La Folia -- From The Archives: Casals, Furtwängler, And More The first eight discs in the set were once available in two Music Arts fullpriced boxes; discs 9-13 are new issues freshly transferred by maggi payne, http://www.lafolia.com/archive/davis/davis200305archives.html
Extractions: Online Music Review La Folia Home] [Archives by Contributor] [Archives by Date] ... Page] Dan Davis [May 2003.] full-priced boxes; discs 9-13 are new issues freshly transferred by Maggi Payne, one of the best restoration engineers extant. Idomeneo Well-Tempered Clavier by Mieczslaw Horszowski, and continues with a buoyant Beethoven violin / piano sonata from 1953 with the stimulating combination of the elegant Arthur Grumiaux and the fiery young American pianist, William Kapell. The pair strike sparks here; Kapell dazzling at the keyboard, Grumiaux more spirited than in his later studio recording for Philips DG Original Masters DG Decca and Westminster Decca Original Masters series is a six-disc set, Pathetique symphony, in which case you should know that the 1951 live performance from Cairo in this set is remarkably close to it in overall conception and in most details. On the other hand, you may be turned off by the presence of the Franck Symphony here, since his studio version for Decca DG , a two-disc set of Symphonies 1, 3, and 9. The First comes from a 1954 Vienna Philharmonic concert just two days after their studio recording sessions for
Date-sensitive Concert AnnouncementsPart IIILate-breaking maggi payne Samuel Pluta David Shannon Alan Shockley Scott Smallwood . maggi payne Alexis Perepelcia Mark Petering Samuel Pluta Kevin Ponto http://dwightwinenger.net/journalxb.htm
Extractions: D a t e - s e n s i t i v e C o n c e r t A n n o u n c e m e n t s - - P a r t I I I - - L a t e - b r e a k i n g M u s i c N e w s ! N E W ! C u r r e n t F e a t u r e A r t i c l e s O p p o r t u n i t i e s P a r t I O p p o r t u n i t i e s P a r t I I C o n c e r t A n n o u n c e m e n t s L i n k s t o A n n o u n c e m e n t s M e m b e r n e w s U n d a t e d a n n o u n c e m e n t s U n d a t e d P a r t I I N E W ! L e t t e r s t o t h e E d i t o r H a r d - c o p y s y n o p s e s L a t e s t i s s u e : V o l . 2 0 N o . 2 R . M u r r a y S c h a f e r i s s u e U n s o l i c i t e d T e s t i m o n i a l s < / t d L i v i n g M u s i c J o u r n a l . . . L a t e - b r e a k i n g M u s i c N e w s . . . C o n c e r t A n n o u n c e m e n t s T h e f o l l o w i n g d a t e - s e n s i t i v e C o n c e r t a n n o u n c e m e n t s a r r i v e d d u r i n g t h e i n o p p o r t u n e p e r i o d b e t w e e n h a r d - c o p y i s s u e s . W e h a v e p u t t h e m o n l i n e s o o u r o n l i n e v i s i t o r s w i l l n o t m i s s t h e o p p o r t u n i t i e s t h e s e a n n o u n c e m e n t s a f f o r d : T o n i g h t i n N e w Y o r k C i t y ,
Disquiet » William Fowler Collins’s Western Figments I had some good conversations with maggi payne when I was going through the application process, and I knew a bit about Fred Frith and his work with John http://disquiet.com/2007/09/17/william-fowler-collinss-western-figments/
Extractions: [ September 17, 2007 / bookmark The musician talks about his guitar-fueled solo album, By Marc Weidenbaum Though Western Violence was released in 2007, after Collins had relocated from San Francisco to Albuquerque, its rural appeal is, according to him, something of a coincidence. Much of the album was recorded before he ever left the West Coast, which seems fitting. All that aural expanse and all that seeming soundscape-as-landscape artistry is, in the end, the result of his imagination. Marc Weidenbaum: One of the things that strikes me foremost about the album is the balance of field recordings and the mesh of instrumentation and effects that you impose on the field recordings. Do you seek out field recordings to serve a sound you already have in your head, or do you take a field recording that intrigues you and then work on it? William Fowler Collins: Weidenbaum: What was it like leaving an area as dense with electronic music activity as the Bay Area for where you live now? Collins: Weidenbaum: From the title and sounds on Collins: I was actually still living in San Francisco when I chose the title . It came from the beginning of the film Once Upon a Time in the West Weidenbaum: Collins: It has been inspiring, yes. I think he helped me introduce more melodic elements into my music. I love his scores for the westerns and I also like his horror movie soundtracks. The Dario Argento film he scored
Historical Classical Recordings: Conductors Remastered in 1999 by maggi payne; graphics (booklet/card) are the same as .. Technical reconstruction (1998) by maggi payne; with a lengthy essay on the http://www.musicandarts.com/HistoricalClassical.html
Extractions: ABENDROTH CONDUCTS MASTERWORKS OF THE ROMANTIC ERA CD No.1 (67:59): WAGNER, Wesendonck Lieder. Tiana Lemnitz, sop., Berlin RSO, Nov. 1955; SCHUMANN , Symphony #4 in d, op. 120, Leipzig RSO, 1956; TCHAIKOVSKY, Rococo Variations. Milos Sadlo, Berlin RSO 23 May 1951. CD No.2 (70:50): BRAHMS, Serenade Nr.1 in D major, Op. 11 , Berlin RSO, March 1953; SCHUMANN, Symphony No.1 in Bb Major, Op. 38 , Berlin RSO, 18 Sept. 1955 New digital transfers in best possible sound (AAD)
EMF Institute LP and Recorded Lovely Music 1041 (with maggi payne and Arthur Stidfole). David Behrman Figure in a Clearing (1977). Duration 1912. http://emfinstitute.emf.org/cgi-bin/icompositions_search.pl?keywords=behrman
Bits & Pieces: Chapter 3 There, composer/performers Pauline Oliveros, maggi payne, and Brenda Hutchinson performed with both acoustic and electronic instruments while their http://www.fictive.org/~peter/bits/thesis/chapter3.html
Extractions: The Internet is a globally based, non-centralized computer network that is designed to enable computers to communicate with each other through a number of standard protocols. The most basic of Internet connections is available to anyone with a computer, modem and phone line. Further up the scale are Internet nodes and portals, which are companies or educational institutions that control access to the Internet, carry Internet content, and route Internet data to other nodes and portals. America Online is an example of an Internet portal. The content of the Internet includes, among other things, e-mail, chat rooms, newsgroups and the World Wide Web. The Web itself is only part of the Internet. However, it is the part that has garnered the most public and corporate attention. This is because the Web involves the use of text, graphics, and sound. It provides a visual, sometimes audible, and always interactive interface to the Internet. The field of Web based art has come into existence in the past seven or so years. The first graphical Web browser, Mosaic, was released in 1993 (Cailliau). Previous to its existence, artists had been working with multi-media and computer based art, but not within a medium that allowed the virtually instantaneous distribution of that art to anyone in the world with an Internet connection. One of the earliest Internet based musical compositions was a piece performed by the San Francisco computer network band, The Hub. The piece, entitled
REDCAT: About - Media/Press Room Also included is Nancy Kennan Dowlin s Love Song Without Words for trombone and guitar, with guest performer Stuart Fox, Hum 2 by maggi payne, and Hysteria http://redcat.org/about/press/3.9.04conant.html
Extractions: $24-general, $12-students View the event Los Angeles, February 26 The CalArts School of Music presents CYBELINE , a solo multimedia music theater work for trombonist/performance artist Abbie Conant as well as works from Conant's ongoing project The Wired Goddess and Her Trombone Conant describes CYBELINE as a "music theater work about a cyborg that is attempting to be a talk show host in order to prove to her evaluators that she is human." The work includes "Schubert lieder, the Egyptian Goddess Maat, Native American poetry, dismemberment, trombone playing, a cyborg talkshow host, a talking hand, sacred cartoons, a vengeful opera singer, a martyred math geek, Hildegard von Bingen, fighter jets, commercials for synthetic flesh, cyborgian attack dogs, and personality-enhancement chips, psalms, a country western song, Mother Nature, and a tribute to Joni Mitchell" all integrated into a 45-minute surround-sound mini-opera with computer-generated accompaniment, video and live electronics. Also on the program are selections from Conant's ongoing project: "The Wired Goddess and Her Trombone" including a world premiere of David Jaffe's Impossible Animals for Trombone and Computer Synthesized Artificial Voices. Also included is Nancy Kennan Dowlin's
/ / /\ / / /\ // Joan Truckenbrod Confronting Tradition maggi payne - Apparent Horizon Mark .. maggi payne is Co-Director of the Center for Contemporary Music, http://leoalmanac.org/journal/Vol_4/lea_v4_n10.txt
Extractions: Craig Harris PROFILES Craig Harris Joseph Squier Dorothy Tanner and Marc Billard LEONARDO DIGITAL REVIEWS Roger Malina et al Reviewed by Diana Meckley Reviewed by Axel Mulder Reviewed by Axel Mulder Reviewed by Istvan Hargittai Reviewed by Sonya Rapoport PUBLICATIONS ANNOUNCEMENTS OPPORTUNITIES human
High-Res Reviews Pt.2 FEB03 - AUDIOPHILE AUDITION maggi paynes work processes the sounds of water into a monumental environmental soundevent. Lukas Ligeti multiples the sounds of an African balophone and http://audaud.com/audaud/FEB03/HIRES/hires2FEB03.html
Extractions: A worldwide choral event was staged one year after 9/11 - The "Rolling Requiem." Choruses around the world gave heartfelt public performances of the Mozart Requiem, all on the same day. This live recording made in the Troy Savings Bank Music Hall on September 20, 2001. It is well known that Mozart died before finishing the work and his student Sussmayr completed it. The score has been revised by noted Mozart scholar Robert D. Levin for this performance. He feels that basic materials for some of the sections which Sussmayr claimed he composed actually came from Mozart. The major changes are in the instrumental textures of the Benedictus section. The Quebec music ensembles had planned a tour of NYC and nearby cities a year in advance and as fate would have it the tour was for the second half of September 2001. Even more fateful was that the Mozart Requiem was on the program.
THE SAN FRANCISCO TAPE MUSIC FESTIVAL 2006 Featured local composers include Cenk Ergün, maggi payne, Joseph Anderson, Ava Mendoza, maggi payne Motor Rhythms 2005 Saturday, January 28th, 8pm http://www.sfsound.org/tape/Fest2006.html
Extractions: The New San Francisco Tape Music Center returns to ODC Theater for its annual Festival. This three day event of fixed media audio art features an impressive and meticulously placed arrangement of sixteen speakers, immersing the audience in an exploratory and experimental sound environment focused on the listening experience. Highlights include classics by and a complete evening celebrating the work of Luc Ferrari (1929-2005), including a video profile by Veronique Larcher and ELSA Productions. Featured local composers include and Matt Ingalls. In an era when 'surround sound' has become commonplace, these artists' development of sound diffusion as a compositional technique creates a sonic experience you won't soon forget. Come and enjoy this cutting edge art form at its best.
Classical Domain, November 15, 2007 Works by Robert Ashley, David Behrman, John Bischoff, Chris Brown, James Fei, Pauline Oliveros, and maggi payne. 40+ Anniversary Celebration of the Center http://classicaldomain.com/month/nov/11-15.html
Rhythm & Design Presents KATE PITTARD Kate Pittard Providing professional music services, in the form of a jazz duo, trio, quartet and ranging up to a 16-piece big band. http://www.rhythmanddesign.com/
MIT Press - Cookie Absent Your browser may not have a PDF reader available. Google recommends visiting our text version of this document. http://www.mitpressjournals.org/doi/pdfplus/10.1162/comj.2007.31.4.102
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