21. Composers ~ L LEES, Benjamine (8 JAN )Am; leeuw, reinbert de (1938-); leeuw, and a list of compositions authored by the Hungarian composer and virtuoso pianist. http://members.tripod.com/musiclassical/compl.html

Composers ~ L setAdGroup('67.18.104.18'); var cm_role = "live" var cm_host = "tripod.lycos.com" var cm_taxid = "/memberembedded" Search: Lycos Tripod Free Games Share This Page Report Abuse Edit your Site ... Next Composers Index: A ~ B ~ C ~ D ~ ... Z aMUSIClassical Directory sponsors CHILDpages newCDnews.com newBOOKnews.com ... newDVDnews.com Welcome to the COMPOSERS Page of aMUSIClassical Directory Our Classical Music website for good music lovers. ARTS NEWS resources ALMANACS ANNIVERSARIES COMPOSERS dates/nationality/links PERFORMERS dates/nationality/links MUSICIANS notible deaths this year COMPOSITION TITLES match to composer COMPOSITION NOTES major works DISCUSSION LISTS join and post RANDOM LINKS add your URL FAMILIAR THEMES in films/radio/tv PROGRAMS on broadcast and cable RADIO BROADCASTERS world-wide THEMATIC CATALOGERS BWV, K. etc On the Internet: MP3Radio~MUSIClassical and MP3's TOP TEN Classical Music List Click to subscribe to MUSIClassical discussion list ~ L ~ La BARRE, Joseph Chabanceau de (1633-1676) LABITSKY, Joseph (1802-1881)Carlsbad (Bohemian) LABSKY, Jaroslav (1875-1949)

22. Koos De Wilt Concept & Realisatie » Boeken » Reinbert De Leeuw niet een kwestie van goede smaak’ reinbert de leeuw, dirigent, pianist en componist reinbert de leeuw is op 8 september 1938 geboren in Amsterdam. http://www.koosdewiltconcept.nl/boeken/reinbertdeleeuw.php

home boeken passie voor kunst Reinbert de Leeuw ‘Bach is niet een kwestie van goede smaak’ Reinbert de Leeuw, dirigent, pianist en componist Ik kom niet uit een familie van musici of kunstenaars, maar begon met pianoles omdat het bij mijn opvoeding hoorde. Dat was op mijn vijfde en sindsdien hebben al mijn primaire, secundaire en tertiaire behoeftes in het leven met muziek te maken. Daar heb ik nooit aan getwijfeld, dat was gewoon zo. Mensen die geen muziek om zich heen hebben, vind ik ook armoedig. Ik had altijd muziek om mij heen, als kind al. Mijn ouders hadden abonnementen op concertseries, maar konden zelden, omdat ze beiden als psychiater een druk bestaan hadden. Zo kon het gebeuren dat ik als jongetje zo’n drie keer per week in het Concertgebouw kwam om hun plaats in te nemen. Herinneringen van vóór de piano heb ik niet. Toen ik begon te spelen, begon ik ook direct te componeren en over muziek te schrijven. Ik heb daarin niks gepland en me nooit iets voorgenomen. Ik had slechts één ambitie en dat was geen pianoleraar worden. Als er iets nieuws op mijn pad kwam, ging dat ook vaak met een schok van herkenning, in de trant van: ‘Natuurlijk, logisch dat het zo moest lopen!’ Dan hoor of lees ik iets dat ik heel graag wil uitvoeren. Ik had dat bijvoorbeeld met de muziek van de Canadees Claude de Vivier, een componist die op 35-jarige leeftijd is vermoord en daardoor slechts een klein, maar adembenemend oeuvre achterliet. Een volstrekt unieke kunstenaar, een eenling. Als jongetje had ik een heel romantisch beeld van muziek. Ik schreef zelfs een boek over componisten en over hun treurige lot. De componist die dat gevoel helemaal vertegenwoordigde was Chopin, de romantische, virtuoze kunstenaar die leed aan tuberculose en daar uiteindelijk aan stierf. Hij was de componist die onder de tonen van zijn eigen treurmars begraven was, zo schreef ik in mijn boek. Ik componeerde ook mijn eigen treurmarsen en dacht dat ik minstens zo goed was als hij. Maar al snel merkte ik hoe complex zijn taal was en dat ik die nog lang niet kon spreken.

23. Alex Ross: The Rest Is Noise: Ustvolskaya with the commanding Dutch avantgardist reinbert de leeuw at the piano (6115; These performances by the pianist Oleg Malov and the St. Petersurg http://www.therestisnoise.com/2005/02/ustvolskaya.html

Alex Ross: The Rest Is Noise Articles, a blog, and a book-in-progress by the music critic of The New Yorker Archives Blog Hitz Blog: Spring 04 Blog: Spring 05 ... Main Ustvolskaya "A Grand Russian Original Steps Out Of The Mist" by Alex Ross New York Times, May 28, 1995 And who, pray tell, is Ustvolskaya? A public that has embraced Prokofiev and Shostakovich, acknowledged Alfred Schnittke, taken note of Sofia Gubaidulina and eyed Giya Kancheli might well grow weary at the prospect of greeting yet another figure in the endless procession of Russian and former-Soviet composers. All the same, here she is. The collected works of Galina Ustvolskaya, utterly unknown a decade ago, have suddenly burst into view: performances have dotted several continents, nearly a dozen recordings have seeped into the record stores. An imposing figure in 20th-century musical history has stepped out of the mist. Actually, there is not much to tell, at least by way of biography. She lives alone in St. Petersburg and declines all requests for photographs or interviews. In the one photograph supplied by her publisher, she bears a confusing resemblance to Gubaidulina. Scant material appears under her name in the standard reference works: born 1919; studied with Shostakovich; wrote works with titles like "Dawn over the Fatherland" and "Young Pioneers" during the Stalinist years. In 1958 her formidable Violin Sonata perplexed a delegation of American composers. Roy Harris called it "kind of ugly."

24. Lisa Moore Piano : Home Welcome to the website of pianist Lisa Moore. reinbert de leeuw conducting! soloist Lisa Moore displayed pianism of the highest order in this premiere http://www.lisamoore.org/home_page.htm

Described by the New York Times as "lustrous at the keyboard, and at once engaging and challenging", pianist Lisa Moore has moved audiences across the globe with her powerful and sensitive performances. Strad magazine described her playing as "flawless", while the Village Voice called her '"the phenomenal pianist". “It was also bursting with ideas and sounds from the very first bars: whalelike growls produced by the pianist, Lisa Moore, playing the strings of her piano by pulling other strings across them in an act that evoked everything from the birth of cable to evisceration” New York Times , Feb 2005 "Moore creates here a one-woman opera which is thrilling both for its drama and dazzling pianism" Sydney Morning Herald , Jan 2004 Mysterium Cosmographicum piano concerto hot off the press 2pm July 17th 2005 with the Sydney Symphony Orchestra at Verbrugghen Hall, Sydney Conservatorium, Macquarie St www.sso.com.au Reinbert de Leeuw conducting! "soloist Lisa Moore displayed pianism of the highest order in this premiere performance. The sustained power of her percussive chords was balanced with superb clarity and dexterous fingerwork." The Australian , July 19, 2005 for Smetanin's "Mysterium Cosmographicum" Solo discs out there!

25. Barbara Hannigan ::: Soprano January 29, Solo recital of 20th century vocal music with pianist Linda Ippolito for the Asko and Schönberg Ensembles, conducted by reinbert de leeuw. http://www.barbarahannigan.com/eng.htm

January 7 Oliver Knussen's Hums and Songs of Winnie the Pooh and Jonathan Harvey's Chu with the Asko Ensemble at Amsterdam's Concertgebouw January 29 and Ives) February 21 Dutilleux' Correspondances with the Radio Symphony Orchestra , conducted by Reinbert de Leeuw. Concertgebouw, Amsterdam February 22-25 World premiere of Fabio Nieder's De Stem with the Nieuw Ensemble in Amsterdam, the Hague and Groningen March 4-6 Hasse's comic opera La Fantesca (title role) in Amsterdam, Den Haag and Zwolle with i piccoli holandesi March 27, 28 Rinaldo with Opera in Concert. Jane Mallett Theatre, Toronto

26. Louis Andriessen 1981), nephew of the composer and pianist Willem Andriessen (b. reinbert de leeuw/Nederlands Kamerkoor, Slagwerkgroep den Haag, Schönberg Ensemble http://composers21.com/compdocs/andriesl.htm

T he Living Composers Project Andriessen Louis (b. June 6, 1939, Utrecht). Renowned Dutch composer of mostly stage, orchestral, chamber, vocal, and piano works that have been performed throughout the world. Luciano Berio in Milan and Berlin from 1962-64 and assisted him with the scoring of Passaggio His honors include the selected work at the UNESCO International Rostrum of Composers in Paris (1977, for De Staat ), the Matthijs Vermeulen Prijs (1977, for De Staat ; 1992, for De Materie ), the 3M Music Award (1993), and the Edison Award (1993, for the recording of De Tijd ). Retrospectives of his music have been given recently in London (2002) and New York City (2004). He is also active in other positions. He founded the wind ensemble Orkest de Volharding in Amsterdam in 1972, with which he remains associated, and later founded the amplified ensemble Hoketus in Amsterdam in 1976, which disbanded in 1987. He has written numerous articles, most of which appear in The Art of Stealing Time Het Apollinisch Uurwerk (1982, translated by

27. ELECTRA an intimate evening offering a rare appearance of Andriessen the pianist as reinbert de leeuw, who conducted the world premiere of the opera at the http://www.electranewmusic.com/news2.html

Hello everyone, here is some information from Lincoln Center about our upcoming performance in NYC! Our show is on Wednesday, May 5, 2004, at 8:00 at the Clark Studio Theater, the Rose Bldg., 165 W. 65th Street, 7th floor : ELECTRA (New York debut) Marijje van Stralen, soprano Susanna Borsch, recorder Monica Germino, violin Tatiana Koleva, percussion and marimba Program Belinda Reynolds : Between You and Me (2001) Andriessen : Shopping List of a Poisoner (2002) Chiel Meijering : Milk en Luiman (Part 1, 2000) Donnacha Dennehy : The Weathering (2004) World premiere Andriessen : The New Math(s) (2000) with film by Hal Hartley Tickets : $30 For more information about the whole festival see below, or check the website : www.lincolncenter.org Festival information LINCOLN CENTER'S GREAT PERFORMERS PRESENTS SONIC EVOLUTIONS : A LOUIS ANDRIESSEN FESTIVAL THE FIRST NEW YORK FESTIVAL DEDICATED TO THE AWARD-WINNING CONTEMPORARY DUTCH COMPOSER An Eight-Event Multimedia Celebration Featuring Two U.S. Premieres and a Roster of Leading Andriessen Interpreters Including the Bang on a Can All-Stars, ELECTRA, the London Sinfonietta, Orkest de Volharding, Terry Riley, and Louis Andriessen Himself at the Piano.

28. Boosey And Hawkes: The Home Of Contemporary Music His uncle Willem is a composer and pianist, and his older brother Jurriaan a composer. Collaborative musicopolitical projects with reinbert de leeuw, http://www.boosey.com/pages/cr/composer/timeline.asp?composerid=2690&langid=1

29. JAZCLASS : About Erik SATIE - The Eccentric Impressionist French Composer And Mu He was rather poor especially in these early years, and worked as a Cafe pianist in Montmartre. A film by by Tim Southam , music by reinbert de leeuw. http://www.jazclass.aust.com/satie.htm

His Life Satie the Eccentric Chronology Sheet Music ... My Tribute to Erik Satie Improvisation over : Gnossienne 1 Gnossienne 2 Gnossienne 3 Other Satie sites ... Jazclass Links Satie wrote underneath his self portrait : "I have come into the world very young into an era very old." This must have been the feeling of many struggling young modern artists of his time. (Self portrait shown with the kind permission of 1. HIS LIFE Down Up Top Links Alfred Erik Leslie Satie was born in Honfleur (Normandy) in 1866. He died in Paris in 1925, aged 59. His mother was Scottish and his father was a ship broker. Satie started playing the piano at age 7. At 17 he spent a year at the Paris Conservatory. At age 40, already an accomplished musician, he entered the Schola Cantorum. Here he studied counterpoint and orchestration with Albert Roussel and Vincent D'Indy . After three years he received a Diploma marked "tres bien" (very good). Satie was a composer who feared no man, but always did what was right in his own eyes. He was an exponent of several important trends in the 20th Century composition including bitonality, polytonality, Jazz and non-triadic harmony. Erik Satie was one of music's great originals , both personally (an eccentric) and artistically.

30. Radio National - The Music Show 09/07/2005 Guests include Dutch conductor reinbert de leeuw, who will be conducting all pianist Michael Kieran Harvey and percussionist Rebecca Lagos who are part http://www.abc.net.au/rn/music/mshow/s1407817.htm

Live On Stage Music Deli The Music Show Nocturne ... The Space Saturday 10am, repeated 10pm presented by Andrew Ford 9th July, 2005 This Saturday The Music Show is broadcasting live from the Sydney Conservatorium of Music as part of the Sydney Symphony's 2005 Contemporary Music Festival. Guests include Dutch conductor Reinbert de Leeuw, who will be conducting all the Sydney Symphony performances during the Festival; pianist Michael Kieran Harvey and percussionist Rebecca Lagos who are part of one of the major performances of the Festival :'From the Canyons to the Stars' by Messiaen; and composers Gordon Kerry and Matthew Hindson. Live music from Fellows Ensemble and Paul Cutlan and his 'Birth of the Cool' band. Program Details: The Music Show Theme Title: Perpetuum Mobile Comp: Jeffes Perf: The Penguin Café Orchestra CD: Signs of Life Label:Editions EGCD 50 (Virgin) Horn solo Title: Excerpt from Movt 6 From the Canyons to the Stars Comp: Messiaen Perf: Robert Johnson ABC Live performance Interview: Reinbert de Leeuw Performance: Michael Kieran Harvey, pno

31. 'Classic Highlights' 07/07/2005 Acclaimed young British pianist Paul Lewis, currently in the midst of a world tour will be conducted by contemporary music specialist reinbert de leeuw. http://www.abc.net.au/classic/highlights/s1413001.htm

ABC Home Radio Television News Classic Highlights Issue 133 highlights mailing list previous issues Sent Thursday 7 July 2005 Hello from ABC Classic FM I'm out of the office on Friday, so it's an early bulletin this week! Tickets for next Monday's Keys to Music Concert are selling well but the Festival Theatre had told me they still have tickets left, so it's not too late to get yours. Graham will be appearing with the Adelaide Symphony Orchestra as they explore the first movement of Mozart's Symphony No 39 in E flat. For more details click here: http://www.abc.net.au/classic/keys/ Forging The Ring ABC TV Sunday, July 10 at 9.45pm. Five years in the making. a backstage crew of 75, 40 semi-trailer loads of scenery and special effects, a budget of over 15 million dollars, around 16 hours of music, four separate, but related operas and a cast of 144 and an orchestra of 130 players. It's not hard to imagine why this was Australia's largest theatrical production, ever. The State Opera of South Australia is only the fourth company since "The Ring" premiered in 1876, to stage a brand new production of the entire cycle in just one season. As well as performance and backstage sequences, the documentary also features rehearsal footage and interviews with members of the Adelaide Symphony Orchestra.

32. La Folia -- A Wake For Montaigne? reinbert de leeuw, Ensemble Recherche, and Ensemble Modern, etc., Stefan Litwin is the pianist with the deutsches SymphonieOrchester Berlin. http://www.lafolia.com/archive/covell/covell200104montaigne.html

La Folia Online Music Review La Folia Home] [Archives by Contributor] [Archives by Date] ... Page] A Wake for Montaigne? Grant Chu Covell [April 2001. Orginally appeared in La Folia I have over 50 separate Montaigne releases in my collection. I pick up releases on Montaigne without question, even if composers and performers are totally unknown to me. Others here at La Folia have written about Montaigne Montaigne has documented some of the best contemporary European composers and performers such as the Arditti String Quartet, Reinbert de Leeuw, Ensemble Recherche, and Ensemble Modern, etc., and the recordings sound terrific. Here I go delving into some of the remote releases that have come out on Montaigne . Some are remaindered and briefly carried by folks such as the Berkshire Record Outlet http://www.broinc.com/) Back issues at La Folia contain discussions of MO 782110 Inner Time MO 782030 ), and Helicopter String Quartet MO 782097 A mature and direct Concerto for Piano and Orchestra opens the disc given over to three works by MO 782093 String Trio and Die innere Grenze for string sextet. The trio is a short sparkling work performed by members of the Ensemble InterContemporain, and it plays with serialism in an inventive way that will get you all caught up in its colors and not on its structure.

33. Classical Net - Composers - Antheil advocate of his music, and the Dutch conductorpianist reinbert de leeuw also energetically championed Antheil s cause with an Antheil Festival in 1981. http://www.classical.net/music/comp.lst/acc/antheil.html

George Antheil There are few more remarkable stories than that of George Antheil's brief period in the spot-lit center of the Parisian stage during the 1920s. Subsequent history has much diminished Antheil's significance, reducing him to little more than a footnote in most accounts of the post Great War avant-garde, but in recent years a steady stream of recordings has strengthened his reputation as a resourceful and versatile composer, well worth exhumation. Born in 1900, the son of a Trenton, New Jersey cobbler, Antheil studied composition with Sternberg and Bloch in the US before the patronage of Mrs. Curtis Bok transported Antheil to Europe and into the fatally attractive orbit of Stravinsky. That inveterate trend-spotter Ezra Pound latched onto Antheil's futuristic works, calling him "possibly the first American-born musician to be taken seriously" in 1924. Even Aaron Copland recalled "when I arrived [in Europe] George had all Paris by the ear". It was with a remarkable series of works that George made his debut: Airplane Sonata (1921): Symphony for 5 Instruments (1922): Sonata Sauvage and an attempt at 'musical cubism', the Jazz Sonata (1923). He also wrote two sonatas for Violin and Piano for Pound's companion and, later, Vivaldi scholar Olga Rudge, one of which included a drum part for Pound himself. However Antheil's principal calling card from this period is his To achieve this the bulging wallet of Mrs. Bok was once again flattened in order to commission the direct punching of the piano rolls so as to achieve superhuman chords and rhythms, in a way that anticipated Conlon Nancarrow. Antheil orchestrated the music in 1952, but the raw energy of the earlier version speaks far louder.

34. WGUC 90.9 FM | Essential Satie In III, Satie tells the pianist, Invite yourself. Don t eat too much. The Early Piano Works reinbert de leeuw, piano The Early Piano Works http://www.wguc.org/content/display.asp?id=25

35. Walt Disney Concert Hall - LA Philharmonic Fridays Series On this series you ll hear the great pianistconductor András Schiff, rightly known Artists reinbert de leeuw, conductor; Cristina Zavalloni, soprano http://wdch.laphil.com/tix/series_laphil_fr_2005.cfm

Tickets Overview 2005/06 Series Overview L.A. Philharmonic Jazz ... Thursdays Fridays Saturdays Sundays Series FN1 Fri. Eve. Series FR1 Fri. Eve. Series FR2 Fri. Eve. Series FRC Fri. Eve. Series FRM Fri. Mat. First Nights Designed for newcomers to the world of symphonic music, this unique series takes the listener back to Mozart's Vienna or inside the melodic genius of Rachmaninoff or behind the political tensions that surrounded Shostakovich, through a variety of creative encounters including theatrical presentations and musical performances. As always, the series culminates with the premiere of a brand new work, conducted by Esa-Pekka Salonen. Four Friday Evenings Casual Fridays (FRC) For this popular "come as you are" series, everyone from the front of the stage to the back of the balcony wears their comfortable clothes. And Casual Friday subscribers are always invited to meet the musicians at a post-concert reception. It's a great icebreaker for those just getting into classical music because stuffed shirts are not allowed. Four Friday Evenings Friday Midday Series (FRM) One of the most celebrated and beloved of American sopranos, Dawn Upshaw, lends her voice to John Adams' touchingly beautiful oratorio of the Nativity

36. Article Title The early concert, a recital by pianist Mikhail Doubov, included Alexander Scriabin’s Performed by the Schönberg Ensemble, reinbert de leeuw, conductor http://www.newmusicon.org/v11n3/dacapo_russia.html

Your Ad Here! Send Email to: publisher@newmusicon.org CONTENTS CONGRATULATIONS TO . . ., 3 RECENT DEATHS; CORRECTIONS; LEGATO NOTES: 4 LIVE EVENTS (May 18 to October 24, 2003) I Hear Museum Art Music for Aldous Huxley (Cleary), 8 In Sarah's Wake (Cleary), 9 Down to the C in Chips (B.L.C.), 10 Exploring the Keys (Cleary), 11 A Rave for "Vera" (Kraft), 12 At the Temple of Drama (B.L.C.), 13 A Powerful Woman (Paulk), 14 Grist for the Opera Mill (Lynn), 21 DOTTED NOTES from Kroll, BLC, 22 INTERVIEW A recent interview by broadcaster Bruce Duffie with Ruth Schonthal SPEAKING OUT! More on the "Pullet's Surprise," " a decidedly poor second choice," THE PRINTED WORD It's Who You Know (Barry Drogin), 25 RECORDINGS "Beauty to the Limits" (Galganski) <> He Never Sat Back (BLC), 27 Gi'me Moe Time Monk's "mercy" (Kaye), 29 Readying the "Unready,"

37. George Antheil's Music: From The Avant-Garde To Hollywood mp3 Sonate Sauvage, Guy Livingston, pianist, from the new CD Subsequent concerts in the Netherlands by reinbert de leeuw and the Netherlands Wind http://www.paristransatlantic.com/antheil/mainpage/music.html

music [click on the links below to download excerpted mp3 and real audio tracks] First Piano Concerto , with Michael Rische, soloist [Arte Nova CD 74321-91014-2] Second Piano Concerto, with Guy Livingston, soloist Trumpet Sonata (excerpt), with Don Sipe, trumpet, and Bill Eddins, piano Sonate Sauvage, Guy Livingston, pianist , from the new CD Woman Sonata (2nd mov't), Guy Livingston, pianist , from the new CD Woman Sonata (3rd mov't), Guy Livingston, pianist , from the new Lost Sonatas CD real audio: George Antheil and Vincent Price (really!) play Antheils Odes on Poems by John Keats (buy the Other Minds recording!) real audio: This is an excerpt from the historic 1958 interview (see the Other Minds recording for the full interview) real audio: Archipelago (Rhumba), with Hugh Wolff conducting the Radio-Symphonie-Orchester (CPO Records) real audio: The Sixth Symphony, Third Movement (Allegro), Hugh Wolff conducting the Radio-Symphonie-Orchester (CPO Records) real audio: First Symphony, First Movement (Innocente), Hugh Wolff conducting the Radio-Symphonie-Orchester (CPO Records) "In his early works, Antheil is impetuous, impatient and dazzled by the glint of modernism; in his late music Antheil was mature, disciplined, a little bitter, but an unqualified master with a unique voice unjustly overshadowed by

38. George Antheil: Resources, Bibliography, CDs, Les Amis De George Antheil reinbert de leeuw, piano, Vera Beths, violin Auvidis, France, 1994. Japanese pianist Hideki Nagano, who lives in Paris, and is a soloist of the Ensemble http://www.paristransatlantic.com/antheil/mainpage/resource.html

Resources and Bibliography CDs Links Credits Resources and Bibliography Antheil and the Treatise on Harmony , Ezra Pound, 1923. Bad Boy of Music , George Antheil, 1945. IEEE Transactions on Communications , Vol. COM-31, No. 1, January 1983, article by Robert Price, fellow, IEEE. pp 85-97. Les Gazettes d'Adrienne Monnier , first published in Le Navire d'Argent (January 1926): [translated by Richard McDougall, in The Very Rich Hours of Adrienne Monnier, Charles Scribner's Sons, NY, 1976.] The New York Times : obituary. Thursday, January 20, 2000. p B15. The Life and Music of George Antheil, 1900-1959 , Linda Whitesitt, 1981. Dissertation at University of Maryland, published by UMI Research Press. Four Lives in Paris , Hugh Ford. North Point Press, San Francisco, 1987. Sylvia Beach and the Lost Generation , Noel Riley Fitch. W. W. Norton, 1983. L'inhumaine Making Music Modern Carol J. Oja, Making Music Modern: New York in the 1920s (Oxford University Press, 2000). Particularly interesting for Antheil fans is Chapter 5, "Ballet Mécanique and International Modernist Networks." Special Collections Butler Library of Rare Books at Columbia University (correspondence) Lilly Library of Indiana University (letters from Ezra Pound) The New York Public Library for the Performing Arts (mss and archives) Centre du film sur l'art , Bruxelles (historic film archives) The Estate of George Antheil charles@artsplural.com

39. The Osiris Trio pianist Ellen Corver, cellist Larissa Groeneveld and violinist Peter Brunt, such as Herman Krebbers and reinbert de leeuw, and has made several tours http://www7.nationalacademies.org/arts/OsirisTrio_June_23.html

The Osiris Trio Sunday, October 30, 2005 3:00 p.m. NAS Auditorium Entrance at 2100 C Street NW FREE! No tickets or reservations are required Larissa Groeneveld, cello Peter Brunt, violin Ellen Corver, piano The Osiris Trio Larissa Groenveld Larissa Groeneveld studied at the Sweelinck Conservatory in Amsterdam with Dimitri Ferschtman, where she graduated with the highest distinction. She continued her studies with Natalia Gutman at the Hochschule für Musik in Stuttgart, Germany, and followed masterclasses with Mstislav Rostropovich and Yo Yo Ma. In 1984 Larissa Groeneveld won the First Prize at the Luis Coleman International Competition in Spain, in 1991 she won the Grand Prix for cello in Bourg-Madame, France. She has also performed together with various musicians, such as Herman Krebbers and Reinbert de Leeuw, and has made several tours through Europe. Groeneveld has performed as a soloist with mayor orchestras including the Netherlands Philharmonic Orchestra and the Stuttgarter Philharmoniker. Peter Brunt Peter Brunt studied with Davina van Wely and Herman Krebbers in Amsterdam, with Dorothy Delay in the Juilliard School in New York and with Sandor Végh in Salzburg. He won first prize in the National Dutch Violin Competition and was awarded several other national and international prizes. As a soloist, he has appeared with all major Dutch orchestras, in repertoire reaching from Mozart to Schnittke. Further engagements brought him to South Africa and throughout Europe. The composer Willem Jeths wrote a concerto for him, which he performed and recorded with New Sinfonietta Amsterdam, conducted by Lev Markiz. For several years Peter Brunt was leader of the second violins in the Royal Concertgebouw Orchestra, presently he works as a gueast-leader with several orchestras, including Rotterdam Philharmonic and New Sinfonietta Amsterdam. Peter Brunt is a violin professor at the Royal Conservatory in The Hague.

40. Miami Piano Festival > Press Releases 2003 Ukrainian pianist Konstantin Lifschitz will offer an intensely demanding reinbert de leeuw will conduct a fascinating program pairing Hungary s two http://www.miamipianofest.com/press/pr2004_3_05_04.htm

Sun-Sentinel Published March 5, 2004 Lawrence A. Johnson Festivals from piano ivory to Baroque steel March madness is upon us with several worthy and intriguing events in the next two weeks from a variety of organizations and local presenters. Musical worlds will collide with a triumvirate of overlapping festivals offering everything from Bach to duo-piano recitals and avant-garde performance art. The Miami International Piano Festival will open the first installment of its seventh season with the Master Series at the Broward Center's Amaturo Theater running Thursday through March 14. In addition to lectures and screenings of films by Bruno Monsaingeon, there will be keyboard performances by several esteemed artists, many of whom are returning from previous seasons. The festival will open Thursday at 8:15 p.m. with a chamber concert featuring violinist Gilles Apap, pianist Eric Ferrand N'Kaoua and violist Monsaingeon in music of Brahms, Ravel, de Falla, Shostakovich and Enescu.

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