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         Schwitters Kurt:     more books (100)
  1. Kurt Schwitters
  2. 42 Merzegedichte in Memoriam Kurt Schwitters (February 1987-September 1989) by Jackson Mac Low, 1994-03-04
  3. Kurt Schwitters, 1887-1948: Ausstellung zum 99. Geburtstag, Sprengel Museum Hannover, 4. Februar-20. April 1986 (German Edition) by Kurt Schwitters, 1986
  4. Kurt Schwitters: "Burger und Idiot" : Beitrage zu Werk und Wirkung eines Gesamtkunstlers : mit unveroffentlichten Briefen an Walter Gropius (German Edition)
  5. KURT SCHWITTERS Almanach. No. 10. Herausgegeben von Michael Erlhoff, Klaus Stadtmüller und Gerhard Steidl. by Michael, et al. (editors). Erlhoff, 1991
  6. German Dadaist literature: Kurt Schwitters, Hugo Ball, Hans Arp, (Twayne's world authors series, TWAS 272. German literature) by Rex William Last, 1973
  7. Kurt Schwitters by Kurt Schwitters, 1995
  8. Merzgebiete. Kurt Schwitters und seine Freunde by Kurt Schwitters, Karen Orchard, et all 2006
  9. A-N-N-A!: Kurt Schwitters' Gedicht "An Anna Blume" in 154 Nachdichtungen aus 137 Landern sowie als Horstuck auf CD = Kurt Schwitters' poem "An Anna Blume", ... composition on CD (Edition Postskriptum) by Kurt Schwitters, 2000
  10. Kurt Schwitters, 1887-1948 by Kurt Schwitters, 1985
  11. Kurt Schwitters in Selbstzeugnissen und Bilddokumenten (Rowohlts Monographien) (German Edition) by Ernst Nundel, 1981
  12. Montage als Kunstform: Zum literarischen Werk von Kurt Schwitters (German Edition) by Ralph Homayr, 1991
  13. Kurt Schwitters und die romantische Ironie: Ein Beitrag zur Deutung des Merz-Kunstbegriffes (German Edition) by Beatrix Nobis, 1993
  14. Kurt Schwitters (Niedersachsische Kunstler der Gegenwart) (German Edition) by Joachim Buchner, 1987

21. Kurt Schwitters, 1887/1949
Online exhibition of relief collage and assemblage works by schwitters and other dadaists.
http://collagegallery.com/schwitters_retro.htm
Kurt Schwitters, Master Collagist
A Retrospective, An Anna Blume Kurt Schwitters' poem translated into English by the artist Thirty years of the artist's collage arranged chronologically to alow full appreciation of his development in the medium. Use browser's BACK button to return to previous page.
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Schwitters by Tlissitzky "My name is Kurt Schwitters...I am an artist and I nail my pictures together..." Merz Sculpture and Architecture Merzaule Im Merzbau Merzbau Hanover Merz Collage and Assemblage
18.1 x 14.6 cm
Museum of Modern Art, NY
103 x 83.3 cm
LA County Museum of Art
122.7 x 88.7 cm
Museum of Modern Art, NY
20.4 x 17.4 cm
Private Collection 21.6 x 17.1 cm Marlborough Fine Art, London 84.5 x65.7 cm Museum of Modern Art, NY 91.5 x 72.5 cm Guggenheim Museum, NY
The Psychiatrist c. 1919 Merzbild Rossfett Assemblage 8 x 6 7/8 in. (20.4 x 17.4 cm) Private collection 104.5 x 79 cm Kunstssammlung Nordhein-Westfalen 97.8 x 65.8 cm Sprengel Museum, Hannover 18 x 14.3 cm Kunstssammlung Nordhein-Westfalen 18 x 14.4 cm

22. Guggenheim Collection - Artist - Schwitters - Biography
Offers a brief biography, gallery of works, and suggested readings.
http://www.guggenheimcollection.org/site/artist_bio_144.html
Shortcut Full search b. 1887, Hannover, Prussia; d. 1948, Kendal, England Jean Arp Merzbilder date from 1919, the year of his first exhibition at Der Sturm gallery, Berlin, and the first publication of his writings in the periodical Der Sturm. With Arp, he attended the Kongress der Konstructivisten in Weimar in 1922. There Schwitters met Theo van Doesburg , whose De Stijl more Dada more ] activities included his Merz-Matineen and Merz-Abende at which he presented his poetry. From 1923 to 1932, he published the magazine Merz . About 1923, the artist started to make his first Merzbau, a fantastic structure he built over a number of years; the Merzbau grew to occupy much of his Hannover studio. During this period, he also worked in typography. Schwitters was included in the exhibition Abstrakte und surrealistische Malerei und Plastik at the Kunsthaus Zürich in 1929. The artist contributed to the Parisian review Cubism and Abstract Art and Fantastic Art, Dada, Surrealism exhibitions of 1936 at the Museum of Modern Art, New York. Merzbau.

23. UbuWeb Sound - Kurt Schwitters
In autumn 1921, kurt schwitters travelled to Prague, together with Raoul Hausmann, Hannah H6ch and his wife. On September 1, at the Commodity Exchange
http://www.ubu.com/sound/schwitters.html

UbuWeb Sound

UbuWeb

Kurt Schwitters
Ursonate

Performed by Kurt Schwitters
view the score

einleitung und erster teil: rondo (21:58)

zweiter teil: largo (3:12)

dritter teil: scherzo - trio - scherzo (2:24)
...
vierter teil: presto - ablosung - kadenz -schluss (13:36)
Various Tracks Simultangedicht Simultangedicht kaa gee dee (1919) WW (1922) boo (1926) naa (1926) ... The real disuda of the nightmare (1946) Total time (6:39) Ursonate, Merz #24 rec. Frankfurt, May 5, 1932 Tracks 1-4 performed by Kurt Schwitters (Wergo Records) Track 5, performed by Trio Exvoco: Hanna Aurbacher, Teophil Maier, Ewald Liska from the LP Futura Poesia Sonora (Cramps Records, Milan) Track 6 from Lunapark 0,10, Sub Rosa Records RELATED RESOURCES Other Versions of the Ursonate on UbuWeb Sound The sonata consists of a written organization of phonetics, with notations in German. No notes, tempi, or formal dynamics are given, allowing the performer a bit of freedom. Schwitters' own comments: "The Sonata consists of four movements, of an overture and a finale, and seventhly, of a cadenza in the fourth movement. The first movement is a rondo with four main themes, designated as such in the text of the Sonata. You yourself will certainly feel the rhythm, slack or strong, high or low, taut or loose. To explain in detail the variations and compositions of the themes would be tiresome in the end and detrimental to the pleasure of reading and listening, and after all I'm not a professor." The fourth movement, long-running and quick, comes as a good exercise for the reader's lungs, in particular because the endless repeats, if they are not to seem too uniform, require the voice to be seriously raised most of the time. In the finale I draw your attention to the deliberate return of the alphabet up to a. You feel it coming and expect the a impatiently. But twice over it stops painfully on the b..."

24. Kurt Schwitters
Brief biography, the poem (in German) An Anna Blume and an essay on, and excerpts from, his Ursonate .
http://www.peak.org/~dadaist/English/Graphics/schwitters.html
Kurt Schwitters
Kurt Schwitters was an artist, graphic designer, typographer, set designer and poet who moved to Hannover in 1919 after completing his studies at the Berlin Akademie. It was there that he started his own specific flavor of DaDaism, which he called "Merz" (allegedly from the name 'ComMERZ Bank'). From 1923-1932 he published a magazine called "Merz" in which he published his poems and art. In 1926, after a trip to Prague, he began work on his Ursonate which he performed throughout Europe for years afterward.
One of his poems, "An Anna Blume" , the first line of which is "Oh Du, Geliebte meiner 27 Sinne" (Oh, thou most beloved of my 27 senses) became the title work in the collage I was involved in in Leverkusen, Germany, in 1992-93.
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25. Kurt Schwitters : MyFonts
Information about kurt schwitters, Type Designer, Typographer, Artist, Journal Publisher/Editor, Poet, Poster Artist, Advertising Supremo.
http://www.myfonts.com/person/schwitters/kurt/
USA
Kurt Schwitters of Germany
Born: Hanover, 1887
Died: Ambleside, England, 1948
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Tate Gallery: Works by Kurt Schwitters
Infoplease: Kurt Schwitters About Us Testimonials ... Sign In MyFonts 245 First Street 17 th Floor Cambridge MA 02142 USA MyFonts and MyFonts.com are registered trademarks of Bitstream, Inc. WhatTheFont and Starlets are trademarks of Bitstream, Inc. Shady characters should send email to gibbs@myfonts.com . Thanks to typography.com for the idea.

26. Colin Morton: The Merzbook: Kurt Schwitters Poems
kurt schwitters wrote no autobiography. In fact, his novels and plays subvert the very notion of anyone s lifestory. Neither the poems that follow nor the
http://capa.conncoll.edu/morton.merzbook.html
Colin Morton: The Merzbook: Kurt Schwitters Poems
Contact cmorton@cyberus.ca for permission to reprint and distribute.
Contents
A Kurt Schwitters Chronology

Influence

Lighting a Fire, 1914

November 7, 1918
...
Ernst Replies
A Kurt Schwitters Chronology Kurt Schwitters wrote no autobiography. In fact, his novels and plays subvert the very notion of anyone's "lifestory." Neither the poems that follow nor the "facts" below tell the "whole story;" they couldn't. But all are parts of the design.
  • 1887 - Kurt Schwitters born in Hanover, Germany, the only child of the owners of a ladies' wear shop.
  • c.1900 - Kurt's parents retire from business and live on revenue from four houses, including their home at Waldhausenstrasse 5.
  • 1906 - Epileptic seizures delay Kurt's graduation from Hannover technical school. Seizures will recur every few years of his life, especially in times of stress.
  • 1909-14 - Studies art and architecture in Dresden and Berlin.
  • 1915 - Marries Helma Fischer, a teacher and his second cousin, to whom he has been engaged since 1908.
  • 1917 - Drafted, Kurt fakes mental deficiency to secure a discharge; does alternate service as draftsman for Wulfel Ironworks, Hannover. Reads publications of Zurich Dada.

27. Anna Blume: Dichtungen
kurt schwitters. Anna Blume Dichtungen. Hanover Paul Steegemann, 1919. 1st printing (Erstes bis fünftes Tausend). (Cover Page 25)
http://sdrc.lib.uiowa.edu/dada/Anna_Blume_Dichtungen/index.htm
University Libraries Home Page International Dada Archive Main Page Dada Documents
Kurt Schwitters. Anna Blume: Dichtungen (Cover - Page 25)
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28. Kurt Schwitters
Ur Sonata performed by kurt schwitters (restricted use) at PennSound Einleitung Und Erster Teil Rondo (2158) Zweiter Teil Largo (312)
http://writing.upenn.edu/pennsound/x/Schwitters.html
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The Ursonate (or: Sonate in Urlauten)
sound files and score View just the score
Other recordings of the work by
Christian Bok

Eberhard Blum
(restricted use Penn only)
Christopher Butterfield
(restricted use Penn only)
Butterfield (unrestricted at Ubu
Jaap Blonk

Adrian Khactu
Khatu has also written a listening guide to Schwitter's performances (2007)
The Movements of the Poem: einleitung und erster teil: rondo zweiter teil: largo dritter Teil: scherzo trio scherzo kadenz schluss Deformative versions: Luke McGowan Robo Ursonate (2005) (18:36) "The physical generation of the piece was a remarkably effortless process on the part of the artist: Schwitters' score was simply cut and pasted into a commercial text-to-speech synthesis program with all further performative/compositional decisions made by the computer. There was no attempt to correct interpretive error, nor was there any tinkering with the program's default prosody settings." Linnunlaulupuu (Finland 2005) Kun Jia

29. Kurt Schwitters — Infoplease.com
HighBeam Research. Related content from HighBeam Research on kurt schwitters kurt schwitters Merzbau The Cathedral of Erotic Misery. (reading/list).
http://www.infoplease.com/ce6/people/A0844062.html
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    Schwitters, Kurt
    Schwitters, Kurt u rs) [ key , German artist. Influenced by Kandinsky, by Picasso's reliefs, and by Dada constructions, he invented Merz collages are among the outstanding creations in this medium. The Columbia Electronic Encyclopedia

30. Kurt Schwitters (1887 - 1948) Artwork Images, Exhibitions, Reviews
kurt schwitters After studying at the Dresden Academy, kurt schwitters worked as a designer, architect, typographer, writer, and publisher while pursuing
http://wwar.com/masters/s/schwitters-kurt.html
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Artist
: Kurt Schwitters
Nationality: German
Movement: Dadaism
Media: Painting
Influences:
Biography:

After studying at the Dresden Academy, Kurt Schwitters worked as a designer, architect, typographer, writer, and publisher while pursuing his painting. Initially curious about Cubism, Schwitters eventually developed more Dadaist style, probably because of the influence from artists such as Arp and Hausmann. He incorporated found objects and junk into his montage pieces in three-dimensional pieces that he called Merzbau, meaning “cast-off construction.” He ran the Dadaist magazine, Merz, named after this term from 1923 to 1932. With the rise of Nazism, Schwitters moved to Norway and then finally to England in 1940, where he died.
Artworks in Museum Collections: (40)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Kurt Schwitters. Fine Arts Museum of San Francisco -
Kurt Schwitters, Merz 8, 19th - 20th century
Fine Arts Museum of San Francisco - Kurt Schwitters, Composition with head in left profile, 1921

31. Kurt Schwitters
Translate this page kurt schwitters klebte, malte und nagelte 1919 in Hannover sein erstes Merzbild . Merz , das war die in der Collage noch sichtbare Silbe des Wortes
http://www.artnews.de/kuenstler/schwitters_kurt.htm
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Kurt Schwitters
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Otto Dix Max Ernst Künstlersuche Familienname des Künstlers Vornamen Neue Städtesuche Bitte Städtenamen eingeben Kurt Schwitters Biographische Daten Kurt Schwitters 1887 Hannover - 1948 Deutscher Maler, Bildhauer, Graphiker, Typograph, Bühnenkünstler und Dichter. Gilt als einer der wichtigsten Vertreter des Dadaismus. Studium an der Kunstgewerbeschule in Hannover. Studium an der Akademie der Künste in Dresden. 1919 Erstes MERZbild, erste Veröffentlichungen u. a. Gedichtband "Anna Blume" Kunstlexika Kurt Schwitters wird in folgenden Kunstlexika erwähnt (Auswahl) : Vollmer Künstlerlexikon Allgemeines Lexikon der bildenden Künstler des XX.Jahrhunderts. Von Hans Vollmer

32. BBC - Cut And Splice 2005 - Kurt Schwitters' Ursonate
kurt schwitters Ursonate at the Cut and Splice Festival.
http://www.bbc.co.uk/radio3/cutandsplice/ursonate.shtml
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Cut And Splice 2005 Through the Night Kurt Schwitters Ursonate
performed by Jaap Blonk Kurt Schwitters was born in Hannover in 1887. Refused by the Berlin Dadaists, he started a one-man Dada group in Hannover called Merz . He made paintings, collages and objects; he wrote poems, sound poems and plays, which he published in his own magazine, also called Merz. In 1919, after gaining a national reputation with the absurd love poem An Anna Blume , he made contact with fellow Dadaists Hans Arp and Raoul Hausmann. In 1937 Schwitters had to flee the Nazis, via Norway to England, where he died in 1948 at sixty years of age. At the source of Schwitters' Ursonate or sonate in urlauten (sonata in primordial sounds) are two Plakatgedichte (Poster Poems) by Raoul Hausmann which provided the sonata's opening line: Fumms bö wö tää zää Uu, pögiff, kwii Ee Schwitters used phrases such as this to provoke audiences at literary salons, who expected traditional romantic poetry, by endlessly repeating them in many different voices. In the course of ten years he expanded this early version into a 30-page work, which he later considered one of the two masterpieces he had created during his artistic career; the other one being the Merzbau in his house in Hannover, destroyed in 1944.

33. Kurt Schwitters - Biography
kurt schwitters on IMDb Movies, TV, Celebs, and more
http://www.imdb.com/name/nm0777987/bio
Now Playing Movie/TV News My Movies DVD New Releases ... search All Titles TV Episodes My Movies Names Companies Keywords Characters Quotes Bios Plots more tips SHOP KURT... DVD VHS CD IMDb ... Kurt Schwitters Biography Quicklinks categorized by type by year by ratings by votes by genre by keyword power search credited with biography publicity contact Top Links biography by votes awards news articles ... message board Filmographies categorized by type by year by ratings ... tv schedule Biographical biography other works publicity contact ... message board External Links official sites miscellaneous photographs sound clips ... video clips
Biography for
Kurt Schwitters
advertisement photos board add contact details Date of Birth 20 June Hannover, Lower Saxony, Germany Date of Death 8 January , Westmoreland, England, UK Mini Biography IMDb Mini Biography By: Erich Mees Spouse Helma Fischer 5 December - 1944) (her death) 2 children Personal Quotes "My name is Kurt Schwitters. I am an artist and I nail my pictures together." "I value sense and nonsense alike. I favor nonsense, but that is a personal matter." You may report errors and omissions on this page to the IMDb database managers. They will be examined and if approved will be included in a future update. Clicking the 'Update' button will take you through a step-by-step process.

34. Kurt Schwitters Merzbau In Hannover 1933
Translate this page kurt schwitters himself described the Merzbau (Merz Building) as his life s work. The enormous significance which schwitters attached to this work is
http://www.merzbau.org/Schwitters.html
Kurt Schwitters Merzbau in Hannover Merzbau Kurt Schwitters himself described the Merzbau (Merz Building) as his life's work. The enormous significance which Schwitters attached to this work is evidenced by the fact that, from 1923 onwards, he devoted himself to it assiduously and, despite all untoward circumstances, began it three times: first in Hannover, then in Norway in 1937, and finally in exile in England in 1947. The Merzbau in Hannover was destroyed in an Allied air raid and the Norwegian version fell a victim to a fire. Only the English version remained, though Schwitters died before he could complete it. The Merzbau in Hannover was a fantastically constructed interior, as bewildering as it was abstract. The walls and ceiling were covered with a diversity of three - dimensional shapes and the room itself was crowded with materials and objects - or "spoils and relics", as Schwitters himself put it - which were contained in countless nooks and grottoes, some of them totally obstructed by later additions to the work, with the result that their contents then existed only in one's memory of the Merzbau in one of its former states. The

35. Kurt Schwitters Artist And Art...the-artists.org
kurt schwitters artist and art biography portrait and gallery ( Painting Dada Collage Assemblage ) on theartists.org, resource modern and contemporary art,
http://www.the-artists.org/ArtistView.cfm?id=239B6561-C5CF-11D4-A93800D0B7069B40

36. MySpace.com - Kurt Schwitters - 57 - Male - Little Langdale, UK - Www.myspace.co
MySpace profile for kurt schwitters with pictures, videos, personal blog, interests, information about me and more.
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=849071

37. Kurt Schwitters On Artnet
kurt schwitters (German, 18871948) - Find works of art, auction results sale prices of artist kurt schwitters at galleries and auctions worldwide.
http://www.artnet.com/artist/15199/kurt-schwitters.html
Kurt Schwitters (German, 1887-1948)
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Kurt Schwitters MZ 312 Müdr Galerie Seroussi Kurt Schwitters Sans titre Galerie Seroussi Kurt Schwitters Ohne Titel (Landschaftsschizze Lake District III) Kurt Schwitters "fra Hjertøya I Høsten" Norwegische Landschaft um die Insel Hjertøya Galerie J.H. Bauer Kurt Schwitters Mz 159 / Rot Oben Links [“Red Top Left”] Ubu Gallery Kurt Schwitters Mz 183 Ubu Gallery Kurt Schwitters Sans Titre Galerie Seroussi Kurt Schwitters Mz 2014 / Kommt Uberhaupt nicht in Frage ["Completely Out of the Question"] Ubu Gallery (9 of 14) View All Selected Exhibitions Past exhibitions at Ubu Gallery: Kurt Schwitters: Collages, Paintings, Drawings, Objects, Ephemera April 1 – May 23, 2003 Links to further information www.artcyclopedia.com artnet.com artnet.de artnet - The art world online search artists: A B C D ... Z

38. Vassilis GOGTZILAS: Kurt Schwitters Portrait
His grave was unmarked until 1966 when a stone was erected with the inscription kurt schwitters – Creator of Merz. The stone remains as a memorial even
http://vassilisgogtzilas.blogspot.com/2007/09/kurt-schwitters-portrait.html
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Sunday, September 30, 2007
Kurt Schwitters Portrait
Kurt Schwitters (June 20, 1887 - January 8, 1948) was a German painter who was born in Hannover, Germany.
Schwitters worked in several genres and media, including Dadaism, Constructivism, Surrealism, poetry, sound, painting, collage, sculpture, graphic design, typography and what came to be known as installation art.
Biography and art
A story is told, but untrue, that he attempted to join the network of Dada artists, only to be rejected by the leader of the Berlin movement, Richard Huelsenbeck, on the premise that Schwitters was "too bourgeois" for Dada. A 2005 exposition on Dada at the Centre Georges Pompidou further acknowledged Schwitters as a member of the larger movement by devoting an entire section to the exhibition of some of his work (Ramade 2005).
Thanks to Schwitters' lifelong patron and friend Katherine Dreier, his work was exhibited regularly in the USA from 1920 onwards. Schwitters published his own Merz magazine from 1923-32 and in the late 1920s became a well-known typographer; his best-known work was the catalogue for the Dammerstocksiedlung in Karlsruhe. From 1924 he ran an advertising agency called Merzwerbe, and in the late 1920s was the official typographer of Hannover town council. In a manner similar to the typographic experimentation by Herbert Bayer at the Bauhaus, Schwitters experimented with the creation of a new more phonetic alphabet in 1927. Some of his types were cast and used in his work. A digital revival of Schwitters' 1927 typeface called Architype Schwitters was released in 1997. In the late 1920s Schwitters joined the Deutscher Werkbund (German Work Federation)s.

39. Jaleh Mansoor - Kurt Schwitters' Merzbau: The Desiring House
From 1919 until a night in early October 1937, when Allied bombing destroyed the Merzbau, kurt schwitters continuously composed and manipulated this
http://www.rochester.edu/in_visible_culture/Issue4-IVC/Mansoor.html
Back to Issue 4
Kurt Schwitters' Merzbau : The Desiring House
by Jaleh Mansoor
From 1919 until a night in early October 1937, when Allied bombing destroyed the Merzbau , Kurt Schwitters continuously composed and manipulated this assemblage [Fig. 1] . The project, variously categorized as an architectural undertaking, or as a performatively elaborated sculptural program, through the ceiling and floor to extend his work outside the original armature of the building. The expanse of Merzbau
The Merzbau involved two dimensions. The first dimension consisted of a crafted architectural structure made of plaster and wood, and built up along multiple, irregular axes. The second consisted of an inner core, a formless accretion of discarded random objects and fragments. The interior and the shell-like enclosure connected to one another through labyrinthine, miniature tunnels or voids, which doubled as spaces for the display of objects. Schwitters used these spaces to present other assemblages or collections of things taken out of everyday circulation. Friends frequently noted that a possession was missing, only to visit Schwitters and find the absent item exhibited in a grotto. Hannah Hoch worried over a missing key and later found it part of a sculpture; Mies van der Rohe noted that Schwitters filched a drawing pencil and placed it in one of the caves. Because

40. Merz Kurt Schwitters
Born in Hanover in 1887, kurt schwitters is one of the major and most individual figures in modern art. In this film we are guided through his career by his
http://www.roland-collection.com/rolandcollection/section/18/563.htm
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Merz: Kurt Schwitters
Born in Hanover in 1887, Kurt Schwitters is one of the major and most individual figures in modern art. In this film we are guided through his career by his son Ernst Schwitters. Thought of from the first as an eccentric celebrity in his home town, he was naturally drawn to the Dada movement through his anarchic attitudes and creations. `I am Kurt Schwitters and I nail my paintings together!' he exclaimed of his collages and constructions of everyday detritus. His poems were similarly disjointed, often full of furious, meaningless sounds. Being too much of an individualist to be contained within Dada, Schwitters went on to offer his own `movement,' which he called Merz , to the world. It was intended to embrace dance, theater, visual art, poetry and performance. Escaping from the Nazis in Germany, Schwitters traveled to Norway, and to Holland, where he collaborated with Theo van Doesburg to promote the notions of modern art. All the while Schwitters was `recharging the batteries' of his creativity by painting more conventional portraits and landscapes, but like the architect van Doesburg and other artists such as Mondrian, he aspired to create art that would be an all-encompassing, total environment. To this end he constructed a Merz-bau , a modern art house, in which the occupant might `inhabit' an interior entirely constructed of dynamic shapes created by the artist. The film ends with the tragic destruction by bombing of the Hanover

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