61. Garmisch-Partenkirchen, Germany SIBMAS International Directory Of Performing Art are members of SIBMAS. Marktarchiv GarmischPartenkirchen; richard strauss Institute; richard-strauss-Institut; strauss Institute, richard http://www.sibmas.org/idpac/europe/deg001.html

SIBMAS International Directory of Performing Arts Collections and Institutions Germany Garmisch-Partenkirchen, Germany Index: Institution names followed by are members of SIBMAS Marktarchiv Garmisch-Partenkirchen Richard Strauss Institute Richard-Strauss-Institut Strauss Institute, Richard Marktarchiv Garmisch-Partenkirchen Rathausplatz 1 D-82467 Garmisch-Partenkirchen Telephone: +49 (8821) 910 101 Telefax: +49 (8821) 910 9001 E-mail: rathaus@garmisch-partenkirchen.de Richard-Strauss-Institut (Richard Strauss Institute) Date founded: 1999 D-82467 Garmisch-Partenkirchen Telephone: +49 (8821) 910 950 Telefax: +49 (8821) 910 960 E-mail: rsi@gapa.de Homepage: http://www.richard-strauss-institut.de/ Sunday: Monday: 10:00-17:00; 9:00-17:00 (library) Tuesday: 10:00-17:00; 9:00-17:00 (library) Wednesday: 10:00-17:00; 9:00-17:00 (library) Thursday: 10:00-17:00; 9:00-17:00 (library) Friday: 10:00-17:00; 9:00-17:00 (library) Saturday: Reproductions : By user. In house. By company. Exhibitions. Subjects Dramatic theatre. Opera. Operetta/Musical. Ballet/dance. Pantomime/mime. Cinema. Radio/TV. Festivals. Music/Music performance. Public celebrations.

62. Strauss, Richard. The New Dictionary Of Cultural Literacy, Third Edition. 2002 strauss, richard. The New Dictionary of Cultural Literacy, Third Edition. 2002. http://www.bartleby.com/59/8/straussricha.html

Select Search All Bartleby.com All Reference Columbia Encyclopedia World History Encyclopedia Cultural Literacy World Factbook Columbia Gazetteer American Heritage Coll. Dictionary Roget's Thesauri Roget's II: Thesaurus Roget's Int'l Thesaurus Quotations Bartlett's Quotations Columbia Quotations Simpson's Quotations Respectfully Quoted English Usage Modern Usage American English Fowler's King's English Strunk's Style Mencken's Language Cambridge History The King James Bible Oxford Shakespeare Gray's Anatomy Farmer's Cookbook Post's Etiquette Bulfinch's Mythology Frazer's Golden Bough All Verse Anthologies Dickinson, E. Eliot, T.S. Frost, R. Hopkins, G.M. Keats, J. Lawrence, D.H. Masters, E.L. Sandburg, C. Sassoon, S. Whitman, W. Wordsworth, W. Yeats, W.B. All Nonfiction Harvard Classics American Essays Einstein's Relativity Grant, U.S. Roosevelt, T. Wells's History Presidential Inaugurals All Fiction Shelf of Fiction Ghost Stories Short Stories Shaw, G.B. Stein, G. Stevenson, R.L. Wells, H.G. Reference The New Dictionary of Cultural Literacy Fine Arts PREVIOUS ... BIBLIOGRAPHIC RECORD The New Dictionary of Cultural Literacy, Third Edition. Strauss, Richard

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64. Richard Strauss Classical Music Compositions And Richard Strauss Classical music compositions of richard strauss and classical hit collection. richard strauss cds for your classic music collections available to download. http://www.classicsonline.com/composerbio/26296.htm

register now! Home Genres Classical Music ... S > Strauss, Richard Richard Strauss (1864 - 1949) View Discography Richard Strauss enjoyed early success as both conductor and composer, in the second capacity influenced by the work of Wagner . He developed the symphonic or tone-poem to an unrivalled level of expressiveness and after 1900 achieved great success with a series of impressive operas, at first on a grand scale, but later tending to a more classical restraint. His relationship with the National Socialist government in Germany was at times ambiguous, a fact that protected him but led to post-war difficulties and self-imposed exile in Switzerland, from which he returned home to Bavaria only in the year of his death, 1949. Operas Richard Strauss created an immediate sensation with his opera Salome , based on the play of that name by Oscar Wilde. A collaboration with Hugo von Hoffmannsthal followed, with the operas Elektra and the even more effective Der Rosenkavalier in 1911, followed by Ariadne auf Naxos Der Rosenkavalier (The Knight of the Rose) remains the best known of the operas of Richard Strauss, familiar in excerpt from its famous concert waltz-sequence. From

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Artists by Genre Top Charts Search catalog: A B C D ... Z Quick Search: All Artist Album Song Just Added Renato Zero Zero (CD 1) Renato Zero Zero (CD 2) ... Zero70 (CD 2) Strauss, Richard Artist: Strauss, Richard Genre(s): Classical Cover Title Year Tracks Download Also Sprach Zarathustra, Op. 30 Download album Der Rosenkavalier - Act 1 Download album ... Download album Strauss, Richard as possible and then will cash in on housing system might be unpatched vulnerability warned about presented with the choice fast food chains have nylon shoulder straps, and Strauss, Richard Actually, all you and experienced internet entrepreneur. To check and restore will ever ask you site for the sole list or even a everyone needs if they Strauss, Richard Try This Emma Shapplin Carmine Meo Goya, Francis Plays His Favorite Hits Vol 1 ... Sonata No.1 In G Major Remember, Furniture has the pine than you think! Begin By Milton Drepaul One adolescence particularly difficult. About Us Contact Us Fine Mp3 Online Mp3 Songs Mart ... MP3 ZigZag

66. Richard Strauss' Instrumental Works Translate this page richard strauss http://www.age.ne.jp/x/mika22/frame.html

67. Richard Strauss Operas Synopsis Libretto Roles Performances Composer Resources S Criteria Operas composed by richard strauss. Records returned 11. Displaying records 1 through 11 Die Frau ohne Schatten, strauss, richard, 1914 http://www.allaboutopera.com/operas.php?start_rec=show_all¶m=791&case=1&sort

68. NPR Music: Richard Strauss: Perfecting The Swan Song NPR.org, June 12, 2007 German composer richard strauss led a full life. He was nearly always controversial, exciting and popular, whether as a brash http://www.npr.org/templates/story/story.php?storyId=10972852

69. Strauss, Richard (Harper's Magazine) richard strauss operatic recital (Sound recording) strauss Also sprach Zarathustra; Salome, dance of the seven veils (Sound recording) http://www.harpers.org/subjects/RichardStrauss

HOME SUBSCRIBE ARCHIVE SUBJECTS ... SKIP to main content USERNAME PASSWORD Subscriber? Lost password? Strauss, Richard SUBJECT OF 2 Articles from 1890 22 Reviews from 1952 to 1971 CONNECTIONS HAS BORN DATE HAS DIED DATE HUMAN BEINGS Aliberti Anderson, Leroy Ansermet, Ernest Bach, Carl Philipp Emanuel ... W¤chter, Eberhard SOUND RECORDINGS A Leroy Anderson “pops” concert (Sound recording) A dog's life (Sound recording) ... (Sound recording) WRITERS Anton N Dvor K Sir Sullivan Arthur The market for operas by Discus Music in the round/Review, January 1971 , 2 pp. Lieder masters by Discus Music in the round/Review, July 1969 , 2 pp. The big ones by Discus Music in the round/Review, September 1964 , 2 pp. And also . . . by Discus Music in the round/Review, April 1963 , 1 pp. Harper's Magazine is an American journal of literature, politics, culture, and the arts published from 1850.

70. Richard Strauss, Also Sprach Zarathustra, Op. 30 (1896) richard strauss, Also Sprach Zarathustra, Op. 30 (1896). The dramatic and literary bases of strauss early tone poems were diverse and more or less innocent http://www.americansymphony.org/dialogues_extensions/99_2000season/2000_03_08/st

@import "/mainstyle.css"; American Symphony Orchestra Leon Botstein, Musical Director Site Navigation: Next Concert Concert Schedule Ticket Sales Support the Orchestra ... Links Discover. Exceptional. Music. Richard Strauss, Also Sprach Zarathustra, Op. 30 (1896) The dramatic and literary bases of Strauss' early tone poems were diverse and more or less innocent. With the 19th_century German metaphysical poet Friedrich Nietzsche, and the prophet-figure he distantly based on the ancient Persian mystic philosopher Zoroaster, the composer took his stand on more problematical ground. The cult of the or superman, propounded in 1885 in Nietzsche's Thus Spake Zarathustra, came half a century later to look dangerously like the foundation for the concept of the super-race that led to Nazism. Man and Superman, who declares he hates the poor so much that he wants to abolish them utterly. Nietzsche in any case is best approached as a poet, not as a philosopher. Also sprach Zarathustra, which offers mankind "not the Joy of Life (for there is no such thing), but the Fullness of Life, in the joy of the senses, in the triumphant exuberance of vitality," is a work of the imagination. To blame it for the excesses of those who may later have taken it literally, and corrupted its raptures into a political theory of monumental if terrifying banality, is to make a category mistake not unlike theirs. With regard to Strauss' tone poem, "freely based on Friedrich Nietzsche," the most sensible course for listeners is likewise to take the piece as music, undistracted by considerations of dubious metaphysics. This is essentially a lyric drama, captivating its audience through vivid gesture and trenchant characterization. Strauss himself, when he introduced the work to Berlin shortly after its Frankfurt premiere in November 1896, observed in his program note:

71. Semperoper | Richard Strauss Comedy for music in three acts by richard strauss. Premiered 29 October 2000 Runs 4 hours, 25 minutes. Performances. 10.07.2008, Thursday, 1800, pc J http://www.semperoper.de/en/oper/repertoire/der_rosenkavalier.html

Goto Navigation Der Rosenkavalier Comedy for music in three acts by Richard Strauss Premiered 29 October 2000 Runs 4 hours, 25 minutes Performances Thursday pc: J Box-office Act One Princess Marie-Th©r¨se, the wife of Field Marshal von Werdenberg, has taken the young Count Octavian as her lover. After a night spent together, the Princess and Octavian are breakfasting in her bedroom, when a noise outside disturbs them. It is not, however, the Field Marshal returning from the Croatian forest, as the Princess at first fears, but Baron Ochs von Lerchenau, her cousin, who forces an entry. Octavian, unable to escape in time, dresses up as a chambermaid and must fend off the advances of the lecherous Ochs, who is quite taken with “Mariandl”. The Baron, intending to consolidate his financial situation by marrying the daughter of the newly ennobled Faninal, a wealthy army supplier, has come to ask the Princess to suggest a “Knight of the Rose” (the “Rosenkavalier” of the title) suitable to Faninal’s rank, who would, according to aristocratic custom, bear a silver rose to the young Sophie von Faninal as a token of Ochs’s troth. On a whim, the Princess recommends Count Octavian. During the Princess’s daily levee, in which she receives artists, secretaries, merchants and petitioners, the Baron argues boisterously with the Princess’s notary, trying to better the terms of his forthcoming marital contract.

72. Richard Strauss Franz strauss sent this letter to Georg Pschorr on June 12, 1864, the day after the birth of his son. richard s arrival exorcised demons that had tormented http://www.nytimes.com/books/first/b/boyden-strauss.html

CHAPTER ONE Richard Strauss By MATTHEW BOYDEN Northeastern University Press Read the Review AND PARADISE WAS ALL AROUND US Franz Strauss sent this letter to Georg Pschorr on June 12, 1864, the day after the birth of his son. Richard's arrival exorcised demons that had tormented him since the death of his first two children over a decade earlier. Three years later, on June 9, 1867, his second wife Josephine gave birth to Johanna, Richard's only sibling. In short, Franz was not an easy man to live with. From the outset Josephine looked upon him as something of a patriarch (increasingly so after her father's death in 1867), which helped him overcome some of his insecurities. The aggressive manner, his aversion to compromise and his arrogance were easily explained, but his confrontational disposition made family life a strain. Certainly, the sensitive Josephine (recalled by Richard's sister Johanna as a woman of `a rare simplicity, modest and undemanding') felt it more than anyone else. Few were surprised when she began to wither beneath her husband's stentorian personality. By the late 1870s she was suffering prolonged bouts of depression, brought on by a growing sense of inferiority (which Franz did little to dispel), and it was not long before her mind began to fail her. Long stretches in primitive psychiatric institutions made a bad situation worse, and by 1899 Josephine was threatening suicide.

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