61. Alex Ross: The Rest Is Noise: Steve Reich At 70 steve reich at 70. Fascinating Rhythm. The New Yorker, Nov. 13, 2006. November 06, 2006 Permalink. About. Bio Book Summary + Video Book Audio Samples http://www.therestisnoise.com/2006/11/steve_reich_at_.html

Alex Ross: The Rest Is Noise Articles, a blog, and a book by the music critic of The New Yorker Categories Blog: Fall 04 Blog: Fall/Winter 05 Blog: Fall/Winter 06 ... Top 10 Summer Hits Technorati Blogs linking here thank you all var sc_project=467443; var sc_invisible=0; var sc_partition=2; var sc_security=""; Main Steve Reich at 70 Fascinating Rhythm The New Yorker , Nov. 13, 2006. November 06, 2006 Permalink About Bio Book Summary + Video Book Audio Samples Book Reviews ... The New Yorker Search Links All-Over Blogs ArkivMusic ArtsJournal Classical Domain ... Subscribe to this blog's feed Powered by TypePad

62. GVSU New Music Ensemble For our fall 2006 concert we performed steve reich s masterpiece Music for 18 Musicians, in honor of the composer s seventieth birthday. http://www.newmusicensemble.org/page4/page4.html

About Press Steve Reich Project Rehearsal Videos ... Contact Open call for scores Composers are encouraged to submit works for ongoing performance consideration. Works may be for any instrumentation, including voice, and may involve electronics or video. Submit recordings only to: Bill Ryan, Director New Music Ensemble Music Department 1300 PAC Grand Valley State University Allendale, MI 49401 Steve Reich Project For our fall 2006 concert we performed Steve Reich's masterpiece Music for 18 Musicians , in honor of the composer's seventieth birthday. Not only was that performance successful, but has led to many other opportunities for the ensemble. Look below for various links concerning our work. Concert Excerpts Hear the audio HERE Rehearsal Photographs See the pics HERE Rehearsal Videos Watch them HERE WGVU Radio Interview Hear the broadcast HERE CD Recording During January we were consumed with recording the work. On a whim I sent our concert tape of last semester to

63. Poets.org - Poetry, Poems, Bios & More - Steve Reich & William Carlos Williams: The mind is listening, sings the chorus near the end of steve reich’s 1983 recording The Desert Music, a cantata that sets passages from three poems by http://www.poets.org/viewmedia.php/prmMID/5800

Home View Cart Log In More Info FURTHER READING Related Poems from "Asphodel, That Greeny Flower" by William Carlos Williams The Red Wheelbarrow by William Carlos Williams Aaron Copland: Capturing the Language of Emily Dickinson Benjamin Britten: Poetry, Politics, and Sound J. D. McClatchy: In the Service of Music John Cage: The Roaring Silence ... The Rake's Progress: Stravinsky, Auden, and a Tale of Debauchery Related Prose Groundbreaking Book: Spring and All by William Carlos Williams (1923) Poetry Landmark: William Carlos Williams's Hometown of Rutherford, NJ Related Authors William Carlos Williams Adopt a Poet Add to Notebook E-mail to Friend ... Print "The mind is listening," sings the chorus near the end of Steve Reich’s 1983 recording The Desert Music , a cantata that sets passages from three poems by William Carlos Williams to music. Reich first encountered Williams’s work when he was sixteen, initially attracted by the symmetry of the poet's name, and has long been influence by his poems, especially his later books The Desert Music and Journey to Love . As a young composer, Reich attempted to set Williams to music but was unable to find a suitable form. He set aside the idea until much later in his career, when his work with Hebrew psalms in

64. Steve Reich, Different Trains Add RealAudio and RealVideo to any web site with RealProducer. http://www.uni-oldenburg.de/musik/video/garte_seesko.html

Steve Reich, Different Trains

65. The Pulitzer Foundation For The Arts | Events & Programs | Concerts | Portrait C Different Trains by steve reich is reminiscent of the train trips he took from the East to West coast with his governess in order to remain in the joint http://www.pulitzerarts.org/events/concerts/portrait-reich/

@import "/includes/css/general.css"; @import "/includes/css/internal.css"; @import "/includes/css/internal2.css"; @import "/includes/css/events.css"; @import "/includes/css/multimedia.css"; @import "/includes/css/print.css"; Overview Exhibitions Multimedia Urban Context ... Visit Us Portrait Concert Series With members of the Saint Louis Symphony Orchestra Steve Reich Different Trains Joo Kim , violin Asako Kuboki , violin Bryan Florence , viola David Kim , cello George Crumb Black Angels Peter Otto , violin Eva Kozma , violin Morris Jacob , viola Bjorn Ranheim , cello Sound Engineer Joshua Riggs Different Trains Black Angels is the only string quartet to have been inspired by the Vietnam War. The title refers to the struggle between God and the Devil, and the work is intended as a parable for the troubled time in which it was written. It draws from an arsenal of sounds including shouting, chanting, whistling, whispering, gongs, maracas and crystal glasses. The quartet is amplified in order to generate many of these sounds as well as to create a surreal, if not psychedelic, sound meant to throw the listener off-center. Concerts Programming is currently being finalized. Please check back soon.

66. Browse By Artist: REICH, STEVE Alan Pierson brings a new generation of expertise and energy that is clearly heard in the faster tempos used throughout. steve reich. http://www.forcedexposure.com/artists/reich.steve.html

FE Home New Releases Browse Catalog Info ... Index of Artists Browse by Artist: REICH, STEVE Artist: REICH, STEVE Title: The Desert Music, Tehillim Label: CANTALOUPE Format: CD Price: Catalog #: CA 21009CD "Cantaloupe presents two Reich masterpieces, definitively performed by Alarm Will Sound and Ossia, led by Alan Pierson. The disc features the world premiere recording of the newly revised version of 'The Desert Music'. It is also the debut of a brilliant young American conductor, who has molded an energetic, tight, optimistic, rhythmic and memorable sound out of these monumental works. About the performance: 'A truly outstanding ensemble. Their recording of Tehillim is an absolute knockout... and this recording sets the standard for how The Desert Music is to be performed. Alan Pierson brings a new generation of expertise and energy that is clearly heard in the faster tempos used throughout.' Steve Reich." Artist: REICH, STEVE Title: Drumming Label: CANTALOUPE Format: CD Price: Catalog #: CA 21026CD "New recording of a Steve Reich classic. Following up on their acclaimed 2004 debut, So Percussion has completed its biggest project so far: an entirely new recording of Steve Reich's epic Drumming , made an entirely new way. This is the first recording of its kind, in which the group's four members perform all nine separate percussion parts, joined by the singers of Reich's own ensemble. The result is a direct, precise sound, with a clarity that illuminates the work as never before. Simply put, this CD brings the percussion world's Beethoven 9th into the 21st century."

67. Fascinating Rhythm: The New Yorker Celebrating steve reich. The other day, I watched as steve reich walked away from Carnegie Hall, where celebrations of his seventieth birthday were http://www.newyorker.com/archive/2006/11/13/061113crmu_music

@import "/css/global.css"; @import "/css/article.css"; @import "/css/clear-children.css"; Skip to content Subscribe to The New Yorker Give a gift Renew your Subscription ... The New Yorker Musical Events Fascinating Rhythm Celebrating Steve Reich. by Alex Ross November 13, 2006 Text Size: Small Text Medium Text Large Text Print ... Feeds Keywords Composers Carnegie Hall Zankel Hall Birthdays The other day, I watched as Steve Reich walked away from Carnegie Hall, where celebrations of his seventieth birthday were under way, and out into his native city. Trim and brisk, he darted into West Fifty-seventh Street, fell back before oncoming traffic, bopped impatiently in place, then darted forth again. He soon disappeared into the mass of people, his signature black cap floating above the crowd. Perhaps I should have lamented the fact that one of the greatest living composers was moving around New York unnoticed, but lamentation is not a Reichian state of mind, and I thought instead about how his work has blended into the cultural landscape, its repeating patterns and chiming timbres detectable all over modern music. Brian Eno, David Bowie, David Byrne, and a thousand d.j.s have paid him heed. On Fifty-seventh Street, Reich-inflected sounds may have been coursing through the headphones of a few oblivious passersby. BAM BAM , in its original version; at the Whitney, in a version for two marimbas; and at Carnegie, in a version created by the percussionist David Cossin, who plays it on digital sound pads. (A video of Cossin playing the other part was superimposed, giving him a Vishnu-like, four-armed appearance.) The opening section uses only the notes E, F-sharp, B, C-sharp, and D, which, when run together in rapid patterns, suggest the key of B minor. Halfway in, the note A is added to the series, tilting the harmony toward A major. This small change never fails to have a brightening, energizing impact. Pieces like this can leave you happy for hours, like drugs without the mess.

68. Steve Reich-Music For 18 Musicians-Rehersal In Portland • Videosift.com per or. submitter, Tom D AntoniA TV story on composer steve reich directing a rehearsal of his Music For 16 performed by Portland, Oregon s Third Angle http://www.videosift.com/video/Steve-Reich-Music-For-18-Musicians-Rehersal-in-Po

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69. Splash www.reich70.com/ 8k - Cached - Similar pages Allied Artists - steve reichAllied Artists represents classical musicians, conductors, composers and performers in the UK and internationally, steve reich. http://www.reich70.com/

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70. AE160D Unit 11: Steve Reich In 1936, steve reich was born in New York City, the offspring of musical parents. reich, along with Terry Riley, LaMonte Young and Philip Glass, http://arted.osu.edu/160/11_Reich.php

Art and Music Since 1945 Saatchi Gallery 1. Introduction Introduction to the Course From a Modern Artist's Point of View Representation and Interpretation Simplification and Distortion Abstraction and Non-objective The Arts without Modernism? ... 4 Abstract Expressionism Abstract Expressionism Introduction Jackson Pollock Willem de Kooning Mark Rothko ... 5 Jazz Jazz Introduction Charlie Parker John Coltrane Miles Davis ... 6 1950s Rock and Roll 1950's Rock and Roll Introduction Willie Mae Thornton Joe Turner Bill Haley and His Comets ... 7 Pop Art Pop Art Introduction Robert Rauschenberg Jasper Johns Yves Klein ... 8 1960s Rock I 1960s Rock I Introduction Bob Dylan Arlo Guthrie Steppenwolf ... 9 1960s Rock II 1960s Rock II Introduction The Beatles The Rolling Stones The Who ... 10 Post Painterly Abstraction Post-painterly Abstraction Introduction Morris Louis Kenneth Noland Frank Stella ... 11 Minimalism Minimalism Minimal Art Introduction Dan Flavin Tony Smith Donald Judd ... Richard Serra Minimal Music Introduction Laurie Anderson Steve Reich Philip Glass ... 12 Conceptual Art Conceptual Art Introduction Sol LeWitt Michael Asher Lawrence Weiner ... 13 Earthworks Earthworks/Sitespecific Art Introduction Robert Smithson Nancy Holt Walter de Maria ... 14 Performance Art Performance Art Introduction Joseph Beuys Vito Acconci Hannah Wilke ... 15 Music of the 1970s 1970's Music Introduction 1) Rock Eric Clapton Led Zeppelin Pink Floyd Fleetwood Mac ... Aerosmith 2) Country Emmylou Harris Willie Nelson 16 Disco and Funk Disco and Funk

71. Steve Reich - The Score - Music - American Composers - New York Times Blog Other kids may have loved sing alongs and nursery rhymes, but my cherished childhood musical memories are of broken pianos, steve reich, audio collages, http://thescore.blogs.nytimes.com/tag/steve-reich/

Home Page My Times Today's Paper Video ... Times Topics Opinion All NYT document.write(day + " " + month + " " + myweekday + ", " + year); Opinion World U.S. N.Y. / Region ... Autos Tag: Steve Reich March 29, 2007, 11:44 pm Bringing in the Noise By Annie Gosfield The composer looks skyward for sonic inspiration. (Photo: Josh Gosfield) Some call it noise, I call it inspiration. I have always loved to listen intently to things that aren’t music, such as the radio tuned between stations, television static, and white noise. Machine sounds, ambient noises, and deteriorating instruments have had as much of an influence on my work as any composers or teachers. Over the years, figuring out how to integrate these ideas into my work has been an important part of discovering my own voice as a composer. As a very small child, I remember my older brother ( Josh Gosfield, now a terrific photographer ) putting his head between two speakers to listen to Steve Reich’s seminal tape piece, “ Come Out Link Comments (6) E-mail this March 23, 2007, 10:16 pm Steve Reich Talking Music: ‘The Orchestra Is a Museum’ By The Score Steve Reich - Part III ( Steve Reich - Part IV ( This is the second installment of excerpts from an interview conducted with Steve Reich in February for The Score Before the interview took place, Glenn Branca offered the following to question to be asked of Mr. Reich:

72. Manatt, Phelps & Phillips, LLP | Attorneys & Advisors Steven F reich, Steven F. reich Partner sreich@manatt.com New York Direct 212.830.7196 General 212.790.4500 Fax 212.790.4545 http://www.manatt.com/attorneys.aspx?id=2846

73. Steven Reich To Brian Eno To Cory Arcangel (kottke.org) Onstage at PopTech just now, Brian Eno said that a musical piece by Steven reich had a huge influence on how he thought about art. He said that reich s http://www.kottke.org/06/10/steven-reich-to-brian-eno-to-cory-arcangel

Steven Reich to Brian Eno to Cory Arcangel posted October 19, 2006 at 11:13 am Onstage at PopTech just now, Brian Eno said that a musical piece by Steven Reich had a huge influence on how he thought about art. He said that Reich's piece showed him that: 1. You don't need much. 2. The composer's role is to set up a system and then let it go. 3. The true composer is actually in the listener's brain. I'd never heard of Reich, but the name sounded familiar when Eno mentioned it. I realized I'd seen it yesterday when reading about Cory Arcangel's show at Team Gallery in reference to his piece, Sweet 16: Cory applied American avant-garde composer Steven Reich's concept of phasing to the guitar intro of Guns and Roses' track Sweet Child O'Mine. Rather than use instruments, Cory took the same two clips from the song's music video and shortened one clip by a single note. As the videos loop, the two intros grow farther apart until they are back in sync. He's veered away from video games, but Cory's new work is looking really interesting these days. What is this place?

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