61. Browse By Artist A-Z Now displaying records 1 to 15 of 15. Previous 1 Next . Pictures by SirJoshua Reynolds (17231792). View Thumbnails only View Text only http://www.nmm.ac.uk/mag/pages/mnuExplore/BrowseByArtist.cfm?action=ArtistTitle&

62. Reynolds.html Sir Joshua Reynolds. 17231792. No figure in England exerted greater influenceon the art of his day than Sir Joshua Reynolds. Reynolds was brought up in an http://www.faculty.de.gcsu.edu/~rviau/ids/Artworks/reynolds.html

Sir Joshua Reynolds No figure in England exerted greater influence on the art of his day than Sir Joshua Reynolds. Reynolds was brought up in an educated family, unusual for the artists of his day, and eventually became friends with some of the most notable figures of the second half of the century, including Dr. Johnson, Goldsmith, Burke, and Garrick. His great learning and personal influence through the Academy probably had an impact disproportionate to the actual quality of his art. Reynolds was apprenticed to Hudson in 1740 in London, but in 1743 he left his master and returned to his native Devonshire. From 1743 to 1749 he worked on his own in Devonshire and London, and then left for Italy. Before his trip to classical ground, the main influences on Reynolds had been Hogarth and Ramsay, but his two year visit to Rome introduced him to the styles of Raphael and Michelangelo, from whom he learned something of the intellectual basis of Italian art. On his way home he spent two weeks in Venice, and this profoundly influenced his portrait style. In 1753 Reynolds set up in London, met Johnson, and quickly established his name. His only real rivals were Ramsay and Cotes (and later Gainsborough). When the Royal Academy was founded in 1768, the only logical choice for President was Reynolds. He was knighted the following year and given an Honorary Doctorate at Oxford (an honor he shared only with Kneller among artists). Following 1768 Reynolds worked assiduously to use the Academy as an instrument to establish a British School of history painters that rivaled those of Italy. His fifteen Discourses composed and delivered at the Academy from 1769-90 admirably articulate the dominant aesthetic theory of his day.

63. Anecdote - Sir Joshua Reynolds - Sir Joshua Reynolds: Reynolds Blooper? Reynolds, Sir Joshua (17231792) British portrait painter and critic SourcesBook of Lists, p. 472 More Sir Reynolds anecdotes Related Anecdote Keywords http://www.anecdotage.com/index.php?aid=18819

64. Anecdote - Sir Joshua Reynolds - Signature Artist Reynolds, Sir Joshua (17231792) British portrait painter and critic Sources A.Cunningham, Lives of the Most Eminent British Painters http://www.anecdotage.com/index.php?aid=13868

65. Artists And Eyes: Sir Joshua Reynolds UK( 1972 SG 931 932) 250th Birth Anniversary of Sir Joshua Reynolds. Sir JoshuaReynolds (17231792) was an important English artist of the 18th century http://www.mrcophth.com/ophthalmologyonstamps/artistsandeyes/a.html

z 250th Birth Anniversary of Sir Joshua Reynolds. Sir Joshua Reynolds (1723-1792) was an important English artist of the 18th century and was the first artist to be given the title Sir. At the age of 66, he experienced diminution of his left eyesight. He recorded that "My left eye begins to put itself dark". This could well be the first sign of uveal melanoma. In less than 2 months, he lost his vision completely. A year later, he experienced a strong pains in the blind eye causing him to sink into deep depression. Few months before he died, he had hepatomegaly and an increase in the size of the left eye that extruded blood. His surgeon Mr. Cruikshank treated him with leeches and cupping. At autopsy there was only mentioned of his liver that is said to be very diseased and enlarged. The medical history suggests that he might have succumbed to metastatic uveal melanoma. Main page Next page Success in MRCOphth

66. Samuel William Reynolds ( - ) Artwork Images, Exhibitions, Reviews Sir Joshua Reynolds (17231792) Style of William Grimaldi (1773 or later)Ivory;Oval, 1 7/8 x The Metropolitan Museum of Art - http://wwar.com/masters/r/reynolds-samuel_william.html

arts marketplace browse the arts submit arts news media kit ... Artist : Samuel William Reynolds Artworks in Museum Collections: (30) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Samuel William Reynolds. Fine Arts Museum of San Francisco - Samuel William Reynolds, Senior, Samuel Whitbred, Esq., 18th - 19th century Fine Arts Museum of San Francisco - Samuel William Reynolds, Senior, Mrs. Johnson, sister to Sir Joshua Reynolds, 18th - 19th century Fine Arts Museum of San Francisco - Samuel William Reynolds, Senior, William, Youngest Son of Lord William Russell, 18th - 19th century Fine Arts Museum of San Francisco - Samuel William Reynolds, Senior, Hagia Yousuph Effendi, 1795 Fine Arts Museum of San Francisco - Fine Arts Museum of San Francisco - Samuel William Reynolds, Senior, Mrs. Harding, 18th - 19th century Fine Arts Museum of San Francisco - Samuel William Reynolds, Senior, Mrs. Stanhope, 18th - 19th century Fine Arts Museum of San Francisco - Samuel William Reynolds, Senior, The Chapeau de Paille, 18th - 19th century

67. S Reynolds ( - ) Artwork Images, Exhibitions, Reviews Sir Joshua Reynolds (17231792) Style of William Grimaldi (1773 or later)Ivory;Oval, 1 7/8 x The Minneapolis Institute of Arts - http://wwar.com/masters/r/reynolds-s.html

arts marketplace browse the arts submit arts news media kit ... Artist : S Reynolds Artworks in Museum Collections: (30) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by S Reynolds. Fine Arts Museum of San Francisco - Samuel William Reynolds, Senior, Mrs. Johnson, sister to Sir Joshua Reynolds, 18th - 19th century Fine Arts Museum of San Francisco - Sir Joshua Reynolds, Dr. Samuel Johnson, 18th century Fine Arts Museum of San Francisco - Sir Joshua Reynolds, The Rev. William Turner, 18th century Fine Arts Museum of San Francisco - Reynolds Thomas, Castle of Aigle (Switzerland), 1962 Fine Arts Museum of San Francisco - Warwick Reynolds, Tiger with Peacock, 19th - 20th century Fine Arts Museum of San Francisco - Sir Joshua Reynolds, Miss Maria Elizabeth Boothby, 1758 The Metropolitan Museum of Art - Captain George K. H. Coussmaker (1759-1801), 1782 Sir Joshua Reynolds (British, 1723-1792)Oil on canvas; 93 Fine Arts Museum of San Francisco - Valentine Green, Portrait of Sir Joshua Reynolds, 18th - 19th century Fine Arts Museum of San Francisco - Sir Joshua Reynolds, Anne, Viscountess, Afterwards Marchioness of Townsend, circa 1780

68. Handprint Late Georgian Watercolors Under the leadership of its president Sir Joshua Reynolds (17231792), the RoyalAcademy quickly evolved into a highly prestigious but hidebound institution http://www.handprint.com/HP/WCL/artist07.html

69. Document Signed ("Joshua Reynolds Pres:t: R.A."), A Diploma Appointing "Thomas C Reynolds, Sir Joshua (17231792). Painter; and first Pressident of the RoyalAcademy. Document Signed ( Joshua Reynolds Prest RA ), a diploma appointing http://www.maggs.com/title/AU4469.asp

Shop Tour Printed Catalogues Recent Publications Contacts ... Shopping Basket Search Rare Book Catalogue for Ref: Change Currency document.writeln ('') document.writeln ('') Related Titles Pleistocene Bears (part of Dawkins, Pl. Mamm.) Autograph Manuscript, unsigned, presumably intended for one of Reynolds' celebrated Academy lectures, known as Discourses, giving his definition of a true artist. REYNOLDS, Sir Joshua (1723-1792). Painter; and first Pressident of the Royal Academy. Document Signed ("Joshua Reynolds Pres:t: R.A."), a diploma appointing "Thomas Chambars, Gentleman, to be one of the Associate Engravers of the Royal Academy." 1 page oblong folio, printed, cut down at the head but the text complete, designed by Cipriani and engraved by Bartollozzi, "Engraver to his Majesty." Signed at the foot by Reynolds and also by the Secretary of the Royal Academy, the portrait painter Francis Milner Newton. The seal of the Royal Academy, in blue wax, is beneath the signatures within a decorative cartouche. Royal Academy, 1 October 1770. Send this title to your inbox Joshua Reynolds was the first President, and Francis Milner Newton the first Secretary, of the Royal Academy, founded in 1768. The engraver Thomas Chambars (1723-1789), born in London of Irish parents, was trained in Dublin and Paris. His work was of a high standard, and he contributed prints to John Boydell's "A Collection of Prints, Engraved from the most Capital Paintings in England" (1763). One of his most successful and popular works was

70. Autograph Manuscript, Unsigned, Presumably Intended For One Of Reynolds' Celebra Reynolds, Sir Joshua (17231792). Painter, and first President of the Royal Academy. AN ENTHUSIASM FROM ART IT SELF . Autograph Manuscript, unsigned http://www.maggs.com/title/AU4373.asp

Shop Tour Printed Catalogues Recent Publications Contacts ... Shopping Basket Search Rare Book Catalogue for Ref: Change Currency document.writeln ('') document.writeln ('') Related Titles Pleistocene Bears (part of Dawkins, Pl. Mamm.) REYNOLDS, Sir Joshua (1723-1792). Painter, and first President of the Royal Academy. "AN ENTHUSIASM FROM ART IT SELF" Autograph Manuscript, unsigned, presumably intended for one of Reynolds' celebrated Academy lectures, known as Discourses, giving his definition of a true artist. 11 lines written on a 4to page (cut down from a larger sheet), n.d. Send this title to your inbox "He only is the Artist, or has the Genius of Art in him who feels an Enthusiasm from Art it self exclusive of any expression which that Art may be supposed to affect the imagination, he feels when he sees the Torso, as I apprehend a Musician does from execution or a Poet from the happiness of a conjunction of words" An illuminating definition of the artist. Reynolds delivered his first Discourse on 2 January 1769, at the opening of the Royal Academy. In all he wrote and delivered fifteen Discourses between 1769 and 1790, each (apart from the first and the ninth) given on the occasion of the awarding of prizes to the Academy's students. The first seven were published together in 1787, and all fifteen in the collected edition of Reynolds' writings in 1797. In the weeks leading up to the presentation of each Discourse Reynolds made copious notes and rough drafts, working late into the night to give form to his thoughts. After organising and correcting these pages to his satisfaction, he would ask a pupil to provide a neat fair copy, from which he would deliver his lecture.

71. Reynolds Joshua Reynolds, 17231792 Those painted by Reynolds included Josiah Wedgwood,Warren Hastings, Sir Joseph Banks and David Garrick. http://www.modjourn.brown.edu/Image/Reynolds/Reynolds.htm

Joshua Reynolds, 1723-1792 The son of a clergyman, he was born near Plymouth in 1723. He was sent to London to study art in 1740. He was apprenticed to Thomas Hudson but William Hogarth and Allan Ramsay had the most influence of his style. After a period in Rome (1749-1752), Reynolds returned to England where he established himself as one of country's leading portrait painters. Those painted by Reynolds included Josiah Wedgwood, Warren Hastings, Sir Joseph Banks and David Garrick. When the Royal Academy was established in 1768, Reynolds was elected its first president. The following year he was knighted. In 1784 Reynolds was appointed as painter to George III. However, five years later his sight began to deteriorate and he was forced to give up painting. We always try to locate images of the specific works discussed in the journal. As you might expect, this is often impossible. Failing that, we seek out similar or typical work by the artist. The images we have on file are linked below. The Age of Innocence Lord Heathfield The Infant Academy Back to Image Index MJP Home New Age Home

72. Reynolds, Sir Joshua Famous Quotes Famous Quotes By Reynolds, Sir Joshua. 17231792 British Artist Critic.Invention strictly speaking, is little more than a new combination of those images http://www.borntomotivate.com/FamousQuote_SirJoshuaReynolds.html

Famous Quotes By: Reynolds, Sir Joshua 1723-1792 British Artist Critic Invention strictly speaking, is little more than a new combination of those images which have been previously gathered and deposited in the memory; nothing can come from nothing. Reynolds, Sir Joshua Invention and Inventor Nothing can be made of nothing; he who has laid up no material can produce no combination. Reynolds, Sir Joshua Deeds and Good Deeds The real character of a man is found out by his amusements. Reynolds, Sir Joshua Character If you have great talents, industry will improve them: if you have but moderate abilities, industry will supply their deficiency. Reynolds, Sir Joshua Work

73. Reynolds, Sir Joshua Secret Encyclopaedia Gnomiz Hardcover (November 1996), Sir Joshua Reynolds The Painter in Society by Paperback (March 1998) That Sir Joshua Reynolds (17231792) became the most http://www.gnomiz.it/nexus/arte00/reynolds.htm

Gnomiz Home Page by Granetto Encyclopaedia index A B C ... l'altro lato del '900 Forreword english francais italiano Vino Shop A rt and Fashion "out of season" paintings .Thus I dared looking for those "common values" in the world of Fashion among many people who hold out without having to rely on an understanding. The outcome is amid paintings and sculptures "out of season" dedicated to abstract expressions levity and photo advertising important pictures, objects and perfumes play and strangely enough to some elderly portraits ......so is there really a necessity for a subject? Viag giare Turismo e Alberghi Reynolds, Sir Joshua (The Frick Collection, New York) Born at Plympton, Devonshire, Reynolds served a brief apprenticeship under Thomas Hudson in London before launching his career as a portrait painter in Plymouth. Between 1749 and 1752 he was in Italy, where the study of ancient art and the Italian masters profoundly affected his style. Soon after his return he became the most fashionable portraitist in London. Reynolds was a prolific painter whose variety of approach was envied by his rival, Thomas Gainsborough. As the first President of the Royal Academy, Reynolds delivered a series of “Discourses” that were highly influential in shaping British aesthetic theory. He was a close friend of some of the leading personalities of his time, including Dr. Johnson, Goldsmith, Burke, and Garrick.

74. George Glazer Gallery - Sylvia, By Sir Joshua Reynolds Sir Joshua Reynolds (17231792) Sylvia J. Jones, London 1791 Black and whiteengraving 13 x 9 inches Red Tag Price $250 http://www.georgeglazer.com/prints/aanda/art-pre20/reynolds-sylvia.html

Sir Joshua Reynolds (1723-1792) Sylvia J. Jones, London: 1791 Black and white engraving 13 x 9 inches Red Tag Price: $250 Portrait of a cheerful, barefoot little girl standing on a stepping stone in the middle of a brook. "Sylvia" may be her name, or it may be an allegorical title personifying her as an inhabitant of the sylvan, or woodland, setting of the portrait. "Fancy pictures," which were a combination portrait and genre scene, became very popular at the end of the 18th century. One type consisted of middle-class patrons, dressed as peasants or farmers, in staged scenes of rural life. This appears to be in that genre. Sir Joshua Reynolds was the foremost portrait painter in England in the 18th century, and was extremely influential on later generations of artists. His poses were intended to invoke classical values and to enhance the dignity of his sitters, as is evident in his treatment of this young rural girl. His style incorporated strong lighting, rich color and bravura paint handling. He also made history and "fancy pictures." As first president of the Royal Academy in London, he significantly raised the profile of art and artists in Britain. Reynolds is also known for his eloquent Discourses on Art, delivered to the students and members of the Academy between 1769 and 1790. John Jones, the publisher, was a London-based engraver and printseller active from 1775. He was a mezzotint and stipple engraver mainly of portraits by Reynolds, Romney and others, who published most of his plates himself. He exhibited at the Society of Artists from 1780-91 and served as Engraver Extraordinary to the Prince of Wales from 1790-97.

75. George Glazer Gallery - William Strahan, After Sir Joshua Reynolds Sir Joshua Reynolds (17231792) (after) J. Jones (c. 1740 -1797?) (engraver)William Strahan J. Jones, London 1792 Mezzotint, uncolored http://www.georgeglazer.com/archives/prints/portraits/strahan.html

Sir Joshua Reynolds (1723-1792) (after) J. Jones (c. 1740 -1797?) (engraver) William Strahan J. Jones, London: 1792 Mezzotint, uncolored 18.25 x 14 inches, sheet 14.5 x 10.75 inches, image Sold please inquire as to the availability of similar items. Portrait of the printer and publisher William Strahan (1715-1785), who ran a highly important and successful business in the eighteenth century, at one time employing 50 men. Strahan was Samuel Johnson's chief publisher and also published the works of the philosopher David Hume. The original painting by Reynolds from which this print was made may be viewed online on the web site of the National Portrait Gallery in London where it is part of the permanent collection. The painting was first exhibited in 1783. Sir Joshua Reynolds was the foremost portrait painter in England in the 18th century, and was extremely influential on later generations of artists. His poses were intended to invoke classical values and to enhance the dignity of his sitters. His style incorporated strong lighting, rich color and bravura paint handling. He also made history and "fancy pictures." As first president of the Royal Academy in London, he significantly raised the profile of art and artists in Britain. Reynolds is also known for his eloquent Discourses on Art, delivered to the students and members of the Academy between 1769 and 1790. John Jones was a London-based engraver and printseller active from 1775. He was a mezzotint and stipple engraver mainly of portraits by Reynolds, Romney and others, as well as works by Bunbury and Rowlandson. He published most of his plates himself. He exhibited at the Society of Artists from 1780-91 and served as Engraver Extraordinary to the Prince of Wales from 1790-97.

76. 4th Duke Of Marlborough And Family Sir Joshua Reynolds English Rococo Era Painter, 17231792. Date? Duke ofMalborough collection,. Blenheim Palace. Oxfordshire, England. Oil on canvas http://www.jssgallery.org/Other_Artists/Sir_Joshua_Reynolds/4th_Duke_Marlborough

Sir Joshua Reynolds' 4th Duke of Marlborough and Family Frontpage What's New Thumbnails Refer This Site 4th Duke of Marlborough and Family Sir Joshua Reynolds English Rococo Era Painter, 1723-1792 Date? Duke of Malborough collection, Blenheim Palace Oxfordshire, England Oil on canvas Jpeg: Blenheim Palace George Spencer, the 4th Duke of Marlborough (1739-1817) Notes See Sargent and Renolds in juxtaposition See the Blenheim Palace John Singer Sargent Duke of Marlborough and Family By: Natasha Wallace Created 2/25/2002

77. Ruskin MP I Notes Sir Joshua Reynolds (17231792), a central figure in the history of British art,both through his paintings and through the transformation he effected, http://www.lancs.ac.uk/users/ruskin/empi/notes/dreyns01.htm

Reynolds Sir Joshua Reynolds (1723-1792), a central figure in the history of British art, both through his paintings and through the transformation he effected, by institutional and literary means, upon his calling. From the beginning of his career as a painter, his use of allusion to the Old Masters marked him out from his contemporaries. This was consolidated by two years' study in Rome (and a few weeks in Venice ) from 1750 to 1752. The following year he began to make a name for himself in London , blending elements of the Grand Style with fashionable portraiture, helping to establish the genre English historical art whilst becoming the leading painter of his day. When the Royal Academy was founded in 1768, Reynolds was the natural choice for President. He used this position to promote a British school of painting, the intellectual basis of which is set out in the influential Reynolds's Discourses (fifteen talks delivered to the Royal Academy at various times between 1769 and 1790). Reynolds's Discourses became a benchmark for art criticism and art education in the early nineteenth century.

78. DeNunzio Inc. - Art Reproductions And Mirrors 29in by 35in. Captain Bligh Reynolds, Joshua Sir(17231792) Price $549.00 Qty. About Us Artists Categories Accessories Newport Mansions http://www.denunzio.com/showwork.cfm?artist=Reynolds, Joshua Sir(1723-1792)

79. Reynolds Reynolds, Sir Joshua (17231792) Historically the most important figure in Britishpainting, Reynolds was born in Devon, where his father was headmaster http://library.thinkquest.org/22450/data/artists/reynolds.htm

Reynolds, Sir Joshua Reynolds, Sir Joshua (1723-1792) Historically the most important figure in British painting, Reynolds was born in Devon, where his father was headmaster of the Grammar School and a former Fellow of Balliol. This is worth mentioning because it shows that Reynolds was born and brought up in an educated family at a time when most English painters were hardly more than ill-educated tradesmen. Reynolds himself did more to raise the status of the artist in England through his learning and personal example than by his actual quality as an artist. The fundamental basis of his art was the deliberate use of allusion to the Old Masters. This appeal to the educated eye is the essence of his own style and the reason for the rise in public esteem for the visual arts that is so marked a feature of his age. Reynolds's practice as a portrait painter was profoundly influenced by the few weeks he spent in Venice in 1752. He was knighted in 1769 and the works of the years following show him at his most Classical and most learned. In 1781 he made a journey to Flanders and Holland and was profoundly

80. Bulletin 17, Sir Joshua Reynolds, Portrait Of Charles Churchill 1755 Oil on canvas, 50 x 39 3/4 in. (127.0 x 101.0 cm.) THE NATIONAL GALLERY OF CANADA,OTTAWA Before treatment 1 Sir Joshua Reynolds Angleterre 17231792 http://collections.ic.gc.ca/bulletin/num17/ruggles1_image1.html

1 SIR JOSHUA REYNOLDS English 1723-92 Portrait of Charles Churchill 1755 Oil on canvas, 50 x 39 3/4 in. (127.0 x 101.0 cm.) THE NATIONAL GALLERY OF CANADA, OTTAWA Before treatment 1 SIR JOSHUA REYNOLDS Angleterre 1723-1792 Portrait de Charles Churchill 1755 Huile sur toile, 50 x 39 3/4 po (127.0 x 101.0 cm) GALERIE NATIONALE DU CANADA, OTTAWA Avant le traitement Back

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