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         Owen Wilfred:     more books (32)
  1. Journey from Obscurity: Wilfred Owen 1893-1918 by Harold Owen, 1964
  2. Journey from Obscurity 4 volumes Wilfred Owen 1893-1918 Memoirs of the Owen Family 4 Volumes 1 Childhood 2 Youth 3 War 4 Aftermath by harold owen, 1963
  3. Wilfred Owen (1893-1918): A bibliography (The Serif series in bibliography, no. 1) by William White, 1967
  4. WILFRED OWEN (1893-1918) : A BIBLIOGRAPHY by William White, 1967
  5. Wilfred Owen 1893-1918 a Bibliography by William White, 1967-06
  6. Journey from Obscurity: Wilfred Owen, 1893-1918 (Memoirs of the Owen Family) (3 Volumes) by Harold Owen, 1963
  7. Requiem for War: The Life of Wilfred Owen, 1893-1918 by Arthur Orrmont, 1972
  8. Wilfred Owen (1893-1918): a Bibliography
  9. Journey from Obscurity: Wilfred Owen, 1893-1918. Memoirs of the Family by Harold OWEN, 1965
  10. Journey from Obscurity: Wilfred Owen 1893-1918 by Harold Owen, 1963
  11. JOURNEY FROM OBSCURITY: WILFRED OWEN 1893-1918: MEMOIRS OF THE OWEN FAMILY III: WAR. by Harold. Owen, 1965-01-01
  12. Journey from Obscurity: Wilfred Owen, 1893-1918. Memoirs of the Family by Harold OWEN, 1920
  13. Journey from ObscurityWilfred Owen 1893-1918Memoirs of the Owen Family Vol1Childhood
  14. Journey from obscurity: Wilfred Owen,1893-1918; memoirs of the Owen family by Harold Owen, 1964

61. The National Archives | Search The Archives | National Register Of Archives | De
Owen, Wilfred Edward Salter (18931918) Poet. 6 records noted. Scope, multimediadigital archive. Repository, Oxford University English Faculty Library
http://www.nra.nationalarchives.gov.uk/nra/searches/pidocs.asp?P=P21891

62. Wilfred Owen
Wilfred Owen. (18931918). back home next Anthem for Doomed Youth Arms andthe Boy Asleep Conscious Dulce et Decorum Est Futility
http://www.poemtree.com/Owen.htm
Anthem for Doomed Youth
Arms and the Boy

Asleep

Conscious
Anthem for Doomed Youth
Arms and the Boy

Asleep

Conscious
...
Strange Meeting

63. Wilfred Owen
Wilfred Owen 18931918. Wilfred Edward Salter Owen was born on March 18, 1893.He was on the Continent teaching English until he visited a hospital for the
http://www.anglik.net/ww1wilfredowen.htm
The one-stop resource for the English language and more ... First World War Poetry Wilfred Owen Wilfred Edward Salter Owen was born on March 18, 1893. He was on the Continent teaching English until he visited a hospital for the wounded and then decided, in September, 1915, to return to England and enlist. Owen was injured in March 1917 and sent home; he was fit for duty in August, 1918, and returned to the front. November 4, just seven days before the Armistice, he was caught in a German machine gun attack and killed. He was twenty-five when he died. The bells were ringing on November 11, 1918, in Shrewsbury to celebrate the Armistice when the doorbell rang at his parent's home, bringing them the telegram telling them their son was dead. Some examples of his work (the last with notes): Greater Love Red lips are not so red
As the stained stones kissed by the English dead.
Kindness of wooed and wooer
Seems shame to their love pure.
O Love, your eyes lose lure
When I behold eyes blinded in my stead! Your slender attitude
Trembles not exquisite like limbs knife-skewed

64. Internet Book List :: Author Information: Wilfred Owen
Author Information Wilfred Owen 18931918. (iblist.com user bio) Immenselytalented British poet who died in action in the trenches in the final days
http://www.iblist.com/author9066.htm
@import "http://www.iblist.com/css/site.css";
Books Authors Series IBList User
Author Information: Wilfred Owen
Comment!
Rating: Weighted - 8.62 / Average - of 10 (9 votes)
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Biography:
(iblist.com user bio)

Immensely talented British poet who died in action in the trenches in the final days of WWI. Wrote amazingly powerful poetry about the horror of the war. Several of his poems were used by composer Benjamin Britten as texts for his War Requiem. 1893-1918. Collections: Poems:
Links:
Steven Jeffery
/ IBList.com, 2005

65. War Poems By Wilfred Owen, Audio Recordings By Walter Rufus Eagles
Click on the red logo to return to home page. Readings by Walter Rufus Eagles inRealMedia streaming audio. Twenty War Poems by Wilfred Owen 18931918
http://www.eaglesweb.com/Sub_Pages/owen_poems.htm
Online Anthology of Lyrical Audio Poetry in Modern English, recorded by Walter Rufus Eagles ad majorem Dei gloriam eaglesweb.com poetry for the ear in the tradition of Homer
A personal literature and arts website. Click HERE for our editorial policy or to record your comments. Click on the red logo to return to home page. Readings by Walter Rufus Eagles in RealMedia streaming audio. Twenty War Poems by Wilfred Owen
Hear also British War Poets and Morning Poem in Time of War
Biography of this poet, who died in battle in World War I. Return to Daily Audio Poem Page Return to Weekly Audio Poetry Page ... Return to Poets Listing

66. Dulce Et Decorum Est
Wilfred Owen s great antiwar poem. Dulce Et Decorum Est, by Wilfred Owen (1893 -1918). Wilfred Owen. Wilfred Owen (1893-1918)
http://www.liebreich.com/LDC/HTML/Various/Owen.html
Dulce Et Decorum Est, by Wilfred Owen (1893 - 1918) Wilfred Owen (1893-1918) "Dulce et Decorum Est - pro patria mori" Wilfred Owen's famous poem is based on a quotation from the Latin poet Horace (Odes, iii ii 13), meaning 'It is sweet and proper to die for one's country'. Owen, one of the leading First World War poets, was killed one week before the WWI ended. Dulce Et Decorum Est is his most famous poem and one of the most searing war poems ever written. Dulce Et Decorum Est brings home at an individual level the horror and barbarity of what happens during war. It also hightlights twin gulfs - between those who risk horrible death at the front and those who don't, and between the pursuance of diplomacy and the stark barbarity of armed conflict. It was the experiences of gas attacks in the First World War that led to the designation of gas as an prohibited weapon under the Gas Protocol of the Geneva Conventions in 1925. Winston Churchill is believed to have considered using gas against Germany, despite the ban, though he never gave the order to do so. Had Wilfred Owen survived into the 1980s he would would have been shocked to learn of the use of gas by Saddam Hussain not only against Iranian troops in the Iran-Iraq war (with the tacit sanction of his Western supporters), but also (this time without sanction) against his own civilian population at Halabja.

67. Edward Owen
Wilfred Edward Salter Owen (18931918), the oldest of four children, was born onMarch 18, 1893 in Owestry. He moved to Bordeaux, France in 1913.
http://barney.gonzaga.edu/~bpiermat/poem/Author.html
Information about the author Wilford Owen
Wilfred Edward Salter Owen (1893-1918), the oldest of four children, was born on March 18, 1893 in Owestry. He moved to Bordeaux, France in 1913. While in Bordeaux, Owen became an English teacher in the Berlitz School of Languages. Wilfred Owen enlisted in the Artists? Rifles on October 21, 1915. He was drafted to France in 1917. Owen was injured in March of 1917 while on the front line. He was cleared as fit for duty and sent back to the front line in August of 1918. On November 4, 1918 Wilfred Owen was killed by German Machine gun fire. Just one week later on November 11, 1918 the Armistice was signed, thus ending World War I. Owen?s parents received word of his death the very same day the Armistice was signed.
The Wilford Owen Association

68. WILFRED OWEN POETRY PAGE
Wilfred Owen POETRY PAGE. size. WORLD WAR ONE POETRY ..BY Wilfred Owen(18931918).ANTHEM FOR A DOOMED YOUTH APOLOGIA PRO POEMATE MEO
http://www.angelfire.com/wa/warpoetry/Owen.html
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WILFRED OWEN POETRY PAGE
WORLD WAR ONE POETRY.....BY: WILFRED OWEN(1893-1918) ANTHEM FOR A DOOMED YOUTH APOLOGIA PRO POEMATE MEO DULCE ET DECORUM EST EXPOSURE ...
Wilfred Owen

69. The Legacy Project: Literary Sampler
Writer Wilfred Owen (18931918) Writer s Country England Original LanguageEnglish Genre Poetry Event World War I
http://www.legacy-project.org/lit/display.html?ID=100

70. Wilfrid Owen
Wilfred Owen 18931918. My subject is War, and the pity of War. The Poetry isin the pity. Wilfred Owen, one of approximately 9000000 millions fatalities
http://www.sogang.ac.kr/~anthony/WilfridOwen.htm
Wilfred Owen 1893-1918 "My subject is War, and the pity of War. The Poetry is in the pity." Wilfred Owen, one of approximately 9,000,000 millions fatalities in World War I, was killed in action on the Sambre Canal just seven days before the Armistice on November 4, 1918. He was caught in a German machine gun blast and killed. He was twenty-five years old. Teaching in continental Europe in 1915, Owen visited a hospital and became acquainted with many of the war's wounded. Deeply affected by these visits, the 22 year-old young Owen and he decided to enlist in the British Army. Owen described his decision to enlist in September, 1915: "I came out in order to help these boysdirectly by leading them as well as an officer can; indirectly, by watching their sufferings that I may speak of them as well as a pleader can. I have done the first." Owen was injured in March 1917 and sent home; he was fit for duty in August, 1918, and returned to the front where he was killed shortly afterwards. The bells were ringing on November 11, 1918, in Shrewsbury, England, to celebrate the Armistice when the doorbell rang at his parent's home, bringing them the telegram informing them their son was dead.

71. The War Poets Association
Wilfred Owen (18931918). Wilfred Edward Salter Owen, the eldest of four children,was born in Oswestry, Shropshire, where his father was working as a
http://www.warpoets.org/conflicts/greatwar/owen/
War Poets Association
Community Home News Events Discuss Contact Newsletter Join Sections Articles Conflicts Navigate Search Links Poets Rupert Brooke Wilfred Wilson Gibson Robert Graves David Jones ... Arthur Graeme West
Wilfred Owen (1893-1918)
Wilfred Edward Salter Owen, the eldest of four children, was born in Oswestry, Shropshire, where his father was working as a railway clerk. The family soon had to move to Birkenhead, and Wilfred was educated at the independent Birkenhead Institute until 1907, when his father was appointed to a senior post in Shrewsbury. Wilfred took a four-year, free course as a pupil-teacher at the Shrewsbury Technical School, gaining not only a good grounding in French, English literature, the earth sciences and other subjects but also experience of teaching children from very poor homes. Studying Wordsworth and Keats made him long to be a poet, and he started writing verse. He qualified as an elementary school teacher, but career prospects were poor, so he decided to try for a London University external degree, passing the first stage, matriculation, in 1911. Needing time and space to prepare for more exams, he became a temporary assistant to the Vicar of Dunsden, near Reading. His mother had brought him up to be a pious Evangelical, but he lost his faith at Dunsden, returning home early in 1913 with a severe breakdown. Later that year he left home for good, becoming a teacher of English in Bordeaux. He shared the general view in 1914-15 that the war was in a just cause, and in autumn 1915 he returned to England to join the Artists' Rifles, a prestigious officer training unit. In June 1916 he became a second lieutenant in the Manchester Regiment.

72. Famous British Paedophiles - Wilfred Owen
Wilfred Owen (18931918) and his beloved Arthur Newboult, Edinburgh 1917. SWEET ISYOUR ANTIQUE BODY. Sweet is you antique body, not yet young.
http://www.glgarden.org/ocg/archive1/owen.html
Wilfred Owen (1893-1918) and his beloved Arthur Newboult, Edinburgh 1917. SWEET IS YOUR ANTIQUE BODY Sweet is you antique body, not yet young.
Beauty withheld from youth that looks for youth.
Fair only for your father. Dear among
Masters in art. To all men else uncouth
Save me; who knows your smile comes very old,
Learnt of the happy dead that laughed with gods;
For earlier suns than ours have lent you gold,
Sly fauns and trees have given you jigs and nods.
But soon your heart, hot-beating like a bird's,
Shall slow down. Youth shall lop your hair,
And you must learn wry meanings in our words. Your smile shall dull, because too keen aware; And when for hopes your hand shall be uncurled, Your eyes shall close, being opened to the world. Wilfred Owen
Introduction
Of the English poets killed in the futility of the First World War, Wilfred Owen has become the most admired. Of the so-called war poets, only Rosenberg equaled Owen's ability to transmute the experience of war into poetry. Owen was killed in action on November 4th, 1918, at twenty-five years of age, having published only four of his poems - all rather conventional in subject and style. Poems (1920) was published after Owen's death by his friend Siegfried Sasson, who had encouraged him to write more directly about his experience in the trenches while both were recovering from wounds in 1917. Owen's finest work was produced in the space of a year, during which he saw action almost daily. His last work, which includes "Dulce et Decorum Est," "Futility," and "Anthem for Doomed Youth," have effectively become national poems, taught in schools, colleges and universities.

73. Ccm :: Owen, Wilfred Owen
Owen, Wilfred Edward Salter 18931918 England, Plas Wilmot - France, Sambrecanal (died in war) poet. Title, Parts. N Strange Meeting. Poem
http://composers-classical-music.com/o/OwenWilfred.htm
Owen, Wilfred Edward Salter 1893-1918 England, Plas Wilmot - France, Sambre canal (died in war)
poet
Title Parts
[N] Strange Meeting. Poem
read by Michael Shean

74. Wilfred Owen
Wilfred Owen (18931918). The old Lie Dulce et decorum est pro patria mori Pro patria mori. Wilfred Owen, Dulce et decorum est (1917)
http://homepage.mac.com/dmhart/Quotes/Owen.html
David Hart's Web Page
Email: dmhart@mac.com
Webpage: http://homepage.mac.com/dmhart/ Updated: October 28, 2003 Wilfred Owen (1893-1918) "The old Lie: Dulce et decorum est pro patria mori" Quicktime movie (1.4MB) of the scene in the 1930 film All Quiet on the Western Front where the schoolmaster tells the young men how sweet it is to die for the Fatherland Dulce et Decorum est
Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots,
But limped on, blood-shod. All went lame, all blind;
Drunk with fatigue; deaf even to the hoots
Of gas-shells dropping softly behind.
Gas! GAS! Quick, boys! An ecstasy of fumbling Fitting the clumsy helmets just in time, But someone still was yelling out and stumbling And flound'ring like a man in fire or lime.

75. A Literary Writer's Perspective *Writers Write -- The IWJ*
A poem by Wilfred Owen (18931918) History has taught us that no other warchallenged existing conventions, morals, and ideals in the same way World War I
http://www.writerswrite.com/journal/sept97/mika.htm
Sept., 1997
Index
Interviews:
Joyce Christmas
Tom Parker

Articles: Writers' Groups Are They Worth Your Time and Money?
Beginner Don't Write That Novel!

"Dulce Et Decorum Est"-A Literary Writer's Point of View

"Dulce Et Decorum Est"-A Dramatist's Point of View

Features:
Editorial

Spotlight On...OMNI Magazine
Book Review: Writer's Guide to Magazine Editors and Publishers ... Subscribe
"Dulce Et Decorum Est" A Literary Writer's Point of View
By Mika Teachout "Dulce Et Decorum Est" A poem by Wilfred Owen (1893-1918) History has taught us that no other war challenged existing conventions, morals, and ideals in the same way World War I did. World War I saw the mechanization of weapons (heavy artillery, tanks), the use of poison gas, the long stalemate on the Western Front, and trench warfare, all of which resulted in the massive loss of human life. "We must remember not only that the battle casualties of World War I were many times greater than those of World War II, wiping out virtually a whole generation of young men and shattering so many illusions and ideals; but also that people were wholly unprepared for the horrors of modern trench warfare. World War I broke out on a largely innocent world, a world that still associated warfare with glorious cavalry charges and the noble pursuit of heroic ideals" (Norton Anthology of English Literature, Fifth Edition, 1891). A handful of poets, including Wilfred Owen, participated in the war, fought in the war, and some like Owen, died in the war. The poetry of these "war poets", as they are later termed, shows a first-hand account of the brutality and the devastation of war in a world which still believed that war was heroic and proud. Norton further tells us that

76. Dulce Et Decorum Est -- A Dramatist's Point Of View *Writers Write -- The IWJ*
A poem by Wilfred Owen (18931918) As a writer of some good, some bad, and mostlymediocre poetry, I have often wondered what it is that makes a great poem
http://www.writerswrite.com/journal/sept97/hughes2.htm
Sept., 1997
Index
Interviews:
Joyce Christmas
Tom Parker

Articles: Writers' Groups Are They Worth Your Time and Money?
Beginner Don't Write That Novel!

"Dulce Et Decorum Est"-A Literary Writer's Point of View

"Dulce Et Decorum Est"-A Dramatist's Point of View

Features:
Editorial

Spotlight On...OMNI Magazine
Book Review: Writer's Guide to Magazine Editors and Publishers ... Subscribe
"Dulce Et Decorum Est" A Dramatist's Point of View
By Troy M. Hughes "Dulce Et Decorum Est" A poem by Wilfred Owen (1893-1918) As a writer of some good, some bad, and mostly mediocre poetry, I have often wondered what it is that makes a great poem great. I found myself disillusioned and mystified by the whole business. I could never compare to Yeats, whose words I once spray-painted on a wall because I loved them so. Nor would I be a Shakespeare; a creator of works in a definitive form, the sonnet. And there I was, stuck. I had no patience for formula and rigidity, as I saw it. I knew what expression was, and I would be damned if some academician (i.e. my esteemed colleague), would tell me my work was invalid because I did not follow formal rhythmic rules and proper meter. "Leave technicalities to the musicians", I cried. Which showed just how much I knew about poetry. Now I still believe that we need not be hampered by form. The talented poet writing opposite me once exposed me to the wonderful world of sestina. I have yet to compose a worthwhile example, but the challenge of creating in that strict of a format is rewarding. And very frustrating.

77. Artifex
Owen (18931918) was a gifted poet and soldier whose life was tragically cut Wilfred Owen. Thirteen Poems. Wood engraving by Leonard Baskin after a
http://rmc.library.cornell.edu/baskin/view_item.php?sec=2&sub=3

78. Owens Poetry
Wilfred Owen My subject is War, and the pity of War. The Poetry is in the pity. The Parable of the Old Man and the Young Strange Meeting
http://www.english.emory.edu/LostPoets/OwenPoetry.html
Wilfred Owen: "My subject is War, and the pity of War. The Poetry is in the pity." "The Parable of the Old Man and the Young" "Strange Meeting" "On Seeing a Piece of Heavy Artillery" "Futility" ... "Dulce et Decorum Est"
Click this sound icon to hear an extract from a letter written in July 1918 by Wilfred Owen to Sir Osbert Sitwell. In the letter he reflects on his duties as an officer and compares his soldiers to Christ as he prepares them for battle. Follow the link below for a discussion of Christian imagery in World War I poetry.
  • Christian Imagery
  • 79. Wilfred Owen: War Poet.
    Wilfred Owen (1893 1918) Wilfred Owen was born the 18th of March 1893 inOswestry (United Kingdom). He was the eldest of four children and brought up
    http://home.tiscali.be/ericlaermans/cultural/owen.html
    2005-08-25: NEW URL http://users.fulladsl.be/spb1667/cultural/owen.html
    Wilfred Owen (1893 - 1918)
    Table of Contents:
    • Short Biography
    • Owen's Work
    • Other Sites Related to Owen and War Poetry
      Short Biography
      Wilfred Owen was born the 18th of March 1893 in Oswestry (United Kingdom). He was the eldest of four children and brought up in the Anglican religion of the evangelical school. For an evangelical, man is saved not by the good he does; but by the faith he has in the redeeming power of Christ's sacrifice. Though he had rejected much of his belief by 1913, the influence of his education remains visible in his poems and in their themes: sacrifice, Biblical language, his description of Hell. He moved to Bordeaux (France) in 1913, as a teacher of English in the Berlitz School of Languages; one year later he was a private teacher in a prosperous family in the Pyrenees. He enlisted in the Artists' Rifles on 21st October 1915; there followed 14 months of training in England. He was drafted to France in 1917, the worst war winter. His total war experience will be rather short: four months, from which only five weeks in the line. On this is based all his war poetry. After battle experience, thoroughly shocked by horrors of war, he went to Craiglockhart War Hospital near Edinburgh. In August 1918, after his friend, the other great War Poet, Siegfried Sassoon, had been severely injured and sent back to England, Owen returned to France. War was still as horrid as before. The butchery was ended on 11th November 1918 at 11 o'clock. Seven days before Owen had been killed in one of the last vain battles of this war.

    80. Wilfred Owen: Strange Meeting
    Wilfred Owen (1893 1918). Strange Meeting. It seemed that out of battle I Let us sleep now Prev Next Back to the Wilfred Owen page. Home ( )
    http://home.tiscali.be/ericlaermans/cultural/owen/strange-meeting.html
    2005-08-25: NEW URL http://users.fulladsl.be/spb1667/cultural/owen/strange-meeting.html
    Wilfred Owen (1893 - 1918)
    Strange Meeting
    It seemed that out of battle I escaped
    Down some profound dull tunnel, long since scooped
    Through granites which titanic wars had groined.
    Yet also there encumbered sleepers groaned,
    Too fast in thought or death to be bestirred.
    Then ,as I probed them, one sprang up, and stared
    With piteous recognition in fixed eyes,
    Lifting distressful hands, as if to bless.
    And by his smile, I knew that sullen hall, -
    By his dead smile I knew we stood in Hell.
    With a thousand pains that vision's face was grained; Yet no blood reached there from the upper ground, And no guns thumped, or down the flues made moan. 'Strange friend,' I said, 'here is no cause to mourn.' 'None,' said that other, 'save the undone years, The hopelessness. Whatever hope is yours, Was my life also; I went hunting wild After the wildest beauty in the world, Which lies not calm in eyes, or braided hair, But mocks the steady running of the hour

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