41. Jazz From Lincoln Center Geri Allen —pianist and composer Geri Allen weaves unusual jazz textures in this Written by joseph Hooper. April 15, 2004 Dialogue—Andrew Hill and Bobby http://www.jazzatlincolncenter.org/radio/season.asp

HOME BROADCAST Listen to JFLC ... EDUCATION Jazz for Young People: Concerts Curriculum Jazz 101 Jazz Talk ... Seating Charts ABOUT JAZZ Jazz Notes Jazz Artists Web Chat Archive Jazz Links ... NEA Study JAZZ FROM LINCOLN CENTER Broadcast Season 2003-2004 Jazz From Lincoln Center is now available year-round on many U.S. public-radio stations. Check our carriage list for a station near you. We are also broadcast in Japan on Tokyo FM and in New Zealand on Radio NZ Programs run at the discretion of carrying stations within two weeks of the initial release date (for example, if Singing with the Duke is released on April 3, carriers broadcast between April 3 and April 17). Web release occurs after this two week window. November 27, 2003 Geri Allen —Pianist and composer Geri Allen weaves unusual jazz textures in this solo concert at Lincoln Center's Kaplan Penthouse. Selections include Allen's "New Eyes Opening" and Monk's "Thelonious." December 25, 2003

42. Jazz At Lincoln Center - Newsflash Hosted by Ed bradley, season draws from the best of 10 years of Jazz at Ray Brown, “the godfather of jazz bassists,” joins Jamaican pianist Monty http://www.jazzatlincolncenter.org/jalc/news/archive/011003b-news.html

HOME ABOUT J@LC Newsflash Press Room ... Search This Site NEWSFLASH FOR IMMEDIATE RELEASE: October 3, 2001 For Photos or More Information: MARY FIANCE FUSS, Director of Public Relations (212) 258-9829 or mfuss@jazzatlincolncenter.org JESSE TAMPIO, Public Relations Associate (212) 258-9821 or jtampio@jazzatlincolncenter.org NAEEMAH HICKS, Public Relations Assistant (212) 258-9807 or nhicks@jazzatlincolncenter.org Jazz From Lincoln Center Radio Series for 2001-02 Presents Hosted by Ed Bradley, season draws from the best of 10 years of Jazz at Lincoln Center concerts. For its 2001-02 season, the Peabody-Award-winning weekly Jazz at Lincoln Center (J@LC) radio program Jazz From Lincoln Center Acclaimed for its "spectacular studio sound and informative interviews" by the George Foster Peabody Award, Jazz From Lincoln Center features recent J@LC concerts from around the world as well as classic live performances from the J@LC archives, mixed with artist interviews and historical anecdotes. Since its inception, CBS News 60 Minutes correspondent and J@LC Board Member Ed Bradley has hosted the hour-long program each season, providing succinct narrations that frame the music and educate listeners.

43. Chicago Reader Guide To Music: Hakan Hagegard baritone, with pianist Warren Jones (Schubert, Winterreise). Mon 8/8, 1215 PM, Preston bradley Hall, Chicago Cultural Center, http://www.chicagoreader.com/listings/static/classical.html

Rock, Pop, etc. Hip-hop Dance Music Jazz ... Chicago Reader free all-ages find critics' choices by date in the Treatment Listings for Friday, September 9, through Sunday, September 18, 2005 Ars Viva Symphony Orchestra Members of the Chicago Symphony Orchestra William Eddins, conductor (Ives/Schuman, Copland, Rimsky-Korsakov). Sun 9/11, 4 PM, Pritzker Pavilion, Millennium Park, 100 N. Michigan. 312-742-1168. piano, and puppeteers led by Basil Twist perform a two-piano version of Stravinsky's ballet Petrushka Emerson String Quartet Rachel Naomi Kudo piano (Chopin, Balakirev). Wed 9/14, 12:15 PM, Preston Bradley Hall, Chicago Cultural Center, 78 E. Washington. 312-744-6630. Lincoln Trio in a program for children. Sun 9/11, 3 PM, Preston Bradley Hall, Chicago Cultural Center, 78 E. Washington. 312-744-6630. Members of Lyric Opera Center for American Artists perform at a book-release event for William Murray's Fortissimo . Thu 9/15, 6:30 PM, Preston Bradley Hall, Chicago Cultural Center, 78 E. Washington. 312-744-6630. Lyric Opera of Chicago Phenix (Beethoven, Danzi, Denisov, Villa-Lobos, Kodaly). Sat 9/10, 7:30 PM, Evangelical Lutheran Church of St. Luke, 1500 W. Belmont. 773-472-3383.

44. Goldbergs By Joseph Payne I just listened yesterday to joseph Payne s Goldbergs on BIS. He also confirmedthat the harpsichordist was really a pianist, as I d suspected. http://www.bach-cantatas.com/NonVocal/Klavier-Goldberg-Payne.htm

Goldberg Variations BWV 988 Joseph Payne (Harpsichord) Goldbergs by Joseph Payne Goldberg Variations Goldberg Variations BWV 988 Joseph Payne (Harpsichord) BIS CD / TT: ? Kirk McElhearn wrote (June 3, 2001): I just listened yesterday to Joseph Payne's Goldbergs on BIS. I was a bit surprised at first by what I was hearing, then, as the recording went on, I began to appreciate it, and even like it. Here's the rub. Payne has decided to fully appropriate the score. While in the first playing of each variation he follows the score to the letter, the repeats feature a truly personal ornamentation, augmentation and even improvisation. At first, this stunned me - even in the repeat of the first part of the aria, he goes out on a limb. I recalled how Andras Schiff's recording rubbed me the wrong way because of his transgressions. But, then, as the disc went on, I started to understand what Payne was doing. He was adding much more than a mere interpretation to the work, and was doing what, undoubtedly, Bach or other performers would have done at the time. Don, Brad, do either of you have this recording? Any comments?

45. Johannes Brahms & Bach So he could play it for himself when joseph Joachim wasn t around to play theoriginal for Like Ravel, he had a friend who was a lefthanded pianist. http://www.bach-cantatas.com/Topics/Brahms.htm

Brahms and Wittgenstein (SlightlyO/T) Teri Noel Towe wrote (October 1, 2004): I have the following bit of information only anecdotally. Perhaps someone who knows significantly more about Brahms than I do could clarify, refine, confirm, or refute this tidbit: Many years ago, I was told that Brahms, who essentially was self taught as a pianist, fingered every key as if it were C Major. Perhaps if one fingers his music that way, it is "easier." They are best described as uneven. The Bach-BrahmsChaconne, for istance, cannot hold a candle against Sokolov's astonishing recording. Nevertheless, the Wittgenstein recordings remain valuable and compelling documents. If they have not been transferred to CD, they certainly ought to be. Bradley Lehman wrote (October 1, 2004): Many years ago, I was told that Brahms, who essentially was self taught as a pianist, fingered every key as if it were C Major. The problem is more in the big stuff to do with the arm motions, and the thick handfuls of notes, and the leaps, and the wide stretches within each hand, than in the fingering of scale passages. There's so much in octaves, and in chords in each hand as the targets of leaps...a minefield. (Take, for example, the "Handel" and "Paganini" variations where some of the figurations are just plain anti-ergonomic to the hands.) Go buy the Katchen set of it all, and marvel! Have you gone over to see Irving Berlin's piano at the Smithsonian? It was on display there a couple of years ago and might still be. He played everything in F#, and had a lever to shift the keyboard higher or lower so it would sound in different keys.

46. Harold Bradley Although Owen bradley had earned his spurs as a pianist, Harold bradley was atfirst fascinated by the banjo. Instead, taking big brother s advice, http://www.nashvillesound.net/harold_bradley.htm

PROLIFIC is the word to describe veteran guitarist Harold Ray Bradley. In December 1990, Bradley was elected President of the 3,500 member Nashville Association of Musicians Local 257 of the American Federation of Musicians. A Life Member, Bradley has been active in the Nashville Local for many years. Harold Bradley was the first president of NARAS' Nashville chapter and continues as a member of the Grammy organization's Board of Governors. In December 1991, Harold Bradley marks his 45th year as a studio musician. He was part of the original "A Team" of Nashville superpickers, one of those John Sebastian immortalized in his song "Nashville Cats." Harold Bradley can be heard on some of Elvis Presley's records and movie soundtracks as well as those of such entertainers as Perry Como, Joan Baez, Buddy Holly, Ivory Joe Hunter, Pee Wee King, George Morgan, Hank Williams, Burl Ives, Henry Mancini, Connie Francis, George Beverly Shea, Hank Snow, Jim Reeves, Charley Pride, Leon Russell, The Everly Brothers, Gene Watson, Marty Robbins, Freddie Hart, Conway Twitty and Roy Clark. He's played on such classic cuts as Red Foley's "Chattanoogie Shoe Shine Boy," Ray Anthony's "Do the Hokey Pokey," Bobby Helms' "Jingle Bell Rock," Brenda Lee's "I'm Sorry," Roy Orbison's "Only the Lonely," Patsy Cline's "Crazy," Johnny Horton's "Battle of Now Orleans," Jimmy Dean's "Big Bad John," Roger Miller's "King of the Road," Jeannie C. Riley's "Harper Valley PTA." Tammy Wynette's "Stand By Your Man," Eddy Arnold's "Make the World Go Away," Loretta Lynn's "Coal Miner's Daughter," The Everly Brothers' "Ebony Eyes" and John Anderson's "Swinging'."

47. Midnight Rhapsody -- More About Bradley Young As a pianist, the Chicago native s eclectic and soulful performing and composing bradley began classical piano lessons at age five, and by seven he was http://www.bradleyyoung.com/bio.html

Combining a profound sense of the past with a distinctive flair for the present, and offering exciting innovations for the future, pianist Bradley Young takes the standard definition of "virtuoso" to unique and promising new places on the musical horizon. Drawing upon a remarkably diverse series of historical and modern piano influences, Bradley has established himself as a dynamic player, composer and band leader in every genre from blues, soul, and boogie woogie to traditional and contemporary jazz, which is Bradley's first love. In fact, it is his passion for contemporary jazz that has inspired him to create Midnight Rhapsody , his newest CD release on Omnibus Records. As a pianist, the Chicago native's eclectic and soulful performing and composing style is unique in that it is reflective of nearly the entire history of jazz piano. His own musical evolution was inspired over the years by everyone from stride and boogie woogie players like James P. Johnson, Willie "The Lion" Smith and Meade "Lux" Lewis, to swing and bop giants such as Bud Powell, Oscar Peterson, and Herbie Hancock, to contemporary jazz masters like Alex Bugnon, Brian Culbertson, and Joe McBride. Bradley began classical piano lessons at age five, and by seven he was performing recitals with his own improvisational compositions. In his early teens, while studying privately at Northwestern University and the Evanston Conservatory of Music, a family friend, who was also a jazz pianist, gave Bradley his entire collection of blues and boogie woogie 78s, and Bradley became enamored with those genres. As he was performing his first professional gigs at Chicago blues hotspots with local legends like Freddie Below and Big Time Sarah, Bradley was also studying with famed Chicago blues pianist and recording artist Erwin Helfer.

48. Jazz | All About Jazz for the pianist, but the arc points towards greater and greater interaction . Kenny Barron Live at bradley s Simply stellar mainstream piano trio http://www.allaboutjazz.com/library/pianotrio.htm

Jazz Store Promote Your Jazz Music AAJ Sponsors Jazz Personals AAJ Web Advanced Community Newsletter Hurricane Katrina Relief Effort ... This Is The Place organissimo Friends Eric van Aro Amazon River Hendrik Meurkens I'm With the Band Tierney Sutton The Bill Holman Band Live Bill Holman Band Blossom Dearie 1975 - From the Meticulous to the Sublime Blossom Dearie Amongst The People Wynton Marsalis SUBMIT CONTENT Link Birthday Quote FREE CONTENT AAJ Live RSS NEAR YOU Local Jazz Clubs OCTOPUS TRAVEL Travel Vacation Packages Welcome to AAJ's Building a Jazz Library @ AAJ Library Home Page Building a Jazz Library: Piano Trio By Gerard Cox When one talks about "jazz piano music," it is almost taken for granted they are talking about jazz piano trio music. The trio is and has been most jazz pianists' favorite format, and with good reason: the jazz piano trio has been said at times to represent the essence of jazz in the most condensed yet effective way possible. A piano trio takes full advantage of swing, interaction, and dynamics. There have certainly been outstanding jazz piano trios throughout jazz history, each with its own signature sound: There is the majestic swing of the Oscar Peterson trio, the classy bop of Hank Jones and his trio, the great independence within the Bill Evans trio, and so on. Each great jazz piano trio has brought something slightly different into the fold. As a general rule of thumb, it would seem that since1960 piano trios have become more interactive and democratic. Formerly, in the heyday of both swing and bop, the piano assumed a very dominant role where, it would have been fair to say, it was less a trio in the ideal sense of three equal parts, than it was piano PLUS bass and drums. The Bill Evans trio was critical towards pushing the envelope for a more democratic piano trio; now we can look to fine piano trios like those of Keith Jarrett and Brad Mehldau as their continued legacy. There will always be room for more straight-ahead swinging piano trios, where bass and drums play roles more defined as timekeeping and support for the pianist, but the arc points towards greater and greater interaction.

49. The Children's Theatre Company - Artists Alumni JOE bradley Band Director Joe is an aspiring amateur jazz musician and has enoughtalent to do it Keith Godbout is a singer, songwriter, and pianist. http://www.childrenstheatrecompany.org/about-staffalumni.htm

ALUMNI STAFF MEMBERS JOE BRADLEY Band Director Joe is an aspiring amateur jazz musician and has enough talent to do it for a living if he felt like l iving on oatmeal for the next six years. The last project he was in was a fusion band (jazz-rock). Joe has been the devoted administrator to CTC on Saturdays keeping the program in operation in the truest process which promotes racial harmony and social responsibility through tharts...so that children can be agents of change in the world around them" LAKRESHA DIAZ Set Design / Art Projects Lakresha has been involved in CTC from its very first season, as a set designer, costume designer, and teaching art classes. The most rewarding part of the experience for her has not been how great the children look on stage or how proud the parents gleam in the audience, it has been the moments throughout Saturday rehearsals when a child says something so simple but brilliant about how we can all get along. LEDA DUIF Administration / Founding Board Member Leda has been with CTC since the first season. She graduated in London with a Bachelor of Arts in Spanish and Italian and has a Master's degree in Latin American Politics from the

50. San Jose Music Study Club joseph Ordaz, Piano. 1992, Yana Haynes, Piano. Ann Unju Yi, Piano. Rosemary Johnson,Dramatic Soprano 1997, John David Thomsen, Piano, Walda bradley http://www.sjmsc.org/winners.htm

Member of . . . Many of these local artists have progressed to successful careers. We at the San Jose Music Study Club are proud to have played a role in their career development during their formative years. YEAR WINNER INSTRUMENT/VOICE ORGANIZATION/JUDGE Rowland Snook Bass Saratoga Foothill Club Richard Corbett Piano First Methodist Church Raymond Manton Tenor Saratoga Foothill Club Roy Bogus Pianist Hawaiian Gardens Frederick Loadwick Tenor First Methodist Church Ante Soljanich Tenor First Methodist Church John White Piano Walter Taylor Marimba Doris McCune Gorete Residence Patrick Meierotto Piano Marjorie Trammel Harp Youth Village Hiro Imamura Piano Calvary Church Milton Williams Baritone Mary Ellen Mullen Violin Calvary Church Clementine Patrick Contralto Grace Baptist Church Phyllis Lehrer Piano Calvary Church Elaine Ikemoto Violin Stone Church Cheryl Melott Cello Stone Church Hilen Dilworth Soprano Stone Church Mathew Owens Cello Stone Church Lynn McConahey Piano Stone Church Gene Albin Tenor Michelle McBride Soprano Michelle Martella Soprano Calvary Methodist Church

51. Bradley Williams bradley Williams Creator of, director, composerarranger, pianist and MC for the21st Century Review, bradley Williams served as pianist / arranger for http://www.sidewaysent.com/daboss.html

SIDEWAYS entertainment, inc! Bradley Williams Creator of, director, composer-arranger, pianist and MC for the 21st Century Review, Bradley Williams served as pianist / arranger for Woody Herman's Thundering Herd in the early 1980's before moving to Chicago. He was musical director at the legendary Gold Star Sardine Bar and is a favorite accompanist / arranger for many national artists as well as Chicago talent. His resume includes work with Michel Legrand, Mark Murphy, Sheila Jordan, Joe Henderson, and others. In 1995 the pianist founded his jazz variety show, the Original 21st Century Review, featuring seven musicians, three vocalists and a tap dancer. He also performs in tandem with vocalist Gingi Lahera (also of the 21st Century Review) in a number of Duo and Quartet formats. Their new CD, "Two Fun For Jazz," is due for release in Spring of 2002. His bands have appeared at The Chicago Jazz Showcase, Pops for Champagne, Toulouse on the Park, Green Dolphin Street, the Plaza Tavern, the Chicago Hilton and Towers, and the Bop Shop. Williams' 11-peice 21st Century Review has performed internationally at The Jerusalem Jazz Festival and traveled to India for performances in Mumbai (Bombay) and Dehli. They have produced three CDs - the latest a soundtrack to the movie "Wrigley Field: Beyond the Ivy." He is, in addition, the co-host of the internationally syndicated public radio series, Words and Music, broadcast over Chicago's WFMT (98.7 FM Saturday nights at 7 pm) and The Radio Networks along with the British Broadcasting Corporation, the Canadian Broadcasting Corporation, and the Australian Broadcasting Corporation.

52. Bradley Williams/Gingi Lahera Biographies bradley Williams pianist/Vocalist. Creator of, director, composer-arranger,pianist and MC for the 21st Century Review, bradley Williams served as pianist http://www.sidewaysent.com/gbbios.html

Bradley Williams - Pianist/Vocalist Creator of, director, composer-arranger, pianist and MC for the 21st Century Review, Bradley Williams served as pianist / arranger for Woody Herman's Thundering Herd in the early 1980's before moving to Chicago. He was musical director at the legendary Gold Star Sardine Bar and is a favorite accompanist / arranger for many national artists as well as Chicago talent. His resume includes work with Michel Legrand, Mark Murphy, Sheila Jordan, Joe Henderson, and others. In 1995 the pianist founded his jazz variety show, the Original 21st Century Review, featuring seven musicians, three vocalists and a tap dancer. He also performs in tandem with vocalist Gingi Lahera (also of the 21st Century Review) in a number of Duo and Quartet formats. Their new CD, "Two Fun For Jazz," is due for release in Spring of 2002. He is, in addition, the co-host of the internationally syndicated public radio series, Words and Music, broadcast over Chicago's WFMT (98.7 FM Saturday nights at 7 pm) and The Radio Networks along with the British Broadcasting Corporation, the Canadian Broadcasting Corporation, and the Australian Broadcasting Corporation.

53. Public Broadcasting Atlanta Atlanta Chamber Players / Paula Peace, pianist artistic director / Laura Ardan,clarinet / Christopher Franz joseph Haydn Sonata in EFlat Major http://www.wabe.org/radio/shows/ams.html

window.station="WABE_FM"; window.localize=true; window.station="WABE_FM"; window.localize=true; Schedule Station Profile Local Hosts Local Programs ... Search Playlists Atlanta Music Scene Live concerts recorded all around metro Atlanta produced by Dr. Tommy Joe Anderson of ACA Digital Recording, and hosted by WABE's Robert Hubert airs Monday nights at 9:00 p.m. over WABE 90.1 FM September September 5, 2005, 9:00pm Roger McVey, piano Beethoven: Sonata No. 21 in C major, Op. 53, "Waldstein" Alexander Scriabin: Sonata No. 9, Op. 68 "Black Mass" Johannes Brahms: Variations and Fugue on a Theme by Handel, Op. 24 September 12, 2005, 9:00pm Slava Prudchenko, flute, Jui-Wen Ginger Chen, piano / Kathy Farmer, flute J. S. Bach: Suite in C Minor. Jules Demerssemann: Solo de Concert, Op. 82, No. 6 Albert Roussel: Joueurs de Flute Leonardo De Lorenzo: Apollo, from Suite Mythologique, Op.38, No. 3 Franz Doppler: La Sonnambula, Op. 42 September 19, 2005, 9:00pm Martha Thomas, piano

54. International Institute For Young Musicians, L.L.C. bradley Garner (July 119) Professor of Flute at the College Conservatory A graduate of Arizona State University as a pianist, she also played the viola http://www.iiym.com/opus/

Home About Faculty Summer Music Academies ... Get Application Tele: (888) 360-3366 . (949) 262-9385 Fax: (949) 262-0541 Email info@iiym.com International Institute For Young Musicians Opus Volume 1, Issue 2 Summer Music Academies Offer Private Lessons, Opportunities for Performance, Practice At a glance Students can also choose supporting courses in a variety of areas. Recreational and group activities are planned. T he 2002 Summer Music Academies of the Institute for Young Musicians will be held in Lawrence, Kansas, at the University of Kansas from July 1-19, 2002. The next session will take place from August 5-23 at the University of California at Santa Barbara, in Santa Barbara, Calififornia Private Lessons in Piano, Flute, Violin, Viola, Cello and Chamber Music

55. ..:: The Tom And Jerry Online :: An Unofficial Site ::.. joseph Barbera. • Scott bradley. • HannaBarbera Info Scott bradley (1891-1977).Scott bradley was born in Russellville, Arkansas 26 November 1891 in http://www.tomandjerryonline.com/bradley.cfm

News Shop Amazon.com Shop Amazon.co.UK Links ... Chuck Jones ..:: SCOTT BRADLEY ::.. Scott Bradley (1891-1977) Scott Bradley was born in Russellville, Arkansas 26 November 1891 in Arkansas. He died at the age of 85 in Chatsworth, California on 27th April 1977 In 1934, MGM decided that they had to get into the growing cartoon business but they weren't brave enough to create their own unit. Instead, they bought in cartoons from the Hugh Harman/Rudolf Ising company (the name of the company, Harman-Ising, was a deliberate pun). Scott Bradley worked for Harman-Ising, having previously been at Disney, alongside Carl Stalling who later went to Warner Brothers and worked on 600 of the famous Looney Tunes and Merrie Melodies. So, when MGM decided to create their own in-house cartoon unit in 1938, it was natural that they bought in most of the people from the Harman-Ising stable and Bradley became a full time MGM employee. Cartoon music was, in the mid 1930s, still pretty much a collection of popular songs linked together with the occasional musical effect supporting the action. It wasn't until the late '30s that the music started to tell the story more than the sound effects did. Roy Prendergast in his book Film Music, a neglected art

56. Solo Piano Publications Composer / pianist Michael Allen Harrison 2002/MAH Records bradley Joseph1999/Robbins Island Music, The Most Requested Collection, Vol. 1 Steve Siu http://www.solopianopublications.com/reviews/reviews.htm

Home Reviews New Age Pianists Feedback 2005 CD Reviews July - August 2005 Scenes From the Neighbourhood Timothy Davey 2005/Lying Down Music By Request Matthew Cook 2002/Arianna Recording Moondance Matthew Cook 2005/Arianna Recordings Death and Resurrection of Jesus Christ Yelena Eckemoff Soul To Soul Sneak Preview! Wayne Gratz 2005/Wayne Gratz Music A Place In My Heart Jim Wilson 2005/Artemis Nashville Patrick Burke Piano Chronicles, Album 1 Yelena Eckemoff Piano Chronicles, Album 2 Yelena Eckemoff Kaleidoscope of Life Yelena Eckemoff Earthsongs Secret Garden 2005/Decca Forever Young George Skaroulis 2005/Evzone Music Christmas At Our House Michael Dulin 2005/Equity Digital Colors of a New Dawn Gandalf 2004/Real Music Keep Moving Nick Farr 2004/Riverboy Records Blue West Top Pick! Philip Aaberg 2005/Sweetgrass Music Silver Ship Suzanne Ciani 2005/Seventh Wave Seduction Lisa Hilton /Lisa Hilton Music Grace Jim Brickman 2005/Windham Hill Footprints on Water John Nilsen 2004/Magic Wing May - June 2005 For the Beauty of the Earth Bradley Sowash Observations in the Woods Top Pick!

57. Photo Coverage: Bob Stillman At Joe's Pub (BroadwayWorld.com) Conrad Korsch (bass), Everett bradley (percussion) and Eric Nicholas (guitar) Strothmann of Suzy s Cream Cheesecakes), Ben is also an actor and pianist. http://broadwayworld.com/viewcolumn.cfm?colid=4297

58. Minnesota Wisconsin "BEST PIANO LESSONS, BEST VOICE LESSONS" ~ "CD DEMO RECORDIN joseph DOLENCE, Hibbing Minnesota LOREN DUFF, Chisholm Minnesota bradley KISHEL,Virginia Minnesota CHANDRA KLAKOSKI, Orr Minnesota http://www.livingwatermusic.com/teachingstudios.html

Home Online Catalog Pro DJs Weddings ... Recording T EACHING S TUDIOS Piano Teacher, Voice Teacher, CD Demo Scholarships Our Full-Service Teaching Studios Offer: Duluth Minnesota Music Lessons Hibbing Minnesota Music Lessons Virginia Minnesota Music Lessons Singers, Pianists and MORE... All levels ~ Beginners through Advanced Piano Lessons, Voice Lessons, Much More CD Demo Recording Awards $205,000 Scholarships Awarded since 1994 Performance Opportunities Financing Options LIABRAATEN TEACHING STUDIOS PIANO LESSONS - VOICE LESSONS - GUITAR LESSONS - COMPOSING LESSONS - THEORY LESSONS - ORGAN LESSONS $205,000 MUSIC SCHOLARSHIPS AWARDED SINCE 1994 FOR OUR LATEST STUDENT CD DEMO RELEASES PLEASE SCROLL DOWN Finest teaching and performing credentials in Northern MN Award-winning motivated students (current ages 4 to 85) Music program fun and inspiring ~ kids achieve more in a fun environment All Students Welcome Learn to sight read and/or learn to play by ear ~ we teach them BOTH Read Artist Background Unique Performance and CD Recording Opportunities for Our Students Ten Digital Pianos for the Voice Lessons ~ every song in the Best Key for YOU, or YOUR Son or Daughter

59. MINNESOTA MUSIC LESSONS, MN VOICE LESSONS, MN SINGING LESSONS, MINNESOTA PIANO L Katie Bresnik ~ pianist Piano Voice Lessons Duluth Minnesota bradley KISHEL,Virginia Minnesota CHANDRA KLAKOSKI, Orr Minnesota http://www.livingwatermusic.com/teaching-extra-photos.html

Home Online Catalog Pro DJs Weddings ... Recording Teaching Studios ~ Extra Photos Our Full-Service Teaching Studios Offer: Hibbing, Virginia, Duluth area Music Lessons All levels ~ Beginners through Advanced Piano Lessons, Voice Lessons and More CD Demo Recording Awards Valued $1,000 $205,000 Scholarships Awarded since 1994 ~ Here are some more photos of LiaBraaten's proteges ~ LiaBraaten Studio Awards Recitalists 2002 include the following: Rikki Jo Christenson, Justine Hendrickson, Kely Baxter, Ian Williams, Melissa Haugen, James Lekatz, John Zanotti, Michael Scipioni, Brittany Aultman, Andrea Cole, Jacob Rahier, Megan Vidas, Jenna Massingill, Brittany Geiselman, Jerid Blair, Erika Bauman, Neal Sullivan, Brittney Blair, Nikki Spidel, Rachel Eastman, Kaili Klobuchar, Chelsea Hultman, McCall Kochevar, Carson Rodgers, Jacob Baxter, Lauren Tromp, Laura Griffiths, Meghan Bittner To See More Recital Photos Click Here To Return To Main Teaching Page Click Here Meghan Bittner Recording her CD Demo Heidi King plays Le Courante Limpide Meghan Bittner reflects on her CD Demo Megan Vidas ~ Vocalist-Pianist Mollie Majkich ~ Pianist Jenna Massingill ~ Pianist-Arranger Melissa Haugen excels on Schubert's Ave Maria Lynette Wollenetz sings "Miss Otis Regrets" Amanda Goerdt ~ Recording Artist Katie Bresnik ~ Pianist Emily Wivoda ~ Vocalist-Pianist Michael Scipioni ~ Pianist-Composer Angie Skipper ~ Vocal Soloist Andrea Cole in Concert Elisabeth Hagberg Keke Sirjord plays Brahms "Lullabye"

60. Sunnyside Records He defines himself as a Detroit pianist incorporating a Bud Powell awareness, Nights of bradley s by Kirk Lightsey cover Nights of bradley s. http://www.sunnysiderecords.com/artist.php?id=166

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