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         Homer Winslow:     more books (100)
  1. Winslow Homer,: A portrait by Jean Gould, 1962
  2. Winslow Homer: Poet of the Sea
  3. The World Of Winslow Homer, 1836-1910 - Time-life Library Of Art by James Thomas. and the Editors of Time-life Books Flexner, 1975
  4. What Is Painting?: Winslow Homer & Other Essays (Classical America Series in Art and Architecture) by Kenyon Cox, 1988-10
  5. Winslow Homer In Gloucester by Scott Atkinson, 1991-02-15
  6. WINSLOW HOMER Watercolors. May-June 1983. Essay by Philip C. Beam. by Brunswick. Bowdoin College. Museum of Art., 1983
  7. The graphic art of Winslow Homer, by Winslow Homer, 1968
  8. Winslow Homer: The Croquet Game by David P. Curry, 1984-04
  9. Winslow Homer (Color slide program of the great masters) by Philip Beam, 1975-08-01
  10. The Paintings of WINSLOW HOMER from the Cooper Union Museum. Nov.-Dec. 1966. Foreword by Christian Rohlfing; introduction by Albert Ten Eyck Gardner. by New York. Ira Spanierman., 1966
  11. Winslow Homer by Lloyd Goodrich, 1976-09
  12. Six Portraits: Della Robbia, Correggio, Blake, Corot, George Fuller, Winslow Homer by Schuyler Van Rensselaer, 2009-11-24
  13. Winslow Homer in New York State by Winslow Homer, 1963-01-01
  14. Great Artists Winslow Homer Book 3 by John Wilmerding, 1978

61. Winslow Homer Biography Page
winslow homer 18361910. One of the most well known artists to come out of the Civil War, homer was born in Boston, Mass. February 24, 1836.
http://www.civilwarhome.com/homerbio.htm
Winslow Homer
One of the most well known artists to come out of the Civil War, Homer was born in Boston, Mass. February 24, 1836. At 19, Homer was apprenticed to a local lithographer, and his drawings were soon appearing in the illustrated periodicals of the day.
In 1859 he moved to New York City to study at the National Academy of Design, supporting himself by contributing drawings to Harper's Weekly. In 1861 Harpers sent him to Washington to sketch Abraham Lincoln's inauguration.
Homers initial war drawings for Harpers depicted Maj. Gen. George B. McClellan's army on the banks of the Potomac in Oct. 1861. The following year he was dispatched as a "special artist" to cover the Peninsula Campaign. Though he did not serve again as a special, he made frequent excursions to the battlefronts and filled his sketchbook with drawings, from which he worked in his studio in New York.
Double-page woodcuts of his illustrations depicting battles and camp scenes appeared in Harpers throughout the war years. Homer was not specifically a combat artist; his work was concerned with the intimate moments of camp life and human interest rather than with the panorama of clashing armies. Supplied with his firsthand observations made at the front, he translated these drawings into canvases such as

62. Winslow Homer
Somewhat of a recluse, winslow homer never married. Father (importer) Mother (watercolorist). University National Academy of Design, New York City
http://www.nndb.com/people/068/000031972/
This is a beta version of NNDB Search: All Names Living people Dead people Band Names Book Titles Movie Titles Full Text for Winslow Homer Born: 24-Feb
Birthplace: Boston, MA
Died: 30-Sep
Location of death: Prout's Neck, ME
Cause of death: unspecified
Gender: Male
Race or Ethnicity: White
Occupation: Painter Nationality: United States
Executive summary: Maritime painter, Eight Bells American painter, born in Boston, Massachusetts on the 24th of February 1836. At the age of nineteen he was apprenticed to a lithographer. Two years later he opened a studio in Boston, and devoted much of his time to making drawings for wood engravers. In 1859 he removed to New York, where he studied in the night school of the National Academy of Design. During the American Civil War he was with the troops at the front, and contributed sketches to Harpers Weekly Father: (importer)
Mother: (watercolorist)
University: National Academy of Design, New York City Harper's Illustrator Stroke 1908 (recovered) Do you know something we don't? Submit a correction or make a comment about this profile

63. Winslow Homer Fine Art Prints
winslow homer Fine Art fine art, paintings and prints. ImageKind is an online Community for buying and selling framed art, digital art, wall art,
http://www.imagekind.com/shop/Bycategory.aspx?category=artist&id=232

64. Winslow Homer - Grandfathers And Influences
winslow homer was the master portrayer of outdoor life in America in the nineteenth century. He painted summer resorts and farms, the coasts, the forests,
http://abstract-art.com/abstraction/l2_Grnfthrs_fldr/g017a_homer.html
Winslow Homer Winslow Homer (1836-1910)
High Cliff, Coast of Maine
Oil on Canvas 76.5 x 97.2cm (30 1/8 x 38 1/4 inches)
National Museum of American Art, Gift of William T. Evans Winslow Homer was the master portrayer of outdoor life in America in the nineteenth century. He painted summer resorts and farms, the coasts, the forests, the mountains, and the hardy men who inhabited themsailors, fishermen, and woodsmenwith such a fresh approach and boldness of vision that his work now ranks among the highest achievements in American art. While man's relationship to nature always held a fascination for Homer, it was the awesome power of the sea that dominated his mature canvases. He spent the last twenty years of his life in remote Prout's Neck, Maine, where he came to know intimately the rocky coastline and its changing moods. In High Cliff , Homer allows us neither distance nor escape. He provides us with no easy entry into the picture's space. We are thrust into the midst of the drama being enacted before us: the relentless crash of the surf against the implacable rock. Our view is close-up, cropped, and devoid of any superficial details that might compete for attention. The strong diagonal composition and the use of contrasting colorsthe muted blue-green water clashing with the dark brown of the rocksare technical devices that heighten the work's tension. The wet cliff glistening in the light, the threatening waves, and the bursting spray, modeled with broad, robust brushwork, convey the scene's intense energy.

65. Winslow Homer: An American Original: Movie Learning Guides
winslow homer An American Original Movie Learning Guides.
http://www.enotes.com/movie-guides/winslow-homer-an-american-original
Winslow Homer: An American Original: Movie Learning Guides
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Winslow Homer: An American Original
  • Printable Version Download PDF Cite this Page
  • Description / Introduction
    Winslow Homer (1836 - 1910) needed peace and quiet to concentrate on his painting. In the summer of 1878, friends were planning to be away from a farm that they owned in upstate New York. They offered Homer the use of the farm so that he could have the solitude he craved. This film tells the... [The entire page is 6770 words long]
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    66. Winslow Homer Screensaver Art Collection - Screensavers
    winslow homer is considered one of the greatest American painters of the 19thcentry. Born in Boston and a self-educated painter, homer painted images of
    http://www.cassdesign.com/homer.html
    Home Order Online Specials Affiliate ... Customer Service Order Toll Free 1-877-353-7297 Winslow Homer is considered one of the greatest American painters of the 19th-centry. Born in Boston and a self-educated painter, Homer painted images of the American landscapes, Florida coasts and scenes of fishermen and their families. 70 Paintings Museum Quality Free Upgrades for Life 98/Me/NT/2000/XP/Vista Click here to download a limited demostration of this screen saver Order Toll Free From Regnow 1-877-353-7297 and ask for part # 3420-140 Toll free tech support
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    67. Conrads, M.: Winslow Homer And The Critics: Forging A National Art In The 1870s.
    of the book winslow homer and the Critics Forging a National Art in the 1870s by Conrads, M., published by Princeton University Press.......
    http://pup.princeton.edu/titles/7025.html
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    Winslow Homer and the Critics:
    Forging a National Art in the 1870s
    Margaret C. Conrads
    This book is out of print
    Reviews
    Table of Contents Winslow Homer's luminous watercolor seascapes and highly spirited portraits of children and outdoorsmen are some of the most recognizable and cherished works in the history of American art. This catalogue, published in conjunction with a major traveling exhibition, examines his pictures from the 1870s, the least-studied period of this perennially popular American artist. Debunking the common myth that Homer worked in isolation, Margaret Conrads reveals him as a controversial artist who was an integral part of the dizzying New York art scene of the 1870s. Indeed, Homer was the American artist most frequently discussed by the press at this timeoften with simultaneous commendation and vilification. By viewing Homer's works of the 1870s through the lens of contemporaneous criticism, the author explains how and why the painter embodied the critics' high hopes for an art that expressed national values. She finds reflected in his vivid images an ongoing struggle to meet these expectations, even as he challenged and helped to redefine the artistic conventions governing American aesthetics. With almost one hundred full-color plates and nearly sixty black-and-white illustrations, this handsome volume is a remarkable record of an important period not only in Winslow Homer's career but also in the fascinating art world of late-nineteenth-century America.

    68. Worcester Art Museum - Winslow Homer: Boys And Kitten
    winslow homer American, 18361910 Boys and Kitten, 1873, Watercolor and gouache over graphite on cream wove paper Museum purchase, Sustaining Membership
    http://www.worcesterart.org/Collection/American/1911.1.html
    Online Gallery Curatorial Department Recent Acquisitions Library
    Winslow Homer: Boys and Kitten
    WINSLOW HOMER
    American, 1836-1910
    Boys and Kitten, 1873 Watercolor and gouache over graphite on cream wove paper
    Museum purchase, Sustaining Membership Fund
    Trained in lithography and wood engraving, Homer embarked on a career as an illustrator for Harper's Weekly during the Civil War. A trip to France in 1866 and 1867 exposed him to the early work of the Impressionists and sparked his interest in light and color. Homer's first serious use of watercolor may have been precipitated by an important exhibition in New York early in 1873. It was during that summer in Gloucester, Massachusetts, that the artist produced a series of small watercolors involving the theme of children playing. The decorative flatness and sharp contrasts of light and shade in Homer's works of this period relate to his ongoing career as a magazine illustrator. In

    69. Winslow Homer: The Civil War Years And Winslow Homer: The Gloucester Years (Focu
    winslow homer The Civil War Years and winslow homer The Gloucester Years (Focus Gallery 3) Columbia Museum of Art Between 1857 and 1875, winslow homer
    http://www.absolutearts.com/artsnews/2000/12/03/27783.html
    login password artist portfolio gallery portfolio MYabsolutearts help media kit about us services ... DISCUSS Indepth Arts News: "Winslow Homer: The Civil War Years and Winslow Homer: The Gloucester Years (Focus Gallery 3) "
    2000-12-02 until 2001-03-04
    Columbia Museum of Art

    Columbia, SC, USA
    Between 1857 and 1875, Winslow Homer produced more than 280 wood engravings for major regional and national newspapers. He began working with Ballou's Pictorial Drawing-Room Companion; and later moved on to other major papers of the day including Harpers Bazaar; Harper's Weekly; Appleton's Journal of Literature, Science, and Art; Scribner's Monthly; Hearth and Home; Our Young Folks; and Every Saturday. His greatest output occurred during the Civil War when he covered the action on the front lines and the every day tedium in camp. Harper's Weekly Once the war was over, his interest turned to watercolors and oils. The major exception was the Gloucester series in 1873 and 1874. In a final series for Harper's Weekly he produced twenty-two genre scenes including Snap-the-Whip. There has been some discussion over the years among scholars as to whether these are by Winslow Homer or after Winslow Homer. Current thinking places them in the former, rather than the latter category, and as such are legitimate works of art by a prominent American artist. As Homer matured and refined his style and technique, the engravings became better artistically and as a result, the later prints are more appealing than the earlier efforts.

    70. Project MUSE
    winslow homer, (organized by Nikolai Cikovsky, Jr., and Franklin Kelly, National Gallery of Art) at the National Gallery of Art, 15 October 199528 January
    http://muse.jhu.edu/journals/american_quarterly/v049/49.3er_cikovsky.html
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    Login: Password: Burns, Sarah.
    Modernizing Winslow Homer
    American Quarterly - Volume 49, Number 3, September 1997, pp. 615-639
    The Johns Hopkins University Press
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    71. Watercolors By Winslow Homer - Tedeschi, Martha; Walsh, Judith
    American painter winslow homer (1836–1910) created some of the most breathtaking and influential watercolors in the history of the medium.
    http://yalepress.yale.edu/yupbooks/book.asp?isbn=9780300119459

    72. Antipastoralism In Early Winslow Homer | Art Bulletin, The | Find Articles At BN
    Antipastoralism in early winslow homer from Art Bulletin, The in Arts provided free by Find Articles.
    http://findarticles.com/p/articles/mi_m0422/is_1_80/ai_54073919
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    Antipastoralism in early Winslow Homer
    Art Bulletin, The March, 1998 by Kenneth Haltman There is some art in stacking the hay well. - Robert Ramble's Scenes in the Country (Boston: Joseph H. and C. S. Francis, 1847), 38.
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    73. The Inland Winslow Homer - TIME
    The bestknown paintings of winslow homer are those of the blistering Caribbean sun, of angry seas, and of the ruggedness of Maine, where he lived out the
    http://www.time.com/time/magazine/article/0,9171,940313,00.html
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      The Inland Winslow Homer
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      Sphere.Inline.search('sphereSideBar','http://time.com/') tiiQuigoWriteAd(755769, 1290761, 180, 200, -1); The rolling landscape west of the river is as peaceful and hospitable as it was when Homer painted it some 90 years ago. The three-year-old gallery, converted from a large mansion with princely gardens and a commanding view, has only the glimmerings of a collection of its own; but if it can put on more shows like this one, it should become a favorite attraction. This show was organized by Lloyd Goodrich, director of the Whitney Museum of American Art and the leading authority on Homer. The paintings are mostly in watercolor, a medium of which Homer was a master, although he did not take to it until the advanced age of 37. But those earlier paintings by contrast cast a moving spell of innocence and charm—an appealing chapter in the life of an artist whom Goodrich calls "the greatest pictorial poet of outdoor America in his time."

    74. Homer, Winslow (Harper's Magazine)
    ARTIST ILLUSTRATOR OF, 4 Images from 1879 to 1960. SUBJECT OF, 4 Articles from 1879 to 1916. THINGS CONNECTED TO “homer, winslow”. HUMAN BEINGS
    http://www.harpers.org/subjects/WinslowHomer
    HOME SUBSCRIBE ARCHIVE SUBJECTS ... SKIP to main content USERNAME PASSWORD Subscriber? Lost password?
    Homer, Winslow
    ARTIST ILLUSTRATOR OF 4 Images from 1879 to 1960
    SUBJECT OF 4 Articles from 1879 to 1916
    HUMAN BEINGS Alexander, J.W. Bennett, Arnold Bridges, Fidelia Cassatt, Mary ...
    Wolf, Henry
    PAINTINGS A Spanish lady (Painting) A bit of Venice (Painting) ... Henry Wolf: by Charles Henry Caffin
    Article, June 1916 , 9 pp. Your United States (seventh paper) by Arnold Bennett
    Article, October 1912 , 8 pp. Harper's Magazine is an American journal of literature, politics, culture, and the arts published from 1850. Subscriptions start at $16.97 a year.
    About Harper's
    Contact Harper's Advertising information

    75. Gerald Peters Gallery | Works | Search | Winslow Homer
    (2) Results for winslow homer , Jump to Page, Page 1/1 winslow homer. Sheperdesses Resting, 1879 Watercolor on paper
    http://www.gpgallery.com/works/search/113
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    (2) Results for "Winslow Homer" Jump to Page Page 1/1
    Winslow Homer
    Canoeing
    Oil on ivory
    2 x 15 in
    For further information contact:
    Lily Downing Burke
    Director
    Gerald Peters Gallery, New York
    em1471=''; em1471+='l'; em1471+='b'; em1471+='u'; em1471+='r'; em1471+='k'; em1471+='e'; em1471+='@'; em1471+='g'; em1471+='p'; em1471+='g'; em1471+='a'; em1471+='l'; em1471+='l'; em1471+='e'; em1471+='r'; em1471+='y'; em1471+='.'; em1471+='c'; em1471+='o'; em1471+='m'; $('em1471').update(em1471); $('em1471').href="mailto:"+em1471;
    Winslow Homer
    Sheperdesses Resting, 1879
    Watercolor on paper
    9 x 12 in
    For further information contact:
    Reagan Upshaw
    Director
    Gerald Peters Gallery, New York em1470=''; em1470+='r'; em1470+='u'; em1470+='p'; em1470+='s'; em1470+='h'; em1470+='a'; em1470+='w'; em1470+='@'; em1470+='g'; em1470+='p'; em1470+='g'; em1470+='a'; em1470+='l'; em1470+='l'; em1470+='e'; em1470+='r'; em1470+='y'; em1470+='.'; em1470+='c'; em1470+='o'; em1470+='m'; $('em1470').update(em1470); $('em1470').href="mailto:"+em1470; Jump to Page Page 1/1 Site by Meridiansix Use of this site is governed by the Terms and Conditions Santa Fe ... Advanced Search

    76. Terra Foundation For American Art: Judith Walsh On Winslow Homer And Color Theor
    In her lecture winslow homer and the Color Theories of M. E. Chevreul, conservator Judith Walsh, Buffalo State, SUNY, considers homer s approach to
    http://www.terraamericanart.org/calendar/index.asp?key=9&subkey=249&date=2-21-20

    77. Winslow Homer
    A highlight of the L. D. M. Sweat Galleries is the winslow homer Gallery, featuring paintings, watercolors, and graphics by this most beloved and acclaimed
    http://198.66.195.44/exhibitions-collections/galleries/homer.shtml
    @import("/inc/ie_mac.css"); Quick Links Contact Us Site Index Become a Member Directions Calendar Rent the Museum Staff Directory Trustee Login Press Room Teachers Accessibility Arts of the New Republic American Landscape American Neoclassical Sculpture Gilded Age ... Contemporary Art Winslow Homer
    A highlight of the L. D. M. Sweat Galleries is the Winslow Homer Gallery, featuring paintings, watercolors, and graphics by this most beloved and acclaimed American artist. The Museum's collection of five pivotal oil paintings traces Homer's career from his early work as a Civil War correspondent for Harper's Weekly through the last two and a half decades of his life, which he spent on the coast of Maine. In a studio at Prouts Neck, just 12 miles from the Portland Museum of Art, he created the culminating paintings of his career. Homer's late seascapes, like the Museum's Weatherbeaten (1894), are alternately brooding and ecstatic, situating mankind within the natural drama of assault and resistance, struggle and survival.
    These paintings are augmented by several additional oils on long-term loan to the Museum, as well as a constantly rotating selection from the Museum's collection of 14 watercolors and nearly 400 prints. Also on view is a watercolor box owned and used by Homer, offering valuable insight into the working technique of this premier painter of Maine.

    78. Frederic Church, Winslow Homer, And Thomas Moran: Tourism And The American
    homer’s conception of rural life as idyllic in pictures of the 1880s is Sarah Burns; subject in “The Pastoral Ideal winslow homer’s Bucolic America”
    http://www.sackheritagegroup.com/articles/articles.php?articleID=160

    79. PaintersNYC: Winslow Homer
    winslow homer shows in his Lost on the Great Banks a rude vigor and firm force that is almost a tonic in the midst of the nambypambyism of many of his
    http://painternyc.blogspot.com/2007/09/blog-post.html
    @import url("http://www.blogger.com/css/blog_controls.css"); @import url("http://www.blogger.com/dyn-css/authorization.css?targetBlogID=18710060");
    PaintersNYC
    Winslow Homer posted by Painter at 2:07 PM
    87 Comments:
    Painter said...
    Winslow Homer @ Brooklyn Museum Brushed with Light:American Landscape Watercolors from the Collection 200 Eastern Parkway, Brooklyn, New York 24/9/07 2:09 PM
    zipthwung said...
    great illustrator I liked all the Robert Lewis Stephenson stuff. A critic from the "Art Review" wrote about the painting in 1886: "Winslow Homer shows in his "Lost on the Great Banks" a rude vigor and firm force that is almost a tonic in the midst of the namby-pambyism of many of his other pictures. The utter simplicity of the composition, the fidelity to local coloring, and spirited rendering of the wave tossed boat and its anxious occupants-these are elements characteristic of Mr. Homer's work, but always welcome because Mr. Homer always has something to say." 24/9/07 3:37 PM
    zipthwung said...
    liger liger burning bright" 24/9/07 6:03 PM
    Mark said...

    80. Winslow Homer The Illustrator: His Wood Engravings, 1857-1888.
    EJ660106 winslow homer the Illustrator His Wood Engravings, 1857-1888.
    http://www.eric.ed.gov/ERICWebPortal/recordDetail?accno=EJ660106

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