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         Van Dyck Anthony:     more books (100)
  1. Anthony Van Dyck (The Metropolitan Museum of Art Bulletin, Vol. 42, No. 3 (Winter, 1984-85)) by Walter A. Liedtke, 1984
  2. Fifty Masterpieces of Anthony Van Dyck by Max Rooses, 1900
  3. Anthony van Dyck: Thomas Howard - The Earl of Arundel by Christopher White, 1995
  4. Anthony van Dyck (Metropolitan Museum of Art Bulletin, Winter 1984-85, Vol. 42, No. 3) by Walter A. Liedtke, 1985
  5. Anthony Van Dyck: Webster's Timeline History, 1599 - 2003 by Icon Group International, 2009-05-01
  6. ANTHONY VAN DYCK. Nov. 1990-Feb. 1991. Catalogue by A.K. Wheelock, Jr., S.J. Barnes, J.S. Held, C. Brown, C. Christensen, Z. Zaremba Filipczak, O. Millar, J.M. Muller, J.D. Stewart. by Washington. National Gallery of Art., 1990
  7. Anthony Van Dyck ECCE Momo & the Mocking of Christ by Verdi Richard, 2002-01-01
  8. Anthony Van Dyck of Great Masters: A Further Study By Lionel Cust with Twenty-five Illustrations in Colour Executed Under the Supervision of the Medici Society (The Arvndel Library) by Anthony Van Dyck, 1911
  9. Dyck, Anthony Van 1599-1641: Rinaldo & Armida by Various, 1920-01-01
  10. SIR ANTHONY VAN DYCK by Unknown, 1000
  11. Anthony Van Dyck as a Printmaker by Carl & Luitjen, Ger Depauw, 1999
  12. Anthony Van Dyck: A Further Study by Cust Lionel 1859-1929, 2010-09-30
  13. Eighth Loan Exhibition of Old Masters: Paintings By Anthony Van Dyck by Mi: Detroit Institute Of Arts, Apr. 3-20, 1929 Detroit, 1929-01-01
  14. Exhibition Of The Works Of Sir Anthony Van Dyck (1887) by London Grosvenor Gallery, 2010-09-10

81. Restaurant Sir Anthony Van Dijck
Translate this page Gesloten wegens jaarlijkse vakantie van 23 december t.e.m. 3 januari 2008. Prettige Feestdagen!. Restaurant Sir anthony van Dijck, Vlaeykensgang Oude
http://www.siranthonyvandijck.be/
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Gesloten wegens jaarlijkse vakantie: van 23 december t.e.m. 3 januari 2008. Prettige Feestdagen!. Restaurant Sir Anthony Van Dijck, Vlaeykensgang Oude Koornmarkt 16, 2000 Antwerpen - tel 03/231 61 70

82. Biography
Web Gallery of Art, image collection, virtual museum and searchable database of European fine arts (painting, sculpture) of the Gothic, Renaissance,
http://www.wga.hu/bio/d/dyck_van/biograph.html
DYCK, Sir Anthony Van (b. 1599, Antwerpen, d. 1641, London)
Biography
Sir Anthony van Dyck was a Flemish painter who was one of the most important and prolific portraitists of the 17th century. He is also considered to be one of the most brilliant colorists in the history of art. Van Dyck was born on March 22, 1599, in Antwerp, son of a rich silk merchant, and his precocious artistic talent was already obvious at age 11, when he was apprenticed to the Flemish historical painter Hendrik van Balen. He was admitted to the Antwerp guild of painters in 1618, before his 19th birthday. He spent the next two years as a member of the workshop of the Flemish painter Peter Paul Rubens in Antwerp. Van Dyck's work during this period is in the lush, exuberant style of Rubens, and several paintings attributed to Rubens have since been ascribed to van Dyck. Titian, Paolo Veronese, and Giovanni Bellini, he adopted colors of great richness and jewel-like purity. No other painter of the age surpassed van Dyck at portraying the shimmering whites of satin, the smooth blues of silk, or the rich crimsons of velvet. He was the quintessential painter of aristocracy, and was particularly successful in Genoa. There he showed himself capable of creating brilliantly accurate likenesses of his subjects, while he also developed a repertoire of portrait types that served him well in his later work at the court of Charles I of England. Back in Antwerp from 1627 to 1632, van Dyck worked as a portraitist and a painter of church pictures. In 1632 he settled in London as chief court painter to King Charles I, who knighted him shortly after his arrival. Van Dyck painted most of the English aristocracy of the time, and his style became lighter and more luminous, with thinner paint and more sparkling highlights in gold and silver. At the same time, his portraits occasionally showed a certain hastiness or superficiality as he hurried to satisfy his flood of commissions. In 1635 van Dyck painted his masterpiece

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