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         Webern Anton Von:     more books (100)
  1. Fünf Lieder aus " Der siebente Ring " von Stefan George ... Op. 3 by Anton von Webern, 1921
  2. Fünf Lieder nach Gedichten von Stefan George. Für eine Singstimme und Klavier ... Op. 4 by Anton von Webern, 1951
  3. ii. Kantate für Sopran- und Bass-Solo, gemischten Chor und Orchester ... Op. 31. Worte von ... Hildegard Jone. English version by Eric Smith. Partitur, etc. Ger. & Eng by Anton von Webern, 1956
  4. Sechs Lieder nach Gedichten von Georg Trakl für eine Singstimme, Klarinette, Bass-Klarinette, Geige und Violoncell ... Op. 14. [Score.] by Anton von Webern, 1924
  5. ii. Kantate. Worte von Hildegard Jone. Für Sopran- und Bass-Solo, gemischten Chor und Orchester. Op. 31. Klavierpartitur by Anton von Webern, 1951
  6. Drei Lieder. Three Songs. Op. 25. Nach Gedichten von ... Hildegard Jone. English version by Eric Smith. Gesang und Klavier. Ger. & Eng by Anton von Webern, 1956
  7. i. Kantate. Für Sopran-Solo, gemischten Chor und Orchester ... Op. 29. Worte von ... Hildegard Jone. English version by Eric Smith. Klavierauszug, etc by Anton von Webern, 1954
  8. Zwei Lieder nach Gedichten von Rainer Maria Rilke. Für Gesang, Klarinette, auch Bassklarinette, Horn, Trompete, Celesta, Harfe, Geige, Bratsche und Violoncello. Op. 8. Partitur by Anton von Webern, 1926
  9. Zwei Lieder nach Gedichten von Rainer Maria Rilke. Für Gesang, Klarinette, auch Bassklarinette, Horn, Trompete, Celesta, Harfe, Geige, Bratsche und Violoncello. Op. 8. Partitur by Anton von Webern, 1926
  10. Fünf Lieder aus " Der siebente Ring " von Stefan George, für eine Singstimme und Klavier. Op. 3 by Anton von Webern, 1919
  11. i. Kantate für Sopran-Solo, gemischten Chor und Orchester ... Op. 29. Worte von ... Hildegard Jone. English version by Eric Smith. Partitur, etc. Ger. & Eng by Anton von Webern, 1957
  12. " Ihr tratet zu dem Herde ... " aus dem " Jahr der Seele " von Stefan George. Für eine Singstimme und Klavier by Anton von Webern, 1914
  13. Zwei Lieder für gemischten Chor mit Begleitung von Celesta, Gitarre, Geige, Klarinette und Bassklarinette. Op. 19. Klavierauszug mit Text by Anton von Webern, 1928
  14. Quintet for String Quartet and Piano. < Edited by Jacques Louis Monod. > [Score.] by Anton von Webern, 1953

61. Internet Archive Search: Creator:scattergood
anton von webern A soldier in BurgMitteril - Scattergood-Moore anton von webern A Soldier in Burg-Mitteril - a collage ( Study for Ident .
http://www.archive.org/search.php?query=creator:scattergood

62. Webern, Anton Von
Row forms in the serial works of Schoenberg, Berg and webern (English); Classical Music Pages anton von webern (English). Back to top
http://www.musicaviva.com/encyclopedia/display.html?phrase=webern-anton-von

63. Anton Webern
anton webern. anton webern AKA anton Friedrich Wilhelm von webern of the three friends webern was the one who applied it most vigorously.
http://www.nndb.com/people/511/000059334/
This is a beta version of NNDB Search: All Names Living people Dead people Band Names Book Titles Movie Titles Full Text for Anton Webern AKA Anton Friedrich Wilhelm von Webern Born: 3-Dec
Birthplace: Vienna, Austria
Died: 15-Sep
Location of death: Mittersill, Austria
Cause of death: War
Gender: Male
Religion: Roman Catholic
Race or Ethnicity: White
Sexual orientation: Straight
Occupation: Composer Nationality: Austria
Executive summary: Atonal composer Military service: Austrian Army (WWI, discharged 1916) Atonal composer known for his thick concentration of musical material and extreme brevity (his entire output fits on three CDs). A member of the Second Viennese School and one of the two most famous pupils of Arnold Schoenberg , along with Alban Berg . Studied Renaissance music and mined it for ideas, especially in later works. Made a living by teaching and conducting at various appointments. Ran into some trouble with the Nazis; appeared on a list of "degenerate art" and had his work banned in 1938. Shot accidentally by an Allied soldier in 1945 as a result of his son-in-law's black market dealings. Though Schoenberg was the one to originally invent the 12-tone method of composition, of the three friends Webern was the one who applied it most vigorously. While both Schoenberg and Berg took varying amounts of liberties in their use of the system, Webern was the first to grow entire compositions out of the tone row, thus paving the way for integrated serialists like

64. MTO 4.2: Alpern, Review, Webern And The Lyric Impulse
anton von webern A Profile, anton von webern Perspectives, ed. Moldenhauer and Irvine (Seattle Washington University Press, 1966) 314.
http://societymusictheory.org/mto/issues/mto.98.4.2/mto.98.4.2.alpern.html
Music Theory Online
The Online Journal of the Society for Music Theory
Volume 4.2
Wayne Alpern
Review Article, "Will the Real Anton Webern Please Stand Up?": Anne C. Shreffler, Webern and the Lyric Impulse (Oxford: Oxford University Press, 1994), pp. xvi+256
KEYWORDS: Shreffler, Webern, lyricism, atonality, analysis, sketch study, postmodern, vocal works 1.INTRODUCTION. 2. LYRICISM. 3. BACKGROUND. 4. INTERDISCIPLINARY APPROACH. ... References INTRODUCTION. [1] It is testimony to Anton Webern's stature that the contemporary erosion of structural formalism has not witnessed any concomitant decline of interest in his music. Attention has shifted rather toward the composer's neglected expressivity and poetic sensibility. In Webern and the Lyric Impulse: Songs and Fragments on Poems of Georg Trakl , Anne Shreffler adds momentum to the current swing away from a traditional structuralist approach. Her thesis is that the composer's more intuitive alter ego and the "lyric impulse" at the core of his music has been undeservedly overlooked. Shreffler condemns Webern's exclusive "association with a cerebral, detached aesthetic" as a historical bias fostered by the "anti-Romantic agenda of the post-war serialists," an overreaction against 19th-century sentimentalism, and the "Darmstadt project's" reification of systematic relationships in all musicparticularly St. Anton's (p.3). [2] Shreffler's lyrical Webern is no longer the calculating Mr. Spock of "sparseness, severity, and control" like the familiar logical one, an "intellectually driven genius" (p. 4) determined to extricate himself from the lugubrious excesses of musical Romanticism. The meticulous musical engineer who memorized train schedules, once revered for "building structures from sound itself," is transmogrified into Shreffler's "champion of the lyric genre" (p. 4), an expressive humanist invoking a keen poetic sensibility to avert an aesthetic crisis caused by an arid and overly mechanistic compositional technique.

65. CLASSICAL MUSIC ARCHIVES: Biography Of Anton Webern
webern, anton (Friedrich Wilhelm von webern) (b Vienna, 1883; d Mittersill, 1945). Austrian composer and conductor. Early tuition from his mother,
http://www.classicalarchives.com/bios/codm/webern.html

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Biography of Anton Webern
Concise Oxford Dictionary of Music, 4th edition
by Michael Kennedy and Joyce Bourne

By permission of Oxford University Press
Find the music of Anton Webern in the Archives.
See also the Index of Biographies and the
Oxford University Press titles we recommend...

Webern, Anton (Friedrich Wilhelm von Webern)
b Vienna, 1883; d Mittersill, 1945). Austrian composer and conductor. Early tuition from his mother, a pianist. (Most of his works were written in her memory.) Studied at Klagenfurt with Edwin Komauer, composing first works in 1899. Entered Vienna Univ. 1902, studying musicology with Guido Adler. Studied comp. with Pfitzner but became pupil of Schoenberg Largely ignored except by the BBC in his lifetime, Webern's mus. became a rallying-point for the post-1945 generation of European composers, such as Stockhausen, Boulez, and Maderna (and for some of the older generation, e.g. Stravinsky and Eimert). They were attracted by the way in which his mus., through its sheer concentration, opened up a new and more complete serialism based on the est. of the relationship between a particular note and a particular quality of sound. Even in the earliest works to which he gave an opus no. there is preoccupation with the inter-relationship of symmetrical structures. From 1908 until the late 1920s Webern wrote in a free atonal style. A characteristic of many of the works of this period is their epigrammatic brevity. The 4th of his

66. Janus: Webern, Anton Friedrich Wilhelm Von (1883-1945) Composer And Conductor
King s/PP/EJD/4/442, The Papers of Edward Joseph Dent Letter from anton webern to Edward Dent webern, anton Friedrich Wilhelm von (18831945) composer and
http://janus.lib.cam.ac.uk/db/node.xsp?id=CV/Pers/Webern, Anton Friedrich Wilhel

67. Webern, Anton Von - World Encyclopedia - HighBeam Research
World Encyclopedia webern, anton von - From the HighBeam Research Archive.
http://www.highbeam.com/doc/1O142-WebernAntonvon.html
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Webern, Anton von
From:
World Encyclopedia
© World Encyclopedia 2005, originally published by Oxford University Press 2005.
Webern, Anton von Passacaglia was written using late-Romantic tonality. Influenced by his teacher, Arnold Schoenberg , Webern adopted ... Read all of this article with a FREE trial OAS_AD( 'Right' ); 3,000 publications at your fingertips:

68. Biography Of Webern, Anton (Friedrich Ernst Von)
Biographies of people living and dead of all nations.
http://www.allbiographies.com/biography-AntonFriedrichErnstvonWebern-34131.html
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69. The Musical Times: Anton Webern 1885-1945
anton von webern, as his name originally was, came from a family of Austrian civil servants. He was born in Vienna on December 3, 1885, and spent his youth
http://www.musicaltimes.co.uk/archive/obits/194601webern.html

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by Erwin Stein T Here are some bars from his string quartet. Webern had a deep insight into music, old and new. He was an admirable teacher, although he never held an official position. Young musicians from all over the world came to receive his instruction. As a conductor he achieved perfect performances, provided he was given sufficient time for preparation. He was an indefatigable rehearser and the results which he obtained from his choirs of Viennese workmen were astounding. During the last few years his music was banned in Austria and Germany, and he was not allowed to take part in any musical activity. Yet it is known that he continued teaching in secret. The circumstances of his death have so far not been revealed. Some tragic accident seems to have ended the life of one of our finest musicians. Musical Times, January 1946

70. Anton Webern
Site dedicated to one of the 20th century s greatest composers. Includes photos, biography, downloadable MP3s, opus list, and links.
http://www.antonwebern.com/
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71. Webern On Line
A web site for the happy few admirers of anton webern s music, The musical works of anton webern are not easy to understand for most of the audience.
http://www.uv.es/calaforr/Webern/webern.htm
Welcome to WEBERN ON LINE A web site for the happy few admirers of Anton Webern's music,
the most radical composer of the Second Viennese School A portrait of Anton Webern, by
Oskar Kokoschka (1912)
PICTURES' ALBUM
LINKS TEXTS The musical works of Anton Webern are not easy to understand for most of the audience. Concentration of gestures, intellectual inaccessibility and heavy formal construction are characteristic of his music. But there is also, hidden inside this formalism, an intense feeling and a deep expression of passion, mystics and devotion to artistic work. If you have some observation about Webern's music, please send me a mail . It is a pleasure to talk about this "music for a minority"... You can also visit my site devoted to Anton Bruckner , the musical pages and my home page too. This pages are hosted by the

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