41. DANIEL DAVID FEINSMITH MUSIC Ralph Waldo Emerson s Essay The Poet , commissioned by sarah cahill.The pianist plays and recites Emerson s strong text on the transcendent nature of http://www.danieldavidfeinsmith.com/catalogue.htm

Home [ AHYH ] A BOUT BIO Resume Photographs ContacT ... news COMPOSITION Catalog Commissions/Awards IN PROGRESS LISTENING ROOM DANIEL FEINSMITH trio MISSION STATEMENT BOARD OF DIRECTORS ADVISORY COMMITTEE ABOUT US feinsmith productions PRODUCTION PERFORMANCES CALENDAR PRESS PRODUCTS IN PROGRESS storE BUY CD'S BUY SCORES RECORDING CLIENTS essays DANIEL DAVID FEINSMITH, Catalogue of Major Works SELF For Speaking Pianist Opus # 31 Work based on a paragraph from Ralph Waldo Emerson's Essay "The Poet", commissioned by Sarah Cahill. The Pianist plays and recites Emerson's strong text on the transcendent nature of the Self and on the poet's idealized state of unity with God: YHVH (YAHWEH) For String Quartet and Handbell Ensemble or two Mallet Instruments Opus # 33 Visions and Praise of God in one of his names, Yahweh, or YHVH. Originally commissioned and premiered by the Kronos Quartet and the Sonos Handbell Ensemble ShLMH (SOLOMON) String Quartet #1 Opus # 22 String Quartet in Five Movements. Composition, Premiere and Recording commissioned by the Drs. Ben and A. Jess Shenson Music Fund of Congregation Emanu-El, in loving memory of Dr. A. Jess Shenson. Performed and recorded by the

42. DANIEL FEINSMITH RESUME o SELF sarah cahill, pianist (San Francisco, CA) Music for Solo Piano and SpokenVoice based upon the writings of Ralph Waldo Emerson. http://www.danieldavidfeinsmith.com/daniel_feinsmith_resume.htm

Home [ AHYH ] A BOUT BIO Resume Photographs ContacT ... news COMPOSITION Catalog Commissions/Awards IN PROGRESS LISTENING ROOM DANIEL FEINSMITH trio MISSION STATEMENT BOARD OF DIRECTORS ADVISORY COMMITTEE ABOUT US feinsmith productions PRODUCTION PERFORMANCES CALENDAR PRESS PRODUCTS IN PROGRESS storE BUY CD'S BUY SCORES RECORDING CLIENTS essays DANIEL DAVID FEINSMITH, Resume CONCERT WORKS o AHYH Daniel Feinsmith Quartet , 60 minutes of music for Electric Bass, Cello, Keyboards, and Indian Percussion. o YHVH - Kronos Quartet and Sonos Handbell Ensemble (San Francisco, CA) Music for String Quartet and 12 bellplayers. o SELF Sarah Cahill , Pianist (San Francisco, CA) Music for Solo Piano and Spoken Voice based upon the writings of Ralph Waldo Emerson. o BARUCH- Setting of Catherine Pozzi's Poem "AVE" For Violin, Viola, Cello, and Soprano. Commissioned by Joelle Shefts for her 28-minute film short "Living On" premiering in late 2004/Early 2005. o MIRIAM - San Francisco Opera (San Francisco, CA)

43. C - SFPL.org cahill, sarah (pianist, critic and disc jockey) Caliman, Hadley (Jazz saxophonist)Call, Alex (Vocalist and composer) Camper Van Beethoven (Musical group) http://sfpl.lib.ca.us/librarylocations/main/art/musicians/c.htm

@import url(../../../../styles/extended.css); Skip to content Home SFPL Online ... Art, Music and Recreation Center C Meeting Rooms Access for Disabled Users Library Administration Library Commission ... Bay Area Musicians and Performing Artists Index "x" indicates that a reference was made from another entry. "xx" indicates that a see also reference was made from another entry. Caccialanza, Gisella See: Christensen, Gisella Caccialanza Cage, Nicolas (Actor) Cahill, Sarah (Pianist, critic and disc jockey) Caliman, Hadley (Jazz saxophonist) Call, Alex (Vocalist and composer) Camper Van Beethoven (Musical group) Canin, Stuart (Violinist) City (December 12-26 1973): 26-27 Carol, Faye (Jazz vocalist) Carpenter, John (Filmmaker) xx Moving Pictures, List of individual filmmakers (vf) Carroll, Baikida (Trumpeter) Carter, James (Violist) Casquelourd, Malonga (Dancer, drummer) Castillo, Javier (Composer) Castleton, Xandra (Filmmaker)

44. Alex Ross: The Rest Is Noise: Blitzstein Blitzkrieg Writes Ulrich In sarah cahill s committed performance, the West Coast premiere cahill, by the way, is a wonderful Bay Area pianist who specializes in http://www.therestisnoise.com/2005/03/blitzstein_blit.html

Alex Ross: The Rest Is Noise Articles, a blog, and a book-in-progress by the music critic of The New Yorker Archives Blog Hitz Blog: Spring 04 Blog: Spring 05 ... Main Blitzstein blitzkrieg Robert Gable reports on the Marc Blitzstein centenary tribute at Other Minds in San Francisco, or, more accurately, reports on a Financial Times review by Allan Ulrich that I don't want to go through the "15-day free trial" rigmarole to read. Writes Ulrich: "In Sarah Cahill's committed performance, the West Coast premiere of the unpublished 1929 Piano Percussion Music heralded a sophisticated musician, attuned to the emotive power of dissonance, the imitative capabilities of the traditional keyboard, a grounding in ornamentation and, in the repeated closing of the keyboard cover, a taste for the dadaist flourishes of the day." The piano-lid gambit recalls Hans Stuckenschmidt's First Piano Sonata, which caused a mild uproar at a Novembergruppe concert of "stationary music" in 1927. At the end of that work, the pianist (Stefan Wolpe, on this occasion) used the right pedal to trigger a mechanism that brought the piano lid down "from a moderate height." So Stuckenschmidt discloses in his memoir Born to Hear — he was eventually more famous as a critic and biographer.

45. Aworks :: "new" American Classical Music: Piano Percussion Music (1929). Marc Bl A charming CD of minimalist music by pianist Gloria Cheng including Adams two In sarah cahill s committed performance, the West Coast premiere of the http://rgable.typepad.com/aworks/2005/03/piano_percussio.html

aworks :: "new" american classical music why listening to this music is interesting, important, and maybe even fun. /robert gable/ Google Web rgable.typepad.com Categories 1883-1900 generation :: lost 1886-1908 era :: third great awakening 1908-1929 era :: wwi/prohibition 1925-1942 generation :: silent ... ziporyn, evan Powered by TypePad Member since 07/2003 blogs and posts Groovy Zone Steve Reich HurdAudio Hall of Heroes: Harry Partch ... Music since 1960: Feldman: Rothko Chapel classical sources Other Minds...new and unusual music in all its forms WNYC - New Sounds archive NewMusicBox- the web mag from the American Music Center covering new American music DRAM - Database of Recorded American Music ... Sequenza21/The Contemporary Classical Music Weekly recommended aworks CDs Complete 10-Inch Series From Cold Blue A superb compilation album from the 1970s/1980s focusing on Western American minimalism. Piano Music Of John Adams And Terry Riley A charming CD of minimalist music by pianist Gloria Cheng including Adams' two "Gates" pieces; Phrygian and China. Available on the cheap from Berkshire Record Outlet. Aleck Karis: Piano Music of Philip Glass The best performer of Philip Glass piano music.

46. Aworks :: "new" American Classical Music: Variations For Winds, Strings, And Key A charming CD of minimalist music by pianist Gloria Cheng including Adams The guest host on sarah cahill s KALW radio show played it in honor of Steve http://rgable.typepad.com/aworks/2004/10/variations_for_.html

aworks :: "new" american classical music why listening to this music is interesting, important, and maybe even fun. /robert gable/ Google Web rgable.typepad.com Categories 1883-1900 generation :: lost 1886-1908 era :: third great awakening 1908-1929 era :: wwi/prohibition 1925-1942 generation :: silent ... ziporyn, evan Powered by TypePad Member since 07/2003 blogs and posts Groovy Zone Steve Reich HurdAudio Hall of Heroes: Harry Partch ... Music since 1960: Feldman: Rothko Chapel classical sources Other Minds...new and unusual music in all its forms WNYC - New Sounds archive NewMusicBox- the web mag from the American Music Center covering new American music DRAM - Database of Recorded American Music ... Sequenza21/The Contemporary Classical Music Weekly recommended aworks CDs Complete 10-Inch Series From Cold Blue A superb compilation album from the 1970s/1980s focusing on Western American minimalism. Piano Music Of John Adams And Terry Riley A charming CD of minimalist music by pianist Gloria Cheng including Adams' two "Gates" pieces; Phrygian and China. Available on the cheap from Berkshire Record Outlet. Aleck Karis: Piano Music of Philip Glass The best performer of Philip Glass piano music.

47. ÒA Great Deal Depends Upon Just How This Bridge Is BuiltÓ sarah cahill, pianist. ÒEach individual will have his own preferences in respect In fact it takes a pianist like sarah cahill, devoted to both of these http://eamusic.dartmouth.edu/~larry/misc_writings/talks/beyer_crawford_liner_not

The Piano music of Ruth Crawford and Johanna Magdalena Beyer Sarah Cahill, pianist Ruth Crawford and Johanna Beyer Ruth Crawford and Johanna Beyer knew each other well. Crawford called Beyer "Hannah Beyer name a piece Dissonant Counterpoint . Both women favored clear, monothematic forms (like Crawford"s towering Study in Mixed Accents Sacco, Vanzetti becoming the introspective elipiticality of Beyer"s landmark mid-1930s percussion music. Of all the early percussion music composers, Beyer is unique is approaching the ensemble quietly , as in the almost mystical IV and the Three Movements Beyer"s musical world is only recently becoming clear and familiar to us, whereas Ruth Crawford"s has become well-known over the past 20 years. Only as Beyer"s music begins to be performed and recorded will we understand its true historical importance. For example, Beyer"s 2nd String Quartet String Quartet (which has already earned its place, thank goodness), each movement uses a direct, single formal idea. But where Crawford explores cumulative processes and palindromic devices, Beyer unifies her work with Papageno"s lament for a missing soulmate. In Ruth Crawford"s case, it was many years before musicians saw that the third movement of her quartet, which had always been quite famous, was not anomalous in her output. It was one of many such works of similar genius. Even

48. Lonesome.road.hanover.notes.html I am grateful to sarah cahill for her assistance in the revision process. Helvetia Foundation and Bay Area pianists, directed by pianist sarah cahill. http://eamusic.dartmouth.edu/~larry/misc_writings/program_notes/lonesome.road.ha

Lonesome Road (The Crawford Variations) for piano solo Larry Polansky Martin Christ solo pianist world premiere performance by one pianist house concert, hosted by Ed Carroll, Jackie Jacobus, Walter and Liz Sinnott- Armstrong September 14, 1997 Hanover, New Hampshire Section 1 (Variations I - XVII) Section 2 (Variations XVIII - XXXV) Section 3 (Variations XXXVI - LI) (There will be a very short "stretch" break before sections 2 and 3.) Lonesome Road (The Crawford Variations) is a set of variations on Ruth Crawford's harmonization of the folk song of the same name. Her arrangement was published in Carl Sandburg's The American Songbag (1927). The work is in three sections of 17 variations each. The variations in the middle section (XVIII; XXXIV) are generally longer and more developed than those in the outer sections. In many cases, corresponding variations in the three sections are related, and have similar structures (Variation I is related to XVIII, which is related to XXXV). Sections 1 and 3 are each about 20 minutes long, section 2 about 40 minutes. Lonesome Road (The Crawford Variations) was composed over the course of one year spent in Indonesia (June 1988; June 1989), where I assisted my wife Jody Diamond in her work with Indonesian experimental composers. Many of these composers' ideas somehow found their way into this work, but I can no longer remember how (except in the case of B. Subono, a Central Javanese composer after whom two of the variations were named).

49. Sonomu: New Music: Piano Compositions By Henry Cowell And as sarah cahill notes in the liner, The only trick was deciding what to pianist/composer/electro musician Chris Brown opens with the dissonant http://sonomu.net/text/~506/

sonomu .net soundnoisemusic network home about help! sonomu - general stuff buy sonomu marketplace browse artists labels releases mailing lists latest news reviews events feed ... everything login - for tools and privileges new people sign up here nickname (or email address) password forgot your password? greedbag - shopping your cart is empty feedback - queries for general site comments, queries and feedback. New Music: Piano Compositions by Henry Cowell a review by hilary robinson of release format New Music: Piano Compositions by Henry Cowell by Henry Cowell (CD Album) text Henry Cowell was an incredibly prolific, influential composer who helped to shape the musical landscape of twentieth century America and beyond. New Music: Piano Compositions by Henry Cowell is a live recording drawn from a three-day festival entitled, "Cowell and his Legacy", which took place at UC Berkeley in early 1997 to mark the centenary of his birth and to demonstrate some of the consequences of his pianistic innovations for his contemporaries, students and successors. And as Sarah Cahill notes in the liner, "The only trick was deciding what to leave out". Four front-rank musicians (Cahill is one) from Bay Area Pianists and Cal Performers play works here selected from the festival's three gargantuan concerts in which Cowell's piano music was programmed alongside that of Cage, Lou Harrison, Ruth Crawford, and more, with a sprinkling of newly commissioned works by Terry Riley and Meredith Monk to name but two. Pianist/composer/electro musician Chris Brown opens with the dissonant

50. Lit Moon World Theater Fest At Center Stage Theater 3/15 (805) 963-0408 with the Robin Cox Ensemble, Santa Barbara, and sarah cahill, San Francisco and pianist sarah cahill, a legendary figure form the wilder side of the San http://www.centerstagetheater.org/shows/litmoon2004/litmoon04.html

September 25 through October 3 LIT MOON THEATRE PRESENTS 2004 LIT MOON WORLD THEATER FESTIVAL Birds Eye View , DO-Theatre, St. Petersburg Pandora's Box , Assembled Artists Tartuffe , by Moliere, Lit Moon Theatre Company Mimeworks , James Donlon, Santa Barbara Songs from a Book of Days , Eve Beglarian, NYC, with the Robin Cox Ensemble, Santa Barbara, and Sarah Cahill, San Francisco Nonsense , DO-Theatre St. Petersburg, with Theater Arts students from Westmont College Now in its 12th year, the Lit Moon Theatre Company is recognized both here and abroad for its adventurous, highly physicalized stagings of classic novels and plays. Writing about the company's production of Hamlet , seen at the Montreal's Wildside Festival in January 2004, Montreal Gazette theater critic Matt Radz, writes, "the company's style, melding the rigors of physical theater with classic text, makes them pioneers, if not unique." Fresh on the heels of its sold-out, standing-room-only performances of Hamlet at the 8th Shakespearean Festival in Gdansk, Poland, the company returns home to Santa Barbara as part of the 2004 Lit Moon World Theater Festival. Founded in 1998, the festival has offered, in the words of Santa Barbara Independent critic D. J. Palladino, "an unrelenting window into the world of theatrical possibility."

51. Sequenza21/The Contemporary Classical Music Weekly The second one is also played brilliantly by Israeli pianist Ora Rotem Nelken . Performers FLUX Quartet, sarah cahill, Joseph Kubera, and Kathy Supove http://www.sequenza21.com/051903.html

About Us Essential Library Read Past Issues Resources ... Composer Links May 19-26, 2003 The Elusive Charm of Gideon Lewensohn I n first listening to and attempting to form a point of view of the four works by the Israeli composer Gideon Lewensohn that are collected on the ECM CD “Odradek,” it was evident to me that it was going to be an difficult endeavor. Lewensohn is not easily categorized. The mystery of the pieceslike the mystery of the character “Odradek,” who is from a Kafka tale and is a creature that is “extremely illusive and hard to catch” and even harder to say exactly what it is—remains somewhere just out of reach of the usual musical analysis. The title piece, the "Odradek Quartet," is made up of 17 distinct fragments inspired by the Kafka story. As with all art, a large part of the process of understanding and relating to it comes from one’s own point of view, with one’s own ideas about it. How you form a relationship to it is a primary element and function of art and music; same difference. So my first feeling was to throw out all the rhetoric and just say that this is some of the most fascinating music that I have heard. It is accessible and yet it takes some time to even get a grip on (especially the quartet). You can listen to it a few times before you actually get into it.

52. Sequenza21/The Contemporary Classical Music Weekly Performers FLUX Quartet, sarah cahill, Joseph Kubera, and Kathy Supove Not for the timid, these pieces take the pianist s skill to levels that border http://www.sequenza21.com/042803.html

About Us Essential Library Read Past Issues Resources ... Composer Links April 28-May 5, 2003 First Edition Recordings Back in Circulation For many of us who grew up in the sticks, our first exposure to American classical music—perhaps any classical music— came through library copies of the Louisville Orchestra’s remarkable First Edition series of recordings. Founded in 1937, the Louisville Orchestra made an indelible impact on Variazioni [1959] Echoes of Time and the River (Echoes II) [1967] Remembrance of Time III. Collapse of Time / Last Echoes of Time Concerto No. 7 for Orchestra, Opus 116 [1953] Symphony No. 15, Opus 199, "Silver Pilgrimage" [1963] Magnificat for Four Solo Voices, Chorus and Orchestra, Opus 157 [1957] contemporary music when it began to commission new works from the world's most renowned composers including Britten, Copland, Kodaly, and Lutoslawski, in 1948. In 1953, a grant from the Rockefeller Foundation enabled the orchestra to begin recording many of these works on its First Edition imprint. Over the next two decades, the orchestra recorded more than 250 new pieces.

53. George Antheil: Events, Festivals, Conferences, Concerts Centennial of George Antheil, Composer, pianist, Inventor. 10 am 12 pmCharles Amirkhanian on George Antheil Interview with sarah cahill KPFA 94.1 mhz http://www.paristransatlantic.com/antheil/mainpage/events.html

new features: movies dance documentary deutsch ... New publications and CD releases Book Physicist Tony Rothman has published a book documenting and debunking the stories of famous discoveries in the sciences. One entertaining chapter is devoted to the history of George Antheil and Hedy Lamarr's patent. Concerts DSSQ has finished recording the complete quartets of George Antheil and are in the editing phase of the process. The upcoming CD will be on the Other Minds (OM) label. This project is being funded in part by the Aaron Copland Fund in New York. Bob Shumacher is the engineer and the recording was done at Bay Records, with producer Charles Amirkhanian from Other Minds. We also had help from composer/violist Mark Fish. Thanks to all who have helped to support this project! For more detailed information: http://www.delsolquartet.com/ Piano Concerti Premieres The Antheil First Piano Concerto was premiered March 5, 2001. The pianist was Michael Rische with the BBC Symphony, Grant Llewellyn conducting. The Antheil Second Piano Concerto, not performed since single concerts in 1927 and 1976, was re-premiered on Feburary 4th, 2001, with the Dutch Radio Chamber Orchestra, Guy Livingston pianist, Ed Spanjaard, conductor.

54. Recently Heard Concerts as fine a pianist as I know, turning pages for Kubera and cahill, Earlier there had been a short panel discussion about Lou sarah cahill moderated http://www.shere.org/Reviews/concerts.html

Charles and Lindsey Shere: homepage CS in Cadiz: photo: Eve Monrad Recently Heard Concerts Edge Festival, Berkeley, June 5-7, 2003 Merce Cunningham, Berkeley, February 7, 2003 John Cage, San Francisco, January 27, 2003 June 5-7 2003: Berkeley I heard three of the five concerts composing the first Edge Festival in U.C. Berkeley's Hertz Hall: a program devoted to Terry Riley Friday night; one given to improvisations by Steve Lacy, George Lewis, and David Wessel late Saturday night; and a retrospective of the late Lou Harrison Sunday afternoon. (Imissed two other concerts: one of music by faculty composers Thursday night, another of music by John Adams and Ingram Marshall early Saturday night.) I didn't go to these concerts with the intention of "reviewing" them, so I won't be very specific. But some things were memorable: Terry Riley's Cinco de Mayo (1997) for piano four hands, magnificently played by Joseph Kubera and Sarah Cahill, and his Ritmos and Melos written ten years ago for the Abel-Steinberg-Winant Trio who played brilliantly, as they always do. (It was fascinating to watch Julie Steinberg, as fine a pianist as I know, turning pages for Kubera and Cahill, beaming with pleasure at their performance and Riley's music, and then bringing even more personality and substance from the instrument when she took her own turn.) A Rainbow in Curved Air brought the early 1970s back in all their hypnotic mindlessness, and the premiere of

55. Midheaven Mailorder | Browse By Label: New Albion Artist, cahill, sarah, Title, 9 Preludes Piano Music by MUSICA ELETTRONICAVIVA founding member, pianist FREDERIC RZEWSKI (pron chev skee). http://www.midheaven.com/labels/nonexc/new.albion.html

New Albion Prices listed do not include shipping/handling. Click here for our freight chart. All prices in U.S. dollars. To order, click the white checkbox[es] to the left of the "Artist" field, then scroll to the bottom of the page and click the box marked "add checked item". Artist: ANDRIESSEN, LOUIS Title: Zilver Format: CD Catalog Number: CDANDRIZILV Price: Label: New Albion ***Four pieces performed by the California EAR Unit. Says the New York Times, "No composer can provoke, jolt, and threaten the system better than Mr. Anriessen, who has been practicing those skills for his entire career." Artist: BRAXTON, ANTHONY Title: 19 (Solo) Compositions Format: CD Catalog Number: Price: Label: New Albion Artist: CAGE , JOHN Title: Daughters Of The Lonesome Isle Format: CD Catalog Number: CDCAGE DAUG Price: Label: New Albion Release Date: Compositions for conventional, prepared, string, bowed and toy pianos performed by Margaret Leng Tan. The disc's thirteen year span (1940-1953) encapsulates the evolution of the Cagean aesthetic. Artist: CAGE , JOHN

56. BMI Foundation, Inc. News 53rd Annual BMI Student Composer Award As a pianist, he has performed concerti at the San Francisco Conservatory, awardwinning work in April 2005, performed by sarah cahill and Anna Presler. http://bmifoundation.org/news/200506/stucomp_winners.asp

53rd Annual BMI Student Composer Award Winners Announced Preben Antonsen (Carlos Surinach Prize) BMI award-winning work: "Nickelcurve," for violin and piano Sebastian Chang BMI award-winning work: "Twelve Piano Etudes" Sebastian Chang was born in Philadelphia in 1988 and currently lives in Trabuco Canyon, California. He is a composition major at the Curtis Institute of Music, where he studies with Jennifer Higdon and Richard Danielpour. Previous composition teachers have included Michael Gandolfi, Richard Cornell, Paul Brust, Michael Martin and Richard Derby. In addition to a Carlos Surinach Prize in the 2002 BMI Student Composer Awards , Chang has won many prestigious composition competitions and awards, including those sponsored by the Music Teachers National Association Composition Competition, the New York Art Ensemble, the National Guild of Community Schools of the Arts, the Davidson Institute for Talent Development, and Collage New Music. He was named a 2003 Pinnacle Project Scholar and a 2004 Presidential Scholar for the Arts. He studies piano with Keiko Sato and has performed as soloist with the California Symphony, the Reno Philharmonic, the Pacific Symphony, and the Tokyo Symphony. His music has been performed extensively by ensembles such as the Curtis Symphony Orchestra, the Arditti String Quartet, the New York Art Ensemble, Collage New Music and the National Youth Orchestra. Chang will premiere his winning work, which was commissioned by the Pinnacle Project, at the 2005 Music Teachers Association of California Convention.

57. WNYC - New Sounds: Program #2057 (June 05, 2004) work “Holding Patterns,” performed live in the WNYC studio by pianist sarahcahill. sarah cahill, live WNYC 10/25/01. Holding Patterns 300 http://www.wnyc.org/shows/newsounds/episodes/06052004

var clickURL="http://www.wnyc.org/shows/newsounds/episodes/06052004"; var clickTitle="New Sounds: Program #2057 (June 05, 2004)"; Fed Funding Update Listen Online Now Windows Morning Edition Windows Morning Edition Audio Help Schedules Podcasting Search WNYC.org New Sounds Program #2057 Saturday, June 05, 2004 With any conventional piano, a hammer drops on string, and sound is produced. Well, perhaps not always, for on this edition of New Sounds, there are some unusual approaches to noisemaking at the piano, including ebow, electronic processing, and overdubs, although not all at once. Hear the eerie and theremin-like, yet somehow evil-sounding ebow (a little magnet which produces a sustain) on piano strings with Maggi Payne’s work “Holding Patterns,” performed live in the WNYC studio by pianist Sarah Cahill. Also listen to Charles K. Noyes’ processed piano music; and the “string” piano, or the insides of the piano, as Margaret Leng-Tan plays John Cage’s “In the Name of the Holocaust.” PROGRAM #2057 Piano Works (First aired on 7/18/02) ARTIST(S) RECORDING CUT(S) SOURCE Maggi Payne Sarah Cahill, live WNYC 10/25/01

58. Village Voice > Music > By Kyle Gann pianist sarah cahill honored Ornstein with a concert at Miller Theater December2, the day that Ornstein believes is his birthday, though documents differ. http://www.villagevoice.com/music/0050,gann,20586,22.html

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59. Aufbau108 Featured in sarah cahill s Other Minds concert of March 8 in San Francisco Israeliborn New York pianist Gila Goldstein offers his piano music on a http://artists-in-residence.com/ljlehrman/articles/aufbau108.html

Articles written for AUFBAU by Leonard J. Lehrman AUFBAU 68:7 April 4, 2002 p.16 JEWISH LIFE Two Centenarian Pianist-Composers Paid Tribute in Concert and on CD Leo Ornstein and Paul Ben-Haim Honored It has been something of a perennial joke over the last decade or so, as more and more people have discovered the Russian-American Jewish composer Leo Ornstein, noted his birthdate of 1892 or '93, and concluded that he must be dead but when did he die? The answer, incredible to report, was that until February 24, 2002, he was still alive, which makes him probably the longest-lived musician in recorded history. Not even mentioned in William Austin's until-recently definitive Music in the 20th Century , Ornstein enjoyed a vogue from about 1913 to 1925, the year of his magnum opus, the Piano Concerto. He then pretty much disappeared from the public eye, teaching in Philadelphia until his retirement in 1953, though composing (mostly piano music) well into his nineties. Writer Carl Van Vechten was one of his early champions, critic Olin Downes raved about the Concerto, and Ornstein's piano performances introduced U.S. audiences to major works of Ravel, Busoni, Scriabin, and Schoenberg. Yet only recently has his music been receiving the attention it deserves. Stylistically it has always perplexed, because of its eclectic, yet organic, combination of impressionistic textures, extended chromaticism, modal exoticism, and energizing tone clusters, often all in the same piece.

60. Long Night REVIE W. KYLE GANN (music performed by sarah cahill); long night; Cold BlueMusic (2005) Kyle Gann, performed by pianist sarah cahill. http://www.windandwire.com/jun05/long_night.htm

Wind and Wire Reviews Home Links Contact Submissions ... CD Sales R E V I E W KYLE GANN (music performed by Sarah Cahill) long night Cold Blue Music Review by Bill Binkelman long night long night is not particularly sad or dark, yet it's not happy, joyful, or bright either. On the other hand, it is not overly abstract, distant, cold or concerned with itself. I heard a distinct human connectedness between music and performer at almost all times (admittedly, some of the more adventurous passages lean more toward the intellectual than the soulful). Mostly, long night felt like the soundtrack to late urban nights, looking out over the city below as lights wink on and off in buildings across the landscape (this is in marked contrast to the graphics on the EP which depict a decrepit farmhouse on fire on the CD's front and a school of fish underwater on the digipack's back). These images are all that strike me as pretentious about the recording, and when the only thing you can knock about a CD is its cover art, you have obviously found a solid recording, which long night most definitely is. I solidly recommend it to fans who seek a piano album that avoids both the sterility of some more overt ambient works yet rejects the avant garde stylings that alienate lovers of melody and structure.

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