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21. Past Results
Adler, Vicky (Brazil); Alexanian, Anahid Lydia (Canada); alvarez, carmen (Uruguay);Bethel, Highest Ranking pianist of the Americas Alberto Reyes ($500
http://www.cliburn.org/page/117
CLIBURN COMPETITION: HISTORY: PAST RESULTS
First Cliburn Competition

Second Cliburn Competition

Third Cliburn Competition

Fourth Cliburn Competition
...
Twelfth Cliburn Competition

First Cliburn Competition
September 24-October 7, 1962
Winner/Country/Amount/Competition prize given by
Ralph Votapek /USA/$10,000/National Guild of Piano Teachers and Dr. and Mrs. Irl Allison
Nikolai Petrov /USSR/3,000/Laura Jane Musser Mikhail Voskresensky /USSR/2,000/The Amon Carter Foundation Cecile Ousset /France/1,000/Fort Worth Piano Teachers Forum Marilyn Neeley Sergio Varella-Cid /Portugal/500/Mrs. Carl Beutel Arthur C. Fennimore /USA Takashi Hironaka /Japan Finalist: Hiroko Nakamura*/Japan *Withdrew from finals due to illness. Second Stage De Groote, Andre (Belgium); Feder, Donn-Alexander (USA); Graubin, Ilze (USSR); Kono, Hajime (Japan); Lelchuk, Nina (USSR); Perry, John (USA); Sosa, Raul Ernesto (Argentina) First Stage Adler, Vicky (Brazil); Alexanian, Anahid Lydia (Canada); Alvarez, Carmen (Uruguay); Bethel, Edward Clement (USA); Boatright, Jo Garner (USA); Borges, Rafael (Mexico); Cho, Sung-Mi (Korea); Cooper, William D. (USA); Garcia Salas, Zoila Luz (Guatemala); Hallman, Milton Hastings (USA); Jolly, James (USA); Keillor, Elaine (Canada); Kim, Jung Kyou (Korea); Lima, Arthur Moreira (Brazil); Linzmeyer, Marlene M. (USA); Lipovetsky, Leonidas E. (Uruguay); Mastroianni, Thomas (USA); Motekaitis, Manigirdas (USA); Noguera, Marta Hebe (Argentina); Paik, Yun Hee (Korea); Payne, Dorothy Katherine (USA); Pinto, David (UK); Saarinen, Gloria (New Zealand); Sandoval, Jr., Jose (Mexico); Thomas, Charles Edward (USA); Watson, Margaret C. (USA); Wells, Leslie Marie (USA); Wilkinson, Grace (UK); Wolfe, Walter (USA); Yaggy, Sandra (USA)

22. Pianist
carmen alvarez Carol Comune Carol Lian Carter Larsen Catherine Gordeladze Cecil Taylor Cesar Camargo Mariano Chad Twedt Chantal Kreviazuk
http://www.prartmusic.com/html/cool_piano.htm

Aaron Goldberg

Abbey Simon

Abdullah Ibrahim

Adam Aleksander
...
Ali Wo
od
Amy JiaQi Yangec

Ana-Belen Herrezuelo

Andr¡s Schiff

Andre Previn
...
Zolt¡n Kocsis

23. Class Act: Films: "L"
Jack S. Phogbound, carmen alvarez Moonbeam McSwine, Alan Carney Mayor Theatre pianist Chico inadvertently passes them on to happy wanderer Harpo.
http://www.classicmoviemusicals.com/filmsl.htm
Home FILMS: L Index
La Bamba

At the age of 17 he had three hit records and a brilliant future...until fate made him a legend. Hit biodrama of '50s rock and roller Ritchie Valens stars Lou Diamond Phillips as Valens, with music by Los Lobos, Brian Setzer and Marshall Crenshaw. Co-starring Esai Morales, Elizabeth Pena.
Commentary: This is one of my favorite biopics - it may be the best rock biopic ever made. Maybe it's because I was around at the time, and I vividly remember "The day the music died." Losing Buddy Holly, Ritchie Valens and The Big Bopper all at the same time was a shock to all rock and roll fans, and may well have changed the evolution of rock and roll. Ritchie Valens was a talented and innovative performer (as were the other two). Making "La Bamba" - an old Mexican folksong - into a rock and roll hit was a stroke of genius. Lou Diamond Phillips broke into movies with this performance, and he is completely believable as Ritchie. And Esai Morales is perfect as Ritchie's half-brother. This is a film not to be missed by any fan of rock music!
Buy VHS

Buy DVD

Spanish Subtitled VHS

Buy Soundtrack
...
TV Schedule

Producers: Bill Borden and Taylor Hackford
Executive Producer: Stuart Benjamin Associate Producer: Daniel Valdez Director: Luis Valdez Screenplay: Luis Valdez Musical Score: Miles Goodman and Carlos Santana Song Score: various Production Designer: Vincent Cresciman Buy VHS Buy Soundtrack Cast: Lou Diamond Phillips [Ritchie Valens]

24. Links
Carlo Borbolla, Calixt alvarez, Andrés Alén, and Leo Brouwer. carmen Piazzini Argentine pianist. Offers biography, discography, and repertoire.
http://www.geocities.jp/latinamericapiano/e_link.html
Links / Enlaces Mexican music
  • Agora Music - features pianist including Gustavo Rivero Weber and Yleana Bautista. - Mexican pianist. He recorded 7 CD's collection of the complete piano work of Manuel M. Ponce. Sony Music Entertainment Mexico - Mexican music label. Urtext - Mexican music label, including CD of "Obra completa para piano de Rodolfo Halffter" by pianist Edison Quintana. Quindecim Recordings - Mexican music label, releasing many CDs of piano music by mexican composers. LUZAM - Mexican music label, releasing CDs of "Música Mexicana de Salón" and piano works of Felipe Villanueva. Mix up - Mexican online shop of CDs, videos, and DVDs. Large selections. EsMas Compras - Mexican online shop of books, CDs, DVDs, electronics, computers, and more. Conservatorianos ARLA Music International Manuel Ponce Society - at Dallas, USA. Mario Ruiz Armengol -This website shows photograph of Mario Ruiz Armengol, introduces the piano scores of Mario Ruiz Armengol. helmut brenner - web page entrance - Austrian musicologist. He published a book "Juventino Rosas: His Life, His Work, His Time".

25. Worthington Memory Http//www.worthingtonmemory.org Contributor
conductor Deborah Govenor, pianist I. GIVE THANKS Text from the Psalms Give Marshall Barnes; carmen alvarez Breckenridge, St. Michael Roman Catholic
http://www.worthingtonmemory.org/TextFiles/cow0003_001.txt
Worthington Memory http://www.worthingtonmemory.org Contributor: City of Worthington Founders Day Service of Thanksgiving October 27, 2002 [Bicentennial Logo] 1803 2003 WORTHINGTON "Building the Future with Pioneering Spirit" Worthington: 1803-2003 Celebrating 200 years! Early in the nineteenth century, at a time when pre-planning a community was virtually unheard of, a visionary New England businessman intended to do just that. James Kilbourne not only imagined such a settlement, he planned and executed it in every particular. Kilbourne traveled from Connecticut to the Ohio territory to explore what he thought would be appropriate property, located a suitable tract of land for what he had in mind, returned to his native Connecticut to enlist a group of investors to back the venture, and led the to-be-inhabitants himself across the Allegheny Mountains to their new home. On behalf of the newly formed investment group, The Scioto Company, and with the help of Thomas Worthington (who later became an Ohio governor and U.S. senator), Kilbourne purchased 16,000 acres of land at $1.25 an acre. It took those same investing families six weeks to travel the 600 miles by oxcart; they arrived in October of 1803, and named their new settlement Worthington after the man who had been instrumental in procuring it. James Kilbourne's aspiration did not end there. He envisioned a village where religion, education and a prosperous business community would be central, and his original planning reflected this mission. He platted a New England style village of 164 lots around a public square which was designated for religious and educational purposes as well as for community gatherings. Two lots were to be used for the school, which also temporarily housed the first community of faith, St. John's Episcopal Church, Worthington and Parts Adjacent. One hundred additional acres were set aside exclusively to provide income to support the church and for future school use. Kilbourne also headed the Worthington Manufacturing Company, a textile and furniture factory, started the first newspaper in Franklin County and encouraged the settlers to use the books they brought on their journey to start a subscription library. Aside from some setbacks, most notably the depression of 1819, Kilbourne's original vision for Worthington of a thriving business, educational and religious community prevailed and remains to this day. The city continues to evolve and prosper. The original one-room school has multiplied many-fold into a school system that draws new families yearly through its quality reputation. The religious community, which expanded almost immediately to include Methodists and Presbyterians, now includes numerous Christian denominations and communities of other faiths, including Jewish and Sikh. It is in the tradition Kilbourne began two hundred years ago of intentional community building that we welcome you to our interfaith service of celebration and thanksgiving for what Worthington was conceived to be and continues to become. 1 Founders Day Service of Thanksgiving October 27, 2002 PROCESSION FROM THE VILLAGE GREEN Salvation Army Band and Morning Star Drum Group WELCOME The Rev. Alan Sippel Worthington United Methodist Church THE LORD'S PRAYER - 1807 The Rev. Glenn Zorb All Saints Lutheran Church Our Father, which art in heaven, Hallowed be thy Name; Thy kingdom come; Thy will be done in earth, as it is in heaven: Give us this day our daily bread; and forgive us our trespasses, as we forgive them that trespass against us; And lead us not into temptation, But deliver us from evil: For thine is the kingdom, and the power, and the glory, forever and ever. Amen. *HYMN 116 The God of Abraham Praise (verses land 4) Sacred Harmony, 1780 Ron Kenreich, organist PSALM 138 The Rev. Mark Feldbush Worthington Seventh-day Adventist Church OLD WORTHINGTON SUITE Marshall H. Barnes, 1964 The Land, The Mill, St. John's Churchyard, The First Christmas+, Social Life, The Griswold Inn EPISTLE- 11 Corinthians 9:6-15 The Rev. Joseph Klee St. Michael Roman Catholic Church *Please stand +Omitted at this service 2 HOMILY The Rev. Arthur C. Hadley St. John's Episcopal Church *HYMN 139 Praise to the Lord (verses 1, 2, 3, and 5) Joachim Neander, 1680 arr. Alice Parker Maurice Casey, conductor William Haller, organist PSALM 84 Rabbi Gary A. Huber Congregation Beth Tikvah ANTHEM Worthington Trilogy Deborah Govenor, 2002 John Albrecht, conductor Deborah Govenor, pianist I. GIVE THANKS Text from the Psalms Give thanks to the Lord, He is good; His love endures forever. Give thanks to the Lord, He is good; His love is everlasting! He gathered them from east and west, from north and south, from near and far; and led them to a place where they could live forevermore. He turned the desert into pools, the parched ground into flowing springs; He satisfied their thirst and filled the hungry with good things. They planted trees and sowed their seeds that yielded a hundred fold. The Lord blessed them and their numbers increased and he granted them blessings untold. Give thanks to the Lord, He is good; His love endures forever. Give thanks to the Lord, He is good; His love is everlasting! His love is everlasting! II. GRATITUDE Text by Christina Murphy For the sky above, and the grass so green, (b. 1990) We give you thanks, Lord. For the birdies and the bunnies on the village green, We give you thanks, Lord. For the food we eat, the friends we meet, We give you thanks, Lord. For all these things, and many, many more, We give you thanks, Lord. III. TELL TO EVERY GENERATION Text from the Psalms Tell to ev'ry generation, all the wonders God has done; Of his love for ev'ry nation and His care for Worthington. North to south and east to west; our God has shown his faithfulness; Tell to ev'ry generation how our city has been blessed. PSALM 46 Rev. Hurdie Billingslea St. John A.M.E. Church *Please stand 3 *HYMN 519 Lift Every Voice and Sing (verse 1) J. Rosamond Johnson, 1921 Carolyn Sowards and Sunny Adams, pianists SHABAD Granthi Giani DilBagh Singh Gurdwara Sahib, Sikh Temple ENGLISH TRANSLATION: Children of Gurdwara Sahib Temple In Your Mercy, You care for all beings and creatures. You produce corn and water in abundance; You eliminate pain and poverty, and carry all beings across. The Great Giver listened to my prayer, and the world has been cooled and comforted. Take me into Your Embrace, and take away all our pain. Nanak meditates on the Naam, the Name of the Lord; the House of God is fruitful and prosperous. ANTHEM Great God of Nations Marshall H. Barnes, 2002 Text by Alfred A. Woodhall Great God of nations, now to Thee, Our hymn of gratitude we raise; (1810-1836) With humble heart and bending knee, We offer Thee our song of praise. Thy name we praise, Almighty God, For all the kindness Thou hast shown To this fair land the founders trod, This land we fondly call our own. Here freedom spreads her banner wide, And casts her soft and hallow'd ray; Here Thou our steps did guide, In safety thro' their dang'rous way. Great God preserve us, Great God, preserve us in Thy love; In danger still our guardian be. spread Thy trutfs bright precepts here, Let all the people worship Thee. God of nations now to Thee, Our hymn of gratitude we raise; With humble heart and bending knee, We offer Thee our song of praise. Our hymn of gratitude we raise; We offer this our song of praise. *LITANY FOR WORTHINGTON The Rev. Philip Hazelton Worthington Presbyterian Church LEADER: Almighty God, we thank you for this fair land along the Olentangy River. PEOPLE: For the fertile soil and the great trees, for the exalted beauty and the rich symmetry of this place, we give you thanks. LEADER: We thank you for those brave souls who so long ago left the known and went into the dark forest to find new life in a strange and unknown place. PEOPLE: For the courage and endurance of those who founded this city, we give you thanks. LEADER: We thank you for the long history and committed vision of this community which, from the beginning, was dedicated to serving you. PEOPLE: For the faith of our fathers and mothers, and their devotion to you, God, we give you thanks. *Please stand 4 LEADER: We thank you for the growth of churches and temples in this place, and that openness to your presence through many forms of worship has been a gift granted to us. PEOPLE: For all who call upon you, and all who find their place to call you, we give you thanks. LEADER: We thank you for your spirit of generosity that allowed this community to aid people who fled from slavery and oppression. PEOPLE: For those who gave their homes, their precious time, and their wealth to take in people escaping from injustice, we thank you. LEADER: We thank you for devotion to strong faith, good government, and solid education in this community. PEOPLE: For good leaders and wise guides, for teachers and coaches, for pastors and prophets who have enlightened us all, we give you thanks. LEADER: We thank you for prosperity and economic well-being, for clear water and bountiful crops, for industry and commerce. PEOPLE: For shops and farms, risk-takers and stability-givers, for visionaries of change and holders of the line, we give you thanks. LEADER: We thank you for all those who have reached out beyond our limits to those in need in the greater city, building houses for the poor and providing food for the hungry. PEOPLE: For those who have more than token concern for the lost, and who, with courage, call our wealth to account to serve others, we thank you. LEADER: We thank you for the brave play of children and the joy of family; for encouragement of traditions and for irreverence to worn-out values; for work to do and the comradeship of work. PEOPLE: For all these things, we give you thanks, God. ALL: Watch over this city, God, and look upon us with favor as we celebrate the long train of blessings and vigor from your gracious hand. Go with us into the new world ahead of us, great and glorious God. Amen. *BENEDICTION Rabbi Gary A. Huber *CONGREGATIONAL RESPONSE The Lord Bless You and Keep You Peter C. Lutkin *DISMISSAL The Rev. Fred Wiese Gethsemane Lutheran Church LEADER: Surrounded by God's people of every time and every place, go in peace to love and serve the Lord. PEOPLE: Thanks be to God. POSTLUDE Heroic Music George Philipp Telemann, 1681-1767 arr. S. Drummond Wolf Jan Arthur, organist *Please stand 5 The Bicentennial Committee thanks the many people who have given generously of their talent and their time for this service of thanksgiving. We gratefully acknowledge their offering. SERVICE PLANNERS: The Rev. Hurdie Billingslea, St. John A.M.E.; Rabbi Lauren Cohn; Msgr. William Dunn; The Rev. Arthur Hadley, St. John's Episcopal Church; The Rev. Philip Hazelton, Worthington Presbyterian Church; Maggie Huff, Service of Thanksgiving Committee; Amar Purewahl and Kuljeet Johar, Gurdwara Sahib Temple; The Rev. Loren Seibold and The Rev. Mark Feldbush, Worthington Seventh-day Adventist Church; The Rev. Alan Sippel, Worthington United Methodist Church; Ellen Stukenberg, Worthington Bicentennial Steering Committee; Mary Stukenberg, Service of Thanksgiving Committee; The Rev. Fred Wiese, Gethsemane Lutheran Church; The Rev. Glenn Zorb, All Saints Lutheran Church MUSIC PLANNERS: Sunny Adams, St. John A.M.E.: John Albrecht, Worthington Presbyterian Church: Jan Arthur, All Saints Lutheran Church; Marshall Barnes; Carmen Alvarez Breckenridge, St. Michael Roman Catholic Church; Maurice Casey, Worthington United Methodist Church; Maggie Huff, Service of Thanksgiving Committee; Michael Haberkorn, St. John's Episcopal Church; Ron Kenrelch, Gethsemane Lutheran Church; Ellen Stukenberg, Worthington Bicentennial Steering Committee; Carolyn Sowards, Worthington Seventh-day Adventist Church MUSICAL GROUPS: SALVATION ARMY BAND: Envoy Greg Tuck, Jonathan Gensler, Major Edward Holmberg, Major Elbert Holmberg, Timothy Holmberg, Rita Mangrum, Jackie Raymond, Norman Raymond, Courtney Stafford, Keith Wheeler, Sue Ellen Wheeler, Keith Wilkinson Many Worthington churchgoers are familiar with The Salvation Army band, which has accompanied the Good Friday procession on the Village Green for years. Brass Banding is an integral part of the The Salvation Army's heritage. This band has been together for 12 years and participates in all worship services at The Chapel at Worthington Woods. MORNING STAR DRUM GROUP: Larry White, Randy Church, Richard Jacob, Debbie White, John Williams These drummers of Native American heritage have played at many Pow-wows around the country. Drummers only play to accompany the prayers they chant. OLD WORTHINGTON SUITE: Narrator/singer, Christine Strohl Mortine; Flute, Katherine Borst-Jones; Clarinet, Tim Santos; Whistler, Howard Davis; Piano, Marshall Barnes Text by Gladys Linnabary from Resources for Teaching the History of Worthington, Ohio, used by permission, with inscriptions from tombstones in St. John's Churchyard and folk ballad Johnny Appleseed. Musical quotations include Old Hundred, When the Role Is Called Up Yonder, and the Chicken Reel. Written by Worthington composer Dr. Marshall H. Barnes and first performed on July 17, 1964 at Sharon Township Hall, Old Worthington Suite has been performed on television, for schools, clubs, and recitals including one at the Orange Johnson House, the old Ohio radio network, and for Colonial Hills principal Gladys Linnabarys tea. 6 ADDITIONAL MUSICLANS: PIANO: (in order of performance) Deborah Govenor; Carolyn Sowards and Sunny Adams ORGAN: (in order of performance) Ron Kenreich, William Haller, and Jan Arthur TRUMPETS: Richard Burkart and Tim Leasure TROMBONES. Tom Zugger and Kate Smith TIMPANI: Joe Krygier BICENTENNIAL ADULT CHOIR Directed by Maurice Casey SOPRANOS: Kristy Albrecht, Michelle Bissonnette, Rennie Boring, Donna Bosak, Jennifer Brigner, Jane Casey, Charlotte Conaway, Janet Cree, Nancy Feole, Brenda Flaugher, Rupa Ghosh-Berkebile, Erin Glowacki, Judy Goad, Judy Harris, Juanita Harrison, Peggy Hayes, Arlene Hendrickson, Chris Holmberg, Mary Hugus, Ann Ickes, Nancy Jantsch, Gerri Kouskouris, Virginia McCammon, Ruth Murphy, Abby Nims, Darlene Norman, Dini Parsons, Cynthia Perotti, Yula Pettit, Melissa Redmill, Paula Ritchie, Sandi Serbu, Helen Sutherland, Sharon Tipton, Janice Whittaker, Nancy Yates ALTOS: Anita Berry, Toy Biederman, Myrtle Bradley, Barbara Brownell, Eleanor Buford, Nancy Chesser, Caroline Cloveskol Lois Coppola, Ann Droste, Alison Dye, Carolyn Fergus, Roseanna Fields, Edna Hill, Margaret Horstman, Carol Karrer, Beth Kenrelch, Jessie Kerr, Susan Lau, Trudy Leggette, Melanie Lenz, Elsabe Lindberg, Karla McClain, Molly McConnell, Charlene McLeod, Judi Murphy, Carol Myers, Mary Nourse, Deanna Olson, Kathy Palmer, Diane Pulte, Ann Rigney, Kathy Simcox, Sharry Stansifer, Kathy Tunstall, Charlotte Welch, Gall Zink TENORS: Paul Baughman, Gordon Berkebile, Robert Brooks, William Cady, Joe Ferrar, Ted Freuler, Michael Gee, Joel Haney, Marge Hay, Rodney Harrison, Curt Lindberg, Stephen Moore, Todd Patterson, Mark Pendleton, Tony Petrarcal Rick Williams, Martin Williamson, Patrick Woliver, Bill Yost BARITONES/BASSES. Sunny Adams, Jan Arthur, Paul Bartels, David Berger, Ray Bissonnette, Nick Britt, Don Dell, Claude Farrell, Jeff Flaugher, Bart Gilleland, David Hayes, David Holmberg, Jim Holsinger, Paul Horstmann, Alex Jamieson, Ron Kenrelch, Craig Knouf, Paul Lenz, Kevin Lohr, Dean Miller, David Norman, Kevin Perotti, Gary Racey, Tom Russell, Rickey Stansifer, Bob Wynd, Dennis Yep, Jon Young BICENTENNIAL CHILDREN'S CHOIR: Directed by John Albrecht Ethan Albrecht, Elizabeth Ankrom, Alexandra Blanke, Jennifer Coppola, Abby Flaugher, Emily Flaugher, Emma Cree Gee, Evan Cree Gee, Nathan Cree Gee, Allison Humes, Gabble Hursey, Sarah Huston, Katie Jones, Jimmy Kirk, Amanda LaHue, Katy Luccil Sara Luccl, Christina Murphy, Rachel Murphy, Sally Nichols, Allison Quayle, Lauren Quayle, Margaret Raabe, Martin Raabe, Katie Schaffer, Micaela Scholl, Molly Scholl, Kati Serbu, Kristi Serbu, Adam Siddall, Emma Siddall, Claudia Smith, Wesley Smith, Leanne Wegley, Melissa Wilson, Rachel Wiltshire 7 SIKH CHILDREN CHANTERS: Charanpreet Singh Neki (harmonium), Jaideep Singh, Karam Singh Dhillon, Saacht Preet Kaur Neki, Jyoti Kant (harmonium), Jasneet Kaur, Sukhwinder Singh (tabla) Members of the Sikh Gurdwara in Linworth, the children chant every Sunday as part of their religious education. THE SIKH COMMUNIT: Sikhs must maintain a unique identity that sets them apart from the crowd, building self-confidence, courage, and integrity. Men and women have always been regarded as completely equal since Sikhism was founded in 1469 CE. Sikhism believes that if one is a Christian, one should be a good Christian; if one is a Muslim, one should be a good Muslim, etc. Sikhism sees all religions as paths to the same God. Sikhs have never forcibly converted others into Sikhism, and have actually given their own lives for those of other religions. The Ninth Guru, Guru Tegh Bahadur, gave his life to save Hinduism, which would have been forcibly converted into Islam by the Moghuls. Gurdwara Sahib Temple was established in Linworth in 1995. ANTHEMS The anthems performed in this Service of Thanksgiving were commissioned by the Worthington Bicentennial Steering Committee for this occasion. The score for Great God of Nations is a gift to the city from Worthington resident, Dr. Marshall H. Barnes. Deborah Govenor, composer of Worthingon Trilogy, directs the Junior, High School, and Youth Bell Choirs at Gethsemane Lutheran Church. Both composers have long and distinguished histories of musical craftsmanship and continue to be recognized nationally for their artistry. The two anthems are being performed for the first time at this service. American Sign Language interpretation provided by Pam Huston Douglas and Teri DeMatteo. Graphic design provided by Rebecca Feldbush, FreshInk Design. Program printing provided by Insley Printing Company. 8

26. Kansas City Chamber Orchestra - A Letter From Music Direction Bruce Sorrell
pianist carmen alvarez returns from London to play Beethoven. Plus, you ll hearsome of Kansas City s favorite singers, including Brian Steele,
http://www.kcchamberorchestra.org/bruceletter.html
Kansas City Chamber Orchestra
As time goes by...
Of all the concerts in all the venues, you had to walk into this one ... and I'm glad you did. Our 19th season features a galaxy of star musicians, all of whom live and work right here in Kansas City, playing music by the greats - Mozart, Beethoven, Vivaldi, Britten, Schubert, Tchaikovsky and more ... In the words of some of those immortal movie posters: Here is greatness ... wonder ... majesty ... music no human words can describe ... but which every human heart can feel and share. We'll play it again just for you. kcchamberorchestra@sbcglobal.net

27. Montevideo Review, 31.1.2000
carmen alvarez releases a disc that demonstrates technical maturity and carmen alvarez was one of the last pupils that the great Kolischer tutored.
http://www.carmenalvarez.com/800X600/montevideo.htm
El Pais, Montevideo Monday 31 January, 2000 Carmen Alvarez releases a disc that demonstrates technical maturity and artistry Piano masterworks Critic: I Washington Roldan Carmen Alvarez was one of the last pupils that the great Kolischer tutored. Later on she perfected her studies under the Russian Alexander Uninsky and graduated from the Juilliard School in New York. She won several competitions in Montevideo, New York, and Dallas, where she met and was married to an American violist. She never returned to Uruguay. Since she left our country we lost complete sight of her and did not know anything about her career, which has been very active and successful. It first developed in the USA, and later included tours in Europe and Japan. Piano masterpieces: Recorded in London Composers: Ravel, Mompou, Albeniz Granados Artist: Carmen Alvarez The Embassy of Uruguay in Great Britain recently sent us a CD of Ms. Alvarez, which has resulted in a complete rediscovery of her pianistic talent, who since very young chose to look for better opportunities outside our country. She now resides in London. She is remembered as a very promising performer through her earlier recitals and concerto performances. But what now comes from this intelligent selection is a mature and intense personality with a first rate technique and a richness and quality of sound that is rare to find today. The disc is produced with well presented professionalism, and comprehensive program notes provided by Gerald Larner of the London Times, and a compelling acoustical sonority that gives full justice to the subtleties of the performer and to the tonal range of the Steinway that she uses.

28. French Culture | Music | CD New Releases | Classical Index
Young French pianist Alexandre Tharaud plays piano transcriptions of Bach s This allstar 1988 carmen (captured on CD and video) demonstrates the joys
http://www.frenchculture.org/music/cd/classical/
Music CD New Releases
NEW CD HIGHLIGHTS: FRENCH CLASSICAL MUSIC Great Recordings of the Century
EMI's Great Recordings of the Century series includes a dozen classic recordings of French artists and repertoire, including pianists Samson Francois and Alfred Corto t, violinist Jacques Thibaud , and conductor Bizet 's opera Carmen , German pianist Walter Gieseking's inimitable interpretations of Claude Debussy' s piano works, Aldo Ciccolini's definitive version of Eric Satie 's brilliant piano miniatures, and soprano Victoria de los Angeles's groundbreaking version of Canteloube 's Songs of the Auvergne Click here for a full list of French Great Recordings of the Century Opera Magazine's Greatest French Operas
The distinguished critics of Opera magazine have selected the five greatest French opera recordings in history.
Bach: Concertos Italiens
Alexandre Tharaud (piano)
Harmonia Mundi HMC 901871
Young French pianist Alexandre Tharaud plays piano transcriptions of Bach's keyboard transcriptions of works by Vivaldi, Marcello, and Torelli. In the tradition of Glenn Gould, Angela Hewitt, and Murray Perahia, Tharaud performs these classic pieces with warmth and sensitivity on a Steinway grand. A delightful, charming CD.

29. Who's Who Of Rhode Island USA Dance Folk THE P's
While at Delphi, she studied with Rebecca Wright, carmen DeLavallade, Gail Gilbert Her mother, Dr.Carlotta Golini, was a concert pianist in Italy before
http://www.ridance.com/p.html

HOME
SITE MAP WHO'S WHO
riDANCE
WHO'S WHO
THE P'S
Pacheco/Eva-dancer and teacher(ballet,jazz)
Palmieri/Amy-dancer(modern)

Paolilli/Jennifer-dancer,teacher(jazz)

Paris/Nelia-dancer,choreographer(ballroom)
... Y PACHECO/EVA MARIE
Dancer, choreographer, founding member of Festival Ballet, Director Providence Ballet, Teacher
Ballet, Jazz, Modern (bRI, lRI, wRI)
One of Rhode Island's busiest dancers, Eva Marie Pacheco began her performance life with Rhode Island Ballet Theatre (a precursor to Festival Ballet) as the youngest member of the company. She was a founding member of Festival Ballet , and has been seen in a variety of principal roles, most notably, the Sugar Plum Fairy in Nutcracker. She received praise for her spirited jazz dancing in Le Jazz Hot. As a choreographer she has created works for Festival Ballet including Los Caminos and In the Mood. Her first full length ballet, Twas the Night Before Christmas, premiered in December 1995 with the Island Moving Co. -a company she often dances with. She has toured with Everett Dance Theatre in The Science Project(Spring 1999), and dances with

30. PlaybillArts: Features: Classical CD Highlights: October
The Tenor s Passion Marcelo alvarez (Sony Classical SK 92937) Tenor PaulGroves teams with up pianist Roger Vignoles, an accomplished song accompanist,
http://www.playbillarts.com/features/article/481.html
September 12, 2005 Home Classical Music
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Classical Music

Opera
... Printer-friendly Classical CD Highlights: October By Michael S. Markowitz
01 Oct 2004
October brings an abundant harvest of noteworthy new releases and reissues, including a bumper crop of Bernstein. Bernstein: Mass (Harmonia Mundi HMC 901840/1)
Leonard Bernstein: An American Life (Deutsche Grammophon B0003568)
Leonard Bernstein’s Mass , a sometimes-awkward mix of classical, Broadway, and rock, provoked sharply mixed reviews after its 1971 premiere. The work commissioned by Jacqueline Kennedy Onassis to mark the opening of Washington’s Kennedy Center was denounced by some critics as a self-indulgent and self-righteous product of Vietnam-era politics. Yet a number of prominent musicians championed it over the years, among them the American conductor Kent Nagano, a Bernstein student, who presented Mass to eager audiences in Berlin in 2003. You can judge the work for yourself in a new release of Nagano’s performance, featuring the Deutsches Symphonie-Orchester of Berlin, several choruses, electric and bass guitarist soloists, and tenor Jerry Hadley. Want more Lenny? This month, classical radio stations around the country are airing an 11-part documentary titled

31. 106 Kritiken / Reviews
pianist carmen Piazzini may grace the Trout with her crisp, Zum seit über20 Jahren existenten ÁlvarezKlavierquartett gesellt sich nun Boguslaw
http://www.tacet.de/ware/01063k.htm
Kritiken zu TACET 106 / Reviews for TACET 106
Empfohlen von klassik.com
classicstoday.com: "Heard in concert, this well-prepared and sensitively nuanced "Trout" would satisfy the pickiest concertgoer. On disc, however, a few factors keep it at a position just below the work's top recorded contenders. These include a rather abrasive tonal quality to loud unison string tuttis (the Scherzo's scampering opening measures, for instance, and throughout the Finale, despite the great care taken with balances and dynamics), self-conscious phrasings and articulations in the variations movement that border on mannerism, occasional technical blemishes (the first violinist's high-lying trills in the latter movement), and less-than suave passage-work triplets in the outer movements.
Pianist Carmen Piazzini may grace the "Trout" with her crisp, beautifully shaded contributions, but beware her drab and prosaic Four Impromptus D. 899. She seems to take forever intoning the C minor's bald opening phrase, and either picks at the obsessive accompanying triplets or doggedly runs them into the ground. She over-phrases the E-flat Impromptu's minor-key sections yet articulates the main part's vertiginous scales without the evenness and poise Murray Perahia and Radu Lupu bring to this piece. No amount of "meaningful" rubato on Piazzini's part can disguise her basic plodding and dourly foursquare concept of the sublime G-flat Impromptu. As it turns out, my least favorite Impromptu (No. 4) gets the most interesting performance. I enjoyed Piazzini's spiky articulation of the right hand arpeggiated figures and her judicious gauging of the central episode's long lines.

32. High-Res Reviews Pt.2 OCT02 - AUDIOPHILE AUDITION
Tacet omitted any listing of the pianist on either the jewel box credits If I were carmen I’d be pizzed. Tacet dubs their DVDAs “Real Surround Sound.
http://www.audaud.com/audaud/OCT02/HIRES/hires2OCT02.html
Hi-Res Audio Reviews
October 2002 - Part 2 of 3 Classical
click on any cover to go directly to its review below
Joel selected a better pianist than himself to record the works and the session was held in Vienna because of the musical/philosophical connections for him. He alludes in his own notes to ghosts or spirits - that there is something in the atmosphere in Vienna that connects one to this sort of music. That connected me with the recordings by Rosemary Brown of some years back who claimed to have a string of famous composers such as Schubert and Beethoven dictate new piano pieces to her from the Beyond. Joel's pieces remind me strongly of Brown's - having many qualities undeniably of the particular composer in question but still sounding like that composer on a rather "off" day. The most original aspect of this CD is the cover art - an accurate imitation of the front of the G. Schirmer piano music collections which every piano student has carried around and struggled with. Purchase Here
- John Sunier
BELA BARTOK: Concerto for Orchestra; The Miraculous Mandarin - New York Philharmonic/Pierre Boulez - Sony Classical SACD only SS 87710:

33. Furore Verlag Instrumental Music Piano
Euro 25,00 order, Liana Alexandra Rumania, Silvia Leonor alvarez de la In memory of Bill Evans commissioned by the american pianist Selma Epstein.
http://www.furore-verlag.de/englisch/01noten/01noten01.htm
PIANO Page 25 plus piano solo
25 years Women in Music Germany Jubilee Edition

with short biographies and notes on the works (German/English) fue 4660 ISBN: 3-927327-59-X
Euro 25,00 order Liana Alexandra - Rumania, Silvia Leonor Alvarez de la Fuente, Argentina, Maria de Alvear - Spain, Caroline Ansink - Netherlands, Matilde Capuis - Italy, Carmen Maria Cârneci - Rumania, Diana Cemeryte - Lithuania, Gloria Coates - USA/Germany Andrea Csollány - Germany, Violeta Dinescu –Germany, Susanne Erding Swiridoff – Germany, Siegrid Ernst - Germany, Tsippi Fleischer – Israel, Ursula Görsch - Germany /Ghana, Barbara Heller - Germany, Ursula Mamlok - Germany /USA, Bernadetta Matuszczak - Poland, Ruth McGuire - USA, Florentine Mulsant - France, Vivienne Olive - England, Sibylle Pomorin - Germany, Ruth Schonthal – Germany /USA, Eva Schorr - Germany, Margarete Sorg-Rose – Germany, Ludmila Yurina - Ukraine, Marliese Zeiner - Czech Republic /Deutschland
From A for Alexandra to Z for Zeiner: 27 contemporary female composers from Germany, England, France, Rumania, Poland and other European countries, the USA and Argentinia have donated a piano piece on the occasion of the 25th annversary in 2004 of the Internationaler Arbeitskreis Frau und Musik (International Working Group Women in Music). The pieces were performed at the anniversary celebration in Frankfurt and have now been collected in this unique anniversary edition. They are as varied as the personalities of the composers themselves, ranging from witty and playful to strictly disciplined, virtuoso to poetic, meditative, melodious and harmonious to shrilly aggressive.

34. Furore Verlag Music By Women Composers News
Liana Alexandra – Rumania, Silvia Leonor alvarez de la Fuente, Argentina, Matilde Capuis – Italy, carmen Maria Cârneci – Rumania, Diana Cemeryte
http://www.furore-verlag.de/englisch/e_news.htm
How to order Download
catalogue 2005
as pdf-file
Welcome to Furore!
Furore is the major music publishers who is specialized in the publication
of music by women composers from all historical periods and is the leader in this field.
In this website you will find information about our music editions, books, interesting CDs
on the Furore label Salto Records International and we cordially invite you to search
in our comprehensive Online Catalogue. Here you are: tips about interesting issues! Click here:
FANNY HENSEL
Documentation
For celebrating Fanny Hensel’s bicentary in 2005 we have compiled a documentation about her life and work with worklist, performance material, CDs, books and concerts on the website www.fannyhensel.de Free: New catalogue 2005 of Music publications order New CD: La Nave Della Vita/Das Schiff des Lebens Songs by Matilde Capuis more information New! MEL BONIS (1858-1937) Piano Music. Edition in 6 volumes (Eberhard Mayer) new: Vol. 4: Pièces de concert

35. L ENTRIES - Page 6 On The COMPOSERS - LYRICISTS DATABASE
carmen Lombardo b. 1903, London, Canada, d. 1971, Miami, Florida FranciscoCanaro s orchestra (with pianist Luis Ricardi) was then resident at the club,
http://nfo.net/cal/tl6.html
Welcome! NFO.NET COMPOSERS AND LYRICISTS DATABASE PLUS A W rld of Information! Google Search Our Site Search The Web Search Tip: Multiple words inside quotes. ADD A COMMENT ? Artist's Alphabetcal Index A B C D ... Z Frederick Loewe
b. June 10, 1904. Berlin, Germany, d. 1988
Loewe came from a musical family. His father created the role of Prince Danilo in Lehar's 'The Merry Widow' operetta. Loewe was studying the piano at age 5, and, age 13, appeared with the Berlin Symphony Orchestra, the youngest soloist ever to appear with the orchestra. As a child, Loewe was writing songs for his father's variety acts. His song, written at age 13, "Katrina" sold over a million copies. As a young man, he received serious musical training in piano and composition from such teachers as Eugene d'Albert; Ferruccio Busoni and Nikolaus Reznicek. In 1924, Loewe emigrated to the U.S. He landed in New York City, but when he couldn't succeed there, he roamed the U.S. where he had many menial jobs including ridiing instructor; gold prospector; bantamweight boxer (he won 8 of 9); Cowboy (in Montana); and piano player on cruise ships, nightclubs and beer halls. In 1934, one of his songs, "Love Tiptoed Through My Heart", was heard in the Broadway play 'Petticoat Fever'. In 1935, Loewe got together with a radio and Hollywood script writer named Earle Crooker. Their song "A Waltz Was Born in Vienna" was heard in the Broadway revue 'The Illustrators Show'. The team of Gomez and Winona danced to the song.

36. D ENTRIES - Page 4 On The COMPOSERS - LYRICISTS DATABASE
Due to this success, Argentine impresario Agustin alvarez offered him the You Lead the Parade , colyricist Walter Kent; Music by carmen Lomhardo.
http://nfo.net/cal/td4.html
Welcome! NFO.NET COMPOSERS AND LYRICISTS DATABASE PLUS A W rld of Information! Google Search Our Site Search The Web Search Tip: Multiple words inside quotes. ADD A COMMENT ? Artist's Alphabetcal Index A B C D ... Z Walter Donaldson
b. Feb. 15, 1893, New York (Brooklyn), NY, USA, d. July 15, 1947, Santa Monica, CA, USA.
Overview
This son of a Piano teacher never formally studied music, but he came from a musical family. He attended high school in Brooklyn, NY, and wrote songs for plays put on by his fellow students. After high school, he worked briefly as a clerk in a Wall Street brokerage house. but quickly found a $15 per week job as a demonstrator in a music publishers. (They fired him when they found him writing music during business hours.) During WW1, he entertained troops at US Army Camps. It was at Camp Upton that he met Irving Berlin. After the War, Donaldson joined the Irving Berlin, Inc., Music Publishers, staying for 10 years. While working with Berlin, he wrote a great many of his finest hits. He stayed with Belin until 1928, when he left to found his own music publishing firm, Donaldson, Douglas and Gumble. Brief chronology
He wrote three songs this year, including his first hit

37. Continuing Education And Public Programs At The Graduate Center: A Learning Part
Federic Mompou, Voice of Catalonia Featuring pianist Adam Kent Music anddrumming will be provided by Gilberto alvarez, Johnny Farraj, Raqay and the
http://web.gc.cuny.edu/cepp/courses/performances.html

38. Untitled Document
Bakuleye, Bamboleo, carmen Flores, Enrique alvarez, Issac Delgado Enrique alvarez Navarro is a founding member and director of the popular orchestra
http://www.ahinama.com/enriquebio.htm
-None Selected- 3 De La Habana Ad Libitum Arte Mixto Bakuleye Bamboleo Carmen Flores Enrique Alvarez Issac Delgado Laito Laito Jr. Last Word in Cuban Music Los Naranjos Los Novo Los Zafiros Manolin Maraca Rolo Martinez Siempre Juntos Volume 1 Volume 2 Enrique Alvarez Enrique Alvarez Navarro is a founding member and director of the popular orchestra Charanga Latina as well as an outstanding violinist and composer of many Cuban hits. He was born in 1952 in the province of Camaguey, Cuba. Enrique comes from a long line of musicians. His grandfather, father, brother, and son are all respected Cuban artists. Enrique began studying music at the age of 4 under the tutelage of the highly regarded professor, Carmelo Alvarez. His classmates at the Escluela Macional de Arte de La Ciudad de La Habana, are now some of Cuba's finest players: Arturo Sandoval, Paquito D'Rivera, Juan Pablo Torres, Ignacio Berroa and his brother Adalberto Alvarez. At the age of 6, Enrique played violin in a children's orchestra which performed "Charanga Francesa". This music was played by ensembles that included a few violins, flutes and other instruments. They were responsible for popularizing rhythms such as the danzon and the cha cha cha decades before this music became known worldwide. The "Charanga Francesa" groups also played sones, boleros, and other Cuban rhythms in their own special style. This was the beginning of Enrique's vocation as a "charanguero".

39. Untitled Document
such as Vicentico Valdez, Rene alvarez, Cheo Marquetti, Mercedita Valdez andChano Pozo. under the musical direction of pianist Lazaro Valdez.
http://www.ahinama.com/rolobio.htm
-None Selected- 3 De La Habana Ad Libitum Arte Mixto Bakuleye Bamboleo Carmen Flores Enrique Alvarez Issac Delgado Laito Laito Jr. Last Word in Cuban Music Los Naranjos Los Novo Los Zafiros Manolin Maraca Rolo Martinez Siempre Juntos Volume 1 Volume 2 Yumuri Rolo Martinez Rolando "Rolo" Martinez was born in 1935 in Cayo Hueso, a Havana neighborhood that nurtured many legendary singers and musicians such as Vicentico Valdez, Rene Alvarez, Cheo Marquetti, Mercedita Valdez and Chano Pozo. As a child, Rolo was greatly influenced by the folkloric wealth of Cayo Hueso, one of the epicenters of urban rumba. At the age of 15, Rolo was already singing professionally with various Havanese groups. A few years later, he became the lead singer of the popular conjunto led by Felix Chapotin, after Miguelito Cuni left his trumpet-playing partner to join forces temporarily with Benny More. Replacing Miguelito Cuni, one of the most important soneros of the 20th century, was definitely a valuable and challenging experience for the young singer from Cayo Hueso. During the second half of the 1950's, Rolo switched from the trumpet led conjunto sound to the so-called jazz band (Cuban style big band) format. This happened when he was recruited by the outstanding bandleader/arranger Ernesto Duarte, author of the classic bolero Como Fue. Backed by Duarte's orchestra, Rolo recorded certain tunes that quickly penetrated Havana's hit parade.

40. Washingtonian Online - 100 People To Watch
Jessica alvarez. The 21year-old alvarez has put her bilingual skills to work But first she and her pianist husband need to unpack boxes and boxes of
http://www.washingtonian.com/people/people_to_watch/peopletowatch.html
100 PEOPLE TO WATCH They've Got the Brains, Talent, and Drive to Make a Difference Edited by Howard Means, with the staff of The Washingtonian Almost all of The Washingtonian's editors and writers helped with this article. Special contributions were made by assistant editor Brooke Lea Foster; by Susan Davidson, Ken DeCell, Diane Granat, Cynthia Hacinli, Thomas Head, Harry Jaffe, Barbara Matusow, William O'Sullivan, Courtney Rubin, and Ellen Ryan; and by editorial assistants Denise Kersten, Courtney Porter Martin, and James Savage. Note that the words at the top of this page read 100 PEOPLE TO WATCH, not THE 100 PEOPLE TO WATCH. That has been the first lesson for all of us who helped prepare this end-of-the-century article: The Washington area has so much talent that any attempt to be as definitive as "the 100" is folly. As we were doing the reporting, we would set ourselves a rough quota of, say, a dozen social entrepreneurs, and suddenly we'd be facing a list of 50 people who were making extraordinary sacrifices and progress against all sorts of woes. And so it went, through virtually every calling. The youth movement meant that some professions fell by the wayside. Architects, to cite one example, rarely break free of the cloud cover until they are in their forties, as two prominent local architects explained to us. So be it, but we're sorry to be without a representative from their ranks.

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