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         Webster John:     more books (34)
  1. The complete works of John Webster, edited by F. L. Lucas by John (1580?-1625?). Edited by Frank Laurence (1894-1967) Webster, 1937-01-01
  2. The Works Of John Webster: With Some Account Of The Author, And Notes by Webster John 1580?-1625?, Dyce Alexander 1798-1869, 2010-10-13
  3. La Duchesse De Malfi. Traduction De Georges Eekhoud (French Edition) by Webster John 1580?-1625?, Eekhoud Georges 1854-1927, 2010-09-28
  4. Webster & Tourneur. With an introd. and notes by John Addington by Webster. John. 1580?-1625?, 1888-01-01
  5. Webster and Tourneur by John, 1580?-1625? Webster, 2009-10-26
  6. Works; with some account of the author. and notes. by Alexander by Webster. John. 1580?-1625?, 1871-01-01
  7. Works. With some account of the author. and notes. by Alexander by Webster. John. 1580?-1625?, 1857-01-01
  8. Works. With some account of the author, and notes by John, 1580?-1625? Webster, 2009-10-26
  9. Dramatic works. Edited by William Hazlitt Volume 2 by John, 1580?-1625? Webster, 2009-10-26
  10. The Duchess of Malfi : a play by John, 1580?-1625? Webster, 2009-10-26
  11. The Works of John Webster: An Old-Spelling Critical Edition (Volume 1) by John Webster, 1995-11-24
  12. The Duchess of Malfi and Other Plays: The White Devil; The Duchess of Malfi; The Devil's Law-Case; A Cure for a Cuckold (Oxford World's Classics) by John Webster, 2009-07-29
  13. The Duchess of Malfi: John Webster (New Casebooks)
  14. Webster and Ford (English Dramatists) by Rowland Wymer, 1995-05

81. Charles Bennett On Melodrama, Hitchcock
favorably compared my work to that of British dramatist John Webster (1580?1638?).Webster, it is said, endowed villains with matchless cunning,
http://www.labyrinth.net.au/~muffin/bennett_c.html
Excerpted From 'The Man Who Knew Too Much'
The Memoirs of Screenwriter-Laureate
Charles Bennett
Edited by
John Charles Bennett
The Man Who Knew Too Much
(with Drummond gone). This was the first Bennett-Hitchcock collaboration, and the rest is cinema history. Bennett's subsequent screenplays included The 39 Steps Secret Agent Sabotage Young and Innocent (1937), and Foreign Correspondent (1940) - all for Hitchcock - The Clairvoyant King Solomon's Mines Reap the Wild Wind (1941, the first of three films for Cecil B. DeMille), Ivy The Curse of the Demon (1958), and The Lost World (1960, one of four films for producer Irwin Allen). Bennett also directed two films, both of them scripted by himself: Madness of the Heart (1949) and No Escape THE MILL MYSTERY
by
Charles Bennett at eight years old ACT I. Scene I. Inside a Mill. Darkness. Enter the Duchess. I WAS NOT ALWAYS a screenwriter. I had been a successful actor, playwright, and stage director before I met Hitch. For seventeen years theater had been my life. In those years I developed my sense of drama and construction. My theater experience was the basis for my collaboration with Hitch. And ultimately my love of Shakespeare helped shape the THRILLER genre. In 1923, I performed with the Alexander Marsh-Carrie Baillie Shakespearean Company, probably the most insignificant Shakespearean company which has ever toured the United Kingdom. We traveled through the smallest of the mining towns in the north of England where I would play Romeo sometimes twice nightly - with Wednesday and Saturday matinees. I never had dough for drama school, but after playing a different part in a different play every week at two repertory theaters, wandering around the British provinces with no less that three Shakespearean companies, and frequently playing two different Shakespearean roles in two different plays - matinee and evening - I think I really learned to act, developing the ability either to 'proclaim' or play naturally. Looking back at a career during the early part of which I was surely the worst young actor extant, I believe I eventually belabored myself into being a reasonably good one.

82. CATHOLIC ENCYCLOPEDIA: English Confessors And Marytrs (1534-1729)
Pope Gregory XIII, between 1580 and 1585, made several important viva voce Carthusians John Houghton, Robert Lawrence, Augustine Webster, 4 May, 1535;
http://www.newadvent.org/cathen/05474a.htm
Home Encyclopedia Summa Fathers ... E > English Confessors and Martyrs (1534-1729) A B C D ... Z
English Confessors and Martyrs (1534-1729)
Though the resistance of the English as a people to the Reformation
THE CAUSE OF THE BEATIFICATION
The cause of the beatification of the English Martyrs is important not for England only, but for all missionary countries, where its precedents may possibly be followed. The English cause is a very ancient one. Pope Gregory XIII , between 1580 and 1585, made several important viva voce concessions. Relics of these martyrs might, in default of others, be used to consecrate altars, a Te Deum might be publically sung on the receipt of the news of their martyrdoms, and theiur pictures, and their pictures with their names attached might be placed in the church of the English College, Rome. These permissions were gioven without any systematic inquiry that we know of. Pope Urban VII , in 1642, commenced such an inquiry, and though the outbreak of the civil war in 1642 postponed indefinitely the public progress of the cause, a list was drawn up by the vicar Apostolic, Dr. Richard Smith, Bishop of Chalcedon, which was subsequently amplified and published by Dr. Richard Challoner. It was not until 1855 that the cause was revived, when Canon John Morris (a Jesuit after 1866) became its apostle. After several unsuccessful petitions, as that of the Third Synod of Westminster in 1859, to obtain an immediate sanction for their cultus by papal decree, a formal "ordinary process" was held in London, June to September, 1874. The work was one of much difficulty, first because nothing of the sort had been attempted in England before, and secondly because of the multitude of the martyrs. Largely, however, through the public spirit of the Fathers of the London Oratory, who devoted themselves to it unitedly, success was achieved, both in gathering together a body of evidence, and in fulfilling the multifarious ceremonial precautions on which the Roman jurists so strongly insist. After the cause had been for twelve years in the Roman courts, two decrees were issued which, broadly speaking, gave full force and efficacy to the two ancient papal ordinations before mentioned (

83. EMLS 9.1 (May, 2003]: 4.1-20 Religion, Politics, Revenge: The Dead In Renaissanc
In John Webster s The White Devil (written between 160912), Duke Fransico and The Stripping of the Altars Traditional Religion in England 1400-1580.
http://www.shu.ac.uk/emls/09-1/ristdead.html
Religion, Politics, Revenge: The Dead in Renaissance Drama
Thomas Rist
University of Aberdeen
t.rist@abdn.ac.uk

Rist, Thomas. "Religion, Politics, Revenge: The Dead in Renaissance Drama." Early Modern Literary Studies http://purl.oclc.org/emls/09-1/ristdead.html
  • In the history of criticism, studies of the dead in Renaissance drama - until and including Stephen Greenblatt's Hamlet in Purgatory - have more or less exclusively focused on Hamlet, taking their cue in particular from the Ghost's self-introduction: I am thy father's spirit
    Doom'd for a certain term to walk the night,
    And for the day confin'd to fast in fires,
    Till the foul crimes done in my days of nature
    Are burnt and purg'd away.
    Hamlet , I.v.9-13) The former king's punishment is only "for a certain term": in the traditional Christian geography of the afterlife, that implies that he is from Purgatory. Such implication is emphasised in the Ghost's claim that his punishment will last until his "foul crimes" are "burnt and purg'd away" [my emphasis]. Shakespearean scholars have been struck and perplexed by this because of the particular association of Purgatory with Roman Catholicism in Christian history - which is furthered in the Ghost's detailed reference to Catholic sacraments and practice as well as Hamlet's reference to St. Patrick
  • 84. Curiosidades De Shakespeare In Love - Como Se Hizo
    Translate this page (Webster, John -Londres, 1580-1624. Dramaturgo inglés. Es uno de los principalesdramaturgos de su época. Sus tragedias, inspiradas en novelle y relatos
    http://www.tepasmas.com/datos.php/shakespeare.htm
    Curiosidades de Cine Índice Noticias Especiales Foros ... Tienda Actualizada el 18/08/2005
    Shakespeare In Love
    • Judie Dench, ganó su primer y único Oscar por esta película, en la cual sale tres veces y tiene muy poco papel. Es el papel más corto de la historia del cine mejor recompensado. Begoña Diaz El papel que interpreta Gwyneth Paltrow, fue rechazado anteriormente por Julia Roberts. Zinema.com Shakespeare era homosexual confeso y así lo indica en alguna de sus poesías, en cambio en la película lo describen como un latin lover. LEANDRO J. D. En la película sale un niño al que no le dejan actuar en el teatro, un día William Shakespeare lo encuentra fuera y le pregunta si le gusta la obra que estaban ensayando (Romeo y Julieta), el niño dice que sólo cuando ella se clava el puñal y que cuando el escriba novelas morirá mucha gente en ellas y habrá mucha sangre, William le pregunta que cómo se llama, el niño le dice que John Webster. (Webster, John -Londres, 1580-1624. Dramaturgo inglés. Es uno de los principales dramaturgos de su época. Sus tragedias, inspiradas en novelle y relatos italianos, se caracterizan por la brutalidad sanguinaria de algunas escenas y, sobre todo, por su estilo, de gran riqueza y fuerza. Se conservan dos de sus dramas: El diablo blanco y La duquesa de Amalfi). Fernando Sandúa
    ¿Conoces algún otro dato? No dudes en

    85. Books - Bücher - Antiquarian Books Larry - Books - Bücher
    JB Gen. Ca. Jacques Bellot. Le maistre d escole Anglois (1580). Halle, 1912 . Or Sacred Poems etc. London, 1650. PRICE EUR 35,00; Webster, John.
    http://users.unimi.it/austheod/larrycat.htm
    larrybooks. find your book here. find a book on a single page. find books (rare, out-of-print, used) on bibliography, linguistics, dictionaries and grammars, phonetics and phonology, history of the english language, orthoepists phoneticians and grammarians, anglo-saxon literature, english literature, shakespeare’s works, germanic philology, libretti of the "teatro alla scala", german publications / deutsche publikationen, studia austriaca, studia theodisca, varia.
    Antiquarian Books Larry
    CONTENTS BIBLIOGRAPHY LINGUISTICS DICTIONARIES AND GRAMMARS PHONETICS AND PHONOLOGY ... STUDIA AUSTRIACA (ISSN: 1593-2508) STUDIA THEODISCA (ISSN: 1593-2478) GERMAN PUBLICATIONS / DEUTSCHE PUBLIKATIONEN V A R I A
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    86. Guthrie Theater
    1580, John Shakespeare is involved in lawsuits regarding several mortgaged family John Webster’s tragedy The White Devil is staged and published.
    http://www.guthrietheater.org/act_III/studyguide/chrono.cfm?id_studyguide=663007

    87. MessageListing
    6917 OCASIO EDWIN 018 6322 PASCHALL John 028 8469 PHILBIN ROBER 002 1580 7205 WARRINGTON FR 079 5577 WATSON MILLIE 077 1110 Webster John 075 4480
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    88. WeWh
    Webster, Daniel (17821852) American lawyer, statesman, author, journalist. He was known for ballads, such as the Ballad of John Henry.
    http://www.philately.com/philately/biowewh.htm
    WEAH, George ( - ) Liberia LIB1995J06 WEAVER, Eunice Souza Gabbi (1904-1969) Brazilian author, journalist, social worker - Brazil RA16-7 WEBB-ELLIS, William (1807-1872) Sportsman - Monaco 877 WEBBER, John ( - ) English painter - Niue 218a WEBER, Carl Maria Friedrich Ernst (1786-1826) German composer, pianist, painter - Germany 1214; 1463 German Democratic Republic 102; 2576 WEBER, Helene (1881-1962) German politician, educator - Germany 1007; 1007c WEBER, Louise ( - ) French dancer - Grenada 742 WEBSTER, Daniel (1782-1852) American lawyer, statesman, author, journalist. Born January 18, 1782 in Salisbury, New Hampshire, he was a senator from Massachusetts, 1820s to 1850s. He was noted for brilliant constitutional speeches. He was secretary of state, 1850-52. He died October 24, 1852 in Marshfield, Massachusetts - Canal Zone 8 Cuba 226; 226A Guam 8-9 Philippines 217; 217A; 233 Puerto Rico 214; United States USA1870D.5; 152; 163; 174; 189; 199; 226; USA1894I.4; 273; 282C; 283; 307; WEBSTER, Noah (1758-1843) American educator, journalist, author, lawyer, patriot, philologist - Maldive Islands 955 United States USA1958J16 WEDDELL, James (1787-1834) English navigator, author - British Antarctic Terr. 47; 128

    89. UBC Archives - William Messenger - File List
    325 John Taylor 1580. 3-26 B. Griffin 1596. 3-27 Overbury 1581. nd 14-27 H.Walpole nd 14-28 Webster, John nd 14-29 Wycherley nd Literature in
    http://www.library.ubc.ca/archives/u_arch/messeng1.html
    William Messenger fonds - File List
    Box 1 Box 13 Literature In English Series (continued) Permissions Sub-Series 13-1 Permissions Forms for L.I.E. 1990 (A). 13-2 Permissions Forms for L.I.E. 1990 (B). 13-3 Permissions Tracking Sheets for L.I.E. 1991-1992. Miscellaneous Sub-Series 13-4 Correspondence Re. design for L.I.E. 13-5 Correspondence, Notes, and Reviews Re. Table of Contents for L.I.E. 13-6 Designs, Illustrations, and Script for Possible Use in L.I.E. Active Voice Series 13-7 Notes, Revisions, and Correspondence Re. Active Voice (1st, 2nd, and 3rd editions) (A). 13-8 Notes, Revisions, and Correspondence Re. Active Voice (1st, 2nd, and 3rd editions) (B). 13-9 Notes, Revisions, and Correspondence Re. Active Voice (1st, 2nd, and 3rd editions) (C). 13-10 Notes, Revisions, and Correspondence Re. Active Voice (1st, 2nd, and 3rd editions) (D). 13-11 Correspondence from B. New and Peggy During Stay in New Zealand [re. Active Voice] 1978-1979. 13-12 Correspondence, Reviews, Revisions Re. Active Voice (1st Edition) 1978. 13-13 Revisions of Active Voice. Literature in English Series Research Notes Sub-Series (continued) 14-17 Gibson [n.d.] 14-18 Goethe [n.d.] 14-19 Thackeray [n.d.] 14-20 Thoreau [n.d.] 14-21 Bonnell Thornton [n.d.] 14-22 Tolstoy [n.d.] 14-23 Trollope [n.d.] 14-24 Turgenev [n.d.] 14-25 Mark Twain [n.d.] 14-26 Virgil [n.d.] 14-27 H. Walpole [n.d.] 14-28 Webster, John [n.d.] 14-29 Wycherley [n.d.]

    90. SHAKSPER: Submitted Papers
    in Webster s *Duchess of Malfi* 27 5366 images of water in Milton 15 43-55 *Amint gaudia* 29 13-15 Webster, John and scholarship 10 45-63 sickness and
    http://www.shaksper.net/archives/files/cahiers.index.html

    about SHAKSPER
    current postings submitted papers browse SHAKSPER
    A SUBJECT INDEX to Articles, Review Articles, and Notes published in *CAHIERS ELISABETHAINS* Numbers 1-40 (1972-91) (compiled by Angela R. MAGUIN) The presentation of the entries is as follows: the subject- entries, sub-entries and sub-sub-entries with indentations, followed by the number of the issue and the first and last pages of the article or note. This document does *not* include the indexes to the authors, play reviews and book reviews, which are published every 10th issue, and which we hope may soon be available for SHAKSPEReans on the server, as questions concerning production-history often arise on the screen. All our thanks to Angela MAGUIN, who has faithfully compiled these indexes for us over twenty years. Editors and associate editors of any journal know the anxiety of compiling a usable index. Ours is not perfect, for none is, but it is representative of the great variety of the themes approached by our writers, and as they choose their own index-words, they have impressed their own stamp on the documentary instruments by which their work can be traced by the profession. The whole production of *Cahiers* is also indexed by the *Bibliography* issue of the *Shakespeare Quarterly*. The index was prepared for publication on SHAKSPER by Luc Borot. The entries are presented as follows: Entry Sub-entry Article N . Pages Absurdity Nashe s *The Anatomy of Absurditie* 37 17-26 Acedia and the Redcrosse Knight s encounter with Despair (Spenser s *FQ*, I, ix) 30 1-15 Acting Shakespearian a. today 20 83-94 truth, deception and a. in *The Alchemist* 23 61-71 *The Tempest on tour* 40 31-6 Adam (see Chester plays) 21 1-11 Adaptation the misadventures of *Julius C sar* under the Restoration 24 33-45 Adlington, William *The annotami (sic) of the Masse* 21 49-50 Aesthetics Leicester, Kenilworth, and transformations in the idea of magnificence 31 11-35 Alabaster, William Date of his death 18 71-2 Alienation Renaissance dramatic forms, cosmic perspective and a. 27 1-16 Allegory of digestion in *King Lear* 30 17-33 political a. in Greene s *The Scottish History of James IV* 35 27-45 in *Measure for Measure* 16 19-26 in F. Merbury s *The Marriage of Wit and Wisdom* 29 1- 11 Anagogy of Shakespeare s *Measure for Measure* 16 19-26 Anne of Denmark and Shakespeare s *Henry V* 29 77-81 Anthropology anthropological criticism 27 43-51 Antiquity the art of a. in works by Lyly and Shakespeare 24 3-15 Antisemitism 27 17-26 and *The Merchant of Venice* 34 53-60 Two Jonsonian Neologisms 38 65-8 Antonio use of the name in English Renaissance drama 25 61-72 Ape in English theatrical tradition, 1580-1660 35 1-13 Apuleius *Othello* and the *Apologia* of A. 21 27-33 Archeology a. of the dramatic text 32 13-35 Archetypes of horror and cruelty in Elizabethan revenge tragedy 19 9-25 Arden, John *Serjeant Musgrave s Dance, Shakespearian reminiscences in* 17 77-81 Arthuriana scholarship 10 33-43 see Malory Artifice and the birth of the Hobbesian Commonwealth 30 49-58 Ascham, Roger *The Scholemaster* (on Castiglione s *The Courtier*) 27 67-81 Astr a the cult of Elizabeth-Astr a and the anti-Catholic Jubilye of 1624 22 93-4 Atheism and *The Jew of Malta* 27 17-26 Auden, W.H. his assessment of *The Tempest* 11 73-83 Audience a. control by Richard III in Act I of the play 37 59-68 Elizabethan and Jacobean theatre audiences 34 11-24 hero as actor/a. in *Hamlet* 28 37-44 a. response (in *Hamlet*) 28 37-44 Shakespeare and his audiences 11 31-53 Autobiography *Parthenicon*: an autobiographical poem by Elizabeth Jane Weston 37 1-8 Bachelard, Gaston B. s analysis of the imaginary and Herrick s *Hesperides* 32 37-48 Barabas (Marlowe s character) *The Jew of Malta*: Marlowe s ideological stance and the play world s ethos 27 17-26 Machiavellian diplomacy and dramatic developments in Marlowe s *Jew* 33 1-11 Baroque the B. image: a close analysis of the end of Milton s *Comus* 40 53-62 B. sensibility in Middleton s *The Changeling* 25 73-86 the B. and mannerism in Andrew Marvell s poems 17 59-70 Barton, John and play openings 33 47-51 Bible, The the B. and Chapman s *Ovids Banquet of Sence* 31 37-43 the biblical model for Renaissance homosexuality 36 11- 24 the B. and black magic in *Macbeth* 35 59-84 Book of Proverbs the B. and F. Merbury s *The Marriage of Wit and Wisdom* 29 1-11 G. Gascoigne s and Mary Sidney s versions of Psalm 130 36 1-9 2 Samuel 11: David s meeting with Bathsheba 31 37-43 Song of Songs and the anagogy of Shakespeare s *Measure for Measure* 16 19-26 Biography Gabriel Harvey and Spenser 31 59-61 Bishops and Robin Hood 22 87-91 foxes and wolves in episcopal propaganda 29 83-6 Blazoning b. in *The Faerie Queene* 23 1-14 Blood heart and b. in * Tis Pity She s a Whore* 31 45-57 Bogdanov, Michael The Pragmatics of Politics: Casting in *Henry IV* and* Henry V* 38 9-24 Bradbrook, Muriel C. scholarship on Elizabethan drama 19 91-6 Browne, Thomas *Religio Medici*, imagery in 18 53-68 Bruno, Giordano *Cantus Circaeus* , *De gl heroici furori*, mnemonics and the magical art of composition 20 3-10 Buffone, Carlo Two Jonsonian Neologisms 38 65-8 Bunyan, John *The Pilgrim s Progress*, the impress of ideology 7 3- 25 Cade, Jack in Shakespeare s *2 Henry VI* 33 13-22 Calendar (comparative) folk customs and festivities in Elizabethan England 8 5-13 Calenture cause of Falstaff s death? 27 83 Cannibalism c. in Shakespeare s imagery 19 27-37 and black magic in *Macbeth* 35 59-84 Capgrave, John *Nova legenda Anglie* 21 50-2 Captain Jamy in Shakespeare s *Henry V* 29 77-81 Carew, Richard translator of *Gerusalemme Liberata* 13 1-13 Carnival c. and Shakespeare s *2 Henry VI* 33 13-22 c. and *The Merry Wives of Windsor* 27 27-41 c. and *Othello* 32 13-35 c. in *Othello* 33 57-8 Caskets Interpreting *The Merchant of Venice* 39 1-16 Castiglione, Baldassare *The Courtier*, tr. by Thomas Hoby 27 67-81 Casting The Pragmatics of Politics: Casting in *Henry IV* and *Henry V* 38 9-24 Catholicism the anti-Catholic Jubilye of 1624 22 93-4 Catholic plots in the sixteenth century 35 27-45 Cavalier c. poetry and Herrick s Upon Julia s Clothes 28 73-6 Chamberlain, John his letters and Shakespeare s *Henry V* 29 77-81 Chapman, George *Bussy d Ambois*, date of composition 26 79-80 C. s Homer, some variations on a theme of 26 79-80 *An Humourous Day s Mirth* 32 3-11 *Ovids Banquet of Sence* 31 37-43 Character character type in drama 27 47-51 tyrant duke as stock c. in *As You Like It* 34 39-51 death, power, and representation in *Tamburlaine the Great* 40 1-10 Character Relationships the confined world of *The Changeling* 39 47-55 Characterization c. in Drayton s *Englands Heroicall Epistles* 33 31-45 Lear and Cordelia 40 11-20 c. and rhetoric: Shakespeare s *Julius C sar*, III.2 5 25-65 Charivari c. and *The Merry Wives of Windsor* 27 27-41 c. and *Othello* 32 13-35 Chastity and Desdemona 34 79-82 Chaucer, Geoffrey *Canterbury Tales*, semantic field of eroticism 1 3-24 *Troilus and Criseyde*, the love plot and Sh. s *Troilus and Cressida* 11 1-15 Chester Plays Adam s Dream and the first three Chester Plays. 21 1-11 Chester Mystery Cycle at Chester Cathedral, July 1987 34 1-9 Cicero *De Amicitia* and Richard Edwards *Damon and Pithias* 30 71-2 Circle c., sword, and the futile quest in Webster s *Duchess of Malfi* 27 53-66 Cirrhosis c. and the death of Falstaff 33 53-5 see Dekker, Thomas Citizen Drama That day are you free : *The Shoemakers Holiday* 38 49-60 Class c. consciousness and Shakespeare s *2 Henry VI* 33 13- 22 Classicism *Antony and Cleopatra*: an Ovidian Tragedy? 40 73-7 Cleland, James *Institution of a Young Noble Man* 27 67-81 Cleopatra Shakespeare s C. and Milton s Dalila 12 69-70 Colonna, Francesco, *Hypnerotomachia*, Tudor translation of 15 1-16 Comedy love letters in romance and c.: rise and fall of an Elizabethan fashion 30 35-47 trickster play as sub-genre 27 43-51 the c. of violence (cf Nashe s *The Unfortunate Traveller*) 8 15-29 Commonwealth birth of the Hobbesian c.: the seat of artifice 30 49- 58 Comparative Literature comparisons of G. Gascoigne s and Mary Sidney s versions of Psalm 130 36 1-9 Confinement the confined world of *The Changeling* 39 47-55 Contract social c.: the Hobbesian Commonwealth 30 49-58 Corrozet, Gilles *Hecatomgraphie* influence of *H.* on dumb shows in *Gorboduc*? 29 39-51 Court Theatre and the vogue of the ape in drama 34 1-13 Courtier the c. as trickster in *The Duke of Milan* 23 73-82 poetic decorum and the c. s interest in Spenser s *Amoretti* 25 9-21 Cowley, Abraham *Davideis* and C. s eroticizations of biblical David 36 11-24 Cries London and country 8 31-63 *Cruell Warre, The* a critical edn. with a facsimile 14 49-68 a date and a new crux 20 93-4 a parody of Shirley s *Triumph of Peace* 15 77-80 a parody of Shirley s *Triumph of Peace* 17 43-57 Cruelty archetypes of horror and c. in Elizabethan revenge tragedy 19 9-25 horror and cruelty in three Elizabethan novelists 19 39-51 mental cruelty in Fletcher s *The Little French Lawyer* 22 35-9 Crux
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    91. Publications
    Editor John G. Webster, John Wiley Sons, New York, NY, vol. 15801591,June 1999. Resende Jr., FGV, Diniz, PSR, Tokuda, K., Kaneko, M.,
    http://www.lps.ufrj.br/profs/diniz/publications.htm

    92. MSN Encarta - Webster, John
    Translate this page Webster, John (Londra 1580 ca. - 1652), drammaturgo inglese. Esponente del teatroelisabettiano, intorno al 1600 collaborò con vari scrittori, tra cui
    http://it.encarta.msn.com/encyclopedia_761569843/Webster_John.html
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    93. MSN Encarta - Risultati Della Ricerca - Webster John
    Webster John
    http://it.encarta.msn.com/Webster_John.html
    fdbkURL="/encnet/refpages/search.aspx?q=Webster+John#bottom"; errmsg1="Please select a rating."; errmsg2="Please select a reason for your rating.";

    94. The Hamlet People
    Spouse John Fraser. John Fraser and Isabella Warren were married in 1835.1668 Children George Webster and Sarah Bliss were married on 13 Dec 1695.801
    http://prometheusli.com/hamlet/hamlet_tree/f-p/b131.htm

    95. The Atlantic Online
    They were born probably about 1580, but very little is known of their history . George W. Dole, JD Webster (afterwards General Webster,
    http://www.theatlantic.com/issues/1872apr/sanborn.htm
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    96. Biografia De Webster, John
    Translate this page Webster, John. (Londres, c. 1580- id., 1624) Dramaturgo inglés. Es uno de losprincipales dramaturgos de su época. Colaboró con Thomas Dekker, John Heywood
    http://www.biografiasyvidas.com/biografia/w/webster.htm
    Inicio Buscador Las figuras clave de la historia Reportajes Los protagonistas de la actualidad Webster, John (Londres, c id ., 1624) Dramaturgo inglés. Es uno de los principales dramaturgos de su época. Colaboró con Thomas Dekker, John Heywood y William Rowley en algunas obras dramáticas, y completó la comedia El descontento (1604), de John Marston. Sus tragedias, inspiradas en novelle y relatos italianos, se caracterizan por la brutalidad sanguinaria de algunas escenas y, sobre todo, por su estilo, de gran riqueza y fuerza. Se conservan dos de sus dramas: El diablo blanco (estrenada hacia 1608; publicada en 1612), sobre la pasión del duque de Bracciano por Vittoria Accoramboni, y La duquesa de Amalfi (estrenada antes de 1614; publicada en 1623), sobre las persecuciones de que fue objeto la duquesa por haberse casado con Antonio, su mayordomo. Inicio Buscador Recomendar sitio

    97. Project MUSE
    Webster, John. The Works of John Webster An OldSpelling Critical Edition, Making Ireland British, 1580-1650. Oxford Oxford University Press,
    http://muse.jhu.edu/journals/journal_of_medieval_and_early_modern_studies/v034/3
    How Do I Get This Article? Athens Login
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    Login: Password: Your browser must have cookies turned on Cornett, Michael "New Books across the Disciplines"
    Journal of Medieval and Early Modern Studies - Volume 34, Number 1, Winter 2004, pp. 225-247
    Duke University Press

    Excerpt
    "New Books across the Disciplines" is a bibliographic resource that facilitates a cross-disciplinary survey of recent publications. Its scope ranges from late antiquity to the seventeenth century. Coverage is comprehensive for the large majority of North American and British publishers. Other European titles are included whenever received. Books are classified under variable topical headings and listed alphabetically by author's name. Entries include complete bibliographical data and annotations. Unless designated for paperback editions, prices given are for cloth editions. For paperback reprint editions, original publication dates are given in parentheses. With few exceptions, books appearing here have been published within the previous two years. Many will be presented here before they are ordered and shelved by libraries. The topics for this issue include: 1. Editions and translations

    98. Project MUSE
    English Dramatic Interludes 13001580 A Reference Guide. 68. $23.00 paper.Webster, John. David Gunby, David Carnegie, and MacDonald P. Jackson, eds.
    http://muse.jhu.edu/journals/theatre_journal/v057/57.1books_received.html
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    This article is available through Project MUSE, an electronic journals collection made available to subscribing libraries NOTE: Please do NOT contact Project MUSE for a login and password. See How Do I Get This Article? for more information.
    Login: Password: Your browser must have cookies turned on "Books Received"
    Theatre Journal - Volume 57, Number 1, March 2005, pp. 155-162
    The Johns Hopkins University Press

    Excerpt
    Theatre Journal

    [Access article in PDF]
    Theatre Journal publishes primarily reviews of scholarly works of theatre criticism, history, and theory. All books received are listed here as a courtesy to publishers. Listing does not preclude subsequent review. Interested reviewers should send a resume and a letter indicating areas of expertise to the Book Review Editor, James Peck, at Muhlenberg College, Department of Theatre and Dance, 2400 Chew Street, Allentown, PA 18104-5586, or via electronic mail: jimpeck@muhlenberg.edu . Titles preceded by an "*" have been assigned to reviewers. Titles preceded by a "**" are reviewed in this issue.
    Autobiography and Biography
    Barnet, Anne Alison.

    99. New Catholic Dictionary: English Martyrs
    Dimock, Robert, layman, 1580; Dingley, Sir Thomas, Venerable, Knight of SaintJohn, 1539 Eastgate, John, monk, 1537; Eastgate, Richard, monk, 1537
    http://www.catholic-forum.com/saints/ncd05033.htm
    English Martyrs
    Those who suffered death in England for the Catholic Faith and for the primacy of the Roman Pontiff, from to . The total number of them is over 600; of these, fifty-four were beatified in and nine more in ; 247 others had their cause of beatification introduced in , and were declared Venerable; the remainder (about 286), though they all died heroically, led such retired and obscure lives that there is very little known about them, which fact has hindered even the introduction of their cause. The following is a complete alphabetical list of all the English Martyrs , under their last names. Those who have been beatified canonized , or declared venerable have separate articles. In a few cases nothing is known of the martyr except his name.

    100. English Communities In Crisis, C. 1580-1640 - Topic 2
    Mortality in Cumberland and Westmorland, 15801640 , Economic History Review 2nd The Social Economy of Dearth in Early Modern England , in John Walter
    http://www2.warwick.ac.uk/fac/arts/history/undergrad/modules/hi375/reading2/
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      English Communities in Crisis, c. 1580-1640 - topic 2
      [c] Introductory Reading: Laslett, Peter. 'Did the Peasants Really Starve?', in Laslett, The World We Have Lost Further Explored (London, 1983), pp.122-52. Outhwaite, R.B. Dearth, Public Policy and Social Disturbance in England, 1550-1800 (London, 1991), chs.1-2. Reading: Appleby, Andrew. 'Disease or Famine? Mortality in Cumberland and Westmorland, 1580-1640', Economic History Review 2nd ser. 26:3 (August 1973), 403-31. Appleby, Andrew. Famine in Tudor and Stuart England (Liverpool, 1978). Appleby, Andrew. 'Diet in Sixteenth-Century England: Sources, Problems, Possibilities', in C. Webster (ed.), Health, Medicine and Mortality in the Sixteenth Century (Cambridge, 1979), pp.97-116. Appleby, Andrew. 'Grain Prices and Subsistence Crises in England and France 1590-1740', Journal of Economic History 39:4 (December 1979), 865-87. Appleby, Andrew. 'The Disappearance of the Plague: A Continuing Puzzle', Economic History Review 2nd ser. 33:2 (May 1980), 161-73.

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