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21. Joys Of Music Project
dinu lipatti (19171950). There was a great deal more to lipatti s art than and made his public debut, as both pianist and composer at the age of four.
http://www.geocities.com/petrud98/joysofmusic/fcomposer14.html
Dinu Lipatti (1917-1950) "There was a great deal more to Lipatti's art than "divine spirituality". There was also charm, pathos and intellectual power, a breathtaking rhythmic energy combined with an almost inhuman control (his "Alborada" is not only unsurpassed but unequaled) and a profound awareness of pianistic colors" "Almost 40 years after his death from leukaemia at the tragically early age of 33, the aura of saintliness which surrounded Lipatti in life clings, undiminished, to his memory. Born in Romania, Lipatti began playing the piano while still in infancy and made his public debut, as both pianist and composer at the age of four. After taking second prize at the Vienna Piano Competition in 1934 (a miscarriage of artistic justice which cause Alfred Cortot to dissociate himself from the jury), Lipatti moved to Paris, where his mentors included Cortot, Charles Munch (conducting), Paul Dukas (composition) and Nadia Boulanger. With concerts in Germany, Italy and Paris (where Poulenc discerned in him a "divine spirituality") Lipatti's fame as a performer spread rapidly. J eremy Siepmann Selected by Alexandru Serban
"Duiliu Zamfirescu" School, Focsani, Romania

22. MusicMoz - Bands And Artists: L: Lipatti, Dinu: Links
dinu lipatti The Last Recital - Contains notes about his activity and reviews.dinu lipatti - the legendary Romanian pianist - Provides a detailed
http://musicmoz.org/Bands_and_Artists/L/Lipatti,_Dinu/Links/
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23. Culture - Music - Dinu Lipatti
dinu lipatti. (March 19, 1917 December 2, 1950). Romanian pianist who careerwas tragically cut short by his death from leukemia at age 33.
http://www.ici.ro/romania/en/cultura/m_lipatti.html
Dinu Lipatti
(March 19, 1917 - December 2, 1950) Last update : 2004, October 26 Return to
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24. Cultura - Muzica - Dinu Lipatti
pianist si compozitor român. Crescut întro familie cu traditie muzicala - tatal sau Dupa o ameliorare aparenta, starea de sanatate a lui dinu lipatti
http://www.ici.ro/romania/ro/cultura/m_lipatti.html
Dinu Lipatti
(19 martie 1917, Bucuresti - 2 decembrie 1950, Geneva) Ultima actualizare : 26 octombrie 2004 Revenire la
Pagina Nationala

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25. Track Details - Crotchet Web Store
for solo flute including legendary pianist dinu lipatti s Introduction etAllegro. ARTISTS Irma Kolassi Zino Francescatti Solomon dinu lipatti
http://www.crotchet.co.uk/artists/Dinu Lipatti.html
31 items found. Matches 1-20 displayed. Links to further matches: Next Last
Additional composers or artists are detailed after their works. Item No. 1
Add to Wish List

Write a Review
CATALOGUE NR:
RECORD LABEL: NM Classics
FORMAT: 11 CD Set
PRICE: including VAT, or excluding VAT
RELEASE DATE: 19-Mar-2001
TITLE: Van Beinum - The Radio Recordings
TRACKS:
ORCHESTRA: Concertgebouw Orchestra Amsterdam CONDUCTOR: Eduard van Beinum ARTISTS: Dinu Lipatti ADDITIONAL INFORMATION: also includes a DVD Normally ships in 4-5 complete working days after order Item No. 2 Add to Wish List Write a Review CATALOGUE NR: RECORD LABEL: BIS FORMAT: CD PRICE: including VAT, or excluding VAT RELEASE DATE: 31-Oct-1997 TITLE: Small is Beautiful TRACKS: Short pieces for solo flute including legendary pianist Dinu Lipatti's Introduction et Allegro. ARTISTS: Manuela Wiesler Normally ships in 3-4 complete working days after order Item No. 3 Add to Wish List Write a Review CATALOGUE NR: RECORD LABEL: Urania FORMAT: CD PRICE: including VAT, or excluding VAT RELEASE DATE: 04-Jan-2000 COMPOSER: Bela Bartok (other composers in brackets after works) TRACKS: Piano Concerto No.3 (Bartok). Piano Concerto No.1 (Liszt). Piano Concerto (Grieg).

26. Cornerstones CD Notes | Lipatti | Classical Music | Mark Ainley
These are the notes to the archiphon CD “dinu lipatti Cornerstones, Who couldhave imagined that a pianist who never left Europe and made just over
http://www.markainley.com/music/classical/lipatti/cornerstones.html
Dinu Lipatti
Cornerstones CD Notes
A scandalous error
Source material
Other sources
The Concerto
Three solos
Studio performances
Early recordings
The quest continues
Priceless treasures
It is worth mentioning that the immense value of any unpublished Lipatti recordings cannot be translated into financial worth. It is possible that some collectors have continued to hold onto their prized possessions in the belief that they will one day be worth a fortune. The longer any recordings remain technically unrestored in private hands, the lower their commercial viability becomes. It is to be hoped that any such collectors will recognize that the value of these performances can only be measured by the effect that they can have on the musical public at large. Spin the Moose Media

27. Prince Of Pianists | Lipatti | Classical Music | Mark Ainley
dinu lipatti is one of the most mystical of pianists, yet over a half century after He is still generally thought of as a BachMozart-Chopin pianist,
http://www.markainley.com/music/classical/lipatti/prince_of_pianists.html
Dinu Lipatti
Prince of Pianists
This is a revised form of an article that was published in the Summer 1999 edition of International Piano Quarterly. It has been updated with information that has since come to light. Dinu Lipatti is one of the most mystical of pianists, yet over a half century after his premature death, most pianophiles know little more than the sketchy biographical information published with the frequent reissues of his critically lauded recordings. He received no more than a parenthetical mention in the classic tome The Great Pianists, Harold C. Schonberg's only comment being that "his death in 1950 at the age of 33 took away a pianist who would have been one of the major figures of the century." Such observations overlook the fact that before his death, Lipatti was already considered one of the greatest pianists and musicians to have graced the concert stage.
Exploding the Myth
Unique programmes
His solo programmes were equally bold and varied. He performed in one recital four Preludes and Fugues of Bach, Beethoven's Waldstein Sonata, Schumann's Etudes Symphoniques, and Ravel's Le Tombeau de Couperin. One 1947 Chopin recital was a heroic survey of the composer's works: 6 Preludes, 3 Etudes, Sonata Op.58, Ballade op.52, Mazurka Op.50 No.3, Scherzo Op.20, Nocturne Op.27 No.2, Waltz Op.34 No.1, and Polonaise Op.22. At other times, his recitals focused on one large-scale work, such as the Waldstein, Chopin B Minor Sonata, or the Etudes Symphoniques, the rest of the programme being a historical progression of smaller-scale compositions from Bach through Chopin, Brahms, Liszt, and through to modern composers like Debussy, Ravel, de Falla, and Enescu.

28. Dinu Lipatti Recital [CH]: Classical CD Reviews- March 2001 MusicWeb(UK)
dinu lipatti (pianoforte) with Nadia Boulanger* (pianoforte). but thedifferences are enough to alter one s perception of the pianist.
http://www.musicweb-international.com/classrev/2001/Mar01/lipatti.htm
Classical Editor: Rob Barnett Music Webmaster Len Mullenger: Len@musicweb.uk.net
Dinu Lipatti
Sonata no.3 in b
, op.58
LISZT Franz
RAVEL Maurice
Miroirs: 4. Alborada del Gracioso
BRAHMS Johannes

Walzer, op.39: 6, 15, 2, 1, 14, 10, 5, 6
ENESCU George
Sonata no.3 in D,
op.25
Recorded 1937 Dinu Lipatti (pianoforte) with Nadia Boulanger* (pianoforte). EMI Great Recordings of the Century CDM 5 67566 2 Crotchet The Chopin is one of the composer's richest works, but its teeming counter-melodies and its profusion of contrasting ideas, not to speak of its technical demands in a purely mechanical sense, often lead to confusion and have discouraged frequent performance. No one has justified (indeed removed) its complexities more than Lipatti. No one has found a more natural dialogue in the first movement between the divine impetuousness of the primary material and the melting loveliness of the secondary theme, and in the Largo his long singing lines and his delicate accompanying figures converse freely with one another. It seems a banal comment but when in the wild spin of the finale heavy chordal writing is set against filigree passage-work it really does seem impossible that only one person is playing. The Liszt is deeply poetic while respecting the more extrovert character of the composer and the duets with Nadia Boulanger must be some of the most upbeat Brahms ever recorded, yet with no sacrifice of their deeply romantic nature. A black mark to EMI here for, firstly, giving the whole set only one track and, worse, for listing them numerically instead of in the order in which they are played (the above is correct, with no.6 played both at the beginning and at the end). Seldom has a fringe work like the Enescu had a performance which has revealed such a range of colour and clarity of utterance in it.

29. Schumann Mozart Lipatti CDM5677742 [TB]: Classical CD Reviews- June2002 MusicWeb
dinu lipatti s renowned recording of the Schumann Piano Concerto makes a Illness brought the pianist s early death in 1950, just weeks after he had
http://www.musicweb-international.com/classrev/2002/Jun02/Lipatti_Schumann.htm
Your clickable banner could be here: details If you cannot see an advert click here.
MusicWeb is not a subscription site and it is these advertisers that pay for it. Please visit their sites regularly to see if anything might interest you. Purchasing from them keeps MusicWeb free. Classical Editor: Rob Barnett Founder Len Mullenger
Music Web is now part of See what else is on offer
Robert SCHUMANN

Piano Concerto
Wolfgang Amadeus MOZART

Piano Concerto No. 21 in C major, K467*
Dinu Lipatti (piano)
Philharmonia Orchestra; Lucerne Festival Orchestra*
Herbert von Karajan
Recorded 9-10 April 1948, No. 1 Studio, Abbey Road, London (Schumann); 23 August 1950, Kunsthaus, Lucerne (Mozart) EMI GREAT RECORDINGS OF THE CENTURY CDM 5 67774 2 [59.18] Midprice BUY NOW AmazonUK AmazonUS Dinu Lipatti's renowned recording of the Schumann Piano Concerto makes a welcome reappearance in the distinguished ranks of EMI's 'Great Recordings of the Century' series. And well it might, for despite the obvious drawback of fifty-year-old sound there is indeed something special about it. Illness brought the pianist's early death in 1950, just weeks after he had performed the Mozart C major Concerto at the Lucerne Festival, again with Karajan conducting. If the recorded sound of this live performance does not have the advantages of the occasional studio retake, there is the frisson of a special occasion running through every bar. In his excellent insert notes Richard Osborne mentions that the audience was aware of Lipatti's circumstances - he was by now mortally ill - and the reception they give the performance is nothing less than ecstatic.

30. JEAN NEGULESCO
dinu lipatti (19171950) began playing the piano while still in infancy andmade his public debut, as both pianist and composer atthe age of four.
http://cpcug.org/user/stefan/lipatti.html
Dinu Lipatti (1917-1950) "Almost 40 years after his death from leukaemia at the tragically early age of 33, the aura of saintliness which surrounded Lipatti in life clings, undiminished, to his memory. Born in Romania, to parents noth wealthy and musical, Lipatti began playing the piano while still in infancy and made his public debut, as both pianist and composer atthe age of four. After taking second prize at the Vienna Piano Competition in 1934 (a misscarrige of artstic justice which cause Alfred Cortot to dissocaiete himself from the jury), Lipatti moved to Paris, where his mentors included Cortot, Charles Munch(conducting), Paul Dukas (composition) and Nadia Boulanger. With concerts in Germany, Italy and Paris (wherr Poulenc discerned in him a "divine spirituality") Lipatti's fame as a performer spread rapidly. There was a great deal more to Lipatti's art than "divine spirituality". There was also charm, pathos and intellectual power, a breathtaking rhythmic energy combined with an almost inhuman control (his "Alborada" is not only unsurpassed but unequaled) and a profound awareness of pianistic colors" Jeremy Siepmann
Go back to Romanians
Go back to Stefan's Romania Page

31. Newbooks March28-April3
BACH, MOZART, SCARLATTI, SCHUBERT SOUND RECORDING / dinu lipatti. MCD17860 . PRINCE OF VIRTUOSOS A LIFE OF WALTER RUMMEL, AMERICAN pianist / CHARLES
http://www.lib.uwo.ca/music/nbmarch28.htm
The following items were catalogued for the Music Library between March 28 - April 3, 2005.

Scores
Fayrfax, Robert, 1464-1521.
MISSA TECUM PRINCIPIUM.
MASSES TECUM PRINCIPIUM AND O QUAM GLORIFICA / ROBERT FAYRFAX ; TRANSCRIBED AND
EDITED BY ROGER BRAY.
M2.E37 v.45 2004.

Weill, Kurt, 1900-1950.
CHAMBER MUSIC.
CHAMBER MUSIC / BY KURT WEILL ; EDITED BY WOLFGANG RATHERT AND JURGEN SELK. M3.W455 1996 ser. 2 v.1 2004. Weill, Kurt, 1900-1950. CHAMBER MUSIC. CHAMBER MUSIC : CRITICAL REPORT / BY KURT WEILL ; EDITED BY WOLFGANG RATHERT AND JURGEN SELK. M3.W455 1996 ser. 2 v.1 suppl. 2004. Fusz, Janos, 1777-1819. QUARTETS, BASSET HORN, VIOLIN, VIOLA, VIOLONCELLO, OP. 2, F MAJOR. QUARTETT OP. 2 FUR BASSETTHORN, VIOLINE, VIOLA UND VIOLONCELLO = QUARTET FOR BASSETHORN, VIOLIN, VIOLA, AND VIOLONCELLO / JANOS EVANGELIST FUSS ; HERAUSGEGEBEN VON FRITZ-GEORG HOLY. M462.F96 op. 2 1987 pts. Keulen, Geert van. ARMONIA : FOR STRING ORCHESTRA, 1988 / GEERT VAN KEULEN. Debussy, Claude, 1862-1918. LES PAPILLONS : FOR VOICE AND PIANO / CLAUDE DEBUSSY ; TEXT BY THEOPHILE GAUTIER ; TRANSCRIPTION AND ESSAY BY MARIE ROLF WITH A PREF. BY MARGARET G.

32. Classical Music - The UK Magazine For The Music Professional
Brian Priestley catches up with the brilliant young jazz pianist Gwilym Carola Grindea introduces us to a littleknown side of dinu lipatti s art,
http://www.rhinegold.co.uk/magazines/pi/pi-editorial.cfm
RHINEGOLD PUBLISHING
JEREMY SIEPMANN'S EDITORIAL
from the current issue of PIANO
'Nothing succeeds like success,' says the old saw. But success can also provoke hostility, envy and misinformation. In his lifetime, Felix Mendelssohn was the man who had everything. Born rich, he was both brilliant and charming, not only a great musician, a great genius indeed, but a man of many talents and accomplishments, who consorted with the highest in the land (in many lands), while seemingly having time for everyone, whatever their background or attainment.
In the world of classical music, he was the ultimate celebrity – particularly in German-speaking lands and in England, where he was all but worshipped. Unlike many distinguished men, his reputation survived him. Towards the end of the 19th century, however, he fell from grace. His importance was deemed increasingly negligible, and even well into the 20th century, his claims to greatness as a composer were held by many to be spurious. On no account, in many quarters, was his name to be mentioned in the same breath as those of his contemporaries Chopin, Liszt and Schumann, let alone Brahms, later on. Today, however, his star is once more in the ascendant as his importance is being reaffirmed.
But it's not all Mendelssohn and things Mendelssohnian. In Unsung Heroes, Murray McLachlan explores the music of Boris Tchaikovsky, Leslie Howard talks about his indefatigable journey into the nether reaches of Lisztiana, Alyn Shipton meets Ray Bryant, and John York, as ever, catches up on the latest music publications.

33. Andante Boutique - Frederic Chopin - Solo Piano, Volume I
dinu lipatti (piano) Geneva, Radio Studio No. 2, 9 July 1950 It is good tohear Ferruccio Busoni, another legendary pianistcomposer,
http://www.andante.com/boutique/Shop/index.cfm?action=displayProduct&iProductID=

34. Andante Boutique - Concertgebouw Orchestra - 1940-1958: Eduard Van Beinum
a Bach concerto with the visionary pianist dinu lipatti, dinu lipatti (piano)Eduard van Beinum (conductor), Concertgebouw Orchestra 2 October 1947
http://www.andante.com/boutique/shop/index.cfm?action=displayProduct&iProductID=

35. Ny Side 1
dinu lipatti RumanianFrench pianist, composer and teacher. Bucharest, 19.03.1917 -Geneva, 02.12.1950. When dinu lipatti died at the age of 33,
http://hjem.get2net.dk/Brofeldt/Catalogue_l.htm
A B C D ... Z L Josef Labor Austrian composer, pianist and organist Horowitz, Bohemia, 29.06.1842 - Vienna, 26.04.1924 Three years old (in 1845) Labor contracted smallpox which resulted in total blindness. Thus his first education was at the Institute for the Blind in Vienna and having showed remarkable musical talent he went on to the Conservatory of Gesellschaft der Musikfreunde as a pupil of Simon Sechter (composition), who had also been Bruckner's teacher and Eduard Pirkhert (piano).
After having ended his education Labor toured France, England, Russia and Scandinavia and at that time formed a lasting friendship with the blind King George V in Hanover, who in 1865 made Labor his Royal Chamber Pianist
In 1866 Labor and King George settled in Vienna where Labor taught the piano to Arnold Schönberg, Julius Bittner and Paul Wittgenstein and even started to take lessons himself in organ working with a famous church musician in Gmunden (Upper Austria) - with the very appropriate name Johann Evangelist Habert. Johann Evangelist Habert
In 1904 Labor was given the title of Imperial and Royal Court Organist and soon his own works began to be published at Peters through the influence of the Wittgenstein family.

36. Piano Music For The Left Hand Alone
(And mind you - a pianist s hand is a very delicate instrument; either it works100 % or it dinu lipatti also commented on this issue, see appendix.
http://hjem.get2net.dk/Brofeldt/
P iano Music for the Left Hand Alone With catalogue of more than 450 composers
who wrote piano music for the left hand alone
Hans Brofeldt

Russian version of the site

This site is dedicated to the memory of Paul Wittgenstein whose determination
to pursue an international career as a concert pianist with only one arm
has enriched the piano literature with many great works
and has been an inspiration for later pianists
in more or less the same situation.
Paul Wittgenstein

Vienna, 05.11.1887 - New York, 03.03.1961 The site is meant to serve two purposes: 1. To widen the knowledge of this unique art, and 2. To encourage the readers to contribute with corrections and additional information about composers and works to make the site as complete as possible. So comments will be welcomed - at the bottom of the page you can click to contact me. No attempts have been made to make this page interesting with fancy effects, visual gimmicks or any such things. Its sole purpose is to serve this musical phenomenon, which by closer acquaintance will prove rewarding and contain interesting stories from the tragic to the funny.

37. Dinu Lipatti - Wikipedia, The Free Encyclopedia
dinu lipatti (March 19, 1917 December 2, 1950) was a Romanian pianist whose lipatti was born in Bucharest into a musical family his father was a
http://en.wikipedia.org/wiki/Dinu_Lipatti

38. Wolfgang Lempfrid: Dinu Lipatti
Kaum ein pianist unseresJahrhunderts dürfte mit soviel Ehrfurcht genannt werden,
http://www.koelnklavier.de/texte/interpreten/lipatti.html
W. Lempfrid
Dieser Beitrag ist erstmals erschienen in:
PianoForte
Biographie
, und Francis Poulenc sah in ihm einen sein Leben unter dem Zeichen der Gnade stand. (Transparenz) seiner Interpretationen: Lipatti als durchdringender Vergeistigung Oder anders gefragt: Läßt sich die Faszination, die von dem Musiker Lipatti ausging, auch heute noch nachvollziehen? Ein Versuch bietet sich an; immerhin ist seine künstlerische Hinterlassenschaft vergleichsweise überschaubar. Im Handel erhältlich sind derzeit rund sieben Stunden Musik, davon Etliches in doppelter Ausführung, als Studio-Produktion und Konzertmitschnitt. Entsprechend schmal ist auch das eingespielte Repertoire: Bach (mit Vorliebe in Bearbeitungen), zwei Scarlatti-Sonaten, Schubert-Impromptus, einzelne Werke von Liszt, Ravel und Enesco, ein wenig Mozart, die Klavierkonzerte von Schumann und Grieg, und vor allem Chopin. Beethoven hingegen fehlt ganz. Nur zögernd näherte Lipatti sich dem "Neuen Testament" der Klavierspieler an; von den 32 Sonaten hat er nur die "Waldsteinsonate" öffentlich gespielt. Vorwärtsdrängend und mit vibrierender Nervosität dann der erste Satz von Mozarts a-moll-Sonate KV 310 - das einzige Mal, daß Lipatti das Gefühl vermittelt, er müsse gegen die ihm verbleibende Zeit anspielen. Melodiebögen reißen unvermittelt ab, und die Durchführung brodelt bedrohlich im Pianissimo. Ein gelegentliches kurzes Aufbäumen ins Forte, dann fällt alles wieder in sich zusammen. Ein Mozart, der nicht im eigentlichen Sinne schön, dafür jedoch mit jeder Faser wahrhaftig ist. Der Vorwurf, Lipattis Kunst gehe das Dramatische ab, wird spätestens in seinem letzten Konzert ad absurdum geführt; man kann sich durchaus vorstellen, wie seine Interpretation der "Waldsteinsonate" geklungen haben muß.

39. CD's Extras Delve Into Mysteries Of Mozart's 'Requiem' - PittsburghLIVE.com
He was godfather to lipatti, a great pianist of uncommon sensitivity and balance, Georges Enesco, conductor, piano, violin; dinu lipatti, piano
http://www.pittsburghlive.com/x/tribune-review/entertainment/music/classical/s_2
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40. Dinu Lipatti - Wikipedia
Translate this page Als dinu lipatti am 19. März 1917 in eine gut situierte Bukarester Als ihmdie Jury nur den zweiten Preis zugestand, verließ der pianist Alfred Cortot
http://de.wikipedia.org/wiki/Dinu_Lipatti
Dinu Lipatti
aus Wikipedia, der freien Enzyklop¤die
Dinu Lipatti 19. M¤rz in Bukarest 2. Dezember in Genf ) war ein rum¤nischer Pianist und Komponist Bearbeiten
Leben
Als Dinu Lipatti am 19. M¤rz 1917 in eine gut situierte Bukarester Musikerfamilie hineingeboren wurde - sein Taufpate war der rum¤nische Komponist George Enescu , konnten die Bedingungen f¼r eine Karriere als Pianist und Komponist kaum besser sein. Mit 16 Jahren nahm Lipatti am Internationalen Klavierwettbewerb in Wien teil. Als ihm die Jury nur den zweiten Preis zugestand, verlieŸ der Pianist Alfred Cortot unter Protest das Jurorengremium. Doch um Weltruhm zu erlangen, w¤hrte Lipattis Leben zu kurz: Mit 33 Jahren an Leuk¤mie verstorben, verbinden viele mit seinem Namen heute fast nur noch ein Konzert: Lipattis letzten Auftritt im September 1950 in Besan§on ( Frankreich ), in welchem der Pianist, durch seine Krankheit geschw¤cht, die Darbietung der Walzer von Fr©d©ric Chopin abbrechen musste und sich mit der von Myra Hess f¼r Klavier geschriebenen Fassung des Bach-Chorals "Jesus bleibet meine Freude" von seinem Publikum verabschiedete.

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