61. Sobran's --- Shakespeare Authorship (Reply To Nelson) Thus he dismisses Oxford’s elegant 1573 letter to Thomas Bedingfield as “a As I wrote “Pembroke gave Ben Jonson generous patronage and no doubt did a http://www.sobran.com/replynelson.shtml

A reply to Alan Nelson by Joseph Sobran of my book Alias Shakespeare in the Fall 1999 issue of The Shakespeare Quarterly, The Shakespeare Quarterly Alias Shakespeare is meant to do. Alias Shakespeare Alias Shakespeare As Nelson says, Alias Shakespeare I was indebted to Nelson chiefly for copies of a few letters of Oxford, one of which is quoted in Alias Shakespeare. My gratitude to him was (and is) sincere. But this was not, in truth, a great debt, though he may prefer to think otherwise. fair-mindedness, and simple common sense. For the purposes of Alias Shakespeare, But Alias Shakespeare By shuttling between my argument and his own rather catty factual quibbles, Nelson makes his review of Alias Shakespeare Perhaps understandably, Nelson wants to evaluate Alias Shakespeare Uninhibited by intellectual rigor, Nelson insinuates that to detect factual flaws in Alias Shakespeare, Alias Shakespeare Nevertheless (and we now come to the book I did write), I assume that authors often do disclose something of themselves in their fictions. Literary biographies of writers, from Dante to Hemingway, have sought to show how their works were inspired, shaped, and colored by their personal lives. Paradise Lost Hamlet Se defendendo Se offendendo.

62. Sobran Column -- Making Sense Of Shakespeare are “usually snobbish,” and besides, he asks, would Honest Ben Jonson lie to us? written in 1573, foreshadows the Sonnets in remarkable detail. http://www.sobran.com/columns/1999-2001/000727.shtml

Making Sense of Shakespeare July 27, 2000 William Shakespeare: The Man behind the Genius This becomes clearest when Holden deals with the Sonnets. He recognizes that most of these poems are addressed to the Earl of Southampton, also the dedicatee of Venus and Adonis Joseph Sobran Archive Table of Contents Current Column The Shakespeare Library Return to S home page S OBRAN S continues because of your generous donations! Your purchase of products or subscriptions or your donation to S OBRAN S will be processed by PayPal, one of the most widely used and secure Internet-payment sources available. Search This Site Essays and Articles Syndicated Columns Wanderer ... Products and Gift Ideas Reprinted with permission Griffin Internet Syndicate

63. [EMLS 4.2 / SI 3 (September, 1998)] Article Abstracts / Résumés Des Articles The supplement to Ortelius s Theatrum Orbis Terrarum published in 1573 includeda map drawn by On the Famous Voyage Ben Jonson et l espace civique http://www.shu.ac.uk/emls/04-2/04-2abs.htm

"Upon the Suddaine View": State, Civil Society and Surveillance in Early Modern England Swen Voekel, Rochester University English French Civilizing Wales: Cymbeline ... , Roads and the Landscapes of Early Modern Britain Garrett Sullivan, Pennsylvania State University English French A Map of Greater Cambria Philip Schwyzer, UC Berkeley English French Partial Views: Shakespeare and the Map of Ireland Bernhard Klein, University of Dortmund English French Significant Spaces in Edmund Spenser's View of the Present State of Ireland Joanne Woolway Grenfell, Oxford University English French Translated Geographies: Spenser's "Ruins of Time" Huw Griffiths, University of Strathclyde English French "On the Famous Voyage": Ben Jonson and Civic Space Andrew McRae, University of Sydney English French John Donne's Use of Space Lisa Gorton, Oxford University / Rhodes University, Grahamstown, SA English French Britannia Rules the Waves?: Images of Empire in Elizabethan England Lesley Cormack, University of Alberta English French Ruling the World: The Cartographic Gaze in Elizabethan Accounts of the New World Mark Koch, St Mary's College English French Anti-geography Robert Appelbaum, University of Cincinnati

64. [EMLS 9.1 ([May, 2003]: 16.1-11 Review Of Maps And Memory In Early Modern Englan and now urban, geographies, but privileges Isabella Whitney s 1573 poetic Wylland Testament On the Famous Voyage Ben Jonson and Civic Space. http://www.shu.ac.uk/emls/09-1/edwarev.html

Rhonda Lemke Sanford. Maps and Memory in Early Modern England: A Sense of Place . New York and Basingstoke: Palgrave, 2002. xiv+225pp.+10 illus. ISBN 312 29455 7. Jess Edwards London Metropolitan University j.edwards@unl.ac.uk Edwards, Jess. "Review of Rhonda Lemke Sanford. Maps and Memory in Early Modern England: A Sense of Place ." Early Modern Literary Studies http://purl.oclc.org/emls/09-1/edwarev.html "The historian of cartography," writes Christian Jacob, can consider maps in isolation, as self-defined artefacts to be classified and analysed. Or an attempt can be made to understand maps within the culture that produced and used them, so long as such a contextual approach does not lose sight of the map itself. The cultural context of a map might be compared to a pattern of concentric circles surrounding the map. We can move from the inner circle of map making to the remote circles of economic, social, political, intellectual and artistic context. (193) In Maps and Memory Rhonda Lemke Sanford makes a fresh incursion into a field which has been defined over the last decade by the work of Richard Helgerson, John Gillies, Tom Conley, Andrew McRae, Garrett Sullivan, and most recently Bernhard Klein. Where specialist map historians have focussed traditionally on the inner circle referred to by Jacob above, these cultural historians have moved towards the outer circles, placing early modern cartography and its associated practices within a wider, and often principally literary, context.

65. Sonnets (15731631). Although later sonneteers like Shakespeare and Ben Jonson play withthe Petrarchan tradition, the first really significant change in the genre http://athena.english.vt.edu/~jmooney/renmats/sonnets.htm

The Makings of Literature in English: The Sonnet Tradition Wyatt Surrey Sidney Wroth ... Milton The making of a literature in English is the story of an English Bible, of humanist works which attempted to improve society through perfection of the individual, and of a poetic tradition which began most clearly with the sonnet What is a Sonnet? A sonnet is a poem of fourteen iambic pentameter lines. It follows one of several set rhyme schemes. The two basic types are the Italian or Petrarchan : generally an octave + a sestet (abbaabba + cdecde, cdcdcd or cdedce). The octave presents a narrative, rasises a question or states a proposition to which the sestet then responds. the English or Shakespearean : uses four divisions: three quatrains + rhymed couplet for a conclusion. The quatrains can have different rhyme schemes, but the typical pattern is abab cdcd efef gg. But there is a third type: the Spenserian : quite rare, this style complicates the Shakespearean form by linking rhymes in the quatrains: abab bcbc cdcd ee.

66. Perrots Puppet Players – History Indeed, Ben Jonson in Bartholemew Fair (1614) includes the puppet play of Hero In 1573 the Privy Council requested the Lord Mayor of London to permit http://www.perrottspuppetplayers.co.uk/ppphist.html

A brief history of the puppet theatre The following is a (very) brief history of puppetry. It concentrates mainly on the English puppet traditions before the arrival of Punch, as this is the type of puppetry that we perform. It is by no means a comprehensive study as this would easily fill a whole book in itself. I have tried to cover the subject as chronologically as possible but there are many elements to the subject that tend to run into and overlap each other (it got a but unruly in the middle). I would like to have included something on shadow puppetry, puppetry more further afield than Europe, and certainly something on the religious puppet shows, especially on the ressurection plays of Whitney, but a far more comprehensive coverage of this whole subject can be found in the many books on the subject (some of which may be found on our links page). I hope that this short history will be of some help to its readers. -George Bernard Shaw As soon as a child occupies itself with a doll and acts out its own little scenarios, it is poetically and dramatically portraying that scene. The child puts itself in the place of the doll and is both the artist and audience at the same time. Herein lies the basis of all theatre and the puppet show in particular and is in itself a prime example of the universal originality of imagination. One could argue that the invention of the stocking or crude bag was at the same time the genesis of glove puppets, for as any parent will tell you, socks make very handy distractions when used as a glove puppet.

67. Literary Encyclopedia: Spenser, Edmund for doing domestic work) and he received his BA in 1573 and MA in 1576. Ben Jonson recorded that Spenser “died for lake lack of bread in King http://www.litencyc.com/php/speople.php?rec=true&UID=4171

68. Nottinghamshire: History And Archaeology | The Clifton Book (Nottingham): Chapte The parish registers date from the year 1573. when Queen Elizabeth reigned andbefore Shakespeare s plays or Ben Jonson s were published; they are full of http://www.nottshistory.org.uk/bruce1906/chapter1.htm

You are in: Places The Clifton Book Table of Contents Chapter I. Long years ago. Colonel Bruce. Lord of the Manor. In the reign of Edward the Confessor (1042-1066) Clifton belonged to Gode the Countess. After the Norman Conquest when William the Conqueror made the great survey known as Domesday Book in 1086. Clifton is mentioned as having "a priest and a church." At that time the property belonged to King William's son, William Peverel, and there is an old parchment stating that Sir Alvered de Clifton was Guardian of Nottingham Castle under him. In King Henry II.'s reign (1154-1180) the estate is mentioned as belonging to the King: but when King John began to reign in 1199 it had come into the possession of a very great and powerful family called de Rodes. Before the end of King Henry III.'s reign in 1272 Sir Gerard de Rodes, Lord Melles, had sold the Manors of Clifton and Wilford and the services of the people at Barton to Sir Gervase de Clifton, whose family had held the land both at Wilford and Clifton since William the Conqueror's reign (1066-1087); this sale was confirmed by Edward I. in 1281, and the property has been in the uninterrupted possession of the Clifton family and its direct descendants ever since, a period well over 600 years. THE OLD REGISTERS.

69. LiveWire - Stef Zelynskyi The Shadow is based around a poem by Ben Jonson 1573 1633. The open book editsthe text in much the same way that the hungry eye scans the print to select http://www.intentional.co.uk/archive/livewire/szelynsky.html

13. Stef Zelynskyi "The Shadow" (116K JPEG) Stef Zelynskyi UK

70. The De Vere Society Already, in 1573 Cardanus Comfort (the Consolations of Boethius) had been We also know that Ben Jonson, who wrote much of the introductory material, http://www.deveresociety.pwp.blueyonder.co.uk/life_subpage.html

A SHORT LIFE OF EDWARD DE VERE, 17th Earl of Oxford He was born in 1550 at Castle Hedingham, his family's ancestral home. His father, John de Vere, 16th Earl, was Lord Great Chamberlain at the coronations of both Mary and Elizabeth Tudor. His mother was Margaret Golding. Edward was 10 when, in 1561, Queen Elizabeth visited Hedingham for four days of masques, feasting and entertainments. When his father died in 1562, young Oxford, left to become, like Bertram in All'sWell , a ward of the Crown under the tutelage of William Cecil, the Queen's private secretary, (later Lord Burghley, Lord Treasurer). His mother married Charles Tyrrell and seems to have passed out of the boy's life. His sister Mary went to live with her stepfather and they were not reunited for some years. Metamorphoses, published in 1567. A book widely recognised as having a major influence on "Shakespeare". In 1570 he served in a military campaign in Scotland under the Earl of Sussex. By 1571, he was reported as a leading luminary of the Court and for a time, a favourite of Queen Elizabeth. In December 1571 he married Anne Cecil, aged 15, daughter of his guardian. This was a dynastic marriage where all the advantage accrued to Cecil, who was ennobled as Baron Burghley to reduce the social gap between himself and the young Earl. While Oxford was away on a Grand Tour of Europe, he heard that his daughter Elizabeth Vere had been born in July 1575. On his return in early 1576 he appeared to have been convinced that Elizabeth was not his child; consequently he became estranged from Anne for five years, and exiled himself from Court, taking up residence in the Savoy and concerning himself with literary and musical patronage.

71. The Age Of Shakespeare The texts range from “high” literature (such as Ben Jonson s The Masque of or description of an horrible, wofull, and moste lamentable murther 1573 http://io.uwinnipeg.ca/~morton/age.htm

Course : The Age of Shakespeare 17.2231/6 Instructor : Dr. Mark Morton Classroom Office When : Fall/Winter 2004-2005, Mondays 6:00-9:00 PM Email here.and.now@shaw.ca HERE is the updated grade sheet for the course, with final grades. Bear in mind that these grades are UNOFFICIAL until they are approved by the University Senate. Have a good summer! mark Course Description: This six-credit course is devoted to British authors who wrote during the age of Shakespeare. The texts range from “high” literature (such as Ben Jonson's The Masque of Beauty ) to “low” literature (such as Thomas Decker's The Shoemakers' Holiday ); the texts encompass all genres, from plays, to prose, to poetry. A significant portion of our class time will be spent working closely with photographic facsimiles of primary texts in order to become familiar with the language and print culture of early modern England. The rest of our class time will be spent discussing the literary and/or cultural aspects of specific texts. Class discussion is central to this course. Course Work: Mid-Term Test (on the historical and cultural "facts" of the era), Monday, December 13, 2004 in 3M65, 20%;

72. Margaret RADCLIFFE (Maid Of Honour) over her grave at the Queen s expense, and Ben Jonson wrote the inscriptionfor it. The record of Jonson s tribute has, however, been preserved http://www.tudorplace.com.ar/Bios/MargaretRadcliffe.htm

Margaret RADCLIFFE Baptized: 26 Jan 1573 Died: 10 Nov 1599, Richmond Palace Buried: Church of St. Margaret, Westminster Father: John RADCLIFFE of Ordsall (Sir) Mother: Anne ASSHAWE Margaret Radcliffe was twin to Alexander Radcliffe and their natural relationship was reinforced by a strong bond of mutual affection. As children they were inseparable companions, and when Alexander came to Court he brought his sister with him. The arrival of the two young people so wondrously alike in their striking physical beauty created something of a mild sensation at the Palace of Whitehall, famous as it was for the excellence of its gallants and the radiance of its ladies. Margaret was immediately claimed by the Queen Elizabeth to adorn the privy chamber as a Maid of Honour. The girl's ready wit and shrewd judgment allied to her exquisite grace commanded her strongly to her royal mistress, an aging woman nearing her sixtieth year and seeing perhaps in the accomplished and vivacious maid a reincarnation of the splendour of her own lost youth. Margaret was elevated above all other ladies of the Court as the Queen 's prime favourite, and all who would sue for

73. Other Voices Ben Jonson (1573 – 1634) SONG TO CELIA Drink to me only with thine eyes, And Iwill pledge with mine; Or leave a kiss but in the cup, http://hometown.aol.com/pateaden/myhomepage/profile.html

htmlAdWH('93212816', '728', '90'); Main Other Fine Arts Other Voices Warriors and Priests Before the birth of Christ, Britain had been known to only a few ancient Greek writers as a dim, remote, and mysterious region. It was only after the time of Julius Caesar (44 B.C.) that the classical worlds of Greece and Rome received direct knowledge about these misty isles. The Roman Emperor Claudius established Roman rule there in 43 A.D.. Over the next four centuries, as the Roman Empire began to crumble, Rome gradually withdrew from this distant land. For almost 500 years, the British Isles had been a battlefield for the Celts, many Germanic tribes, the Romans, and the Vikings, but by 650 A.D. the Anglo-Saxons had England firmly in their grasp. After these centuries of fighting, the warrior-kings were the undisputed masters of their individual worlds, but things were changing. Christianity was slowly seeping into the fabric of "pagan" Briton. The Roman popes sent priests, like St. Patrick and St. Augustine, to convert these violent and aggressive peoples to a kinder and gentler way of life and to establish the status of the Church above even that of a king. This wasn’t easy, but the priests and the warriors managed to maintain a shaky balance of power into the Middle Ages. Brave New World The 16th century was a time of great events in politics and religion which helped to power a Renaissance in English literature producing some of the greatest of the English writers. Even though they lived almost four hundred years ago, their ideas of human love and their spiritual convictions sound much like ours. Here are a few excerpts, scraps from their collective tables:

74. Aung San Ben Jonson came of the stock that was centuries after to give to the world Jonson s birthplace was Westminster, and the time of his birth early in 1573? http://aung-san.infohub.dnip.net/

Aung San Aung San Aung San February 13 July 19 , 1947) was a Burmese revolutionary, nationalist, general, and politician. Aung San was born in the town of Natmauk, in the district of Magwe, in central Burma. His family was already known in the resistance movement, having fought the British annexation in 1886. At the time, Burma was still part of British India . He was educated at Rangoon University , and was soon elected to the executive committee of the university student union. He then became editor of their magazine. In February , 1936, he was expelled from the university, along with a colleague, for refusing to reveal the name of the author who wrote an article entitled "Hell Hound At Large" directed at a senior University official. This led to a university strike, and the university subsequently retracted their expulsion orders. In 1938, Aung San was elected president of both the Rangoon University Student Union and the All-Burma Students Union. In the same year, the government appointed him as a student representative on the Rangoon University Act Amendment Committee. In October 1938, Aung San moved from student politics to nationalist politics. At this point, he was quite anti-British. He joined the Dohbama Asi-ayone organization (which translates as "We-Burmese"), and acted as their general secretary until

75. App5 - Title Bear s Dance possiblyfrom the Maske of Augurs, Ben Jonson, Fairy s DancePossibly an antimaske dance from Ben Jonson s Oberon, January 1611. http://www.cs.dartmouth.edu/~wbc/julia/ap5/app5.htm

APPENDIX 5 Dateable elements in titles of solo lute music See MOUNSIEUR'S ALMAIN Although I had a check: Poem by Surrey from Tottel's Miscellany Ambrose: Possibly Ambrose Lupo de Milan, violin player to the court 1540-91. Anthony: Ship of 120 tons owned by Cumberland and others. Captained by Robert Careless, a privateer. Went in an unsuccessful privateeringconvoy in 1595 under Captain Langton. Antiq Maske: possibly from The Lords' Maske , Campion, 14 Feb 1613. As oft as I behold and see: Poem by Surrey from Tottel's Miscellany Augurs, Maske of: Ben Jonson, 6 Jan and 6 May 1622. Augustine: Probably Augustine Bassano, ( b Venice, d Oct 1604) who came to England in 1539 and was a lutenist to Queen Elizabeth. Banning, Lady: Anne, the daughter of Sir Henry Glenham. She married Sir Paul Banning (or Bayning) 1588-1629, of Little Bentley, Essex, in or before 1613, and died in 1639. She would have become Lady Banning in 1614 (when Sir Paul was knighted) until 1630, when she remarried. Bear's Dance: possiblyfrom the Maske of Augurs , Ben Jonson, 6 Jan and 6 May 1622.

76. Ch2- - Title 1609 Maske of Queens, Ben Jonson, 2 Feb (included Witches Dance). 1611 Oberon,Ben Jonson (Robert Johnson), 1 Jan (included Fairy s Dance and the Prince s http://www.cs.dartmouth.edu/~wbc/julia/ch2/ch2-.htm

CHAPTER 2 THE ENGLISH LUTE REPERTORY ... we doubt not of that truth, that will help us to believe that the lute is fit to assuage the passions ... This heavenly harmony, rising unto the brain as an intellectual dew, does moisten gently the heat and dryness of it and if there be too much moisture and terrestrial vapours it dissipates and dries them by the melodious activity that produces a subtle fire[.] ... it followeth that this harmony set aright the faculties of the soul and perfect them. If the heart be closed it openeth it and if it be too much opened, it gently shutteth it to embrace and keep in the sweetness that the lute inspires into its sensible concavities. ... This harmony softens stony hearts and banishes the cruelty from it to give room to compassion[;] it turneth out hatred to lodge in love. Mary Burwell SHAPE AND SURVIVAL GENRES SOURCES BEFORE 1580 SOURCES 1580-1615 SOURCES AFTER 1615 THE 'GOLDEN AGE' MUSIC SURVIVING FOR THE LUTE in French tablature emerges from three tablature traditions: French, German and Italian. The repertory in Italian tablature is the one that has fewest overlaps with the French repertory and the tablatures themselves have little in common beyond their six-line system. Since German tablature was becoming more and more unwieldy, most Germanic lute publications and manuscripts from the end of the sixteenth century on used French tablature: it also broadened the market to include most of Europe. Melchior Newsidler attempted to introduce Italian tablature in Germany with his two 1566 publications

77. MSN Encarta - Jones, Inigo or theatrical entertainments, often in collaboration with Ben Jonson.Jonson wrote the verse, and Jones was responsible for all other aspects, http://uk.encarta.msn.com/encyclopedia_761559925/Jones_Inigo.html

MSN Home My MSN Hotmail Search ... Upgrade your Encarta Experience Search Encarta Tasks Find in this article Print Preview Related Items Architecture British Architecture more... Encarta Search Search Encarta about Jones, Inigo Advertisement Jones, Inigo Encyclopedia Article Multimedia 2 items Jones, Inigo (1573-1652), English architect, who introduced to Britain the classical architecture of the late Italian Renaissance . Much of his work was based on that of Andrea Palladio , from whom he learnt a classical sense of proportion and the controlled use of detail, and after the brief flowering of English Baroque, Jones’s work was of central importance to the establishment of Palladianism, which became the natural style of English architecture from the first decades of the 18th century into the 1820s. Jones was born in London on July 15, 1573, the son of a cloth-maker. Sometime between 1600 and 1603, he is known to have visited Italy while on a tour of Europe, when he also worked at the Danish court. By 1605 he had returned to England, where, in deference to the knowledge that he had acquired abroad, he was termed “the Great Traveller”. The same year, he began work as a theatrical designer at the court of James I Between 1605 and 1640 he planned over 50 court masques , or theatrical entertainments, often in collaboration with Ben Jonson . Jonson wrote the verse, and Jones was responsible for all other aspects, including costume and set design. Over 450 drawings in Jones’s hand, ranging from working sketches to small masterpieces of Renaissance draughtsmanship, survive at Chatsworth House, Derbyshire.

78. GSU Department Of English People Faculty Paul J. Voss John Fowler and Thomas More The Making of a Saint, 1573. Ben Jonson Journal7 (2000) 126. The Poetics of the Archive. Ed. with Marta Werner, http://www2.gsu.edu/~wwweng/people/voss.html

79. D - A Short Biographical Dictionary Of English Literature D. succeeded Ben Jonson as Poet Laureate, and collaborated with Dryden in DONNE, JOHN (15731631). —Poet and divine, s. of a wealthy ironmonger in http://classiclit.about.com/library/bl-etexts/jcousin/bl-jcousin-bio-d.htm

zJs=10 zJs=11 zJs=12 zJs=13 zc(5,'jsc',zJs,9999999,'') About Homework Help Literature: Classic Homework Help ... Help zau(256,140,140,'el','http://z.about.com/0/ip/417/C.htm','');w(xb+xb+' ');zau(256,140,140,'von','http://z.about.com/0/ip/496/7.htm','');w(xb+xb); FREE Newsletter Sign Up Now for the Literature: Classic newsletter! See Online Courses Search Literature: Classic More E-texts A Short Biographical Dictionary of English Literature by John W. Cousin Table of Contents Introduction A B ... Appendix D DALLING AND BULWER, WILLIAM HENRY LYTTON EARLE BULWER, 1ST LORD (1801-1872). —Elder brother of Lord Lytton ( q.v.) , and a distinguished diplomatist. He represented England at Madrid, Washington (where he concluded the Bulwer-Clayton Treaty), Florence, Bucharest, and Constantinople, and was raised to the peerage in 1871. He was the author of a number of books of travel and biography, including An Autumn in Greece (1826), a Life of Byron Historical Characters (1868-70), and an unfinished life of Lord Palmerston. DAMPIER, WILLIAM (1652-1715). —Discoverer and buccaneer

80. Sutton He took part in the siege of Edinburgh Castle in 1573. and this, coupled withhis great wealth made him the model for Ben Jonson s famous play Volpone. http://online.northumbria.ac.uk/faculties/art/humanities/cns/m-sutton.html

Myers Literary Guide Centre for Northern Studies THOMAS SUTTON (1532 - 1611) Originally from Lincoln, Sutton travelled abroad before serving with the garrison at Berwick in 1569. He was active in suppressing the rising of the Northern Earls in 1570 and was appointed master and surveyor of the ordnance in the northern parts of the realm. He took part in the siege of Edinburgh Castle in 1573. John Aubrey in his celebrated Brief Lives calls him 'a lusty, healthy, handsome fellowe' and states that he made a great deal of money through the will of an 'ancient' brewer, with whose young wife he had a liaison. He also made vast sums through the ownership of coalmines in Durham and, later, having settled in London in 1580, his marriage in 1582 to Elizabeth Dudley. He was 'much upon mortgages' as Aubrey says, and was estimated the richest commoner in England, the equivalent of a multi-millionaire. He was generous to charity and founded the Charterhouse school and hospital in 1611, where he was buried. Sutton encouraged several people to cherish hopes of being his heir, and this, coupled with his great wealth made him the model for Ben Jonson's famous play

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