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1. Samuil Feinberg (biography In English)
Samuil Feinberg (born in Odessa on 26th May 1890) is known as a firstrate Russian pianist and teacher, but has unjustly fallen into oblivion as a
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

2. Samuil Feinberg (Deutsch Biographie)
Samuil Feinberg (eine Biographie von Christophe Sirodeau Deutsch Text) Mai 1890 in Odessa und legend rer russischer Pianist und P dagoge
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3. Re Samuil Feinberg Disc - Moscow State Conservetoire Label.
Re Samuil Feinberg disc Moscow State Conservetoire label. discs is so atrocious one can only get a small hint of the pianist's capabilities.
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4. ALEXANDER MALKUS - Pianist (N M C)
Traditions of school by prominent pianist and composer Samuil Feinberg who was a teacher of.Natanson, had fruitful influence of Malkus
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5. Kogannote5.html
Those Russians who did play much Bach, such as the pianist Samuil Feinberg, did so in a devoted but distinctly romantic fashion.
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

6. Kogannote1.html
Those Russians who did play much Bach, such as the pianist Samuil Feinberg, did so in a devoted but distinctly romantic fashion.
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

7. Shropshire Events June 2005
by Paul Ruders, James Dillon and Harrison Birtwistle, and a great rarity - Bach transcribed by the legendary Russian pianist Samuil Feinberg.
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8. WorldBook General Reference Encyclopedia Humanities Music
Tcherepnin Mompou Friedman Tausig Persichetti Blumenfeld Sinding Sitsky Nielsen FEINBERG, Samuil Evgenevich (18901972). A pianist of the very
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9. The Piano-L List Presents Masterpieces Of Non-standard Piano
FEINBERG, Samuil Evgenevich (18901972). A pianist of the very first rank, a pedagogue responsible for the Soviet theory of legato playing
http://tmsyn.wc.ask.com/r?t=an&s=hb&uid=24312681243126812&sid=343126

10. CD BIS Feinberg 1413
samuil feinberg Piano Sonata No.1, Op.1; Piano Sonata No.2, Op.2 (191516); feinberg was certainly a remarkably gifted pianist but he saw himself,
http://www.skfe.com/cd_bis_feinberg1413.html
Association Internationale Feinberg-Skalkottas) BIS-CD-1413 Feinberg - Piano EAN 7318590014134 TT 70'13
Samuil Feinberg: Piano Sonata No.1, Op.1; Piano Sonata No.2, Op.2 (1915-16); Piano Sonata No.3, Op.3 (1916); Piano Sonata No.4, Op.6 (1918); Piano Sonata No.5, Op.10 (1920-21); Piano Sonata No.6, Op.13 (1923)
This disc is the first of two volumes devoted to the complete piano sonatas of Samuel Feinberg. It contains the first six sonatas written at various times between 1915 and 1923. Besides the committed performances of the two pianists Nikolaos Samaltanos and Christophe Sirodeau, the latter also contributes a substantial essay on the composer and his neglected works. (Three of these important sonatas have never been recorded before.) Another major "first" from BIS.
For an enlightening and entertaining interview with BIS founding director Robert von Bahr concerning the company's 30th anniversary, recording ideals old and new, and the importance of being digital, please visit the following link:
http://www.musicweb.uk.net/classrev/2003/Sept03/bahr.htm

11. FEINBERG The Twelve Piano Sonatas BIS CD-1413 [CC]: Classical CD Reviews- May 20
The pianist here, Christophe Sirodeau, realises the fairly unrelenting samuil feinberg (18901962) Piano Sonata No.7 Op.21 (1924-28) Piano Sonata No.8
http://www.musicweb-international.com/classrev/2004/May04/Feinberg.htm
Your clickable banner could be here: details If you cannot see an advert click here.
MusicWeb is not a subscription site and it is these advertisers that pay for it. Please visit their sites regularly to see if anything might interest you. Purchasing from them keeps MusicWeb free. Classical Editor: Rob Barnett Founder Len Mullenger
MusicWeb International is now partnering for World-wide FREE postage on CD purchases and for downloads.
RECORDING OF THE MONTH BUY NOW Crotchet AmazonUK AmazonUS Samuil Evgenievitch FEINBERG
The Twelve Piano Sonatas
: Nos. 1-6: No. 1, Op. 1 a (1915) [6’51]; No. 2, Op. 2 b (1915-16) [9’01]; No. 3, Op. 3 b (1916) [23’24]; No. 4, Op. 6 a (1918) [8’33]; No. 5, Op. 10 a (1920-21) [8’05]; No. 6, Op. 13 c
a Nikolaos Samaltanos, bc Christophe Sirodeau (pianos).
ab Spring 2002 and c Dec 1993. DDD
BIS CD-1413
Revelatory. The music of Samuil Evgenievitch Feinberg is hypnotic in the extreme, most obviously close to Scriabin in mystical mode. All credit to BIS (who already are doing sterling work for the composer Nikos Skalkottas) for releasing this magnificent disc, with superbly detailed annotations by Christophe Sirodeau, one of the two pianists featured on the disc, and a composer himself. Both Sirodeau and Samaltanos contributed to the Skalkottas/Feinberg concerts held in Paris in 1999.

12. FEINBERG Piano Sonatas 7-12 BIS CD 1414 [JW]: Classical CD Reviews- May 2004 Mus
Though remembered as a great pianist feinberg is coming into his own at last as a RECORDING OF THE MONTH samuil Evgenievitch feinberg (18901962) The
http://www.musicweb-international.com/classrev/2004/May04/Feinberg_7-12.htm
Your clickable banner could be here: details If you cannot see an advert click here.
MusicWeb is not a subscription site and it is these advertisers that pay for it. Please visit their sites regularly to see if anything might interest you. Purchasing from them keeps MusicWeb free. Classical Editor: Rob Barnett Founder Len Mullenger
MusicWeb International is now partnering for World-wide FREE postage on CD purchases and for downloads.
BUY NOW Crotchet AmazonUK AmazonUS Samuil FEINBERG

Piano Sonata No.7 Op.21 (1924-28)
Piano Sonata No.8 Op.21a (1933-34)
Piano Sonata No.9 Op.29 (1939)
Piano Sonata No.10 Op.30 (1940-44)
Piano Sonata No.11 Op.40 (1952)
Piano Sonata No.12 Op.48 (1962)
Nikolaos Samaltanos (piano) – Sonatas 9, 10 and 11 Christophe Sirodeau (piano) – Sonatas 1, 8 and 12 BIS CD 1414 AVAILABILITY www.bis.se The performances, as I hinted earlier, are vibrantly committed. It was no easy task to get these works under the fingers, not least because the chances of playing them in sonata recitals will be very limited. There are, however tough and combative, rewarding and enlivening things here; touching, too. Jonathan Woolf Volume 1 RECORDING OF THE MONTH

13. Sleeve Notes - Bach Piano Transcriptions - 4: Feinberg
samuil feinberg was born in Odessa on 26 May 1890, and his family soon moved to Despite his early success as a pianist and a relentless study of new
http://www.hyperion-records.co.uk/notes/67468-N.asp
SAMUIL FEINBERG (1890-1962)
Bach Piano Transcriptions
Excerpts from the sleeve notes When we think of transcriptions of Bach’s organ music, our thoughts tend to turn initially to Busoni. In fact numerous other composers and pianists both preceded and succeeded Busoni: his most famous predecessor was certainly Liszt and his most recent successor was Kurtág. When, in 1913, the young Samuil Feinberg made his first trip outside Russia, to Berlin, he nurtured the hope of meeting Busoni and of possibly becoming his pupil. (Busoni was famous in Moscow as a pianist and teacher – having taught in the city – and, equally, as a composer and philosopher, largely because of his book Sketch of a New Esthetic of Music, which had been warmly received by young Russian composers such as Arthur Lourié.) Unfortunately for history, and for Feinberg, the great maestro was not in Berlin during these weeks in the spring of 1913, and Feinberg had to be content with auditions for Schnabel and Lamond. Even at this early age Feinberg had the entire Well-Tempered Clavier in his repertoire, and he had also impressed everybody when he left the Moscow Conservatory by presenting the ‘48’ in public, an achievement that he repeated in 1914 and on various later occasions before finally being able to record them around 1960. Feinberg knew a large number of transcriptions of Bach’s organ works when he decided to make his own contribution to what might almost be considered a genre in its own right. It would seem, despite everything, that Feinberg started his great series of transcriptions not with the Chorale Preludes but with the Concerto by Vivaldi/Bach, thus beginning in this first ‘attempt’ with a work that was already in transcribed form. This could hardly have been a coincidence.

14. HMV.co.uk: Classical: Bach,Js: Piano Transcriptions Vol4: Feinberg: 2cd (2004)
works in the genre by the hugely neglected figure of samuil feinberg. feinberg belongsfirmly in the grand tradition of the 19thcentury pianist/composer that
http://www1.hmv.co.uk/hmvweb/displayProductDetails.do?ctx=-1;3;19;-1&sku=225571

15. Ccm :: Feinberg, Samuel Feinberg, Samuil Feinberg
Translate this page feinberg, samuil (Samuel) Yevgenyevich 1890-1962 Russia, Odessa - Moscow pianist.Title, Parts. Kolibelnaya (Berceuse). Piano. 1927. op19b Jascha Nemtsov.
http://composers-classical-music.com/f/FeinbergSamuel.htm
Feinberg, Samuil (Samuel) Yevgenyevich 1890-1962 Russia, Odessa - Moscow
pianist
Title Parts
Kolibelnaya (Berceuse). Piano. 1927. op19b
Jascha Nemtsov. EDA 012

16. Masterpieces Of Non-standard Piano Repertoire
feinberg, samuil Evgenevich (18901972). A pianist of the very first rank, apedagogue responsible for the Soviet theory of legato playing, and a composer
http://www.kith.org/jimmosk/piano.html
The Piano-L list presents:
Masterpieces of non-standard piano repertoire
Feinberg
Aleksandrov

Medtner

Tcherepnin
...
Nielsen

FEINBERG, Samuil Evgenevich (1890-1972).
A pianist of the very first rank, a pedagogue responsible for the Soviet theory
of legato playing, and a composer who stood in the vanguard of 1920s futurism,
S. E. Feinberg was one of the major figures of Russian music eclipsed by Soviet
cultural insularity. A 1911 graduate of the Moscow Conservatory, studying with A. Goldenweiser, he combined his teachers love of J. S. Bach and the art of counterpoint with a fascination for the synthetic harmony of A. Scriabin. He explored the classical repertoire and the new music with unmatched adventurousness, being the first to play the entire Well-Tempered Clavier in the Soviet Union as well as the entire cycle of Beethoven sonatas. He performed all the Scriabin sonatas, and works of his aesthetic colleagues, N. Miaskovsky, A. Aleksandrov, and S. Prokofiev (he premiered the 3rd Concerto in the Soviet Union). As a composer he specialized in piano composition, writing 10 sonatas

17. 88keys.com - The Composer-Pianists - Charles Valentin Alkan
samuil feinberg samuil feinberg (18901962) by Allan Evans As a young man,he was prepared by Alexander Goldenweiser, a pianist and pedagogue who
http://www.88keys.com/docs/composers/feinberg.html
Samuil Feinberg (1890-1962)
by Allan Evans
Little known outside of Russia, Samuel Feinberg (1890-1962) performed, taught, and composed for nearly sixty years. An original and intellectually precocious musician, his pianism was of the highest level. As a young man, he was prepared by Alexander Goldenweiser, a pianist and pedagogue who frequented Tolstoy and wrote reminiscences of his visits with the writer. The young Feinberg began composing and met Scriabin, who praised Feinberg's interpretations. Feinberg managed to tour Europe before Stalin sealed off the country in the 1930's and was unable to travel abroad again. He taught at the Moscow Conservatory and had a modest career. After his death, manuscripts were published in which Feinberg had extensively elaborated his philosophy on music: they await translation into English.
When listening to Feinberg interpret Bach, Scriabin, Beethoven, or others, it is difficult to imagine that one pianist can adopt such varied approaches. Feinberg seemingly transformed himself to draw forth the unique musical language of each composer. His recording of Bach's Well-Tempered Clavier, made shortly before his death, is probably the most musically compelling and original version ever documented, as is his Scriabin and Liszt playing. He stands above all later Soviet pianists, except Sofronitsky, as a foremost musical mind and soul.

18. Radio National - Nocturne 12/12/2004
The great Russian pianist Tatyana Nikolayeva admired the work of her fellowpianist and composer samuil feinberg saying each of his sonatas was a poem of
http://www.abc.net.au/rn/music/nocturne/stories/s1261822.htm

Live On Stage

Music Deli

The Music Show

Nocturne
...
The Space

Sunday at 10pm presented by Robyn Johnston The great Russian pianist Tatyana Nikolayeva admired the work of her fellow pianist and composer Samuil Feinberg, saying each of his sonatas was "a poem of life". We'll hear two of Feinberg's piano "poems" on Nocturne this week, as well as intriguing jazz trumpet from Finland and Australia and Diana Krall singing some Elvis Costello songs. THE Elvis also makes various appearances; we'll hear a work for Elvis impersonators and string quartet, the man himself singing gospel in the sixties and the musical tale of an Elvis sighting in an Australian supermarket. Playlist: 2206 CD disc 1 cut 9 “Prelude and Fugue No 9 in E Major”
J S Bach
P and C Mezhdunarodnaya Knioga
MK 418042
Tatiana Nikolayeva “ J S Bach: The Well Tempered Clavier” (solo piano) 2210 CD cut 13 "Refrain 4/Amor dov'e la fe" Claudio Monteverdi arr John Potter, Stephen Stubbs, Maya Homburger, John Surman, Barry Guy Publisher: ECM Verlag GEMA P and C ECM ECM New Series 1803 The Dowland Project "Care-Charming Sleep" (voice, violin, double bass, guitar, sax)

19. Arbiter Liner Notes
One of Russia s master musicians, samuil Evgenievch feinberg (18901962) wasequally a On the contrary, if I will select any of my periods as a pianist,
http://www.arbiterrecords.com/notes/118notes.html
Feinberg - first recordings
Samuel Feinberg, piano
One of Russia's master musicians, Samuil Evgenievch Feinberg (1890-1962) was equally a profound interpreter, gifted teacher, and accomplished composer. Feinberg transformed his sound and style to enter the realm of each composer he played. His recording of Bach's Well Tempered Clavier remains unsurpassed, unique for being strict with the Preludes while taking the Fugues greater freedom. Modern music was important to Feinberg, who received the approval of Scriabin and the leading composers of his time: one program from Petersburg on May 18, 1924 is representative: Myaskovsky: Sonata no.2
Alexandrov: Sonata no.3
Prokofiev: Sonata no.4
Scriabin: Sonata no.5
Feinberg: Sonata no.6 Four other recitals reveal his repertoire:
Small Hall, Moscow, May 5, 1925
Scriabin: Sonatas nos. 1 , 4, 5, 6, 7
Small Hall, Moscow, May 9, 1925
Scriabin: Sonatas nos. 2, 3, 8, 9, 10
Berlin, March 12, 1929
Vivaldi-Bach-Feinberg: Concerto in A minor
Bach: Toccata in D
Beethoven: Sonata op.57 "Appassionata"

20. Russians; A Piano; The Legend.
and his disciples samuil feinberg, Dmitry Kabalevsky, Grigory Ginsburg, Russians as the greatest pianist-virtuoso in the whole history of music
http://www.pianoeu.com/russianpiano.html
R ussians; a P iano; the L egend (The very short story about Russian Classical Technique of Playing the Piano) F amous Russian Piano-Schooling System fascinates piano students worldwide again and again. Many piano music admirers, indeed, see the names of Russian pianists on the concert posters as a guaranty of highest artistic quality. As well the piano teachers, who even very little - still had been learn by Russians, become more trustful for the students... Quite strange miracle - especially if one would like to take into consideration that no each and every Russian pianist represents equally high level and as well no each and every Russian or in Russia educated piano tutor could be able to work in equally high professional way. Additionally, one ought to be sure that any , homogenous Russian PIANO SCHOOL truly does not exist and this fact should be apparent for us all. In fact, several great individualities have appeared in the piano field in Russia, putting ultimate touches on development of the piano art in this country, particularly in first half of the 20th Century. They were such artists as: Felix Blumenfeld (1863 - 1931); among his students were

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