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1. Music Cd Reviews Of Learning By Example, Vol. 2 14 Favorite
2 14 Favorite Sonatinas for the Young Pianist Artist(s) Muzio Clementi, Georg Anton (Jiri Antonin) Benda, Wolfgang Amadeus Mozart, Ludwig
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2. Muzio Clementi Georg Anton (Jiri Antonin) Benda Wolfgang Amadeus
2 14 Favorite Sonatinas for the Young Pianist by Muzio Clementi, Georg Anton (Jiri Antonin) Benda, Wolfgang Amadeus Mozart, Ludwig van
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3. Muzio Clementi Composer Pianist (1752-1832)
Even today, the piano works of Muzio Clementi are known to every serious student of the piano. For the developing pianist, Clementi's Sonatinas of
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4. WorldBook General Reference Encyclopedia Humanities Music
Clementi, Muzio piano clementi harpsichord sonatas muzio composer pianist wolfgang joseph techniques contest austrian pianos instruments mozart
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5. AbsoluteFacts.nl - Muzio Clementi (1752-1832)
De Italiaanse componist en pianist Muzio Clementi (17521832) werd geboren in Rome als zoon van een zilversmid. Zijn grote muzikaliteit openbaarde
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6. Clementi; MuzioDirectory Arts Music Composition
Muzio Clementi Composer and Pianist A detailed biography by Charles K. Moss, listing his major compositions and giving details of his career
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7. CLASSICAL MUSIC ARCHIVES Biography Of Muzio Clementi
Clementi, Muzio (b Rome, 1752; d Evesham, 1832). Eng. pianist and composer of It. birth. Church org. at age of 13. In 1766 went to Eng.
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8. A1 Muzio Clementi - ClassicalEnthusiast.com
muzio clementi "father of the pianoforte" In his Guide to the Pianist's Repertoire, Maurice Hinson writes the following with reference to the
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9. Clementi, Muzio (1752 - 1832)
Clementi, Muzio (1752 1832) The piano music of Muzio Clementi, or at least his pedagogical Gradus success as a composer, teacher and pianist
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10. Clementi, Muzio (1752 - 1832), Komponist (Composer)
Suche nach Startseite Clementi, Muzio Muzio Clementi (1752 1832) war ein italienischer Pianist, Komponist und P dagoge.
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11. Muzio Clementi Composer Pianist (1752-1832)
A brief biography of muzio clementi, listing his major compositions and givingmany insights into his rather complicated personality.
http://www.carolinaclassical.com/clementi/
by Charles K. Moss, M.M.Ed., M.Mus.
Even today, the piano works of Muzio Clementi are known to every serious student of the piano. For the developing pianist, Clementi's Sonatinas of Opus 36 are essential precursors to the more technically demanding Classical Sonatas of Haydn, Mozart, and Beethoven, as well as Clementi's own masterfully penned Sonatas . Clementi's influence as a composer is most strongly evident in the keyboard works of Haydn and especially in the early piano Sonatas of Beethoven, who was a fervent admirer of these works. Muzio Clementi is commonly called the father of modern piano playing, but it may be that this accolade should be properly shared between Clementi and C.P.E. Bach, a composer whose works Clementi studied with great care and whose works influenced Clementi's own style greatly. Muzio Clementi was born in Rome, Italy, in 1752 as the eldest of the seven children of Nicolò Clementi, a successful silversmith, and Magdalena Kaiser. Nicolò became aware of his son`s musical talent when the child was very young. When he was seven, Clementi began his formal musical instruction. He was such a good a pupil that by age 13 he gained a position as a church organist.
In 1770, Clementi gave his first public performance as a pianist. His audience was greatly taken with his playing, and this was the beginning of a very successful career as a concert pianist. Apparently in 1774, Clementi was freed from his obligations to Peter Beckford, and he moved to London. His first known public appearances were as a solo harpsichordist at benefit concerts for a singer and a harpist in the spring of 1775. During the next four years, his participation in London concert life as a soloist was rare since he served as "conductor" (from the keyboard) at the King’s Theatre, Haymarket for at least part of this period. His name was seen in concert programs with increasing frequency in 1779 and 1780, no doubt owing to the popularity of his Opus 2

12. Muzio Clementi Composer And Pianist
A detailed biography by Charles K. Moss, listing his major compositions and giving details of his career composing, as music publisher, and as piano maker in London. Includes portrait.
http://www.carolinaclassical.com/clementi/index.html
by Charles K. Moss, M.M.Ed., M.Mus.
Even today, the piano works of Muzio Clementi are known to every serious student of the piano. For the developing pianist, Clementi's Sonatinas of Opus 36 are essential precursors to the more technically demanding Classical Sonatas of Haydn, Mozart, and Beethoven, as well as Clementi's own masterfully penned Sonatas . Clementi's influence as a composer is most strongly evident in the keyboard works of Haydn and especially in the early piano Sonatas of Beethoven, who was a fervent admirer of these works. Muzio Clementi is commonly called the father of modern piano playing, but it may be that this accolade should be properly shared between Clementi and C.P.E. Bach, a composer whose works Clementi studied with great care and whose works influenced Clementi's own style greatly. Muzio Clementi was born in Rome, Italy, in 1752 as the eldest of the seven children of Nicolò Clementi, a successful silversmith, and Magdalena Kaiser. Nicolò became aware of his son`s musical talent when the child was very young. When he was seven, Clementi began his formal musical instruction. He was such a good a pupil that by age 13 he gained a position as a church organist.
In 1770, Clementi gave his first public performance as a pianist. His audience was greatly taken with his playing, and this was the beginning of a very successful career as a concert pianist. Apparently in 1774, Clementi was freed from his obligations to Peter Beckford, and he moved to London. His first known public appearances were as a solo harpsichordist at benefit concerts for a singer and a harpist in the spring of 1775. During the next four years, his participation in London concert life as a soloist was rare since he served as "conductor" (from the keyboard) at the King’s Theatre, Haymarket for at least part of this period. His name was seen in concert programs with increasing frequency in 1779 and 1780, no doubt owing to the popularity of his Opus 2

13. Clementi, Muzio (1752 - 1832)
The piano music of muzio clementi, or at least his pedagogical Gradus ad His subsequent career brought success as a composer, teacher and pianist,
http://www.hnh.com/composer/clementi.htm
Clementi, Muzio (1752 - 1832)
The piano music of Muzio Clementi, or at least his pedagogical Gradus ad Parnassum, has in part been well enough known to generations of ambitious keyboard-players. Clementi himself, born in Rome in 1752, was taken as a boy to England by Peter Beckford, cousin of the eccentric William Beckford. There he developed his abilities as a performer. His subsequent career brought success as a composer, teacher and pianist, and later as a manufacturer of pianos. He died at Evesham in 1832. Piano Music Clementi wrote a great deal of music for the piano, including more than a hundred sonatas. He published a number of pedagogical works, of which the Introduction to the Art of Playing the Piano Forte and Gradus ad Parnassum are the best known. Recommended Recording
Naxos 8.550452

14. A1 Muzio Clementi - ClassicalEnthusiast.com
muzio clementi father of the pianoforte . In his Guide to the pianist sRepertoire, Maurice Hinson writes the following with reference to the clementi
http://www.classicalenthusiast.com/march05/0307051.php
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muzio clementi - "father of the pianoforte"
In his Guide to the Pianist's Repertoire, Maurice Hinson writes the following with reference to the Clementi piano sonatas:
"It should come as no surprise to pianists that, although the piano sonatas of Muzio Clementi have been neglected for many years, they are among the most beautiful of the Classic period. Clementi's sonatas employ both virtuosity and an intense quality of expression, elements that distinguish them somewhat from the works of Haydn and Mozart and that are forerunners of Beethoven's style."*
The composer of the definitive Classical piano sonata, Clementi was one of the first to create keyboard works expressly for the capabilities of the pianoforte. Acclaimed as the father of modern piano technique and the first virtuoso on the instrument, this complex and influential musician was also a celebrated teacher, an orchestral conductor (having composed several symphonies), a music publisher, and piano manufacturer. Clementi's influence extended well into the 19th century, with composers using his sonatas as a model for their keyboard compositions. Beethoven, in particular, had the highest regard for Clementi and not only admired his piano sonatas but placed them above those of Mozart in importance.

15. Classical CD Reviews- April 1999 CLEMENTI, Muzio. Piano Sonatas - Katin: Music O
clementi, muzio. Piano Sonatas F sharp minor Op 25 no 5; B flat Op 24 no 2; clementi was a sensational pianist and a deservedly respected teacher.
http://www.musicweb-international.com/classrev/athene/clementi.htm
Classical Editor: Rob Barnett
Music Webmaster

Len Mullenger: Len@musicweb.uk.net
CLEMENTI, Muzio. Piano Sonatas: F sharp minor Op 25 no 5; B flat Op 24 no 2; G minor Op 7 no 3; Op 25 no 6; F minor Op 13 no 6 Played on a Clementi square piano of 1832 by Peter Katin. DDD Athene ATH CD4
Crotchet

This disc is a delight. I will not discuss the square piano as the notes with the CD do this admirably. What I want to do is recommend Clementi as a composer and give further indication, although this is unnecessary, of the unequalled stature of Peter Katin both as a pianist and musician. Muzio Clementi was born in Rome in 1752; he moved to London in 1774 and died in Evesham in 1832. He promoted Mozart only to be repaid by Mozart's undeserved dislike of him ... which may put a different light on the Mozart - Salieri story. Clementi was a sensational pianist and a deservedly respected teacher. Among his pupils were Field, Moscheles, Kalkbrenner and Cramer. He composed symphonies, a piano concerto, about a hundred piano sonatas which were greatly admired by Beethoven and that, in itself, is some accolade! He was probably one of the first composers to write what might be described as 'educational' music with his volume of a hundred studies Gradus ad Parnassum The music has charm, elegance and wit ... and, thankfully, they are neither weakly delicate nor affected. They are strong but not demonstrative; they do not dream or linger or become tedious. The thematic material is always purposeful and never banal ... in fact, it is often memorable. The pieces have a wonderful sense of continuity; the music never gets bogged down. And I am convinced that Peter Katin's insight into the sonatas and his understanding of the music realises these qualities. Other pianists might play these works with that thistledown prissiness and baroquish lingering affection. As Claudio Arrau once said, "We observe rests in the music but we do not turn them into cracks."

16. CLEMENTI, Muzio :Gilder-MusicWeb Dictionary Of Composers
clementi, muzio b Rome, 23 January 1752 From 1766 to 1770 he studied inEngland, where he created a sensation as pianist and composer.
http://www.musicweb-international.com/Classpedia/Clementi.htm
CLEMENTI, Muzio
b Rome, 23 January 1752
d Evesham, Worcestershire, 10 March 1832, aged eighty
His father was a musician who had him trained in music from an early age. From 1766 to 1770 he studied in England, where he created a sensation as pianist and composer. He made London his horn e, touring from there to Paris, Strasbourg, Munich, Vienna and Russia. He has been called the father of the modern style of piano-playing; Beethoven, whom he met in 1807, esteemed him highly. He established the London firm of Clementi and Co, which traded in pianos and other stringed instruments, and published music. He is buried in Westminster Abbey. One hundred sonatas, including sixty for piano Return to Index

17. Muzio Clementi - Wikipedia, The Free Encyclopedia
In 1770, clementi made his first public performance as a pianist. muzio clementiComposer pianist (17521832) Detailed chronology of life and works
http://en.wikipedia.org/wiki/Muzio_Clementi
Muzio Clementi
From Wikipedia, the free encyclopedia.
Muzio Clementi January 24 March 10 ) was a classical composer , and acknowledged as the first to write specifically for the piano . He is best known for his collection of piano studies, Gradus ad Parnassum Muzio Clementi edit
Biography
Muzio was born in Rome in 1752, the first of seven children, to Nicol² Clementi , a highly respected silversmith and Roman by heritage, and Magdalena Kaiser , who was Swiss. His musical talent became clear at an early age: by age seven he was in musical instruction, and was such a good student that by age 13 he gained a position as a church organist. In 1766, Sir Peter Beckford (1740–1811), a wealthy Englishman and cousin of the eccentric William Beckford , took an interest in the boy's musical talent, and struck a deal with Nicol² to take Clementi to his estate of Steepleton Iwerne , just north of Blandford Forum in Dorset England — where Beckford agreed to provide quarterly payments to sponsor Clementi's musical education. In return for this education, Clementi was expected to provide musical entertainment at the estate. It was here that Clementi spent the next seven years in devoted study and practice at the harpsichord . His compositions from this early period, however, are few, and they've almost all been lost.

18. Clementi, Muzio. The Columbia Encyclopedia, Sixth Edition. 2001-05
clementi, muzio. The Columbia Encyclopedia, Sixth Edition. 200105. (m ´tskl m n´t ) (KEY) , 1752–1832, Italian composer, pianist, and conductor, b.
http://www.bartleby.com/65/cl/Clementi.html
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19. Music Directory Clementi, Muzio
muzio clementi Composer and pianist A detailed biography by Charles K. Moss,listing his major compositions and giving details of his career composing,
http://www.jazar-music.com/directory/Composition/Composers/C/Clementi,_Muzio/
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Clementi, Muzio All you ever wanter to know about "Clementi, Muzio", links, news, articles, buy cds, and many more... Music Directory Composition Composers C : Clementi, Muzio See also:
  • Arts: Music: Composition: Composers: By Region: Europe: English
  • Arts: Music: Composition: Composers: Classical
  • Arts: Music: Composition: Composers: H: Hoffmeister, Franz Anton: Publishing Clients
  • Arts: Music: Instruments: Keyboard: Piano: Pianists ...
  • Arts: Music: Theory: Theorists Links Muzio Clementi: Composer and Pianist - A detailed biography by Charles K. Moss, listing his major compositions and giving details of his career composing, as music publisher, and as piano maker in London. Includes portrait. Classical Music Archives: Clementi - Biography from the Concise Oxford Dictionary of Music. Over 50 complete files offered in MIDI, MP3, and Windows Media audio formats, including live recordings of featured artists. Clementi, Muzio - Biography noting his keyboard abilities, teaching, and conducting with a summary list of his works from the Grove Concise Dictionary of Music entry at WQXR radio. Grave of Muzio Clementi - Find a Grave portrait and photographs of his tomb in Westminster Abbey, London, England. Linked to listing of other notables entombed in the church.
  • 20. Muzio Clementi Biography
    muzio clementi Biography. muzio clementi (17521832) Czerny referred toclementi as the foremost pianist of his time.
    http://www.wolfmusic-publications.com/clementi.html
    The composer of the definitive Classical piano sonata, Muzio Clementi (1752-1832) was the first to create keyboard works expressly for the capabilities of the pianoforte. Acclaimed as the father of the pianoforte and modern piano technique, this complex and influential musician was also the first virtuoso on the instrument. Clementi was a celebrated composer and teacher, orchestral conductor, symphonic composer, music publisher, and piano manufacturer. Clementi's influence extended well into the 19th century, with composers using his sonatas as models for their keyboard compositions. Beethoven, in particular, had the highest regard for Clementi and not only admired his piano sonatas but placed them above those of Mozart in importance. Beethoven as I Knew Him , ed. Donald M. McArdle, trans. Constance Jolly, Chapel Hill and London, 1966). Schindler continues with reference to Beethoven's fondness for Clementi's piano sonatas: "For these he had the greatest preference and placed them in the front rank of pieces appropriate to the development of fine piano playing, as much for their lovely, pleasing, fresh melodies as for the well knit, fluent forms of all the movements." In Moscheles edition of Schindler's biography he quotes Schindler as follows:
    "Among all the masters who have written for pianoforte, Beethoven assigned to Clementi the very foremost rank. He considered his works excellent as studies for practice, for the formation of a pure taste, and as truly beautiful subjects for performance. Beethoven used to say...'They who thoroughly study Clementi, at the same time make themselves acquainted with Mozart and other composers; but the converse is not the fact.' "

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