61. Marie Spartali Stillman - Fogli E Parole D'Arte ISSN 1973-2635 Translate this page 3 marie spartali stillman, First Meeting of Petrarch and Laura in the Church of Santa Chiara at Avignon, 1889, matite e acquarello, 57 x 51 cm, http://www.foglidarte.com/index.php?option=com_content&task=view&id=120&Itemid=6

62. Links To Pre-Raphaelite Web-sites marie stillman (born spartali) the daughter of a Greek family living in London, was a famous beauty and a pupil of Ford Madox Brown. http://www.dlc.fi/~hurmari/preraph.htm

Links to Pre-Raphaelite web-sites Pre-Raphaelite and Victorian Artists L Alma-Tadema FM Brown EC Burne-Jones ... Museums with Pre-Raphaelite Paintings The Pre-Raphaelite Brotherhood The Pre-Raphaelite Brotherhood was founded in 1848 by a group of English painters: Dante Gabriel Rossetti John Everett Millais and William Holman Hunt , as well as poets and critics: William Michael Rossetti, an art critic and Dante's younger brother; the art critic Frederic George Stephens; the painter James Collinson; and the sculptor and poet Thomas Woolner . Millais left the group in 1859, but as the second generation Pre-Raphaelites, other English artists joined it, including the painter Edward Coley Burne-Jones ; the poet and artist William Morris was never a Pre-Raphaelite in the true conception of the term. The group reacted against the Victorian materialism and the conventions of the Royal Academy in London and was inspired by medieval and early Renaissance painters up to and including the Italian painter Raphael. They found their inspiration at first from the bible, history and poems, but soon the subjects from modern life were also used rooted in realism and truth to nature. Pre-Raphaelite art became distinctive for its blend of archaic, romantic, and moralistic qualities. Encarta Encyclopedia An Introduction to The Pre-Raphaelite Brotherhood (Victorian Web) Arts and Crafts Movement (Bob Speel) Birmingham Municipal School of Art (Bob Speel) Bob Speel’s 19th Century Art Gallery (Bob Speel) Camille Paglia On Pre-Raphaelite Art (Camille Paglia)

63. British Women Painters: 1893 Exposition--Part IV Maria spartali stillman Marianne Stokes Annie Louisa Swynnerton marie spartali stillman, the daughter of a wealthy merchant and former Greek consul in http://members.cox.net/academia2/cassatt9d.html

Site Index ll Women Painters Index ll Nichols Home Page British Women Painters: 1893 Exposition ContinuedPage 4 British Women Painters Allingham - Duffield l Forbes - Jopling l Lucas - Rae I Reid - Youngman This Page: Flora M. Reid Ellis Rowan Maria Spartali Stillman Marianne Stokes ... Annie Mary Youngman Flora MacDonald Reid (c. 1860 - c. 1939) Springtime representative work Potato Harvesters representative work The Apple of his Eye representative work Hush exhibited in Fine Art Palace, 1893 Exposition In the Marketplace (image unavailable) exhibited in Fine Art Palace, 1893 Exposition Scottish artist Flora M. Reid was trained by her artist-brother John Robertson Reid and at the Edinburgh School of Art. She lived for many years in France, Norway, and Belgium, but continued exhibiting at the British Royal Academy. Two images (Marian) Ellis Rowan The Royal Botanical Gardens, Melbourne representative botanical watercolor. Birds typical watercolor Liquid Amber typical watercolor Bird of Paradise representative work It is unclear which work(s) Rowan exhibited at the 1893 World Exposition, but the record says she had 39 florals.

64. William Morris Society Newsletter: March 2006 Elliott, David B. A PreRaphaelite Marriage The Lives and Works of marie spartali stillman and William James stillman. England Antique Collectors’ Club, http://www.morrissociety.org/newsltrs/newsltr-mar06.html

William Morris Society Newsletter: March 2006 LETTER TO MEMBERS FROM FLORENCE BOOS We are very pleased to announce the award of this year’s Joseph R. Dunlap Memorial Fellowship to Anna Matyukhina. A teacher of English, specialist in the history of tapestry-weaving and curator of the New Acquisitions Department of the Hermitage Museum in St. Petersburg, Russia, she is completing a doctorate at St. Petersburg State University with a dissertation on The Traditions of Medieval Tapestry Weaving and the Tapestry Revival: William Morris Ms. Matyukhina, who has contributed generously to the Society website’s collection of Russian texts, also spoke about "William Morris and Tapestry Weaving: The View from Russia" at the Morris in the 21st Century Conference in London last July. Her article on "The Adoration Tapestry" appeared in the last Newsletter , and the present issue includes her review of David Mabb’s current exhibition of his work in Lithuania. Currently at work on a new half-year course on Morris to be taught in the fall, she plans to use her award to do more research into Morris and Co. tapestries in Oxford, Cambridge and Birmingham this summer. Next year we hope to expand the potential scope of our awards to include a possible prize for translation, described more closely below. Most of Morris’ literary works have never been translated into major languages such as Chinese, Japanese, Spanish, Swahili or Hindi. Sean De Vega, for examplea bilingual graduate student at my university in Iowahas discovered that

65. The Bower Meadow - Collection Introduction Date 1872. Model Alexa Wilding (Wilding is the woman in the right foreground). Model Mrs. stillman (marie spartali stillman is in the left foreground) http://www.rossettiarchive.org/docs/s229.raw.html

Home About the Archive Search Engine Bibliography ... Pictures Exhibit Collection Intro Browse Collection The Bower Meadow Dante Gabriel Rossetti General Description Date: Model: Alexa Wilding (Wilding is the woman in the right foreground) Model: Mrs. Stillman (Marie Spartali Stillman is in the left foreground) Bibliography ◦ Fredeman, Correspondence ◦ Marillier, DGR: An Illustrated Memorial ◦ Surtees, A Catalogue Raisonn© , vol. 1, 128-130 (no. 229). ◦ Wildman, Visions of Love and Life This collection contains texts and images, including: Manchester City Art Gallery oil painting Scholarly Commentary Introduction “Using a canvas which already bore a landscape background painted in the company of Hunt at Sevenoaks, Kent, in 1850. . .—his only attempt at the Pre-Raphaelite outdoor method—Rossetti devised a clever composition, balancing seated and dancing female figures in a rhythmic harmony of complementary reds and greens. An early study in pen and ink . . . shows a winged child between the two musicians, holding a bird. This may suggest a more symbolic concept of music, earthly and heavenly, and perhaps by implication also of love, human and divine. . . . The figure running across the distant meadow strikes an additionally enigmatic note” ( Wildman

66. Victorian Art In Britain Maria spartali married the American journalist William J stillman in 1871. stillman was, incidentally, the model for Merlin in the famous BurneJones http://www.victorianartinbritain.co.uk/biog/stillman.htm

Victorian Art in Britain Marie Spartali Stillman Pre-Raphaelite Stunner, Muse, and Painter. Marie Spartali was born into the wealthy, cultured, and sophisticated Greek community of London. As a young women she was trained by Maddox Brown, and modeled for Rossetti, whose influence was apparent in her own pictures, though it was later superseded by that of Burne-Jones. Marie Stillman was widely known as the 'other' great Pre-Raphaelite beauty, the comparison being with Jane Morris. W Graham Robertson in his wonderful book, 'Time Was,' wittily described her as 'Mrs Morris for beginners!' Maria Spartali married the American journalist William J Stillman in 1871. Stillman was, incidentally, the model for Merlin in the famous Burne-Jones painting ' The Beguiling of Merlin.' After their marriage the Stillmans lived in Florence, and then Rome. These absences abroad did not prevent Marie Stillman from exhibiting regularly at the Grosvenor Gallery. She often painted in watercolour, and her pictures are detailed, highly accomplished, and jewel-like, with a naive flat perspective. Many of her paintings are just quite simply beautiful. A remarkable woman.

67. Blackwell Synergy - Art Book, The, Volume 14 Issue 2 Page 39-40, May 2007 (Artic Maria spartali stillman Orange Grove, n.d. Gift of the family of Owen D Young, St Lawrence University Permanent Collection. From A PreRaphaelite Marriage http://www.blackwell-synergy.com/doi/abs/10.1111/j.1467-8357.2007.00802.x

Skip to main content Email: Password: Register Forgotten Password Athens/Institution Login Synergy Home ... Help Journal Menu Table of Contents List of Issues Tools Email this article Add to favorite articles Export this citation Alert me when this article is cited: Email RSS (What is this?) Publication history Issue online: 27 Apr 2007 Home List of Issues Table of Contents Article Abstract The Art Book Volume 14 Issue 2 Page 39-40, May 2007 To cite this article: MARION ARNOLD (2007) A PRE-RAPHAELITE MARRIAGE THE LIVES AND WORKS OF MARIE SPARTALI STILLMAN AND WILLIAM JAMES STILLMAN BY DAVID B ELLIOTT doi:10.1111/j.1467-8357.2007.00802.x Prev Article Next Article Abstract Reviews A PRE-RAPHAELITE MARRIAGE THE LIVES AND WORKS OF MARIE SPARTALI STILLMAN AND WILLIAM JAMES STILLMAN BY DAVID B ELLIOTT MARION ARNOLD Independent scholar Independent scholar This Article Summary Full Text HTML Full Text PDF (1,541 KB) Search In Synergy CrossRef By author MARION ARNOLD Privacy Statement Contact Help Partner of CrossRef, COUNTER, AGORA, HINARI and OARE

68. Pre-Raphaelite Sisterhood » Maria Spartali Stillman Featured in the foreground are Maria spartali stillman (left) and Alexa Wilding(right). I m not sure about the women in the background. http://preraphaelitesisterhood.com/?cat=34

69. Project MUSE 7 In the 1875 Atlantic Monthly, for example, he waxed effusively about spartali stillman s watercolor portrait of a woman (similar, if not identical to, http://muse.jhu.edu/journals/henry_james_review/v023/23.3casteras.html

How Do I Get This Article? Athens Login Access Restricted This article is available through Project MUSE, an electronic journals collection made available to subscribing libraries NOTE: Please do NOT contact Project MUSE for a login and password. See How Do I Get This Article? for more information. If you have password access to this journal, please login below. (Help with Login) Login: Password: Casteras, Susan P. "The Prime Hours of Firstand SubsequentInitiations": Henry James on Pre-Raphaelite Art and Artists The Henry James Review - Volume 23, Number 3, Fall 2002, pp. 304-317 The Johns Hopkins University Press Search Journals About MUSE

70. Spartali Stillman, Marie (1844-1927) www.xs4all.nl/~androom/biography/p012271.htm 2k - stillman. Due to her husband s work as a correspondent the family settled in http://www.xs4all.nl/~androom/biography/p012271.htm

Spartali Stillman, Marie PAINTER, MODEL (GREECE) BORN 10 Mar 1844, Edmonton, Middlesex - DIED 6 Mar 1927, London REAL NAME Spartali, Marie GRAVE LOCATION Woking, Surrey: Brookwood Cemetery ((ashes)) Daughter of merchant Michael Spartali, who had been Greek consul in London. She was educated by Ford Madox Ford from 1864-1870, together with his daughters Catherine and Lucy. The Pre-Raphaelites called her a 'stunner' because of her looks and Burne-Jones and Rossetti employed her as a model. Her sister Christina also became a model. Against the wishes of her family she married the American journalist W.J. Stillman, who worked as a diplomat at the time. They had three children. In 1878 they went to Florence and later they moved to Rome. From 1867 she exhibited at the Royal Academy. Later she exhibited regularly at Grosvenor Gallery and in the USA, but she sold little paintings. Her daugher Effie and her step-daughter Lisa also became artists and her son Michael was an architect. She died in England. Works: "The Lady Prays - Desire" (1867);

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