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         Reich Steve:     more books (91)
  1. Different Trains: for String Quartet and Pre-Recorded Performance Tape (Boosey & Hawkes Chamber Music)
  2. New York Counterpoint: for Clarinet and Tape (or Clarinet Ensemble) (Boosey & Hawkes Chamber Music)
  3. New York Counterpoint, Full Score and Live Solo Clarinet Part by Steve Reich, 1986
  4. BOMB Issue 81, Fall 2002 (BOMB Magazine) by Jane Hammond, Walid Ra'ad, et all 2002-09-15
  5. Octet, Music for a Large Ensemble, Violin Phase by Steve Reich, 1980
  6. The Four Sections by Steve Reich - Study Score, 2010-01-01
  7. Different Trains by Steve Reich - Study Score, 2010-01-01
  8. Six Pianos by Steve Reich, 1994-06
  9. HINDENBURG AND MUSIC FOR 18 MUSICIANS - BAMBILL - OCTOBER 15 - 17, 1998 by STEVE (MUSIC BY) BERYL KOROT (VIDEO) REICH, 1998
  10. City Life by Steve Reich - Study Score, 2010-01-01
  11. Music for Pieces of Wood. [Clave quintet.] < Playing score. > by Steve Reich, 1980
  12. Clapping Music Variations - Percussion - Ensemble by By Glenn Kotche and Steve Reich, 2008-07-01
  13. View: Volume 1, No. 4: September 1978 by Steve] [Reich, 1978-01-01
  14. Variations by Steve Reich - Study Score, 2010-01-01

61. Alex Ross: The Rest Is Noise: Steve Reich At 70
steve reich at 70. Fascinating Rhythm. The New Yorker, Nov. 13, 2006. November 06, 2006 Permalink. About. Bio Book Summary + Video Book Audio Samples
http://www.therestisnoise.com/2006/11/steve_reich_at_.html
Alex Ross: The Rest Is Noise
Articles, a blog, and a book by the music critic of The New Yorker
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Steve Reich at 70
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62. GVSU New Music Ensemble
For our fall 2006 concert we performed steve reich s masterpiece Music for 18 Musicians, in honor of the composer s seventieth birthday.
http://www.newmusicensemble.org/page4/page4.html
  • About Press Steve Reich Project
    Open call for scores
    Composers are encouraged to submit works for ongoing performance consideration. Works may be for any instrumentation, including voice, and may involve electronics or video. Submit recordings only to:
    Bill Ryan, Director
    New Music Ensemble
    Music Department
    1300 PAC
    Grand Valley State University
    Allendale, MI 49401
    Steve Reich Project
    For our fall 2006 concert we performed Steve Reich's masterpiece Music for 18 Musicians , in honor of the composer's seventieth birthday. Not only was that performance successful, but has led to many other opportunities for the ensemble. Look below for various links concerning our work.
    Concert Excerpts
    Hear the audio HERE Rehearsal Photographs See the pics HERE Rehearsal Videos Watch them HERE WGVU Radio Interview Hear the broadcast HERE CD Recording During January we were consumed with recording the work. On a whim I sent our concert tape of last semester to

63. Poets.org - Poetry, Poems, Bios & More - Steve Reich & William Carlos Williams:
The mind is listening, sings the chorus near the end of steve reich’s 1983 recording The Desert Music, a cantata that sets passages from three poems by
http://www.poets.org/viewmedia.php/prmMID/5800
Home View Cart Log In More Info FURTHER READING Related Poems from "Asphodel, That Greeny Flower"
by William Carlos Williams The Red Wheelbarrow
by William Carlos Williams Aaron Copland: Capturing the Language of Emily Dickinson Benjamin Britten: Poetry, Politics, and Sound J. D. McClatchy: In the Service of Music John Cage: The Roaring Silence ... The Rake's Progress: Stravinsky, Auden, and a Tale of Debauchery Related Prose Groundbreaking Book: Spring and All by William Carlos Williams (1923) Poetry Landmark: William Carlos Williams's Hometown of Rutherford, NJ Related Authors William Carlos Williams Adopt a Poet Add to Notebook E-mail to Friend ... Print
"The mind is listening," sings the chorus near the end of Steve Reich’s 1983 recording The Desert Music , a cantata that sets passages from three poems by William Carlos Williams to music. Reich first encountered Williams’s work when he was sixteen, initially attracted by the symmetry of the poet's name, and has long been influence by his poems, especially his later books The Desert Music and Journey to Love . As a young composer, Reich attempted to set Williams to music but was unable to find a suitable form. He set aside the idea until much later in his career, when his work with Hebrew psalms in

64. Steve Reich, Different Trains
Add RealAudio and RealVideo to any web site with RealProducer.
http://www.uni-oldenburg.de/musik/video/garte_seesko.html
Steve Reich, Different Trains

65. The Pulitzer Foundation For The Arts | Events & Programs | Concerts | Portrait C
Different Trains by steve reich is reminiscent of the train trips he took from the East to West coast with his governess in order to remain in the joint
http://www.pulitzerarts.org/events/concerts/portrait-reich/
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Portrait Concert Series With members of the Saint Louis Symphony Orchestra Steve Reich Different Trains George Crumb Black Angels Different Trains Black Angels is the only string quartet to have been inspired by the Vietnam War. The title refers to the struggle between God and the Devil, and the work is intended as a parable for the troubled time in which it was written. It draws from an arsenal of sounds including shouting, chanting, whistling, whispering, gongs, maracas and crystal glasses. The quartet is amplified in order to generate many of these sounds as well as to create a surreal, if not psychedelic, sound meant to throw the listener off-center.
  • Concerts
    • Programming is currently being finalized. Please check back soon.

66. Browse By Artist: REICH, STEVE
Alan Pierson brings a new generation of expertise and energy that is clearly heard in the faster tempos used throughout. steve reich.
http://www.forcedexposure.com/artists/reich.steve.html
FE Home New Releases Browse Catalog Info ...
Index of Artists
Browse by Artist: REICH, STEVE
Artist: REICH, STEVE Title: The Desert Music, Tehillim Label: CANTALOUPE Format: CD Price: Catalog #: CA 21009CD "Cantaloupe presents two Reich masterpieces, definitively performed by Alarm Will Sound and Ossia, led by Alan Pierson. The disc features the world premiere recording of the newly revised version of 'The Desert Music'. It is also the debut of a brilliant young American conductor, who has molded an energetic, tight, optimistic, rhythmic and memorable sound out of these monumental works. About the performance: 'A truly outstanding ensemble. Their recording of Tehillim is an absolute knockout... and this recording sets the standard for how The Desert Music is to be performed. Alan Pierson brings a new generation of expertise and energy that is clearly heard in the faster tempos used throughout.' Steve Reich."
Artist: REICH, STEVE Title: Drumming Label: CANTALOUPE Format: CD Price: Catalog #: CA 21026CD "New recording of a Steve Reich classic. Following up on their acclaimed 2004 debut, So Percussion has completed its biggest project so far: an entirely new recording of Steve Reich's epic Drumming , made an entirely new way. This is the first recording of its kind, in which the group's four members perform all nine separate percussion parts, joined by the singers of Reich's own ensemble. The result is a direct, precise sound, with a clarity that illuminates the work as never before. Simply put, this CD brings the percussion world's Beethoven 9th into the 21st century."

67. Fascinating Rhythm: The New Yorker
Celebrating steve reich. The other day, I watched as steve reich walked away from Carnegie Hall, where celebrations of his seventieth birthday were
http://www.newyorker.com/archive/2006/11/13/061113crmu_music
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Celebrating Steve Reich.
by Alex Ross November 13, 2006
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The other day, I watched as Steve Reich walked away from Carnegie Hall, where celebrations of his seventieth birthday were under way, and out into his native city. Trim and brisk, he darted into West Fifty-seventh Street, fell back before oncoming traffic, bopped impatiently in place, then darted forth again. He soon disappeared into the mass of people, his signature black cap floating above the crowd. Perhaps I should have lamented the fact that one of the greatest living composers was moving around New York unnoticed, but lamentation is not a Reichian state of mind, and I thought instead about how his work has blended into the cultural landscape, its repeating patterns and chiming timbres detectable all over modern music. Brian Eno, David Bowie, David Byrne, and a thousand d.j.s have paid him heed. On Fifty-seventh Street, Reich-inflected sounds may have been coursing through the headphones of a few oblivious passersby. BAM BAM , in its original version; at the Whitney, in a version for two marimbas; and at Carnegie, in a version created by the percussionist David Cossin, who plays it on digital sound pads. (A video of Cossin playing the other part was superimposed, giving him a Vishnu-like, four-armed appearance.) The opening section uses only the notes E, F-sharp, B, C-sharp, and D, which, when run together in rapid patterns, suggest the key of B minor. Halfway in, the note A is added to the series, tilting the harmony toward A major. This small change never fails to have a brightening, energizing impact. Pieces like this can leave you happy for hours, like drugs without the mess.

68. Steve Reich-Music For 18 Musicians-Rehersal In Portland • Videosift.com
per or. submitter, Tom D AntoniA TV story on composer steve reich directing a rehearsal of his Music For 16 performed by Portland, Oregon s Third Angle
http://www.videosift.com/video/Steve-Reich-Music-For-18-Musicians-Rehersal-in-Po
advanced VideoSift

69. Splash
www.reich70.com/ 8k - Cached - Similar pages Allied Artists - steve reichAllied Artists represents classical musicians, conductors, composers and performers in the UK and internationally, steve reich.
http://www.reich70.com/
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70. AE160D Unit 11: Steve Reich
In 1936, steve reich was born in New York City, the offspring of musical parents. reich, along with Terry Riley, LaMonte Young and Philip Glass,
http://arted.osu.edu/160/11_Reich.php
Art and Music Since 1945 Saatchi Gallery

71. Steve Reich - The Score - Music - American Composers - New York Times Blog
Other kids may have loved sing alongs and nursery rhymes, but my cherished childhood musical memories are of broken pianos, steve reich, audio collages,
http://thescore.blogs.nytimes.com/tag/steve-reich/
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Opinion
Tag: Steve Reich March 29, 2007, 11:44 pm
Bringing in the Noise
By Annie Gosfield The composer looks skyward for sonic inspiration. (Photo: Josh Gosfield) Some call it noise, I call it inspiration. I have always loved to listen intently to things that aren’t music, such as the radio tuned between stations, television static, and white noise. Machine sounds, ambient noises, and deteriorating instruments have had as much of an influence on my work as any composers or teachers. Over the years, figuring out how to integrate these ideas into my work has been an important part of discovering my own voice as a composer. As a very small child, I remember my older brother ( Josh Gosfield, now a terrific photographer ) putting his head between two speakers to listen to Steve Reich’s seminal tape piece, “ Come Out
March 23, 2007, 10:16 pm
Steve Reich Talking Music: ‘The Orchestra Is a Museum’
By The Score Steve Reich - Part III (
Steve Reich - Part IV ( This is the second installment of excerpts from an interview conducted with Steve Reich in February for The Score Before the interview took place, Glenn Branca offered the following to question to be asked of Mr. Reich:

72. Manatt, Phelps & Phillips, LLP | Attorneys & Advisors
Steven F reich, Steven F. reich Partner sreich@manatt.com New York Direct 212.830.7196 General 212.790.4500 Fax 212.790.4545
http://www.manatt.com/attorneys.aspx?id=2846

73. Steven Reich To Brian Eno To Cory Arcangel (kottke.org)
Onstage at PopTech just now, Brian Eno said that a musical piece by Steven reich had a huge influence on how he thought about art. He said that reich s
http://www.kottke.org/06/10/steven-reich-to-brian-eno-to-cory-arcangel
Steven Reich to Brian Eno to Cory Arcangel
posted October 19, 2006 at 11:13 am Onstage at PopTech just now, Brian Eno said that a musical piece by Steven Reich had a huge influence on how he thought about art. He said that Reich's piece showed him that: 1. You don't need much.
2. The composer's role is to set up a system and then let it go.
3. The true composer is actually in the listener's brain. I'd never heard of Reich, but the name sounded familiar when Eno mentioned it. I realized I'd seen it yesterday when reading about Cory Arcangel's show at Team Gallery in reference to his piece, Sweet 16: Cory applied American avant-garde composer Steven Reich's concept of phasing to the guitar intro of Guns and Roses' track Sweet Child O'Mine. Rather than use instruments, Cory took the same two clips from the song's music video and shortened one clip by a single note. As the videos loop, the two intros grow farther apart until they are back in sync. He's veered away from video games, but Cory's new work is looking really interesting these days. What is this place?

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