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         Leck Bart Van Der:     more detail
  1. Vriendschap Op Aftstand: De Correspondentie Tussen Bart Van Der Leck En H.P. Bremmer (RKD-bronnenreeks) (Italian Edition) by Cees Hilhorst, 2000-01
  2. BART VAN DER LECK, 1876-1958: a LA RECHERCHE DE L'IMAGE DES TEMPS MODERNES (Bart Van Der Leck, 1876-1958: in Search of the Image of Modern Time) by Bart Van Der; Et Al Leck, 1980
  3. Bart Van Der Leck by Bart Van Der Leck, 1959
  4. Bart Van Der Leck by Toos Van Kooten, 1994
  5. De Stijl: Gerrit Rietveld, Piet Mondrian, Theo Van Doesburg, Rietveld Schröder House, Jacobus Oud, Bart Van Der Leck, Red and Blue Chair
  6. Christie's Amsterdam 4 December 2001 An Important Collection of Works by Bart van der Leck from the Estate of the Artist by Christie's, 2001-01-01
  7. An Important Collection of Works By Bart Van Der leck. by Christie's, 2001-01-01
  8. Bart van der Leck, 1876-1958 by Bart van der Leck, 1976
  9. Bart van der Leck, 1876-1958 by R. W. D Oxenaar, 1976
  10. Bart Van Der Leck by n/a, 1959
  11. Bart van der Leck tot 1920 = Bart van der Leck untill [sic] 1920: Een primitief van de nieuwe tijd by R. W. D Oxenaar, 1976

61. Bart Van Der Leck
Translate this page Seine konsequent schematisierende Malweise führt 1917 zu den ersten gegenstandslosen Kompositionen.
http://www.g26.ch/art_leck.html
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Bart van der Leck

26.11.1876 Utrecht - 14.11.1958 Blaricum
Bart Anthony van der Leck; holländischer Maler, Grafiker; malte seit 1917 unter dem Einfluss P. Mondrians in abstrakt-geometrischem Stil, kehrte aber zur gegenständlichen Malerei zurück.
www.wissen.de
  • Bart van der Leck
  • Notizen
  • De Stijl Bart van der Leck Die Sprache der Geometrie Hans Christoph von Tavel Kunstmuseum Bern 17. März bis 13. Mai 1984 Notizen (Bart van der Leck, 1957) Aus: Recklinghausen 1959, o.S. Die Sprache der Geometrie Hans Christoph von Tavel Kunstmuseum Bern 17. März bis 13. Mai 1984 g26.ch PLATTFORM FÜR KUNST KULTUR UND GESELLSCHAFT
  • 62. Bart Van Der Leck - NAGO
    Translate this page Nederlands Archief Grafisch Ontwerpers (NAGO) Archief Total Design Object bart van der leck.
    http://www.nago.nl/object.php?id=12797

    63. Davis Art Images: Digital Images: College: Museum Of Modern Art - Masterpieces V
    leck, bart van der (18761958 Netherlands). Abstract Composition, 1927, oil on canvas, 47 x 48 cm 1037.1983 © The Museum of Modern Art, New York (MOMA-P2130
    http://www.davisart.com/Portal/DAI/DigitalImages_Default.aspx?curPage=Coll_MoMAm

    64. De Stijl
    Other artists who contributed to De Stijl were Vilmos Huszar, bart van der leck and architects Cornelis van Eesteren, J.J.P Oud and Gerrit Rietveld.
    http://chi.freeservers.com/deStijl.html
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    de Stijl
    By Natalie Baird Two fundamental concepts behind de Stijl were historicism and essentialism. Historicism meaning that the art of today and tomorrow would have evolved from all past art and eventually art would become integrated into the day to day environment. Essentialism meaning that each art form must isolate the essence that is relative to it and therefore secure its autonomy from the other arts. (Bois, 1993, p. 108) The key philosophy of De Stijl was a process of elementarisation, integration and collaboration. This philosophy was at the heart of Modernist movements however de Stijl came up with the concept of collaboration. Elementarisation was the practice of each art form finding the essence that was at its core, stripping away superfluous elements (as mentioned above). Integration meant each component must be in balance with the others and no one element should have more emphasis than the others. (Bois, 1993, p. 109) Once an art form has gone through these processes it can then look outward and seek another art that has a common denominator to collaborate with. Within de Stijl the most successful and well-known collaboration between the arts was the marriage of painting to architecture. This collaboration was the subject of many debates within the de Stijl group of artists. (Bois, 1993, p. 109) Many artists associated with de Stijl didn't stay on with the group for long, however there were a few that contributed solutions to problems that de Stijl encountered. For example the oppositions of figure to ground, colour and non-colour, and frame had to be solved in order for painting to be fully integrated. Bart van der Leck is credited with elementarising colour and stripping it back to the three primary colours plus the non-colours black and white. Piet Mondrian went on to solve the opposition between colour and non-colour. Vilmos Huszar first solved the figure/ ground opposition, but failed to incorporate any other elements such as colour into his paintings. However this was seen as an important step. Van Doesburg and Mondrian used the grid to destroy any sense of ground; Mondrian later drew the conclusion that it was too repetitive and stopped using it however van Doesburg used the grid throughout his paintings. (Bois, 1993, p. 110-112)

    65. MINUS SPACE Reductive Art - Chronology
    bart van der leck leaves the De Stijl group and begins applying geometric principals to figurative work. Olga Rozanova dies on November 8 in Moscow,
    http://www.minusspace.com/chronology1910-1919.htm
    • log MINUS SPACE year europe south america north america australasia / asia / africa Wassily Kandinsky makes first abstract paintings in Munich, Germany Frantisek Kupka moves to Paris, France
      Richard Mortensen is born in Copenhagen, Denmark
      Roman Clemens is born on February 11 in Dessau Jean Leppien is born in Luneburg, Germany Arthur Dove begins producing "extractions" or non-objective abstract compositions based on pulsating forms in nature; Dove also produces images expressive of sounds The Independents Show is mounted Paul Feeley is born in Des Moines, Iowa In Paris, Frantisek Kupka makes first experiments in pure color abstraction
      Marcel Duchamp paints "Nude Descending a Staircase" Piet Mondrian moves to Paris, France
      Olle Baertling is born in Halmstad, Sweden
      Jean Deyrolle is born in Nogent-sur-Marne, France Franz Weissmann is born in Knittefeld, Austria Wassily Kandinsky publishes "On the Spiritual in Art" based on a non-scientific approach to color and feeling
      Robert Delaunay begins painting "Windows" series

    66. Botterweg Auctions / Veiling Amsterdam > Auction
    leck, bart van der Paper bag, design bart v.d. leck 1952 for Fa. Pewter candleholder, design Chris van der Hoef 1928, executed by GERO / Holland
    http://www.botterweg.com/Auction/tabid/36/auctionID/4/page/7/language/en-US/Defa
    new fadeshow(fadeImages, 120 , 120, 0, 3000, 0, "R") Home Auction Terms and Conditions General Information Manufacturer Acme / USA ADO Afors Alessi ... Zuid-Holland Country Belgium Bohemia Denmark Germany ... Suisse Material Earthenware Batik Books / Tabloids Glass ... Wendingen Designer Andersen, Just Appenzeller, Hans Asch van Wijck, C.C.van Bang, Michael ... Zanini, Marco Time Period Archive Register My Bids Login Friday, January 25, 2008 5:49 AM You are viewing auction: February 2007
    (The auction has finished, you can no longer place bids Previous Next Lot Description Estimate Start Hammer Bronze sculpture of two monkeys , on stone stand, design and execution unknown, ca.1950 Not Sold Paper bag, design Bart v.d. Leck 1952 for Amsterdam ...
    7068 / 16 cm
    Not Sold Large polychrome earthenware vase with handles and floral decoration, executed by Amphora / the Netherlands 1920-'30, painted by Sam Schelling ... Orrefors / Sweden Not Sold Pewter candleholder, design Chris van der Hoef 1928, executed by GERO / Holland
    Not Sold Earthenware vase, painted, with lusterglaze " Kamo ", executed by Mobach, Utrecht / the Netherlands Not Sold Composition of a cup and a base "

    67. Modernism: De Stijl - Horseman Maquette - AOL Video
    bart van der leck based this poster for a 1919 exhibition of his work on an earlier oil painting he had made. Unlike the rigid patterns favored by som
    http://video.aol.com/video-detail/modernism-de-stijl-horseman-maquette/372759735
    document.domain="aol.com"; var sitedomain="channel.aol.com";var siteState="http%3a%2f%2fvideo%2eaol%2ecom%2fvideo%2ddetail%2fmodernism%2dde%2dstijl%2dhorseman%2dmaquette%2f3727597354"; var pagehostUrl="http://video.aol.com";var vid_playerURL="http://us.video.aol.com";var MTeens=1; Search Hot Searches: 'Family Guy' Paris Hilton Super Bowl Oscars ... See More query_value=0;vid_location="http://video.aol.com";vid_pageUrl=""+window.location;vid_pmms=0;

    68. Netherlands Architecture Institute - _detail
    In the sitting room and the library, van der leck s bright hues stand out as accents against the relatively neutral background, which is predominantly brown
    http://en.nai.nl/exhibitions/sonneveld_house/house/detail/_rp_left1_elementId/1_
    var fileLoadingImage = "/lightbox/images/loading.gif"; var fileBottomNavCloseImage = "/lightbox/images/closelabel.gif"; var slideShowText1 = "Image"; var slideShowText2 = "of"; var slideShowText3 = ". Click left/right on the image for next/previous."; FRONT PAGE CONTACT PRESS NEWS ... NEDERLANDS Color Range The Bedroom of Mr. and Mrs. Sonneveld. Photograph: NAI Collection. Accents The colors in which the walls were finished matched those of the furnishings. In the sitting room and the library, Van der Leck's bright hues stand out as accents against the relatively neutral background, which is predominantly brown and beige. The yellow office chair and the orange-red armchairs in the library contrast brightly with the bronze colored walls and dark brown carpet. The reverse is true in the bedrooms and dining room, for the bright colors are here used for the large surfaces: red dining room cupboards, blue curtains and a yellow floor. The tables and chairs, on the other hand, are finished in neutral tints: natural wood, black, gray and chrome. Living Room with Yellow Chair. Photograph: Jannes Linders.

    69. Torben Giehler S ShockWave Xanadu
    van der leck Not only the universal construction, or stability is of importance in the plastic expression of painting, but also universal motion.
    http://www.akrylic.com/articles/42/1/Torben-Giehlers-ShockWave-Xanadu/artext-Iss
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    70. Blackwell Synergy - Cookie Absent
    Your browser may not have a PDF reader available. Google recommends visiting our text version of this document.
    http://www.blackwell-synergy.com/doi/pdf/10.1111/j.1467-8357.2001.00264.x
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