41. Cole, Thomas cole, thomas. The Woodchopper, Lake Fetherstonhaugh, cole, 1826. The Oxbow (Connecticut River near Northampton), cole, 1836 http://www.usc.edu/schools/annenberg/asc/projects/comm544/library/artists/ColeTh

Cole, Thomas The Woodchopper, Lake Fetherstonhaugh, Cole, 1826 The Oxbow (Connecticut River near Northampton), Cole, 1836

42. Thomas Cole Biography A biography of a great American landscape painter of the nineteenth century, thomas cole, and a discussion of some major themes in his work. http://njnj.essortment.com/thomascolebiog_rizk.htm

Thomas Cole biography A biography of a great American landscape painter of the nineteenth century, Thomas Cole, and a discussion of some major themes in his work The nineteenth century saw the development of a type of painting which came to be called the “Hudson River School.” One of the founders and greatest painters in the Hudson River School was Thomas Cole. Thomas Cole was born in Bolton-le-Moors, Lancashire, England in 1801. His family immigrated to America when he was 17. Cole probably learned the basics of oil painting from an itinerant portrait artist named John Stein, and in addition spent two years at the Pennsylvania School of Fine Arts. He first exhibited in New York, where painter Asher B. Durand and Colonel John Trumbull saw his work and found patrons for him. In the nineteenth century there were several ways artists sold their work. Some artists worked on commission, in which case a person, called a patron, would hire them to paint a certain scene or portrait. These patrons often provided money for artists to travel, particularly in Italy, Greece or France. European travel was considered essential to an artist’s development and training. In addition, artists could make work that was not specifically commissioned, and put that work in shows or galleries where people would see the work, and possibly purchase it. After purchasing several of Cole’s paintings from the gallery where he was exhibiting, George W. Bruen paid for Cole’s first trip up the Hudson River, the area he and other painters would return to so frequently in their work that they became known as the Hudson River School.

43. Cole, Thomas Cornelius (1810 - 1889) Biographical Entry - Australian Dictionary cole, thomas Cornelius (1810 1889) Biographical Entry - The Australian Dictionary of Biography Online, or ADB Online, is a biographical dictionary http://www.adb.online.anu.edu.au/biogs/AS10091b.htm

Australian Dictionary of Biography - Online Edition Main site navigation Home Advanced Search Browse About ... Help Quick Search Related entries (A-Z) Cole, Percival Richard (1879 - 1948) (A-Z) Colebatch, Sir Harry Pateshall (Hal) (1872 - 1953) Cole, Thomas Cornelius (1810 - 1889) Birth: Sudbury Middlesex England Death: 31 July 1889 Hawthorn, Melbourne Victoria Australia Cultural Heritage: English Occupation: fruit grower horticulturist market gardener Life Summary ... Abbreviations COLE, THOMAS CORNELIUS (1810-1889), horticulturist and nursery proprietor, was born in 1810 at Sudbury, Middlesex, England, son of Guy Cole, market gardener, and his wife Elizabeth, n©e Nutt. In 1837 at nearby Harrow Thomas married Elizabeth Whitmore. Accompanied by her, their three children and his brother George (1822-1868), Cole reached Melbourne in February 1842—a son had died on the voyage. Thomas, George and a cousin John Cole (1816-1894), who had preceded them in 1839, established nurseries, orchards and market gardens on the Merri Creek. In 1847 Thomas purchased land with a Yarra River frontage at Burnley where he established an orchard and nursery. According to

44. Thomas Cole - Research And Read Books, Journals, Articles At Research thomas cole at the Questia.com online library. http://www.questia.com/library/art-and-architecture/thomas-cole.jsp

45. ArtNotes: Thomas Cole Often considered the father of American landscape painting as well as the founder of the Hudson River School, thomas cole emigrated to America from http://www.ready-to-hang.com/LCP_ArtNotes/Thomas_Cole_Bio.htm

Thomas Cole Born: Died: Biography: Often considered the father of American landscape painting as well as the founder of the Hudson River School, Thomas Cole emigrated to America from Lancashire, England, when he was age eighteen. After spending a year in Philadelphia, Cole joined his family in the town of Steubenville, Ohio. While in England, Cole had been an apprentice to a designer of calico prints, and in Steubenville, he found work drawing patterns and possibly engraving woodblocks for his father's paper-hanging business. In Steubenville, Cole also began to explore landscape painting after gaining some rudimentary instruction in oil painting from a portrait painter named Stein. In 1823, Cole went with his family to Pittsburgh, where he again became an assistant in his father's business and made landscape sketches in his free time. Inspired by the landscapes of Thomas Doughty and Thomas Birch, which he saw at the Pennsylvania Academy during a stay in Philadelphia from 1823 to 1825, Cole became dedicated to a career as a landscape painter. In Philadelphia, he began to consider the distinctive characteristics of American scenery, but it was not until he moved to New York in 1825 that he turned his thoughts to his art.

46. Thomas Cole's "The Course Of Empire" thomas cole, The Course of Empire Home Up Electronic Library thomas cole, The Course of Empire The First National Anthem http://pasleybrothers.com/jefferson/course_of_empire.htm

The Savage State Consummation Click each image to see a larger version in a new window. Destruction The Pastoral State Desolation Home Up Electronic Library [ Thomas Cole, "The Course of Empire" ] The First National Anthem Jefferson on Race and Slavery

47. THOMAS COLE (1801–1848) - Online Information Article About THOMAS COLE (180 thomas cole (1801–1848) Online Information article about thomas cole (1801–1848) http://encyclopedia.jrank.org/CLI_COM/COLE_THOMAS_18011848_.html

Online Encyclopedia Search over 40,000 articles from the original, classic Encyclopedia Britannica, 11th Edition. THOMAS COLE (1801–1848) Online Encyclopedia Originally appearing in Volume V06, Page 665 of the 1911 Encyclopedia Britannica. Make a correction to this article. Add information or comments to this article. Encyclopedia Home CLI-COM Spread the word: del.icio.us it! See also: THOMAS THOMAS (c. 1654-1720) THOMAS (d. 110o) THOMAS, ARTHUR GORING (1850-1892) ... THOMAS, WILLIAM (d. 1554) THOMAS See also: COLE, SIR HENRY (1808–1882) THOMAS COLE (1801–1848) COLE, TIMOTHY (1852– ) COLE, VICAT (1833–1893) COLE See also: AMERICAN American landscape painter, was See also: BORN, IGNAZ, EDLER VON (1742–1791) born at See also: BOLTON (BOLTON-LE-MOORS) BOLTON (or BOULTON), EDMUND (1S75?-1633?) BOLTON, DUKES OF Bolton -le- See also: MOORS (Lat. Mauri; Gr. Mavpot, dark men) MOORS, KABYLES, MZABITES Moors See also: ENGLAND ENGLAND, THE CHURCH OF England , on the 1st of See also: FEBRUARY February 18o1 . In 1819 the See also: FAMILY family emigrated to See also: AMERICA America , settling first in See also: PHILADELPHIA Philadelphia and then at See also: STEUBENVILLE Steubenville See also: OHIO Ohio , where See also: COLE, SIR HENRY (1808–1882)

48. The Oxbow thomas cole, The Oxbow, 1836 The Metropolitan Museum of Art, New York. cole relies heavily on European conventions of landscape painting to convey the http://xroads.virginia.edu/~cap/NATURE/oxbow.html

Thomas Cole, "The Oxbow," 1836 The Metropolitan Museum of Art, New York Cole relies heavily on European conventions of landscape painting to convey the visual representation of the struggle between wilderness and civilization. Cronon points out that the diagonal of the tree to the left that directs the view of the scene down the valley toward the farmland is a trademark of celebrated French landscapist Claude Lorrain. The dramatic storm clouds over the wilderness speak of the uncontrolled power of nature, but also of the sublimity of this power. Cole shows no remorse for the recession of the wilderness from the scene. The soft greens and yellows and the gentle rolling landscape of the farms suggest that the pastoral civilization that replaces the wilderness is as beautiful in its order as nature is in its sublimity. Return to text

49. Bibliography Of American History Of Medicine And Related Fields » Cole, Thomas cole, thomas R. The Journal of Life A Cultural History of Aging in American You are currently browsing the archives for the cole, thomas R. category. http://granite.medlib.iupui.edu/bam/category/authors-editors/cole-thomas-r/

Bibliography of American History of Medicine and Related Fields Archive for the 'Cole, Thomas R.' Category Cole, Thomas R. Wednesday, July 27th, 2005 Cole, Thomas R. The Journal of Life: A Cultural History of Aging in American Cambridge: Cambridge University Press, 1992 Posted in Cole, Thomas R. Journal of Life: A Cultural History of Aging in America You are currently browsing the archives for the Cole, Thomas R. category. Pages Introduction Archives September 2005 August 2005 July 2005 Index Authors/Editors Anderson, Lee Anderson, Odin W. Apple, Rima D. ... Yellow Fever and the South Bibliography of American History of Medicine and Related Fields is proudly powered by WordPress Entries (RSS) and Comments (RSS)

50. Thomas Cole: The Course Of Empire The Course of Empire. thomas cole. I The Savage State (1836) Oil on canvas, New York Historical Society. II The Pastoral or Arcadian State (1834) http://www.swarthmore.edu/Humanities/kjohnso1/colecourse.html

RETURN TO SYLLABI RETURN TO PAINTINGS The Course of Empire Thomas Cole I: The Savage State Oil on canvas, New York Historical Society II: The Pastoral or Arcadian State Oil on canvas, New York Historical Society III: The Consummation of Empire Oil on canvas, New York Historical Society IV: Destruction Oil on canvas, New York Historical Society V: Desolation Oil on canvas, New York Historical Society Page Created January 10, 2004

51. Thomas Cole's "The Old Mill At Sunset" At Nelson-Atkins Museum Of Art (right thomas cole, American, born England (18011848). The Old Mill at Sunset, 1844. oil on canvas. Purchase Nelson Trust through The Ever Glades Fund http://www.tfaoi.com/aa/5aa/5aa234.htm

Editor's note: The Nelson-Atkins Museum of Art provided source material to Resource Library Magazine for the following article or essay. If you have questions or comments regarding the source material, please contact the Nelson-Atkins Museum of Art directly through either this phone number or web address: http://www.nelson-atkins.org/ Thomas Cole's " The Old Mill at Sunset" at Nelson-Atkins Museum of Art A decades-old quest by curators at The Nelson-Atkins Museum of Art, Kansas City, Mo., for a worthy work by "the father of American landscape painting" has ended with the purchase of Thomas Cole's The Old Mill at Sunset , which will be on view beginning March 4, 2005. The Museum bought the exceptional mid-19th-century landscape by Hudson River School painter Cole (1801-1848) from the Alexander Gallery, New York. Nelson-Atkins Director and CEO Marc Wilson finalized its purchase for an undisclosed sum drawn primarily from The Ever Glades Fund, established in 2002 by Sarah and Landon Rowland for the acquisition of American art. "Given the difficulty today of obtaining significant works by Cole," Wilson said, "this painting is particularly desirable because it is a quintessential summation of his landscape manner in rare, perfect condition." The addition of Cole's oil-on-canvas raises the quality of the Nelson-Atkins' collection of mid-19th-century landscape holdings tremendously, said Margaret Conrads, Samuel Sosland Curator, American Art. "This acquisition sets the stage for understanding all landscape painting in the American collection painted after 1844," Conrads said, referring to the canvas's date the year before the term "Manifest Destiny" was coined. "You could argue that every American landscape image painted during and after Cole's lifetime is informed by his work."

52. Thomas Cole Paintings Prints Reproductions thomas cole paintings to download and print. Over 2000 major artists and 23000 Art works exhibited. Reproduction copies also available, hand painted on http://www.artunframed.com/cole.htm

Prints Portraits Portfolio Testimonials ... ontact View over 23,000 paintings from the History of Art Commission a copy of any painting or photograph European Artists A B C ... T-Z Thomas Cole A Thomas Cole reproduction, photographed in our studio The Picnic The Voyage of Life: Childhood 52 7/8 x 77 7/8 in (133 x 198 cm) 1842 Munson-Williams Proctor Institute, Utica, New York The Voyage of Life: Youth 52 7/8 x 76 1/4 in (134 x 194 cm) 1842 Munson-Williams Proctor Institute, Utica, New York The Voyage of Life: Manhood 52 7/8 x 76 7/8 in 134 x 195 cm) National Gallery of Art, Washington The Voyage of Life: Old Age 52 1/2 x 77 1/4 in (133 x 196 cm) 1842 Munson-Williams Proctor Institute, Utica, New York The Hunter's Return 'The Ox Bow' of the Connecticut River near Northampton, Massachusetts The Metropolitan Museum of Art, New York

53. UMass Amherst Chancellor Search News Dr. thomas cole named UMass Amherst interim Chancellor We have lofty aspirations for UMass Amherst and thomas cole is someone who has always aimed high http://www.massachusetts.edu/amherstsearch/news.cfm?mode=detail&news_id=293

54. Thomas Cole: The Titian's Goblet | Work Of Art | Timeline Of Art History | The M thomas cole (American, 1801–1848) Oil on canvas; 19 3/8 x 16 1/8 in. (49.2 x 41 cm) Gift of Samuel P. Avery Jr., 1904 (04.29.2) http://www.metmuseum.org/toah/hd/hurs/ho_04.29.2.htm

var totalAV = 0; World Map The Titan's Goblet Oil on canvas; 19 3/8 x 16 1/8 in. (49.2 x 41 cm) Gift of Samuel P. Avery Jr., 1904 (04.29.2) A striking example of Cole's romantic fantasies, this painting echoes the artist's other works of the period in its Italianate scenery and its attempt to illustrate themes dealing with the grandeur of antiquity, the passage of time, and the reassertion of nature. Rejected by Cole's patron, Luman Reed, and subsequently owned by the artist John M. Falconer, The Titan's Goblet Ulysses Deriding Polyphemus (National Gallery, London), to Italian architecture and geological formations, or to the golden goblet of the sun god Helios. The loftiness of the cup, rimmed with classical remnants, suggests the temporary gulf between the present, embodied in the surrounding landscape, from the classical culture that continues to nourish with its cascading waters. Open full-size image Related Timeline(s) Related Thematic Essay(s) The Hudson River School Related Index Terms Art Movement/Style Hudson River School Artist Material and Technique Painting, Oil on Canvas

55. See Thomas Cole's Prometheus Bound At Late Night! That’s how one 19thcentury observer described thomas cole’s renowned work, Prometheus Bound. Now, the painting will be on display at Vassar College’s http://www.vassar.edu/headlines/2007/fllac-prometheus-bound.html

Vassar College Search the site Site Map Directories Vassar Academic ... Headlines See Thomas Cole's Prometheus Bound at Late Night! See Thomas Cole's Prometheus Bound at Late Night! Prometheus Bound Prometheus Bound Prometheus Bound and its significance in the Hudson River School movement. The event is always free and open to the public. Before coming to Vassar, Prometheus Bound Prometheus Bound was one of several large paintings Cole produced in the mid-1840s. He entered Prometheus Bound in a competition at Westminster Hall, London, for the selection of paintings to hang in the new British Houses of Parliament. It was not selected, however. About Thomas Cole Individuals with disabilities requiring accommodations or information on accessibility should contact Cathy Jennings Prometheus Bound Related Links Cedar Grove, The Thomas Cole National Historic Site About the Art Center Frances Lehman Loeb Art Center gallery hours are: Tue., Wed., Fri., Sat. 10:00 a.m. - 5:00 p.m. Thursday 10:00 a.m. - 9:00 p.m. Sunday 1:00 - 5:00 p.m.

56. Thomas Cole House This twostory building was constructed by thomas cole in 1856 for his family. It features an upper-floor balcony that must once have allowed residents to http://www.historicmonterey.org/?p=cole_house

57. Thomas Cole In 1819 the family emigrated to America, settling first in Philadelphia and then at Steubenville, Ohio, where cole learned the rudiments of his profession http://www.nndb.com/people/111/000104796/

This is a beta version of NNDB Search: All Names Living people Dead people Band Names Book Titles Movie Titles Full Text for Thomas Cole Born: 1-Feb Birthplace: Bolton-le-Moors, Lancashire, England Died: 11-Feb Location of death: Catskill, NY Cause of death: unspecified Gender: Male Race or Ethnicity: White Occupation: Painter Nationality: United States Executive summary: American landscape painter American landscape painter, was born at Bolton-le-Moors, England, on the 1st of February 1801. In 1819 the family emigrated to America, settling first in Philadelphia and then at Steubenville, Ohio, where Cole learned the rudiments of his profession from a wandering portrait painter named Stein. He went about the country painting portraits, but with little financial success. Removing to New York (1825), he displayed some landscapes in the window of an eating-house, where they attracted the attention of the painter John Trumbull Do you know something we don't? Submit a correction or make a comment about this profile

58. B-25 "Doolittle" Signed By Richard Cole, Thomas Griffin & Captain David M. MuseumStoreCompany.com offers a large selection of museum replicas and gifts including a B25 Doolittle Signed by Richard cole, thomas Griffin Captain http://museumstorecompany.com/product_info.php?products_id=4010

59. Cole, Thomas (Harper's Magazine) SUBJECT OF, 5 Articles from 1852 to 1890. THINGS CONNECTED TO “cole, thomas”. HUMAN BEINGS. Allston, Washington Anderson, Alexander http://www.harpers.org/subjects/ThomasCole

HOME SUBSCRIBE ARCHIVE SUBJECTS ... SKIP to main content USERNAME PASSWORD Subscriber? Lost password? Cole, Thomas ARTIST ILLUSTRATOR OF 2 Images from 1879 to 1890 SUBJECT OF 5 Articles from 1852 to 1890 HUMAN BEINGS Allston, Washington Anderson, Alexander Baker, George Augustus Brown, George Loring ... Weir, Robert Walter PAINTINGS A surprise (Painting) A winter scene (Painting) ... Two phases of American art by Lucy C. (Lucy Cecil) Lillie Article, January 1890 , 11 pp. Fifty years of American art. 1828-1878 (I) by S.G.W. (Samuel Greene Wheeler) Benjamin Article, July 1879 , 17 pp. Harper's Magazine is an American journal of literature, politics, culture, and the arts published from 1850. Subscriptions start at $16.97 a year. About Harper's Contact Harper's Advertising information

60. Hunter Museum Of American Art thomas cole is one of the founders of the Hudson River School, thomas cole died suddenly in 1848 and left a number of paintings incomplete. http://www.huntermuseum.org/frameforcollections.aspx?page=Include/HTML/Artists/t

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