Eschenbach, Valery Gergiev, Djansug Kahidze, Kent Nagano, Michel Plasson, Mikhail Pletnev, Leonard Slatkin, e Yuri Termikanov, sendo acompanhado por importantes orquestras: Orquestra Nacional de França, Orquestra de Paris, Orquestra do Capitólio de Toulouse, Orquestra do Real Concertgebouw, London Philharmonia, Hallé Orchestra, Filarmónica de Tóquio, Sinfónica de Tóquio, Orquestra do Tonhalle de Zurique, Orquestra Nacional da Rússia, Sinfónica do Estado da Rússia, Filarmónica Holandesa, Filarmónica de Roterdão e Sinfónica de São Francisco.

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