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1. Paul Badura-Skoda, Pianist
Pianist Paul BaduraSkoda on the Hunstein Artist Services website.
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2. Pianist Paul Badura-Skoda Wird 75
MUSIK. Pianist Paul BaduraSkoda wird 75 Der vielfach ausgezeichnete Pianist Badura-Skoda feiert am Sonntag seinen 75. Geburtstag.
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3. Visionen 22. 11. 1998
"Dem Tod entgegen. Folge 4" mit Prof. Paul BaduraSkoda, Pianist Mozart auch im Himmel - w nscht sich Paul Badura-Skoda.
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4. Paul Badura-Skoda, Vienna Austria, Pianist (Mozart Interpretation)
Paul BaduraSkoda, Vienna Austria, pianist (Mozart Interpretation) October 6, 1927 in history
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5. - Paul Badura-Skoda
Paul BaduraSkoda, Pianist
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6. Paul Badura-Skoda
Paul BaduraSkoda ist einer der bedeutendsten Pianisten unserer Zeit, ein legend rer K nstler, der seit f nf Jahrzehnten in den Konzerts len der
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7. PIANOnews Leseprobe
(Piano news, 6/2002) Interview mit Paul BaduraSkoda zum 75. Geburtstag. Von Robert Nemecek.
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8. Ninna Nanna Lullabies (1500-2002) - William Byrd - Manuel De
Falla Modest Mussorgsky - Max Reger - Darius Milhaud - Arvo P rt - Montserrat Figueras - Arianna Savall - Paul Badura-Skoda - Jordi Savall
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9. WWGPro.DE Buchtipps Interpreting Bach At The Keyboard (Clarendon
Interpreting Bach at the Keyboard (Clarendon Paperbacks) Paul BaduraSkoda Listenpreis $39.95
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10. Badura-Skoda, Paul. (in MARION)
BaduraSkoda, Paul. Heading Badura-Skoda, Paul. Used for Skoda, Paul Badura- Source data found Schumann, R. A. Sonata, piano, no. 1, op.
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11. Paul Badura-Skoda, Pianist
pianist paul baduraskoda on the Hunstein Artist Services website.
http://www.hunsteinartists.com/skoda.html
65 West 90th St., Suite 13F
New York, NY 10024
Phone: (212) 724-2693
Fax: (212) 724-9393
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Paul Badura-Skoda is one of the most important pianists of our time: a legendary artist who has played in all the world’s greatest concert halls and for years the pianist with the largest number of commercial recordings available in the market. His musical personality is characterized by complete immersion in music, a passionate search for its essence, and a sense of artistic responsibility.
In 1945 Badura-Skoda entered the Vienna Conservatory and two years later won first prize in the Austrian Music Competition and a scholarship which allowed him to study with Edwin Fischer. These years laid the foundation for Badura-Skoda’s artistic future. In 1949 Wilhelm Furtwängler and Herbert von Karajan became aware of Badura-Skoda’s outstanding talent and invited him to perform. Practically overnight the young Viennese pianist became a world-famous artist.
Since then Badura-Skoda has been a regular and celebrated guest at the most important music festivals and a soloist with the world’s most prestigious orchestras. In addition to Furtwängler and von Karajan, he has collaborated with such renowned conductors as George Szell, Karl Böhm, Zubin Mehta, Sir Georg Solti, and Lorin Maazel, among others.

12. The Austin Chronicle Arts: Authentic Sound
When pianist paul baduraskoda plays classical music of centuries past, he stripsaway the centuries of romantic interpretation and provides us with the
http://www.austinchronicle.com/issues/dispatch/2003-03-21/arts_feature2.html

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VOL.22 NO.29 ARTS : AUTHENTIC SOUND
Pianist Paul Badura-Skoda strips away the centuries from the time-worn classical music
Authentic Sound
BY JERRY YOUNG
March 21, 2003:

Last year's concert by Viennese pianist Paul Badura-Skoda with the A. Mozart Fest Orchestra was a lesson about authenticity. Decades ahead of a trend that bloomed in the Eighties and Nineties, Badura-Skoda was dusting off Mozart-era forte-pianos and stripping away the centuries of romantic interpretation to bring us closer to what Mozart's contemporaries heard. But his performance of three Mozart works for piano and orchestra showed that he didn't need an antique piano to convey the essence of Mozart. Badura-Skoda could probably do that with an accordion. "He knows all about performance practice because he came from the tradition in the purest form. It is part of his personality," says A. Mozart Fest director Mary Robbins, who is bringing Badura-Skoda back to Austin for a solo recital on Sunday, March 23. Some historical fundamentalists are content to read scores literally, steadfastly refusing to warm up luscious, 200-year-old melodies, perhaps to escape the smothering orbit of romanticism. But Badura-Skoda nurtures his phrases without apology, and you understand why. Sometimes leaping off the bench to cue the orchestra, Badura-Skoda communicated such a sense of logic and purpose that he wove the musicians and audience into an unforgettable experience. He and Robbins, who have had a musical relationship for more than a decade, sparred in the

13. The Austin Chronicle Arts: Exhibitionism
The return performance by the magnificent paul baduraskoda with A. Mozart Festwas like pianist paul badura-skoda UT s Visser-Rowland Turns 20
http://www.austinchronicle.com/issues/dispatch/2003-04-04/arts_exhibitionism3.ht

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VOL.22 NO.31 ARTS : EXHIBITIONISM
Local Arts Reviews
Exhibitionism
BY ROBI POLGAR
April 4, 2003:
Paul Badura-Skoda:
A Craftsman Conversing With Mystery First Baptist Church, Sunday, March 23 The second thing was the phone book. A cushion would not sit securely enough atop the piano stool, so Badura-Skoda opted for an open, upturned Yellow Pages for the precise boost on the stool. Oddly, the man upright a 75-year-old Austrian with the measured pace of the classic European: unhurried and easy, with something of a regal air; simultaneously uncomplicated and unfathomably deep was not as impressive as the man sitting down. If it was possible, Badura-Skoda appeared larger sitting at the Steinway than he did gently accepting the warm appreciation of the hands-side-heavy house. The opening work was Mozart's Fantasy in C Minor, K. 475 Sonata in A Minor, Op. 42 (D. 845) took grandeur to new heights in the supreme opening Moderato. This time, in keeping with the highly dramatic piece, Badura-Skoda allowed lengthy, dead-still pauses between movements. The stately Moderato, then, was followed by the delicate and light Andante, then two Allegro movements: a teeth-bared attack of the Scherzo and an acceleration of the final Rondo, upon whose conclusion Badura-Skoda flew away from the piano, the final note firing the 75-year-old off the Yellow Pages and face front at the audience, which offered its own ecstatic response. After the break, the audience was treated to a display of exquisite control for Haydn's

14. A. Mozart Fest Official Website
paul baduraskoda paul badura-skoda, piano paul badura-skoda is one of the pianist Robert Levin has been heard throughout the United States, Europe,
http://www.amozartfest.org/season/bios.htm
A. Mozart Fest Musician Biographies Paul Badura-Skoda, piano
William Doppmann, piano

Beginning piano lessons at age five in Louisville, Kentucky, Mr. Doppmann continued intensive study at the Cincinnati Conservatory of Music through his high school years, and was the veteran of over 500 performances by the time he entered college. During his sophomore year at the University of Michigan, Mr. Doppmann won two of America's most coveted awards for young artists, the Walter W. Naumburg Award in New York and the Michaels Memorial Award in Chicago - the only musician ever to have won both prizes in a single season. After a year of independent study in New York City (funded by a Martha Baird Rockefeller grant) and participation in the Marlboro Music Festival at Rudolf Serkin's invitation, Mr. Doppmann was inducted into the army and spent two years stationed in France and Germany. On his return to the States, family responsibilities necessitated accepting a series of academic positions from 1960 until 1973, during which time Mr. Doppmann was professor of music and artist-in-residence at three major universities. In 1980 Mr. Doppmann was the first composer to be awarded a Performing Arts Grant by the Washington State Arts Commission.

15. Kleos Classical Music: Paul Badura - Skoda "A Man And His Music"
CONDUCTOR AND pianist paul baduraskoda WA Mozart Piano Concerto in D major KV175 (1956). 1. Allegro. 2. Andante ma un poco adagio
http://www.heliconrecords.com/Midi/KL5117.asp
A Man and His Music
Paul Badura - Skoda
Seven CD Set - All Deluxe Packaging
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A Man and His Music, Paul Badura - Skoda

This release is a seven CD set of all first-time ever released recordings dating from 1943 to present day. These recordings were selected by Mr. Badura-Skoda from his private archives. Also included are a twenty-five page booklet and an interview of Mr. Badura-Skoda celebrating his seventy-fifth birthday. Click on selected tracks to listen to 30 second MP3 clip.
Buy online, payments through PayPal.
Volume 1 Paul Badura-Skoda
J.S. Bach Prelude and Fugue in C sharp minor WTC I (1943)
Prelude Fugue L. van Beethoven Sonata for Piano in C major op. 53 (1943) 1st movement - Allegro con brio Frederic Chopin Barcarolle in F sharp major op. 60 (1944) Frederic Chopin Fantasia in F minor op. 49 (1942) Hans-Ulrich Staeps Pan Pan (1942) Louis Gruenberg 6 Jazz Epigrams op. 30b (1941) No. 1 No. 2 No. 3 No. 4

16. Sanctuary Classics - Artist Biographies
In 1945, paul baduraskoda entered the Vienna Conservatory and two years Practically overnight the young Viennese pianist became a world-famous artist.
http://www.sanctuaryclassics.com/index.php?page=1§ion=4&subsection=1&getArti

17. National Review: Beethoven: Opus III. - Pianist Paul Badura-Skoda - Sound Record
Full text of the article, Beethoven Opus III. pianist paul badura-skoda -sound recording reviews from National Review, a publication in the field of
http://www.findarticles.com/p/articles/mi_m1282/is_n2_v46/ai_15009825
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IN free articles only all articles this publication Automotive Sports 10,000,000 articles - not found on any other search engine. FindArticles National Review Feb 7, 1994
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10,000,000 articles Not found on any other search engine. Featured Titles for
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Air Force Journal of Logistics Air Force Law Review Air Force Speeches ... View all titles in this topic Hot New Articles by Topic Automotive Sports Top Articles Ever by Topic Automotive Sports Beethoven: Opus III. - pianist Paul Badura-Skoda - sound recording reviews National Review Feb 7, 1994 by Ralph Robert Toledano
Save a personal copy of this article and quickly find it again with Furl.net. It's free! Save it. MUCH nonsense has been written about Giuseppe Verdi, right down to the critic Edward Dent, who could leek down his nose in the 1920s and write about "barrel-organ tunes that excited our ancestors to laughter or disgust." He was referring to Rigoletto and La Traviata, and presumably to Nabucco, which contributed mightily to driving foreign rulers off Italian soil. Verdi himself, who could inveigh strongly against sopranos, tenors, and managers, remained calm over this kind of criticism, collecting his royalties and saying, "I'll tempo decidera." Dent must have had one of the barrel-organ monkeys sitting on his head when he dismissed La Traviata, an opera in the great Italian style that stemmed from Monteverdi.

18. National Review: Debussy: Complete Works For Solo Piano. - Paul Crossley - Sound
The great Viennese pianist paul BaduraSkeda always employs the piano that You will realize this fully listening to Mr. badura-skoda s recording of
http://www.findarticles.com/p/articles/mi_m1282/is_n2_v46/ai_15009867
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IN free articles only all articles this publication Automotive Sports 10,000,000 articles - not found on any other search engine. FindArticles National Review Feb 7, 1994
Content provided in partnership with
10,000,000 articles Not found on any other search engine. Featured Titles for
Advocate, The
Air Force Journal of Logistics Air Force Law Review Air Force Speeches ... View all titles in this topic Hot New Articles by Topic Automotive Sports Top Articles Ever by Topic Automotive Sports Debussy: Complete Works for Solo Piano. - Paul Crossley - sound recording reviews National Review Feb 7, 1994 by Ralph Robert Toledano
Save a personal copy of this article and quickly find it again with Furl.net. It's free! Save it. MUCH nonsense has been written about Giuseppe Verdi, right down to the critic Edward Dent, who could leek down his nose in the 1920s and write about "barrel-organ tunes that excited our ancestors to laughter or disgust." He was referring to Rigoletto and La Traviata, and presumably to Nabucco, which contributed mightily to driving foreign rulers off Italian soil. Verdi himself, who could inveigh strongly against sopranos, tenors, and managers, remained calm over this kind of criticism, collecting his royalties and saying, "I'll tempo decidera." Dent must have had one of the barrel-organ monkeys sitting on his head when he dismissed La Traviata, an opera in the great Italian style that stemmed from Monteverdi.

19. RedLudwig.com: GraceNotes Archive
A new CD set pays tribute to pianist paul baduraskoda. A FITTING TRIBUTE TO paulbadura-skoda. I knew paul badura-skoda s talent long before I knew him
http://www.redludwig.com/gracenotes/archive.html?index=6

20. Classical Music :: The Classical Source :: Paul Badura-Skoda – 75th-Birthday Tr
What sort of pianist is paul baduraskoda, then? He is dangerous. He is not afraidto be controversial – so he sometimes ruffles feathers.
http://www.classicalsource.com/db_control/db_cd_review.php?id=2591

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