61. Zeus Publications Subsidy Publishing Ernest Hemingway s work was rejected. Jonathan Livingston Seagull was initially Hemingway, Elizabeth Barrett Browning, Alexander Pope, Lord Byron, Percy http://www.zeus-publications.com/subsidy_publishing.htm

SUBSIDY PUBLISHING - HOW IT WORKS In subsidy book publishing, the author pays a fixed amount to cover the publication costs of the book. This payment is usually structured in two installments, payable as the book progresses to print over a period of about six months. No further payment is required irrespective of how many copies of the book are eventually printed; the more books that are printed and sold, the more both author and publisher benefit. As an author, you are probably aware of (and perhaps have experienced) some of the problems of trying to get your work published by a commercial publisher. Just having your manuscript read by most commercial publishers is difficult and usually involves long delays. Even if you consult with a literary agent or send your manuscript to many commercial publishers, your efforts may go unnoticed. Because book publishing is dominated by a few powerful conglomerates, it has become increasingly difficult for a new writer to achieve publication; first time authors can enjoy significant sales, but these are often not enough to interest mainstream publishing houses. The primary reason for this situation is business economics. With mounting costs of production and merchandising, the commercial book Publishing industry is taking fewer risks, becoming more oriented toward the best seller aimed at the mass market and shying away from new or unknown authors and books. The commercial publisher is more inclined to publish books by established authors or well-known personalities even if not written as well as other manuscripts it rejects. Excellent poetry or works on specialized subjects may be turned down simply because the market may be limited or regional. For every manuscript published, many which deserve to be in print are not.

62. Corey's Top 100 92.THE SECOND COMING Walker Percy 93.THE SUN ALSO RISES Ernest Hemingway 94.THE DAYDouglas Hobbie 95.DOMINIC William Steig http://www.burkesbooks.com/coreytop.htm

In 1998, in honor of my 25th year of reading (I started late, at 18) I decided to make a list of the 100 books most dear to me, and even, boldly, foolishly, to rank them. Once committed to paper I wanted to change it a couple dozen more times, but, brave compilers must at some point call it accompli, and, voila, my top 100. You have to take my word for it that I did this BEFORE Modern Library put out their controversial list; I did it for a lark. Honest. It's an idiosyncratic list, admittedly, more passion, more personal preference than an attempt to cover books of historical significance. It's one man's favorite books, and, it goes without saying, a good place to start an argument. For instance, do I really think that William Steig's Dominic is a better book than, say, Catcher in the Rye ? Yes, I do. ULYSSES James Joyce LITTLE, BIG John Crowley LOLITA Vladimir Nabokov THE TRIAL Franz Kafka EDWIN MULLHOUSE Steven Millhauser DARCONVILLE'S CAT Alexander Theroux HOUSEKEEPING Marilynne Robinson THE GORMENGHAST TRILOGY Mervyn Peake THE PHILOSOPHER'S PUPIL Iris Murdoch SONG OF SOLOMON Toni Morrison THE MOVIEGOER Walker Percy CHILD OF GOD Cormac McCarthy SOMETHING HAPPENED Joseph Heller SEVENTH HEAVEN Alice Hoffman THE SOTWEED FACTOR John Barth MY LIFE AS A MAN Philip Roth WHITE NOISE Don DeLillo PICTURES FROM AN INSTITUTION Randall Jarrell DANIEL MARTIN John Fowles BEEN DOWN SO LONG IT LOOKS LIKE UP TO ME Richard Farina INVISIBLE MAN Ralph Ellison THE BOOK OF DANIEL

63. Hemingway Review, The: AFTERWORD Full text of the article, AFTERWORD from Hemingway Review, The, a publication to Switzerland the disturbed son of the poet and dramatist Percy MacKay. http://www.findarticles.com/p/articles/mi_qa3786/is_200410/ai_n12412536

@import url(/css/us/style1.css); @import url(/css/us/searchResult1.css); @import url(/css/us/articles.css); @import url(/css/us/artHome1.css); Advanced Search Home Help IN free articles only all articles this publication Automotive Sports 10,000,000 articles - not found on any other search engine. FindArticles Hemingway Review, The Fall 2004 Content provided in partnership with 10,000,000 articles Not found on any other search engine. Featured Titles for ALAN Review Afterimage American Drama American Music Teacher ... View all titles in this topic Hot New Articles by Topic Automotive Sports Top Articles Ever by Topic Automotive Sports AFTERWORD Hemingway Review, The Fall 2004 by Lombardi, Elizabeth Gardner Save a personal copy of this article and quickly find it again with Furl.net. It's free! Save it. SO WHAT WAS CAROL HEMINGWAY's life like after she chose to marry John Fentress Gardner, a choice that resulted in the break with Ernest? Actually, she did not expect the break with her brother to be permanent and was sorry it became so. But Ernest, on his side, never spoke or communicated with Carol again. I asked my father near the end of his life what he had said to make Ernest so angry. "As far as I can remember," he said, "I called him an overgrown boy scout." On the basis of old letters, my mother's diaries, and my own memory, I will try to share something of my parents and their life together. In 1933 when my mother was called Beefy and my father Jack, she wore embroidered blouses and he black silk shirts. They were a striking Bohemian couple full of daring and idealism. The daring and idealism persisted even as their outer life style became more conservative over the years. John was a man of the mountains, a good climber as well as adept skier. Carol, in contrast, preferred seashore and lakeside. She was afraid of heights, but enjoyed sailing and canoeing. He was a thinker who looked for the essence in people and situations. She entered into relationships with people on a more feeling level, and delighted in nature's variety and color.

64. Suffolk University English Department B. ERNEST Hemingway. C. Percy SHELLEY. D. AMBROSE BIERCE. E. EDGAR ALLAN POE. F.MAXIM GORKY. G. CHRISTOPHER MARLOWE. H. SAKI (HH MUNRO) http://www.cas.suffolk.edu/english/english.htm

Suffolk University English Department Volume 1, Issue 1 ...........................................................................................................................................Spring 1998 Dear Literate Person, Last year's Christmas Party was enjoyed by professors and students. From left to right: Professor Karen Corr, Professor Da Zheng, Delicia Shorter (student), and Professor Gerald Richman. MEMORY CHECK Now, just as a reminder of your undergraduate days, here's a quiz. Match the writers listed below and the circumstances of their deaths. A. MOLIERE B. ERNEST HEMINGWAY C. PERCY SHELLEY D. AMBROSE BIERCE E. EDGAR ALLAN POE F. MAXIM GORKY G. CHRISTOPHER MARLOWE H. SAKI (H.H. MUNRO) I. SIR WALTER RALEIGH 1. disappeared in Mexico without a trace. 2. found drunk in a gutter; he may have died of rabies from rat bites. 3. while he was supposedly under medical treatment, his death was hastened by administration of camphor, digitalis, and strychnine. 4. beheaded. 5. put a double-barreled shotgun in his mouth and pulled both triggers. 6. while playing the lead role in one of his own plays, went into convulsions on stage, but because the role was that of a hypochondriac, spectators applauded his fatal seizure as splendid acting.

65. Just Above The Mantlepiece By Wayne Hemingway - Tretchikoff - King Of Kitsch First Published in 2000 by BoothClibborn Editions Ltd, 12 Percy Street, Wayne Hemingway, one of Britain s leading street-fashion designers, http://www.tretchikoff.co.uk/content/view/17/49/

NAME: PASSWORD: REMEMBER ME: Forgotten your password? Click here. Just Above The Mantlepiece by Wayne Hemingway First Published in 2000 by Booth-Clibborn Editions Ltd, 12 Percy Street, London W1T 1DW Printed and bound in Hong Kong. ISBN 1 86154 194 5 The text on the back of the book reads: Just Above The Mantelpiece is a big, beautiful book which celebrates the mass produced art that began to decorate thousands of homes on both sides of the Atlantic from the late 1950s. Once derided by the art world, artists such as Vladimir Tretchikoff, creator of The Green Lady, and Margaret Keane, whose portraits launched the Big Eye movement, are today emerging from anonymity to be reassessed as pop art geniuses. Now highly collectable, Big Eye art has found new acclaim in the world of fashion, fine art and photography. Wayne Hemingway, one of Britain's leading street-fashion designers, explains his long-held fascination with the genre in a concise, witty text that runs alongside gems from his own collection. A powerful argument in support of respect for popular art. This is a fantastic book. I think it may now be out of print but still readily available on Amazon.

66. Men Of The Cloth Together with Flannery O Connor and Walker Percy, Powers was one of the who, like F. Scott Fitzgerald, Ernest Hemingway and John O Hara before him, http://www.nd.edu/~ndmag/w2000_01/weberw00.html

Links Powers biography National Book Award speech Men of the Cloth by Ronald Weber With the death of J.F. Powers in the summer of 1999, at age 81, an especially rich period in the Catholic presence in American literature came to a close. Together with Flannery O'Connor and Walker Percy, Powers was one of the country's critically-acclaimed fiction writers in the latter half of the 20th century. Other Catholic writers had high standing in these years Edwin O'Connor, who was a 1939 graduate of Notre Dame, and Paul Horgan, for example, both Pulitzer Prize winners. And there was the uncertain presence of Jack Kerouac, who, like F. Scott Fitzgerald, Ernest Hemingway and John O'Hara before him, possessed at least passing identification with the church. But Powers, Percy and O'Connor were in a sphere of their own. Throughout their careers, they were avowedly Catholic writers with a place on the far rung of literary merit, at home in the company of Saul Bellow, Bernard Malamud, John Updike and Eudora Welty. "Philosophically," Powers said of himself, "I'm a Catholic writer." Although her fictionla characters are rarely Catholic, Flannery O'Connor claimed a total link between her faith and her work. "I write the way I do," she said, "because and only because I am a Catholic. I feel that if I were not a Catholic I would have no reason to write, no reason to see, no reason to feel horrified or even to enjoy anything."

67. Stories By English Authors In Africa GREGORIO, Percy Hemingway. THE MYSTERY OF SASASSA VALLEY BY A. CONAN DOYLE.Do I know why Tom Donahue is called Lucky Tom ? Yes, I do; and that is more http://www.abbol.com/books/stories_africa.htm

The Project Gutenberg Etext Stories by English Authors in Africa Etext prepared by Dagny, dagnyj@hotmail.com and John Bickers, jbickers@templar.actrix.gen.nz The story LONG ODDS was prepared by Christopher Hapka, Sunnyvale, California. STORIES BY ENGLISH AUTHORS: AFRICA By Various CONTENTS: THE MYSTERY OF SASASSA VALLEY, A. Conan Doyle LONG ODDS, H. Rider Haggard KING BEMBA'S POINT, J. Landers GHAMBA, W. C. Scully MARY MUSGRAVE, Anonymous GREGORIO, Percy Hemingway THE MYSTERY OF SASASSA VALLEY BY A. CONAN DOYLE Do I know why Tom Donahue is called "Lucky Tom"? Yes, I do; and that is more than one in ten of those who call him so can say. I have knocked about a deal in my time, and seen some strange sights, but none stranger than the way in which Tom gained that sobriquet, and his fortune with it. For I was with him at the time. Tell it? Oh, certainly; but it is a longish story and a very strange one; so fill up your glass again, and light another cigar, while I try to reel it off. Yes, a very strange one; beats some fairy stories I have heard; but it's true, sir, every word of it. There are men alive at Cape Colony now who'll remember it and confirm what I say. Many a time has the tale been told round the fire in Boers' cabins from Orange state to Griqualand; yes, and out in the bush and at the diamond-fields too. I'm roughish now, sir; but I was entered at the Middle Temple once, and studied for the bar. Tom-worse luck!was one of my fellow-students; and a wildish time we had of it, until at last our finances ran short, and we were compelled to give up our so-called studies, and look about for some part of the world where two young fellows with strong arms and sound constitutions might make their mark. In those days the tide of emigration had scarcely begun to set in toward Africa, and so we thought our best chance would be down at Cape Colony. Well,to make a long story short,we set sail, and were deposited in Cape Town with less than five pounds in our pockets; and there we parted. We each tried our hands at many things, and had ups and downs; but when, at the end of three years, chance led each of us up-country and we met again, we were, I regret to say, in almost as bad a plight as when we started.

68. Interview With Madison Smartt Bell The interesting thing about Walker Percy as a Southern writer is that he didn t Hemingway created that mode. He stole things from his predecessors, http://www.webdelsol.com/msbell/msb-vew2.htm

Interview with Madison Smartt Bell Continued ... JC: Is it confining to work within a recorded series of events? MB: It took me a while to figure this out, but once I did it wasn't so difficult. The historical text becomes the subtext of the novel, so you're really reading a story about people, and you learn of the history insofar as it affects them. Every now and then there are certain key transitional episodes where I have enough documentation to do a fully realized scene that is historically true. The other scenes that are written like that are about key political decision of key political events. The rest of the novel is such that I can't put the real people on stage, and don't have to. JC: To change the subject slightly, your essay in the Chattahoochee Review begins by addressing "Southernness" as a feature of your writing. In what way do you perceive yourself as someone whose writing has a regional aspect? Do you see your yourself as a writer operating within a particular tradition or a set of artistic habits? MB: I feel like I am a Southern writer. Since I haven't written that much with a Southern subject matter, I'm off that hook to some degree, but my prose style is very much influenced by growing up in the South and doing my first serious reading of literary fiction from the fiction of the Southern Renascence. That's all kind of in the back of my brain, as a writer.

69. English215,spring2001 Hemingway, Ernest. The Sun Also Rises. Percy, Walker. The Moviegoer. Walker, Alice.The Color Purple. Pynchon, Thomas. The Crying of Lot 49. http://www.bucks.edu/~docarmos/English215.html

English 215: American Writers Muhlenberg College, Spring 2001 MW 3:00-4:15 Instructor: Dr. Stephen doCarmo Office: Center for the Arts, room 276 Office Hours: E-mail: snd3@lehigh.edu Required Texts Hemingway, Ernest. The Sun Also Rises Percy, Walker. The Moviegoer Walker, Alice. The Color Purple Pynchon, Thomas. The Crying of Lot 49 All of the above are available for you in the Muhlenberg College bookstore. I've also prepared for you, though, a required packet of photocopied readings available in the English Department office in the Center for the Arts. It will cost you several dollars. Course Description In this course we'll be discussing, writing about, and reading works representative of four different movements in twentieth-century American literature. We'll address these movements one at a time thus the course will have four units, each anchored by a different American novel but also including supplemental readings (those from the photocopy packet mentioned above) meant to further illuminate trends and tendencies from the movements we're considering. The first movement we'll discuss is modernism , which was at its peak in the 1920s, '30s, and '40s; we'll be reading Hemingway's

70. Literary Lectures Covering The Algonquin Circle, Fitzgerald/Hemingway. The Bloom This lecture series will examine the lives and writings of Hemingway and Our focus will be on Mary and Percy Byssche Shelley, Zelda and Scott http://www.bookerlitlectures.com/lectures.htm

Following the list of lectures is a registration form that can be filled out and e-mailed to Jan. 1. THE ALGONQUIN CIRCLE The literary luminaries of the 1920s who met for lunch daily at the Algonquin Roundtable had a lasting influence on contemporary literature. Playwrights, novelists, essayists and raconteurs - these were the men and women whose ideas and works were in the vanguard of emerging literary, dramatic and personal styles. This lecture will examine the lives and work of these unconventional pacesetters. The cast of characters includes: Dorothy Parker, Robert Benchley, Alexander Woollcott, Franklin Pierce Adams, Heywood Broun, Marc Connelly, Robert Sherwood, George S. Kaufman, Harold Ross, and Edna Ferber. 2. FITZGERALD AND HEMINGWAY 3. CREATIVE COUPLES Two career families are as ancient as history itself. Throughout the ages, writer/artist/musician couples have worked either side by side or independently, in separate careers or in a joint effort. We will explore the alliances of literary partners and determine how each one interacted with the other for the benefit of both; or, in some cases, for the enhancement of one. We'll see the effects of their creativity on the personal side of their relationship, and ask whether it is the couple who created the success or the creativity that chose the coupling. Our focus will be on: Mary and Percy Byssche Shelley, Zelda and Scott Fitzgerald, Ernest Hemingway and Martha Gelhorn, Jean Paul Sartre and Simone deBeauvoir, Elizabeth Barrett and Robert Browning, Lillian Hellman and Daschiel Hammett, Karl and Jenny Marx, Leonard and Virginia Woolf, and others, as well as some contemporary couples.

71. Brown University Bookstore The novel flashes back and forth between Hemingway s later days in Cuba and the Hardcover (Canongate Books) Recommended by Percy Regular Price $20.00 http://bookstore.brown.edu/books/recommends.php3

Bookstore Home Medical Reference Computer Store Gift Certificates ... Brown Home These Recommended Books from the Brown University Bookstore staff are 20% off! Jump to: Fiction Non-Fiction Academic Kids F I C T I O N One Shot by Lee Child The 9th installment of Lee Child's roller-coaster-ride thrillers begins with a bang, (6 in fact) when an unknown gunman opens fire on pedestrians from a parking garage. When the police pick up the alleged assailant, he asks for Jack Reacher, a rugged, free-wheeling, ex-military cop. It's up to Reacher to unravel the mystery in this seemingly open and shut case. Smart, funny and action packed! If you haven't read Lee Child, now is the time to start! Hardcover (Delacorte Press) Recommended by Tova Regular Price: $25.00 Featured Price: $20.00 BUY NOW Towelhead by Alicia Erian Regular Price: $22.00 Featured Price: $17.60 BUY NOW Adios Hemingway by Leonardo Padura Fuentes Set in Cuba, this hard-boiled detective novel opens with the discovery of human bones found on what was Hemingway's estate. The novel flashes back and forth between Hemingway's later days in Cuba and the present. The detective, Mario Conde, fascinated by Hemingway's romanticized version of Cuba, as the mystery unfolds. A striking novel by one of Cuba's most highly praised authors. Hardcover (Canongate Books) Recommended by Percy Regular Price: $20.00

72. Liberal Arts Course Catalog Authors include Twain, Dickinson, Hemingway, Hughes, Percy, and Morrison. (2credits) Klein. LARTS 349 — Contemporary American Poetry http://www.newenglandconservatory.edu/catalog/liberal_arts.html

Course Offerings 2005/2006 Course Offerings Complete Course Catalog College Students Liberal Arts Gretchen Breese Jean Chandler Katherine Desjardins Calvin Hicks ... Sia Liss Stovall The Liberal Arts department offerings provide opportunities to study major academic disciplines as well as cultural, social, intellectual, and political contexts for music. The curriculum offers a broad range of courses in languages, literature, history, cultural studies, art, social sciences, and interdisciplinary classes. The Liberal Arts program ensures that students attain college-level proficiency in the essential skills of critical reading, writing, and analysis. The department houses the Writing Center, which offers individual consultations to all members of the NEC community. Graduate Intensive English and English as a Second Language courses are listed as Interdisciplinary Studies. Students may take Liberal Arts electives after completing LARTS 111, and 221.The following courses do not require prerequisites: LARTS 181-182, 185-186, 187-188, 291, 292, 293, 295. First-Year Core Curriculum Intensive training in writing, critical thinking and reading, and basic research skills. Group instruction is complemented by individual writing consultations in the Writing Center. (2 credits) Keppel, Faculty

73. Hemingway Up In Michigan Perspectives By Frederic J. Svoboda Hemingway Bids Goodbye to Youth Childhood s End in Seney Jack Jobst 23 Mary Shelley, Preface to The Poetical Works of Percy Bysshe Shelley Any http://www.questia.com/library/book/hemingway-up-in-michigan-perspectives-by-fre

74. Cassandra S Daughters The Women In Hemingway By Roger Whitlow At Read the complete book Cassandra s Daughters The Women in Hemingway by becoming Mary Shelley, Preface to The Poetical Works of Percy Bysshe Shelley Any http://www.questia.com/library/book/cassandras-daughters-the-women-in-hemingway-

75. The Modern Library | 100 Best | Novels THE MOVIEGOER by Walker Percy, 60. THE LITTLE COUNTRY by Charles de Lint A FAREWELL TO ARMS by Ernest Hemingway, 74. I, CLAUDIUS by Robert Graves http://www.randomhouse.com/modernlibrary/100bestnovels.html

ULYSSES by James Joyce ATLAS SHRUGGED by Ayn Rand THE GREAT GATSBY by F. Scott Fitzgerald THE FOUNTAINHEAD by Ayn Rand A PORTRAIT OF THE ARTIST AS A YOUNG MAN by James Joyce BATTLEFIELD EARTH by L. Ron Hubbard LOLITA by Vladimir Nabokov THE LORD OF THE RINGS by J.R.R. Tolkien BRAVE NEW WORLD by Aldous Huxley TO KILL A MOCKINGBIRD by Harper Lee THE SOUND AND THE FURY by William Faulkner 1984 by George Orwell CATCH-22 by Joseph Heller ANTHEM by Ayn Rand DARKNESS AT NOON by Arthur Koestler WE THE LIVING by Ayn Rand SONS AND LOVERS by D.H. Lawrence MISSION EARTH by L. Ron Hubbard THE GRAPES OF WRATH by John Steinbeck FEAR by L. Ron Hubbard UNDER THE VOLCANO by Malcolm Lowry ULYSSES by James Joyce THE WAY OF ALL FLESH by Samuel Butler CATCH-22 by Joseph Heller 1984 by George Orwell THE GREAT GATSBY by F. Scott Fitzgerald

76. Ernest Hemingway Biography - Associated Content Percy Bysshe Shelley The Harlem Renaissance. Ernest Miller Hemingway was bornon July 21, 1899 in Oak Park, Illinois. He was the second child to be born http://www.associatedcontent.com/content.cfm?content_type=article&content_type_i

77. George Antheil Papers John Cage, Alexander Calder, Aaron Copland, Jean Cocteau, Salvador Dal , GeorgeGershwin, Percy Granger, Ernest Hemingway, Paul Hindemith, James Joyce, http://www.columbia.edu/cu/libraries/indiv/rare/guides/Antheil/main.html

George Antheil Papers Finding Aid Prepared by Rudolph Ellenbogen August 2001 Date Range Size of Collection Date of Acquisition : Gift of Peter Antheil, 1984. Material on Microfilm : No material on microfilm Terms of Access : Available for faculty, students, or researchers engaged in scholarly or publication projects. Restrictions on Use or Access Unpublished music may not be photocopied without permission. Authorization to perform the music of George Antheil must be obtained from Music Sales Corporation, 225 Park Avenue South, New York, NY 10003. Phone (212) 254 2100. Permission to publish materials must be obtained in writing from the Librarian for Rare Books and Manuscripts. Location in Stacks : Boxes 1-6 in sequence. Box 3A in Vault. Processing Information : Processed by RE - 11/87 ; MT - 4/90; HR - 10/91 RLIN ID BIOGRAPHY George Antheil, 1900-1959 composer of ultramodern music in the 1920's prominent in the Parisian literary and artistic avant-garde of the period, subsequently composer of film scores in Hollywood as well as orchestral works and ballets, and after 1939 composing in a more traditional style. SCOPE AND CONTENT Correspondence, manuscripts, music scores, and printed materials. The letters mostly concern Antheil's music and the music of other avant-garde composers, and his professional and social life in Los Angeles and New York. There is some correspondence about his theories of endocrinology. Among the cataloged correspondents are: Luis Bunuel, John Cage, Alexander Calder, Aaron Copland, Jean Cocteau, Salvador Dal', George Gershwin, Percy Granger, Ernest Hemingway, Paul Hindemith, James Joyce, Fernand LŽger, Paul LŽon, Darius Milhaus, Joan Mir-, Pablo Picasso, Leopold Stokowski, Igor Stravinsky, and Kurt Weill. The manuscripts are of his Sonata 1, opus 3 and Symphony No. 4, "1942.".

78. Papers, 1919-1959. 18931962.; Granger, Percy.; Hecht, Ben, 1893-1964.; Hemingway, Ernest, George Gershwin, Percy Granger, Ernest Hemingway, Paul Hindemith, http://www.columbia.edu/cu/lweb/eresources/archives/collections/html/4078528.htm

Papers, 1919-1959. Title: Papers, 1919-1959. Phys. Desc: Call Number: Ms Coll/Antheil Location: Rare Book and Manuscript Library Subjects: Creator: Antheil, George, 1900-1959. Biographical Note George Antheil, 1900-1959, composer of ultramodern music in the 1920's, prominent in the Parisian literary and artistic avant-garde of the period; subsequently composer of film scores in Hollywood as well as orchestral works and ballets; after 1939 composing in a more traditional style. Scope and Contents Last update: [an error occurred while processing this directive]

79. A Quarter Century Of Chronicling Communities Centennial celebrations for Percy Julian and Ernest Hemingway give Oak Parkersa reason to celebrate. The Hemingway festivities draw more national than http://wjinc.1upsoftware.com/main.asp?SectionID=1&SubSectionID=89&ArticleID=1878

80. Fin-h01 *Hemingway, Grace *Hemus, Percy *Henderson, Arthur S. (Rev.) Henderson, MabelHenderson, (Mr.) Henderson, Theodore S. *Hendricks, Thomas V. http://sdrc.lib.uiowa.edu/traveling-culture/inventory/fin-h01.html

Quick Index A B C D ... Z An asterisk (*) indicates that publicity brochures, pamphlets, flyers, or handbills are available. Previous Page Bottom of Page Next Page Traveling Culture Home Page H Box 132 (cont.) *Hackett, Alice Hadfield, Henry Hadley, Grant (see also Hadley Concert Company) *Hadley, Herbert S. (Gov.) Box 133 Hadley, Lois T. *Hadley Concert Company (see also Hadley, Grant) *Haensel and Jones (see also Kindler, Hans) Hageman, Miller (Rev.) *Hagerman, Edward T. (Rev.) Hagood, Cecil C. Hahn, Charles F. *Hahn-Parke Quintette *Haigh, Bertram N. Hail, Ewen Hailey, J.F. Haines, Dorothy (see also Dorothy Haines Company) Hainline, Grace M. Hainsworth, William Haldeman, George W. (Capt.) Hale, Martha Jean *Hale, W. Powell Box 134 *Haley, Margaret Hall, Archibald M. (Mrs.) Hall, Arnold B. Hall, Bert Hall, Bertie VanSant Hall, C.H. *Hall, C. Vincent (Lieut.) *Hall, Ednah F. Hall, Edward R. *Hall, Frieda *Hall, Herman J. (Mrs.)

A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z

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