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4. Orlande De Lassus - Wikipedia, The Free Encyclopedia Orlande de lassus, collection of Civico Museo Bibliografia Musicale, Bologna. Orlande de lassus (also Orlandus lassus, orlando di Lasso, Roland de lassus, http://en.wikipedia.org/wiki/Orlande_de_Lassus

Orlande de Lassus From Wikipedia, the free encyclopedia Jump to: navigation search Orlande de Lassus, collection of Civico Museo Bibliografia Musicale, Bologna. Orlande de Lassus (also Orlandus Lassus Orlando di Lasso Roland de Lassus , or Roland Delattre (possibly June 14 ) was a Franco Flemish composer of late Renaissance music . Along with Palestrina he is today considered to be the chief representative of the mature polyphonic style of the Franco-Flemish School , and he was the most famous and influential musician in Europe at the end of the 16th century Contents Life Music and influence Sacred music Masses ... edit Life Composer Orlande de Lassus He was born in Mons in the province of Hainaut , in what is today Belgium . Information about his early years is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his singing voice. At the age of twelve he left the Low Countries with Ferrante Gonzaga and went to Mantua Sicily , and later Milan (from to ). While in Milan he made the acquaintance of the madrigalist

5. CATHOLIC ENCYCLOPEDIA: Orlando De Lassus Orlandus de lassus. (Original name, Roland de Lattre), composer, born at Mons, Hainault, Belgium, in 1520 (according to most biographers; but his epitaph http://www.newadvent.org/cathen/09011c.htm

Home Encyclopedia Summa Fathers ... L > Orlandus de Lassus Orlandus de Lassus (Original name, Roland de Lattre), composer, born at Mons, Hainault, Belgium , in 1520 (according to most biographers; but his epitaph gives 1532); died at Munich , 14 June, 1594. At the age of eight and a half years he was admitted as soprano to the choir of the church of St. Nicholas in his native city. He soon attracted general attention, both on account of his unusal musical talent and his beautiful voice; so much so that he was three times abducted . Twice his parents had him returned to the parental roof, but the third time they consented to allow him to take up his abode at St-Didier, the temporary residence of Ferdinand de Gonzaga, general in command of the army of Charles V and Viceroy of Sicily . At the end of the campaign in the Netherlands , Orlandus followed his patron to Milan and from there to Sicily . After the change of his voice Orlandus spent about three years at the court of the Marquess della Terza, at Naples . He next went to Rome , where he enjoyed the favour and hospitality , for about six months, of Cardinal Archbishop of Florence , who was then living there. Through the influence of this

6. HOASM: Orlandus Lassus Orlandus lassus, Orlande de lassus, orlando (di) Lasso, Orlandus lassus, Roland de lassus lassus spent the next decade in Italy, at first with Gonzaga, http://www.hoasm.org/IVK/Lassus.html

Orlandus Lassus, [Orlande de Lassus, Orlando (di) Lasso, Orlandus Lassus, Roland de Lassus, Roland Delattre] Franco-Flemish composer. Legend holds that as a choirboy with an uncommonly beautiful voice he was thrice kidnapped from his birthplace for service elsewhere. It is not certain, however, that he was ever a chorister in Mons. His first known position was in the service of Ferrante Gonzaga, who passed through the Low Countries in 1544 on his way to Italy. Lassus spent the next decade in Italy, at first with Gonzaga, later in the service of Constantino Castrioto of Naples. By 1553 he was choirmaster at St. John Lateran in Rome, remaining there for a year, then returning to his homeland and settling briefly in Antwerp. His career from 1556 was centered in Munich at the court chapel of Duke Albrecht V of Bavaria, as maestro di cappella from 1563, with duties that included some travel in Germany, Flanders, France, and Italy. While employed at Munich, he came to know both Andrea and Giovanni Gabrieli , each of whom spent time in the musical establishment he directed. His accomplishments brought formal recognition from Emperor Maximilian II, the French king Charles IX, and Pope Gregory XIII. Lassus's production of over 2,000 works in nearly every Latin, French, Italian, and German vocal genre known in his time places him among the most prolific and versatile composers of the era. A close connection between text and music, in both small- and large-scale respects, is perhaps the single most prominent characteristic of his output.

7. Orlande De Lassus Biography. Download Classical Music By Orlande De Lassus lassus, ORLANde de BIOGRAPHY. (1532 1594). lassus, also known by the Italian form of his name, orlando di Lasso, belonged to the Franco-Flemish school of http://www.naxos.com/composerinfo/bio20207.htm

The World's Leading Classical Music Label Naxos Worldwide Sites: Choose Country Global Site Australia Canada China Denmark Finland France Germany Hong Kong Japan Korea New Zealand Norway Sweden UK USA E-mail Password New Releases Artists Composers Labels ... L LASSUS, ORLANDE DE BIOGRAPHY Lassus, also known by the Italian form of his name, Orlando di Lasso, belonged to the Franco-Flemish school of composers whose work was of supreme international importance in the 16th century. He was born at Mons, in Hainaut, in 1532, and as a boy entered the service of a member of the Gonzaga family, hereditary dukes of Mantua. Employment elsewhere in Italy and a stay in Antwerp was followed by a position in the musical establishment of Duke Albrecht V of Bavaria in Munich, where Lassus remained from 1556 until his death. With Palestrina and Vittoria, he is one of the most important composers of the period. Church Music Lassus wrote a considerable quantity of church music, including over seventy settings of the Mass, settings of the Passions from the four evangelists and a very large number of motets. From this very considerable body of work of the highest quality selection is invidious, although mention may be made of the Requiem for four voices, the Missa octavi toni and Missa Qual donna, and motets such as Tristis est anima mea and the setting of the seven penitential Psalms of David and of the Holy Week Lamentations. Secular Vocal Music The secular vocal compositions of Lassus include madrigals, in the Italian style, some 150 French chansons and a much smaller number of German Lieder, all of great interest and forming a large body of work, including settings of Petrarch and Ariosto, Ronsard and Marot, from which selection is again invidious.

8. Orlando Di Lasso orlando di Lasso, 1532?1594. Also known as Roland de lassus. Born around 1532 - nobody knows exactly - in Mons, Flanders. As a boy singer in the service of http://www.manteau.de/orlando.html

Orlando di Lasso, 1532?-1594 Also known as Roland de Lassus. Born around 1532 - nobody knows exactly - in Mons, Flanders. As a boy singer in the service of the vice king of Sicily he went to Italy where he studied music. At the young age of about 20, he became maestro di cappella in Rome, which shows that he must have been highly talented. In 1556, the Duke of Bavaria contracted him as a singer. From 1564 until the end of his life, he was maestro di cappella at the court in München, where he died in 1594 as a wealthy and highly respected man. Lasso was no doubt the greatest Renaissance composer, fluent in any style of the time: Villanella, Chanson, Motet, Madrigal, Lied, Hymns, Lamentationes,... And he was fluent in French, Italian, German and Latin, too. Over 2000 secular and spiritual works have survived to this day. Many another composer would envy both his productivity and the care with which his works were kept for posterity. What I like about his music is, for one, the polyphonic Renaissance style in itself, but most of all I like its diversity: Four different languages and many more styles. There are sad songs of love, sacred music, hilarious songs about the joy of life, or satires, all put to music that characterises the content of the text in a way that can be instinctively understood. I guess that many people would be astonished to learn how funny and even indecent many of the texts are. If you want to put an ear to Lasso's music for the first time, I recommend

9. Orlando Di Lasso (Composer) - Short Biography orlando di Lasso Orlande de lassus, Orlandus lassus, Roland de lassus, Roland delattre, Roland de Lattre was a FrancoFlemish composer of the late http://www.bach-cantatas.com/Lib/Lasso-Orlando.htm

Introduction Cantatas Other Vocal Non-Vocal ... Z Orlando di Lasso (Composer) Born: c1532 - Mons in the province of Hainaut, Belgium Died: June 14, 1594 - Munich, Germany Orlando di Lasso [Orlande de Lassus, Orlandus Lassus, Roland de Lassus, Roland Delattre, Roland de Lattre] was a Franco-Flemish composer of the late Renaissance. Along with Palestrina he is today considered to be the chief representative of the mature polyphonic style of the Netherlands school, and he was the most famous and influential musician in Europe at the end of the 16 th century. Life Orlando di Lasso was born in Mons in the province of Hainaut, in what is today Belgium. Information about his early years is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his singing voice. At the age of 12 he left the Low Countries with Ferrante Gonzaga and went to Mantua, Sicily, and later Milan (from 1547 to 1549). While in Milan he made the acquaintance of the madrigalist Hoste da Reggio, an influence which was formative on his early musical style. He then worked as a singer and a composer for Constantino Castrioto in Naples in the early 1550s, and his first works are presumed to date from this time. Next he moved to Rome, where he worked for the Archduke of Florence, who maintained a household there; and in 1553, he became maestro di cappella (chorus leader) of the Basilica di San Giovanni in Laterano in Rome, a spectacularly prestigious post for a man only 21 years old, but he stayed there only for a year (Palestrina took this post a year later, in 1555).

10. Orlando Di Lasso rlando di Lasso (also known as Roland de lassus and Roland delattre, b. Mons 1532 d Munich 1594) is considered one of the greatest polyphonists of the http://members.iinet.net.au/~martins/program_notes/orlando_di_lasso.html

rlando di Lasso (also known as Roland de Lassus and Roland Delattre, b. Mons 1532 - d Munich 1594) is considered one of the greatest polyphonists of the late Renaissance and the essence of the Flemish tradition. A widely travelled individual, his places of residence include Rome (as chorus master at St John Lateran), Antwerp, Munich (in the employ of Duke Albrecht V of Bavaria) where he settled, Flanders, Frankfurt, Northern Italy, the French Court, etc. There was a suggestion that he may even have visited England which has not been substantiated. He was awarded a hereditary nobility by Emperor Maximillian II in 1570. In 1575 he employed Giovanni Gabrieli which shows his desire for innovation as much as tradition. Lassus' versatility can be seen in an enormous output which encompasses every style of the period in over 2000 compositions: Italian madrigals, German lieder, French chansons, Latin motets, two passions, offices, masses and magnificats. In 1604, his sons published 516 of his motets. His skill earned the title of "Orpheus de Belgique" and "Principe della Musica". Of the two settings of the Lamentations of Jeremiah to be sung as part of the Catholic liturgy for Matins on Maundy Thursday, Good Friday and Easter Saturday, the setting in five parts is a work of great mastery. In some ways this represents the development of structural devices which would later be used in opera and instrumental music.

11. Composer : Orlando De Lassus At CD Universe orlando de lassus CD music album and songs at CD Universe, with reviews, track list, top rated service, album cover art, sound samples, and more. http://www.cduniverse.com/search/xx/music/composer/Lassus, Orlando de/a/Orlando

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12. Orlando Di Lasso - Wikipedia, La Enciclopedia Libre Translate this page orlando di Lasso. orlando di Lasso. orlando di Lasso, conocido también como Orlandus lassus, Roland de lassus, Roland delattre, Orlande de lassus (1532 http://es.wikipedia.org/wiki/Orlando_di_Lasso

Orlando di Lasso De Wikipedia, la enciclopedia libre Saltar a navegaci³n bºsqueda Orlando di Lasso Orlando di Lasso , conocido tambi©n como Orlandus Lassus, Roland de Lassus, Roland Delattre, Orlande de Lassus ( 14 de junio de ) fue un compositor franco-flamenco del Renacimiento tard­o. Junto con Palestrina es considerado el l­der de la escuela holandesa, en su ©poca de madurez musical., adem¡s de uno de los m¡s influyentes mºsicos europeos en el siglo XVI. Tabla de contenidos Biograf­a Mºsica e influencia Mºsica sacra Misas ... editar Biograf­a Naci³ en Mons , provincia de Hainaut , en lo que actualmente es parte de B©lgica . La informaci³n sobre su juventud es escasa, aunque existen varias historias mal documentadas. La m¡s famosa de ellas cuenta que fue raptado tres veces a causa de la singular belleza de su voz. A la edad de 12 a±os deja los Pa­ses Bajos junto a Ferrante Gonzaga , y se dirige a Mantua , en Sicilia y posteriormente a Mil¡n , donde reside entre 1547 y 1549. Estando en Mil¡n se hospeda en Hoste da Reggio, cuna de madrigaslistas, una influencia que fue definitoria en su estilo musical inicial. En los primeros a±os de la d©cada de 1550 trabaja como cantante y compositor en N¡poles para Constantino Castrioto , ©poca de la que se presume datan su primeras composiciones. Luego se muda a

13. Orlando Lassus Also known as Roland de Lattre, Roland de lassus, Orlandus de lassus, Orlande di lassus, orlando di Lasso and Prince of Music http://musiced.about.com/od/famousmusicians1/p/Lassus.htm

zOBT=" Ads" zGCID=" test1" zGCID=" test1 test5" zJs=10 zJs=11 zJs=12 zJs=13 zc(5,'jsc',zJs,9999999,'') z160=zpreC(160,600);z336=zpreC(336,280);z728=zpreC(728,90);z133=zpreC(336,133);zItw=160 Music Education var h2=document.getElementsByTagName("h2")[0];if(h2.getElementsByTagName("a")[0].firstChild.nodeValue.length>29)h2.className="long"; Home Education Music Education Search over 1.4 million articles by over 600 experts Music Education About.com Search Music Education Instruments Music Theory Email ... on the Music Education Forum Profile of Orlando Lassus h1 = document.getElementById("title").getElementsByTagName("h1")[0];h1.innerHTML = widont(h1.innerHTML); By Espie Estrella , About.com See More About: musician biographies composers renaissance Born: Birthplace: Mons, Hainaut in Belgium Died: June 14, 1594 in Munich Also known as: Roland de Lattre, Roland de Lassus, Orlandus de Lassus, Orlande di Lassus, Orlando di Lasso and Prince of Music Type of Compositions: He composed church and secular voice music. Influence: Cardinal Archbishop of Florence who helped him obtain the position of choirmaster at St. John Lateran Musical Work: Over 70 mass settings, numerous

14. Music 220. Orlando De Lasso. “A composition by orlando de lassus in a Vanitas painting attributed to Sébastien Stoskopff.” Musique, Images, Instruments Revue française d’organologie et http://people.ischool.berkeley.edu/~mkduggan/Lassus.html

University of California , Berkeley, Department of Music Fall 2005, Music 220, Seminar, Friday, 1-5 pm, Library, Seminar Constructing a new ritual context Reform and music: 1450-1600 Mary Kay Duggan , Prof. Syllabus Reserve Book List Orlando de Lasso, 1532-1594 Starred items being placed on reserve Biography Wolfgang Boetticher Orlando di Lasso und seine Zeit 1532-1594: Repertoire- Untersuchungen zur Musik der Spätrenaissance Wilhelmshaven Noetzel Slightly revised version of 1 st ed. *Latest research: Annie Coeurdevey Roland de Lassus Paris Fayard ML 410 L3 C64 2003. Sorry it’s in French. New Grove : article by James Haar MGG , recent article. Scores New edition of motets, edited by Peter Bergquist Interesting review: John Milsom “Absorbing Lassus Early Music , May 2005, 305-14. Let’s all read and discuss, each bringing a volume of the motets. Milsom has an interesting discussion of how the new edition allows a revision of Lowinsky’s key critical essay of 1935-37 (auf deutsch ) of the 1 st printed volume of motets, ( Il primo libro Antwerp The Lowinsky essay is now available in English in Lowinsky’s Music in the Culture of the Renaissance Chicago pp. 385-431.

15. Orlando Di Lasso, Or Roland De Lassus (Flemish Composer) -- Britannica Online E choral forms and composition, FrancoNetherlandish school, perfection of polyphonic chanson, place in golden age of counterpoint. http://www.britannica.com/eb/topic-331044/Orlando-di-Lasso

Already a member? LOGIN Encyclopædia Britannica - the Online Encyclopedia Home Blog Advocacy Board ... Free Trial Britannica Online Content Related to this Topic Shopping New! Britannica Book of the Year The Ultimate Review of 2007. 2007 Britannica Encyclopedia Set (32-Volume Set) Revised, updated, and still unrivaled. New! Britannica 2008 Ultimate DVD/CD-ROM The world's premier software reference source. Orlando di Lasso, or Roland de Lassus (Flemish composer) A selection of articles discussing this topic. Main article: Orlando di Lasso Flemish composer whose music stands at the apex of the Franco-Netherlandish style that dominated European music of the Renaissance. perfection of polyphonic chanson place in golden age of counterpoint contribution to: Franco-Netherlandish school ...predecessors. Textures tended to be thicker, and writing in five or more parts became common. Adriaan Willaert, Cipriano de Rore, and Jacob Arcadelt were all expert in different national idioms, and Orlando di Lasso was the most versatile of all the later masters. Among the generation born about 1525, native Italian composers became increasingly prominent without eclipsing Lasso, Philippe de... contribution to: choral forms and composition choral forms and composition (in choral music: The mass) ...and the Englishmen William Byrd and Thomas Tallis all avoided secular melodies, even though these would have been largely obscured by the texture of the voices. On the other hand, the Netherlanders Orlando di Lasso and Philippe de Monte did not hesitate to draw upon themes of diverse origins. Byrd and his Flemish contemporary Heinrich Isaac also set a considerable amount of the proper of the...

16. MusicMoz - Composition: Composers: L: Lassus, Orlando De orlando de lassus. Years. 1532 1594 Top » Composition » Composers » L » lassus, orlando de. Subcategories. Links (1). This category needs an editor http://musicmoz.org/Composition/Composers/L/Lassus,_Orlando_de/

Editor login Link Feedback Submit Item ... About Orlando de Lassus Years From Netherlands Search Whole Directory free-text band or artist name song title album This Category free-text Advanced Search Top Composition Composers ... L Subcategories: Links This category needs an editor validate xml edit

17. Orlando De Lassus | ArkivMusic orlando de lassus Classical Recordings are available at ArkivMusic. http://www.arkivmusic.com/classical/Namedrill?&name_id=106612&name_role=1

18. OUP: Orlando De LASSUS (1522-1594) orlando de lassus (15221594). Magnificat Septimi Toni (1619) C7336, 10 . for chorus with optional ensemble Edited/Arranged by Stevens http://www.oup.co.uk/hirecat/Lassus/

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19. MySpace.com - Orlando De Lassus - BE - Classical / Classical / A'cappella - Www. MySpace music profile for orlando de lassus with tour dates, songs, videos, pictures, blogs, band information, downloads and more. http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=173737

20. DHM Baroque Esprit - Lasso Prophetiae Sibyllarium - RCA Records Composers orlando de lassus (1532 1594) Performers Wilfried Jochens Stephan Schreckenberger Johanna Koslowsky Graham Pushee Konrad Junghänel Gerd Türk http://www.hbdirect.com/album_detail.php?pid=460761

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