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61. MusicStrands :: Keith Jarrett
pianist keith jarrett has carved out a unique place among comtemporary improvisingmusicians. After a brief mid 60s stint with Art Blakey, jarrett joined
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Keith Jarrett
Pianist Keith Jarrett has carved out a unique place among comtemporary improvising musicians. After a brief mid-'60s stint with Art Blakey, Jarrett joined the enormously popular Charles Lloyd Quartet before bei ...
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Radiance
by Keith Jarrett, 2005
The Out-Of-Towners

by Keith Jarrett, 2004
The Out-Of-Towners

by Keith Jarrett, 2004

62. * Dusted Reviews - Keith Jarrett / Gary Peacock / Jack DeJohnette *
keith jarrett / Gary Peacock / Jack DeJohnette Always Let Me Go The closerepartee of his partners pushes the pianist further as he races through a
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Dusted Reviews Keith Jarrett / Gary Peacock / Jack DeJohnette - Always Let Me Go
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Keith Jarrett / Gary Peacock / Jack DeJohnette Album: Always Let Me Go Label: ECM Review date: Apr. 16, 2003
Superlatives Fall Short
Always Let Me Go , a double disc compendium of concert recordings released in 2002, advances the winning streak and once again substantiates why Jarrett holds the figurative keys to the ECM kingdom. Though a successor to last year’s two-disc offering of concert-rendered standards, this set actually has more in common with Inside Out , released in 2001. The latter set visited the trio veering away from their usual diet of standards and seeking out the fresh repast of spontaneous improvisation. This time out the goal seems the same, but the resulting music is anything but rote. Jarrett’s infamous vocalese surfaces routinely as a fourth voice on stage, lacing and mimicking his lines on the piano in a fashion that annoys some listeners and amuses others. Peacock and DeJohnette appear at ease with their employer’s idiosyncratic behavior and focus instead on conjuring impromptu spirits from their respective divining rods of bass and drums. The majority of other pieces, while shorter, still hover around the 14-minute range in size and scope. Of these “Tributaries” and “Tsunami” really stand out. On the former, the sparse-stepping patter of DeJohnette’s cymbals starts a journey that evolves exponentially in terms of density and momentum. Moving from modest beginnings into a dark, portentous groove dominated by stabbing block chords and the corpulent ostinato of Peacock’s bass, the piece is awash in an almost angry dysphoria. “Tsunami” highlights Jarrett’s agility behind the ivories at its onset before swirling around a comparatively tight tonal center. The close repartee of his partners pushes the pianist further as he races through a litany of laddered lines. Later, DeJohnette’s tribal-toned beats bring the piece to a fever pitch.

63. * Dusted Reviews - Keith Jarrett *
pianist keith jarrett has wrestled with this problem for much of his career,occasionally toppling over into autocratic loftiness to the chagrin of both
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Keith Jarrett Album: Radiance Label: ECM Review date: Jun. 2, 2005
Solo albums necessitate a prominence of ego. Alone, without a band as sounding board, an artist must depend solely on his own devices and ingenuity to carry off a program of music. A chief challenge lies in preventing this self-reliance from devolving into self-absorption. Pianist Keith Jarrett has wrestled with this problem for much of his career, occasionally toppling over into autocratic loftiness to the chagrin of both fans and critics. The self-inflating admonishments that pepper his pronouncements to an insouciant Village Vanguard crowd on Fort Yawuh are still off-putting today. Radiance flips the calendar forward three decades, but the vestigial evidence of the same ego-driven tropes still cling tenaciously to Jarrett’s music. The program comprises music from two Japanese concerts recorded three days apart in 2002. The bulk of the set, all of the first disc and roughly a third of the second, documents an extemporaneous corpus where one piece dictates the content of its successor. As Jarrett himself describes it: “everything on these discs is completely improvised.” That dictum unfortunately leads to a fair bit of tedium as Jarrett’s fingers parse out patterns that range from the repetitious to nigglingly prolix. Several audience members add their own aural stamps to the canvas with inopportune coughs. Jarrett’s own penchant for wordless moaning as underscore to his peregrinations also muddies the music.

64. Harmony Central®: Album Review: Keith Jarrett - Whisper Not
This double CD, recorded live in Paris, captures pianist keith jarrett, bassistGary Peacock, and drummer Jack DeJohnette in the act of raising jazz trio
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SERVICES Classifieds: Gear Place a Musician Ad Browse Musician Ads Retailers ... More Services Harmony Central FREE Newsletter HTML Text ALBUM REVIEW Keith Jarrett Whisper Not Label: Label-Name This double CD, recorded live in Paris, captures pianist Keith Jarrett, bassist Gary Peacock, and drummer Jack DeJohnette in the act of raising jazz trio performance to a higher level of interaction and execution. Of course, they've done this before too, but Whisper Not is nonetheless a revelation. As usual, Jarrett accepts the challenge of playing standard tunes without falling back on standard approaches to playing them a tougher nut to crack even than free improvisation. On uptempo bebop titles as well as vocal-oriented material, he plays with an ecstatic lyricism, threading long melodic statements through spaces untouched by his sparse chording. His solos unwind in single lines through chorus after chorus, only occasionally hitting octaves or kicking into double-time; it's his inventiveness and sheer musicality, rather than the effect of his technique, that keep his performance fresh. If highlights can be isolated, they may be Jarrett's unaccompanied moments on several cuts. These suggest a certain show-offiness that contradicts the collective energy of the group, but so what? Whether as simple as the moody bitonal chords that usher in "'Round Midnight" or the long, legato flow over a gospel ostinato on "What Is This Thing Called Love," such moments define virtuosity in improvisation. And his denouement at the end of "Prelude to a Kiss" just might be the most beautiful thing he's ever put on disc.

65. Reviews And Ratings For The Köln Concert -- Keith Jarrett -- Rate Your Music
Is keith making love to the piano, or himself? Think about it. jarrett is anexcellent pianist, but these improvisations are boring.
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The Köln Concert
Keith Jarrett
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Is Keith making love to the piano, or himself? Think about it.
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CD One of the most amazing pieces of music ever captured on film, The Koln Concert Rated: Jul 17, 2004 Vinyl i love the 1st track, the 2nd one is good as well. i recommend the vinyl double LP for listening to with a good hi-fi system and the CD when you go to bed. Rated: Feb 16, 2004 CD Beautiful album! A masterpiece of incredible improvisation.

66. Spartiti.biz - THE KÖLN CONCERT - Keith Jarrett - Libro Di
keith jarrett THE KÖLN CONCERT - Pianoforte - Libro di spartiti. As a resultof all this, I am recommending that every pianist who intends to play THE
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67. La Scala [1997] By Keith Jarrett
For this live solo concert (recorded at the Teatro alla Scala in Milano, Italyand released in 1997), pianist keith jarrett performs two lengthy
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68. Keith97
keith jarrett, the world famous pianist, noted for his improvisations, recentlyhad the Hamburg Steinway C c1978 in his home studio upgraded with a custom
http://www.stanwoodpiano.com/keith97.htm
Endorsement by Keith Jarrett
Keith Jarrett, the world famous pianist, noted for his improvisations, recently had the Hamburg Steinway C c1978 in his home studio upgraded with a custom designed high performance Stanwood Precision Touch Design. Chris Solliday, the Licensed Stanwood Touch installer from Deleware Water Gap, PA, worked with David C. Stanwood on the installation of Stanwood Touch and performed the fine voicing and regulating of Keith's piano. Keith Jarrett's endorsement:
"Your treatment transformed my piano... It opens the Microdynamic possibilities."
Keith Jarrett, November 1997 Keith talks about his new action the November 8, 1999 issue of TIME Magazine on Page 141.
Text of this article from the TIME web site: http://www.pathfinder.com/time/magazine/articles/0,3266,33442,00.html Excerpt from the article:
Keith Jarrett just released his first album recorded on the Hamburg Steinway C with Stanwood Precision Touch, in his home studio. It's a ballad album entitled: "The Melody At Night, With You" on ECM. GO TO THE ECM SITE AT: http://www.ecmrecords.com/ecm/recordings/1675.html

69. GHM On Old Hickory Lake - Entries Tagged As Keith Jarrett
keith jarrett with the amazing trio (do other people refer to them as the Indeed, Kenny Clarke recalls that Earl (Bud) Powell, a young pianist who was
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jazz mccoy tyner thelonious monk
Thelonious Monk Week - my favorite piano players
Thursday, July 21. 2005
These two piano players are such giants I feel a little obvious declaring them as my favorites. But it is true. And these are great performances by giants.
Keith Jarrett with the amazing trio (do other people refer to them as the Standards trio?) on The Cure cd. A long improvisation makes you wait for the melody, makes it sweeter when it comes:
Expired - Bemsha Swing mp3 McCoy Tyner from the Remembering John cd:
Expired - In Walked Bud mp3 The mp3s are here for two weeks for the promotion of the artists. These files are highly compressed so buy the cds - they sound better. If you have any claim to the music and want it removed email me at glen at tekzen dot net. In 1949, Leonard Feather published a book called Inside Be-Bop . The book didn't say much about Monk. What was written about him was dismissive and a little mean-spirited, but insightful. I love one passage about Monk - and not just with a smug smirk about the past - because Feather observes a lot of the stuff that makes Monk so brilliant and cool. He just doesn't get the fact that it's brilliant and cool. Maybe Feather could argue that Monk was not a major influence in bebop, but, from today's vantage point, it's beside the point. There can be no argument that Monk was a major influence in music. Here is the passage from the 1949 book (and why I thought In Walked Bud was a good Monk composition for today):

70. The Austin Chronicle Music Record Reviews
keith jarrett. Whisper Not (ECM). Thanks to chronic fatigue syndrome, WhisperNot is the first new recording by pianist keith jarrett in a couple of years.
http://www.austinchronicle.com/issues/dispatch/2000-12-29/music_recviews6.html
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Record Reviews
BY HARVEY PEKAR
December 29, 2000:
Keith Jarrett
Whisper Not (ECM)
Thanks to chronic fatigue syndrome, Whisper Not
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71. PlaybillArts: News: Keith Jarrett To Play Solo Concert At Carnegie Hall In Septe
Jazz pianist keith jarrett will play a solo concert at Carnegie Hall on September26, according to a spokesperson for ECM, his record company.
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28 Jun 2005
Jazz pianist Keith Jarrett will play a solo concert at Carnegie Hall on September 26, according to a spokesperson for ECM, his record company. The appearance was announced during a performance of Jarrett's trio at Carnegie on June 22. Jarrett stopped giving his trademark solo concerts, which are entirely improvised, when he became ill in 1996. He returned to solo performance with a series of concerts in Japan in 2002, two of which are documented on his recent album Radiance . According to ECM, the September concert will mark his first solo appearance in North America since 1995.
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72. JazzTimes: Keith Jarrett
In any conversation about music, bringing up pianist keith jarrett s name is sureto stir up a lively debate. The 58year-old has appeared on more than 130
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Save a personal copy of any page on the Web and quickly find it again with Furl.net. It's free. Get started now. Keith Jarrett JazzTimes February, 2004 by Marius Nordal Content provided
in partnership with In any conversation about music, bringing up pianist Keith Jarrett's name is sure to stir up a lively debate. The 58-year-old has appeared on more than 130 recordings, which range from him playing electric jazz-fusion music with Miles Davis to improvising marathon solo concerts. It was during these concerts that he began to explore every possible way to extract different sounds from the piano, including plucking the strings in a harplike fashion and slapping on the wood with the palms of his hands as if it were a conga drum. His 1975 solo recording The K¶ln Concert drew millions of new fans for Jarrett and still stands out as a musical milestone from that era. In 1983, he formed his Standards Trio, with bassist Gary Peacock and drummer Jack DeJohnette, which just finished celebrating its 20th anniversary of exploring the Great American Songbook, topped off by ...

73. POLAR MUSIC PRIZE
Prize for 2003 is being awarded to the American musician, keith jarrett, pianist, keith jarrett began playing the piano at the tender age of three.
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Prizewinners Prize Ceremony About the Prize Press Services ... Home
Prizewinners
- Gilberto Gil and Dietrich Fischer-Dieskau
- B. B. King and György Ligeti
- Keith Jarrett
- Sofia Gubaidulina and Miriam Makeba
- Burt Bacharach, Robert Moog and Karlheinz Stockhausen
- Bob Dylan and Isaac Stern
- Stevie Wonder and Iannis Xenakis
- Ray Charles and Ravi Shankar
- Eric Ericson and Bruce Springsteen - Pierre Boulez and Joni Mitchell - Sir Elton John and Mstislav Rostropovitch - Nikolaus Harnoncourt and Quincy Jones - Dizzy Gillespie and Witold Lutoslawski - Sir Paul McCartney and The Baltic States The Prizewinner of 2003 Keith Jarrett Keith Jarrett Soundclips and more from the Prize Ceremony Download high-resolution images of the Prizewinner 2003 Photos from the Prize Ceremony Citation The prize committee´s citation for: Keith Jarrett The Polar Music Prize for 2003 is being awarded to the American musician, Keith Jarrett, pianist, composer and master of the field of improvisational music. Keith Jarrett’s musical artistry is characterised by his ability to effortlessly cross boundaries in the world of music.

74. ECM
L Espresso A superb jazz pianist conquers the establishment. keith jarrett,with his piano improvisations gave life and creative vigour to an evening
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Artists Catalogue/Shop Tours ... About ECM On February 13, 1995, the Teatro alla Scala in Milan opened its doors for the first time to a jazz musician with an evening of "Improvvizazioni al pianoforte" by Keith Jarrett. For the Italian press this was a major, perhaps even an historic, event...
Il Messaggero's critic was confident that an album would emerge from the proceedings: "Keith Jarrett records all his concerts, the very best of which become records - as was the case with The Köln Concert, Paris Concert, Vienna Concert.... The La Scala concert must surely merit such documentation, for the pianist was in tremendous form. This was Jarrett at his most convincing, his touch by turns concise, secure, carressing, the famous harmonies present in abundance, his control of colours and sounds absolute. The rolling, flowing, extended piano improvisations by nowembody a genre of their own, in which Jarrett can make music to touch every heart."
La Repubblica: "It was more than the expected triumph. Keith Jarrett's performance was an explosion of contagious music-making with never a hint of doubt or reserve... And when the music was over the celebration continued in all the meeting places that surround the city centre: the event had captured the imagination of the public in a way that even the opening of the season at La Scala had not done. Unquestionably, with the "alien" Jarrett, a visitor from another culture, La Scala had scored a success such as it had not seen for quite some time...First and foremost because Jarrett is a pioneer of a "planetary music" without borders or taboos. As a total improvisor he has no equals in the boldness of his transcultural imagination. His idiosyncratic piano improvisations are as aleatoric and unpredictable as they are mysterious...An evening which has already become history: Keith Jarrett at La Scala!"

75. AudioCDs Jazz
Al Heaven and earth CD JAZZ JARR HEAV jarrett, keith Solo concerts Bremen/LausanneCD 1 the pianist and the composer. CD JAZZ MORT JEL BACK TO TOP
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76. Keith Jarrett The Man & His Music, Ian Carr
keith jarrett is probably the most influential jazz pianist living today hisconcerts have made him world famous. He was a child prodigy who gave his first
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Keith Jarrett The Man And His Music Ian Carr
Da Capo Press, 1992
Keith Jarrett is probably the most influential jazz pianist living today: his concerts have made him world famous. He was a child prodigy who gave his first solo performance at the age of seven. In the 1960s he played with the Jazz Messengers and then the Charles Lloyd Quartet, touring Europe, Asia and Russia. He played electric keyboards with Miles Davis at the beginning of the 1970s, and went on to lead two different jazz groups - one American and one European. He straddles practically every form of twentieth century music and he has performed classical music as well as jazz. Jarrett has revolutionized the whole concept of what a solo pianist can do. His albums such as Solo Concerts (at Lausanne and Bremen), Belonging The Koln Concert and My Song have gained him a worldwide following.

77. Artistopia Music - Keith Jarrett Fanfare
keith jarrett His Life and Work A complete profile of the pianist, It s interesting, then, that pianist keith jarrett one of the more unusual
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78. Standard Deviation
or with more thoughtful nuance, than pianist keith jarrett. The keithjarrett of the ’70s had led two visionary avantgarde quartets,
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Standard Deviation
Jazz legend Keith Jarrett needs no introductions. by Nate Chinen In jazz parlance, a "standard" is a song in the collective repertoire, rendered familiar by years of interpretation. It was in 1983 that Jarrett, along with bassist Gary Peacock and drummer Jack DeJohnette, recorded Los Angeles Times The Melody at Night, With You Whisper Not Changes have crept into the repertoire as well. Whisper Not features a preponderance of bebop tunes, which Jarrett plays with a skittering quicksilver touch. Meanwhile, Inside Out Invisible Nature Amaryllis While Jarrett describes Inside Out The Keith Jarrett Trio (sold out), Fri., March 1, 8 p.m. Verizon Hall, 260 S. Broad St., 215-893-1999. cover story news opinion arts ... contact us

79. Radiance : Keith Jarrett : CD Reviews : One Final Note
Guide bio pronounces and underscores the pianist’s amazingly diverse career.jarrett really is the musician’s musician. He has done it all bop, fusion,
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11 July 2005
All Music Guide The new double disc Radiance , the first solo piano improvisations that Jarrett has recorded in ten years ( La Scala Radiance is not totally improvised. According to Jarrett, it is made up of discrete pieces drawn from each previous piece. It is a work of found structure. Each piece exists only because of the one before it. I would expect nothing less from the deeply spiritual Jarrett. Also, this solo concert is a bit less melodic and motif driven than his other famous solo works like Solo Concerts , and Sun Bear Concerts There is no break in intensity and Jarrett never relents on pure musicianship. At the risk of sounding like the hyperbolic, fawning critic, this album really does stand alongside some of the greatest solo piano works of all time. Jarrett has said that the best improvisations are always made when you have no ideas; that the solo concert is like another world that has its own rules. On this record Jarrett devastates these rules. Its intensity is unmatched by almost any artist today.
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80. Keith Jarrett
keith jarrett. Books / keith jarrett on jazz piano styles and artistry,enhanced by the author s personal experience as a jazz pianist more info
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Keith Jarrett
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I'm purchasing a piano for my child, and know nothing about the instrument. This book dealt with every aspect of it in thoughtful detail without getting tedious. It covers everything from the instrument itself (function and appearance), to how to assess it as an amatuer, to when to bring in a... more info Customer Rating:
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