Maggi Payne Maggi Payne obtained music degrees from Northwestern University, the University of Illinois, and Mills College. For ten years she was a recording engineer http://www.sai-national.org/phil/composers/mpayne.html
Extractions: Maggi Payne Biography Maggi Payne obtained music degrees from Northwestern University, the University of Illinois, and Mills College. For ten years she was a recording engineer in the multitrack facilities at the Center for Contemporary Music at Mills, where she is currently Co-director and teaches recording engineering, composition and electronic music. She was a production engineer at a major Bay Area Radio Station for ten years. She also freelances as a recording engineer and editor. She has received two Composer's Grants and an Interdisciplinary Arts Grant from the National Endowment for the Arts , and video grants from the Mellon Foundation and the Western States Regional Media Arts Fellowships Program. Works include Close-ups, Raw Data, Apparent Horizon, Minutia 0-13, Liquid Metal, Aeolian Confluence, Resonant Places, Desertscapes, Phase Transitions, Songs of Flight, Ahh-Ahh (ver 2. 1), Airwaves (realities), White Night, Subterranean Network, Crystal, Solar Wind, Ling, Scirocco, Transparencies and HUM Her solo CD
Maggipayne - Maggi PayneÂ Maggi Payne is CoDirector (since 1992) of the Center for Contemporary Music at Mills College, Oakland, CA, where she teaches recording engineering, http://maggipayne.googlepages.com/
Extractions: Maggi PayneÂ Composer, Recording Engineer, Flutist, Video ArtistÂ Maggi Payne is Co-Director (since 1992) of the Center for Contemporary Music at Mills College, Oakland, CA, where she teaches recording engineering, composition, and electronic music. She also freelances as a recording engineer and editor and a historical remastering engineer. Her electroacoustic works often include visual elements which she creates, including video, dance, transparencies, and film. She also enjoys collaborations with other artists and has worked with video artist Ed Tannenbaum for over twenty years. She is also a flutist, and has written several works for flute as well as other acoustic instruments. Major works include Electric Ice, Arctic Winds, fff Santa Fe Motor Rhythms FIZZ Of All Eclectic Dielectic Distant Thunder Reflections Brass Mirrors Fluid Dynamics System Test (fire and ice) Holding Pattern Forest Sounds breaks/motors White Turbulence 2000 HUM 2 Sweet Dreams Close-ups Raw Data Apparent Horizon Minutia 0-13 Liquid Metal Aeolian Confluence Resonant Places Desertscapes Phase Transitions Songs of Flight Ahh-Ahh (ver 2.1)
Extractions: Jump to: navigation search Maggi Payne (b. 1945) is a composer, flutist, video artist, recording engineer /editor, and historical remastering engineer who creates electroacoustic , instrumental, and vocal works, and works involving visuals (video, dance, film, slides). Born in Temple, Texas and raised in Amarillo, Texas , she attended Interlochen Music Camp and Aspen Music School. She received her B. Mus. in applied flute at Northwestern University , studying with Walfrid Kujala , flute, and Alan Stout and M. William Karlins , composers. She received her M. Mus. at the University of Illinois at Urbana , studying with composers Gordon Mumma Ben Johnston , and Salvatore Martirano She studied with Robert Ashley at Mills College , where she received her MFA in electronic music and recording media. She has collaborated since the 1980s with video artist Ed Tannenbaum , composing several works for his Technological Feets live dance/video-processing performances and built a flame speaker at the Exploratorium in collaboration with Nick Bertoni (1983-1985). Her video works include Crystal Io Circular Motion Solar Wind Airwaves (realities) Liquid Metal , and Apparent Horizon . Her films include Orion and Allusions . Her works involving dance include System Test (fire and ice) and Allusions . Her works have been choreographed by Molissa Fenley, Wendy Rodgers, Gina Gibney, Gail Chodera, Deoborah Hay, Carla Blank Reed, and Carolyn Brown.
Ear To The Earth Maggi Payne Maggi Payne, electronic music composer, is known for her multimedia works, video, and her coloristic and sensitive approach to sound. http://www.eartotheearth.org/artists/payne.html
Extractions: Maggi Payne, electronic music composer, is known for her multimedia works, video, and her coloristic and sensitive approach to sound. Her music is based on location recordings where each sound is carefully selected because of its potential- its slow unfolding revealing great intricacies, and because of its inherent spatialization. Payne's work has been presented throughout the United States, Central and South America, Europe, Japan and Australia at such venues as the Sonic Circuits Festival, Next Wave Festival, eXstatic Project, New Music America, Siggraph, New Langton Arts, New York Museum of Modern Art, Paris Autumn Festival, Bourges Festival, and Como Autunno Musical.
Extractions: ZoomSearchBox.init(1, ''); Welcome, Guest Register Sign in Help Welcome to the ZoomInfo People Directory Find the person you're searching for in the list below and click on their name for more detailed information. Or use the search box above to explore our entire directory of over 30 million business professionals. Can't find yourself in ZoomInfo? Create your own profile now. var biz_data = ""; Payne, Larry Arcara Health Centers Larry Payne , PhD Founder - Samata Yoga , Author - Yoga for Dummies Bobi Leonard Payne, Larry Athens Area Chamber of Commerce Larry Payne joined the Athens Area Chamber of Commerce in 1997. He is ... Payne, Larry Battle River School Division Battle River School Division ... Dr. Larry Payne speaks to high school students during a career fair ... Payne, Larry Brandywine Farm Hancock Bank recently appointed Robert Thomas Jackson Jr., Larry Payne and Alphonso Willis as ... Payne, Larry Cisco Systems , Inc. Sirius Works, Inc. Names Larry Payne , ... For Payne, Larry
Mills College - Maggi Payne Faculty page from music department of Mills College with picture, CV, compositions, discography, program notes, interviews, performances, and reviews. http://www.mills.edu/academics/faculty/mus/maggi/maggi.php
Extractions: var section="academics"; Home Contact Us Giving to Mills Back to Undergraduate ... Undergraduate Music Maggi Payne Professor Co-Director, Center of Contemporary Music At Mills since 1972 Office: Music 32 Phone: 510.430.2187 Email: email@example.com View Faculty's CV Faculty Office Hours Days Time Room W and by appointment MUS 32
Maggi Payne Vox Novus proudly presents the following Contemporary Composer, maggi payne. http://voxnovus.com/composer/Maggi_Payne.htm
Extractions: Amazon.com Amazon.com Amazon.com Amazon.com ... Amazon.com Maggi Payne born December 23, 1945 Temple, Texas Maggi Payne is Co-Director (since 1992) of the Center for Contemporary Music at Mills College where she teaches recording engineering, composition, and electronic music. She was a production engineer at a major Bay Area Radio Station for ten years. She also freelances as a recording engineer and editor. She has received two Composer's Grants and an Interdisciplinary Arts Grant from the National Endowment for the Arts, and video grants from the Mellon Foundation and the Western States Regional Media Arts Fellowships Program. She has had two honorary mentions from Bourges, one from Prix Ars Electronica, and placed in the Barlow and "Luigi Russolo" per giovani compositor di Musica Elettroacoustica competitions. Works include System Test (fire and ice), Holding Pattern, Forest Sounds, breaks/motors, White Turbulence 2000, HUM 2, Sweet Dreams, Close-ups, Raw Data, Apparent Horizon, Minutia 0-13, Liquid Metal, Aeolian Confluence, Resonant Places, Desertscapes, Phase Transitions, Songs of Flight, Ahh-Ahh (ver 2.1), Airwaves (realities), White Night, Subterranean Network, Crystal, Solar Wind, Ling, Scirocco, Transparencies and HUM. Her solo CD, Crystal, is on the Lovely Music label, as are her compositions, Lunar Dusk and Lunar Earthrise. breaks/motors is on the Oasis: Music from Mills 2001 CD, White Turbulence 2000 is on Stark land's Immersion VD and VD-A. Airwaves is on the Another Coast CD from Music and Arts, HUM, Confluence, and Inflections are on The Extended Flute CD on RI, Resonant Places is on the CDCM series CD (volume 17) from Centaur, Desertscapes is on the Desertscapes CD from MMC, Moir is on the Storm of Drones CD from Asphodel, She Began and Chris Mann are on Frog Peak CDs, Raw Data is on the END ID CD on Digital Narcis, Apparent Horizon was published in Postwest, and Subterranean Network is on the Mills College Anthology.
Maggi Payne Short biography and discography from Lovely Records. http://www.lovely.com/bios/payne.html
Extractions: Maggi Payne MAGGI PAYNE obtained music degrees from Northwestern University, the University of Illinois, and Mills College. For ten years she was a recording engineer in the multi-track facilities at the Center for Contemporary Music at Mills, where she is currently Co-Director and teaches recording engineering, composition and electronic music. She was a production engineer at a major Bay Area Radio Station for ten years and now freelances as a digital recording engineer and editor. Her works have been performed throughout the United States and Europe, including the New Music Across America Festival 1992 (Los Angeles), New Music America 1990, 1987 and 1981 Festivals, Composers' Forum in NYC, Experimental Intermedia Foundation in NYC, Rensselaer Polytechnic Institute, SEAMUS, Siggraph, CADRE, University of California at Santa Cruz, Cal State Northridge, Texas Tech University, University of Hartford, College of Santa Fe, Media Study/Buffalo, New Langton Arts in SF, New York Museum of Modern Art, Paris Autumn Festival, Bourges Festival in France, and the Autunno Musical at Como, Italy. She has received two Composer's Grants and an Interdisciplinary Arts Grant from the National Endowment for the Arts, and video grants from the Mellon Foundation and the Western States Regional Media Arts Fellowships Program.
CCMarchivesA.html 114 rr 7 Levy, Burt Orbs with Flute maggi payne flute half track, 114 rr 7 Brooks, William POEMPIECE I whitegold blue maggi payne flute half track, http://www.o-art.org/history/LongDur/CCMarchives/CCMarchivesA.html
Extractions: NEXT UP TOP ccm archives received from mic gendreau on oct 22 1995 selected for possible n. cal. content part A 7385w 1 rr 7" Gnazzo, Anthony J. Smoothing Off the Edges... 2.65 Electronic Music Studio, Brandeis University stereo 2 track 7.5 ips (10:08) 4 rr 7" Adams, John Heavy Metal 1970 half track stereo, 15 ips (12:00) 5 rr 5" Aeschliman, Walter W. Electronic Sound Suite stereo, 3.75 ips 6 rr 7" Ahrens, Peg River of Living Water 12.9.78 CCM Payne, Maggi: flute Pope, George: flute tape copy, half track, stereo, 7.5 ips, tails out 7 rr 7" Ahrens, Peg The Stainless Steel Butterfly 12.9.78 CCM Ahrens, Peg: voice tape Faddoul, George: voice tape copy, half track, stereo, 7.5 ips, tails out 8 rr 7" Denman, E. Jedidiah Visitors of Past, Fractured Dialog, Reccurring as Improvehicles 2.22.75 CCM Ahrens, Peg: voice Denman: bass, voice half track, stereo, 7.5 ips, heads out 8 rr 7" Gold, Rich 94613, A Modern Morality Scale 2.22.75 CCM half track, stereo, 7.5 ips, heads out, program notes included
List Of All Entries payne, maggi, HUM (1973) For amplified flute and multitrack tape of flute (or, payne, maggi, Scirocco (1983) For live flute with digital delay, http://www.subliminal.org/flute/list_all.php
Sibley Music Library - Women Composers Collection rec 53, payne, maggi. AhhAhh. rec 54, Pierce, Alexandra. Calypso of Ogygie (she who . folder 53, payne, maggi. Letter, biography, program notes. http://www.esm.rochester.edu/sibley/specialc/findaids/womencom.htm
Extractions: 8'7" (= 2'2" documents + 85 sound recordings) These materials were collected as a result of a project by the elementary music students of Edward Hines of Wendell, Massachusetts. During the 1993/94 academic year, the music students of Rowe Elementary School of Rowe, Massachusetts, Erving Elementary School of Erving, Massachusetts, and Sunderland Elementary School of Sunderland, Massachusetts wrote to a number of women composers to request scores and recordings of their compositions, as well as information about their lives, work, and musical training. The materials were donated to Sibley Music Library Special Collections in July, 1995. The collection contains a number of scores (mostly reproductions from the composers' manuscripts), many with accompanying recordings on tape, compact disc, video tape, or LP. Also included are the composers' biographical materials, resumes, and letters sent in response to the students' questions. In addition to providing access to the music of these composers, the collection offers information about their careers, training, and compositional processes.
Hum 2, Maggi Payne Her own program notes on a piece for trombone and tape written for trombonist Abbie Conant. http://www.osborne-conant.org/Hum2.htm
Extractions: Home Bios Music Theater Recordings ... Wired Goddess HUM 2 (2000) for Abbie Conant 7:00 Program notes by Maggi Payne When writing this multi-track work for trombone I could not help but to see the tie-ins to my work of 27 years prior, HUM. That work is scored for one live flutist and six taped flute parts (although it could be performed live with seven performers). HUM 2 is scored for one live trombone plus seven taped parts, although it, too, could be performed live with 8 trombones. The piece deals with expansion/contraction and involves spatial deployment over eight or four speakers. Ideally one should not be able to distinguish the live performer from the taped parts. The piece takes advantage of this surround capability with sounds traveling around, through, and across the space (all built into scoring of the piece), with many instances of extended techniques and delicate pitch alterations (of 2-7 Hz). If the listener is in a good listening position, the space should contractÑto appear to come very close (as all 8 trombones get very loud) and expand outward (as all 8 trombones get very soft).
Maggi Payne Crystal CD Crystal maggi payne CD music CD album $16.19 at CD Universe, enjoy top rated service and worldwide shipping. http://www.cduniverse.com/search/xx/music/pid/1163985/a/Crystal.htm
Extractions: This is that special piece for your special choir: a tonal, a cappella, double chorus tour de force of minimalist techniques that sounds like...the desert! This piece repays careful study: the conductor who helps the singers identify repeated patterns, and the relation of each part to its counterpart in the other chorus, will accelerate the learning process. Your reward is four sections of differing programmatic effects, to be performed as one long movement.
Maggi Payne, MP3 Music Download At EMusic maggi payne MP3s at eMusic. Download maggi payne albums, tracks and songs for free with eMusic s trial subscription. http://www.emusic.com/artist/Maggi-Payne-MP3-Download/11578005.html
Extractions: eMusic Shortcuts Home Alternative/Punk Blues Classical Country/Folk Electronic International Jazz New Age Rock/Pop Soundtracks/Other Spiritual Audiobooks Recent Editorial Dozens Your Profile Saved for Later Account Search Music Artist Album Track Label Search Classical Music Classical Composer Classical Album Classical Performer Classical Conductor Classical Ensemble Search Audiobooks Books Authors Narrators Home Average: (0 votes) On the Other Ocean
"Maggi Payne" - Topic Profile :: BoardReader Topic profile for maggi payne by BoardReader. maggi payne was discussed on the following sites. InvestorVillage Stock Message Boards, Quotes,. http://boardreader.com/tp/Maggi Payne.html
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The Savoy Gastronomes Bearing in mind that for most part the whole organisation has been kept together by voluntary work by two people in particular maggi Smit and Julian payne http://www.savoygastronomes.com/history.htm
Extractions: A History of the Savoy Gastronomes The original idea, born in 1971, was to recognise the tutorship and guidance given to Savoy Receptionists by Nicholas St J Brooks who was for many years Reception Manager of the Savoy. The best way to recognise the help that we received was to hold a dinner for him so this was arranged in 1971 at the Connaught Hotel, part of the Savoy Group. The sights were set high from the start and I don't think the Connaught had really too much idea who we were, as we had some nerve in going there. I suspect the management of the Connaught thought they were dealing with some really ancient dining club of Savoy clients who liked to shift location from time to time. I think we had formulated the name of the Savoy Gastronomes by the time we actually booked the private Marie Antoinette Room and I dearsay the name carried little weight. The name had not been our initial choice, as others less serious had been considered such as the green slip club, as green slips were used in the Reception office to designate a certain room status. However, although we were far from knowing much about food or wine, we certainly knew how to enjoy it and hence the name! A group of five or six "old" receptionists met many times to formulate plans for this dinner and they comprised, Michael Holland, David Ward, Tony Elliott, Julian Payne, Michael Duffell. During these meetings it was decided to get together as many former colleagues as possible to attend the dinner so Julian and the others set about networking like fury to establish contact with former colleagues. The nucleus was that to be invited one had to have been in the Savoy Reception office and not "there" now. Receptionists from other hotels within the Savoy Group were, and never have been, entitled to join in.