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Partch Harry:     more books (53)

Microtonal Musicians: Wendy Carlos, Charles Ives, Krzysztof Penderecki, Terry Riley, No Wave, La Monte Young, Harry Partch, Iannis Xenakis Mort D'une Crise Cardiaque: Serge Gainsbourg, Pierre Brasseur, Harry Partch, Harry J. Anslinger, Lino Ventura, Robert Stack, Émile Egger (French Edition) Musicien Expérimental: Frank Zappa, John Zorn, Captain Beefheart, Jean-Jacques Birgé, La Monte Young, Mike Patton, Jérôme Joy, Harry Partch (French Edition) Inventors of Musical Instruments: Robert Moog, Adolphe Sax, Léon Theremin, Pierre Schaeffer, Les Paul, Walther Nernst, Harry Partch Microtonal music: Musical scale, 3rd bridge, Arab tone system, Harry Partch's 43-tone scale, Fokker periodicity blocks, Bohlen?Pierce scale, Tetrachord, ... Just intonation, Lucy tuning, Microtuner Compositeur Contemporain Americain: Steve Reich, Philip Glass, Robert Russell Bennett, La Monte Young, Harry Partch, Halim El-Dabh (French Edition) Altiste Américain: Harry Partch, Clarence Gatemouth Brown, Paul Doktor, Joseph de Pasquale, Atar Arad, Roberto Diaz (French Edition) Compositeur Contemporain Américain: Steve Reich, Philip Glass, Robert Russell Bennett, La Monte Young, Harry Partch, Halim El-Dabh (French Edition) Marimba Players: Marimba, Brian Jones, Harry Partch, Jack White, Jón Þór Birgisson, Bobby Hutcherson, Leigh Howard Stevens, Art Tripp One Voice: A Reconciliation of Harry Partch's Disparate Musical Theories by Brian Harlan, 2008-06-05 Musique Microtonale: Charles Ives, Harry Partch, Claude Ballif, Alain Bancquart, Iannis Xenakis, Ivan Wyschnegradsky, Pascal Dusapin (French Edition) Outsider Music: Charles Manson, Captain Beefheart, the Residents, Brian Wilson, Tiny Tim, Harry Partch, Lucia Pamela, Wesley Willis Naissance à Oakland (Californie): Mark Hamill, Harry Partch, George Stevens, Donald Budge, Robert Culp, Kenneth Tobey, Paul Pierce, Russ Meyer (French Edition) Just Tunings: Pythagorean Tuning, Just Intonation, Bohlen-pierce Scale, Hexany, Harry Partch's 43-Tone Scale

lists with details

21. Alan Shaw
    For more information on harry partch. Corporeal Meadows. By Webmaster Jon Szanto, a percussionist and veteran partch performer, where you can find reviews  
    http://www.altx.com/ebr/ebr5/partch.htm
    
    Extractions: Harry PartchA Poet's View Alan Shaw B rowsing in a bookstore twenty years ago, I came across Partch's Genesis of a Music , in which he sets forth the theory and practice of his music in great detail. It was the first I had heard of him. I was just then obsessed with a rather esoteric question: how did the ancient Greek dramatists set their choruses to music? I had been trying to translate the Agamemnon of Aeschylus, and since I wanted the translation to be performable, it was essential to gain some idea of the how the original productions of the tragedies must have sounded. No one knew, of course. Partch was one of the few who even seemed to consider the question interesting or important. And what he had to say about it was more than intriguing. All the scholars knew that the Greeks regarded music and poetry as one, that they considered music without words an inferior art, and that the words sung in the choruses were apparently understood by a large open-air audience without difficulty. Musicologists knew that the Greeks used scales different from our own, that some of them contained "microtonal" intervals, and that Greek music (or its theorists, at any rate) favored scales built on intervals represented by small-number ratios (so-called "just intonation"). Partch put these well-known facts together in a way that no one else seemed to have thought of. Naturally the Greeks used microtonality, since they were interested in the most sensitive intonation of the words, and speech inflections require intervals smaller than the diatonic "semitone."

22. Partch, Harry - MP3 Music Downloads At EMusic
    Home » Browse » partch, harry. Refine Results. Genres. Classical Soundtracks/Other. Live. Live Albums. Featured Regions. Oakland, CA. Release Date  
    http://www.emusic.com/browse/c/l/-dlm/l/0-0/1611514466/0.html
    
    Extractions: eMusic Shortcuts Home Alternative/Punk Blues Classical Country/Folk Electronic International Jazz New Age Rock/Pop Soundtracks/Other Spiritual Audiobooks Recent Editorial Dozens Your Profile Saved for Later Account Search Music Artist Album Track Label Search Classical Music Classical Composer Classical Album Classical Performer Classical Conductor Classical Ensemble Search Audiobooks Books Authors Narrators Home Browse Labels begin with: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Misc Show All Sort by Most Downloaded Most Recent Additions Label Name (A-Z) Label Name (Z-A) 1-2 of Labels LABEL Tomato Records / The Orchard

23. PARTCH, HARRY: Delusion Of The Fury (Enclosure 7): ReR Megacorp
    partch, harry Delusion of the Fury (Enclosure 7). Quantity in Basketnone Price£14.50. Quantity. There are two films here, one a fulllength 1969 16mm  
    http://www.rermegacorp.com/Merchant2/merchant.mvc?Screen=PROD&Product_Code=Innov

24. Harry Partch Biography - Discography, Music, Lyrics, Album, CD, Career, Famous W
    harry partch was perhaps the most radical of all American composers. He developed a theory of music vastly different from that upon which Western music of  
    http://www.musicianguide.com/biographies/1608002662/Harry-Partch.html
    
    Extractions: Discography, Music, Lyrics, Album, CD, Career, Biography, Famous Works, and Awards Find Harry Partch on Amazon.com Born on June 24, 1901, in Oakland, CA; died on September 3,1974, in San Diego, CA. Education: Attended the University of Southern California. Harry Partch was the son of ex-missionaries and grew up in the American Southwest. His first rudimentary musical training came from his mother, a church organist. By his own account, he studied piano and harmony with various private teachers in the Arizona, New Mexico, Los Angeles, and Kansas City, and entered the University of Southern Californiafor a few months at leastwhere he studied under concert pianist Olga Steeb. He began composing as a teenager, and in his early twenties worked in traditional classical forms: a piano concerto, a symphonic poem, and a string quartet, among other pieces. The turning point in his musical life came in the spring of 1923 when he discovered On the Sensations of Tone , a book by Hermann Helmholtz which explained the foundations of music through the science of acoustics. Helmholtz related musical intervalsin their most basic form, the difference in sound produced by two adjacent keys on a pianoto the mathematics of a vibrating string. For Partch, this explanation led to the revolutionary conclusion that implied that the 12 tones used for hundreds of years in Western musicthe black and white keys on a pianowere not the only way to compose. A scale could be divided into as many distinct tones, known as microtones, as one wanted. Additionally, Partch believed that the roots of music in the ancient world actually laid in such microtonal systems that were very different from the Western scale, a scale which was artificially based on the mechanics of the piano. With this in mind, he developed his own scale, comprised of 43 distinct tones, rather than 12.

25. AMRPartchNews.html
    A Review of Oedipus by harry partch (harry partch Trust Fund Edition, 1954) Los Angeles Times A Review of The Bewitched by harry partch (Gate 5 Records,  
    http://www.o-art.org/history/50s&_60s/HPartch/AMRPartch/AMRPartchNews.html
    
    Extractions: PREVIOUS NEXT UP TOP downloaded from THE AMERICAN MUSIC RESOURCE website Frank McCarty, editor. amr@sunsite.unc.edu. on may 27 1995 selections 1496w Partch, Harry - newspaper articles Mayfield, Selby Noel. "Student Devises 29-Degree Octave Theory of Music: Also Invents Instruments to Play Small Divisions of His Scale." New Orleans Times Picayune, 16 November 1930, 25. Mason, Redfern. "Music Gamut of Speech is Noted Down." San Francisco Examiner, 29 November 1931, E-8. "Monophony Demonstrated in Concert Tuesday Night." San Fransisco Call-Bulletin, 6 February 1932, 8. "Monophony to Be Concert Feature." San Fransisco Chronicle, 7 February 1932, D-3. "New Music Debut Slated for Tonight." San Fransisco Call-Bulletin, 9 February 1932, 16. Fisher, Marjorie M. "Monophony and MonphoneIlllustrated by Harry Partch." The San Fransisco News, 10 February 1932, 9. Fried, Alexander. "Declamation Music Given by Originator: Partch Plays Obbligato as Soprano Recites Classic Texts." San Fransisco Chronicle, 10 February 1932, 9. Nathan, Paul S. "Music Inventor in Oakland Concert." Oakland Post Enquirer, 1 March 1932, 10.

26. BeatBooks: Harry Partch: A Biography. (PARTCH, Harry). GILMORE, Bob.
    The first full account of partch s life and work, drawing on interviews with many of his associates and on the complete archives of the harry partch Estate.  
    http://www.beatbooks.com/cgi-bin/beatbooks/16795

27. Didaskalia - Journal
    The late harry partch was an American experimental composer best known for his advocacy of microtonal Just Intonation 1 and the invention of an orchestra  
    http://www.didaskalia.net/issues/vol3no1/chalmers.html
    
    Extractions: E-mail: non12@deltanet.com The late Harry Partch was an American experimental composer best known for his advocacy of microtonal Just Intonation [1] and the invention of an orchestra of special instruments on which to play his music. Two decades after his death he is finally receiving the recognition that generally evaded him during his lifetime [2]. Among his most celebrated works are the two music-dramas he wrote on ancient Greek themes: Oedipus (1951, rewritten 1952-54, 1967), based on Sophocles' tragedy, and Revelation in the Courthouse Park Ñ After the Bacchae of Euripides (1960). These works not only contain some of his most interesting music [3], but exemplify to a great degree his highly personal musical and theatrical philosophy. Although recordings are still somewhat difficult to obtain, experimentalists in both drama and music will find these works intriguing and worthy of study. Partch's music and dramatic works are based on two fundamental philosophical concepts. The first of these is 'Monophony,' the sound of a single voice, speaking, intoning or singing, but always comprehensible and always faithful to the natural rhythm and intonation of the language. Partch's melodies thus grew out of the intensified inflections of speech and his harmony developed from the tonal expansion of the single tone (1/1) into a matrix of small integer ratios [4]. Though his music is replete with unusual intervals and chords, it is the marked (poly)rhythms and the novel percussive and plucked string timbres that strike the hearer initially with greatest force. Then one becomes aware of the delicate, ultrachromatic motion of his melodic lines and the great range of expressive intervals in his tonal fabric.

28. Buy.com - Harry Partch Collection 3 - Harry Partch - CD
    harry partch Collection 3 harry partch Music - CD.  
    http://www.buy.com/prod/harry-partch-collection-3/q/loc/109/63941680.html

29. SJSU School Of Music & Dance - Harry Partch
    The harry partch Special Collection at San Jose State University contains a complete collection of autograph scores of harry partch, perhaps America s most  
    http://www.music.sjsu.edu/links/partch/index.html
    
    Extractions: The Harry Partch Special Collection at San Jose State University contains a complete collection of autograph scores of Harry Partch, perhaps America's most original and iconoclastic composer. The past several years have witnessed increased activities from composers and performers interested in working beyond the walls of twelve-tone equal temperament. Technology, and perhaps a more sensitized community triggered by access to global musics, is now providing the artist with the interest and the means to disturb the patrimony of standardization which Partch originally challenged over 72 years ago. This page is in honor of and in tribute to Harry Partch and is intended to serve as a research resource for his work and a invitation to others to take a step outside.

30. Delusion Of The Fury - Harry Partch - Music - Review - New York Times
    harry partch, the eclectic, visionary and selftaught California-born composer who died at 73 in 1974, was primarily an inventor, in the most creative sense  
    http://www.nytimes.com/2007/12/06/arts/music/06part.html?partner=rssnyt&emc=rss

31. Nathan Partain — Ashok Parthasarathi : ZoomInfo Business People Information
    partch, harry, bryceradio.com, Excerpt by harry partch from the book Bitter partch, harry, San Francisco Examiner, Following in the tradition of other  
    http://www.zoominfo.com/people/level2page30689.aspx
    
    Extractions: ZoomSearchBox.init(1, ''); Welcome, Guest Register Sign in Help Welcome to the ZoomInfo People Directory Find the person you're searching for in the list below and click on their name for more detailed information. Or use the search box above to explore our entire directory of over 30 million business professionals. Can't find yourself in ZoomInfo? Create your own profile now. var biz_data = ""; Partain, Nathan DNP Select Income Fund Inc. Nathan I. Partain , CFA President and Chief Executive Officer ... Nathan I. Partain 55 East Monroe ... Partain, Nathaniel Feather Publishing Co. , Inc. Nathaniel James Partain Nathaniel James Partain was born at 7:07 a.m. on Wednesday, June 25, ... Partain, Nathaniel Lassen County Times Nathaniel James Partain Nathaniel James Partain was born at 7:07 a.m. on Wednesday, June 25, ... Partain, Nick Tri State Forest Products Inc Nick Partain ... - Cell#(317)-331-1439 Partain, Peter Engage Capital , Inc. Peter Partain , Executive Vice President and CFO ... Peter Partain Peter ...

32. University Of California - The New York Times - Narrowed By 'PARTCH, HARRY'
    Your search for partch, harry in University of California returned 1 articles harry partch, the eclectic, visionary and selftaught California-born  
    http://topics.nytimes.com/top/reference/timestopics/organizations/u/university_o

33. Music Recent Acquisitions – CDs – 4/1/05 – 6/30/05
    harry partch collection sound recording. New World Records, New York, NY p2004. C-Disc Z GAA 1135 v.2. partch, harry, 1901-1974.  
    http://www.uwm.edu/Libraries/Music/Rcntacq/cd605.html
    
    Extractions: @import "/Libraries/css/level2.css"; @import "/Libraries/css/print.css"; UWM Libraries Search Books by title Journals by title Library website Web (Google) for Music Recent Acquisitions – CDs – 4/1/05 – 6/30/05 Ackerman, William. Returning [sound recording] : pieces for guitar, 1970-2004 / [all compositions by] Will Ackerman. New York : C-Disc Z GAA 1397 Adams, John, 1947- On the transmigration of souls [sound recording] / John Adams. Nonesuch Records, New York, NY : C-Disc Z GAA 1432 Adolfo, Antonio, 1947- Brazilian music workshop / by Antonio Adolfo. Advance Music, [Rottenberg N., Germany] : C-Disc Z GAA 1434 Aebersold, Jamey. New approach to jazz improvisation [sound recording] : play-a-long book and record set / Jamey Aebersold. Jamey Aebersold, New Albany, Ind. : C-Disc AEB 2025 v.112 Allen, Peter, 1944- Hugh Jackman in the musical of a lifetime, the boy from Oz [sound recording] / [book by Martin Sherman ; music and lyrics by New York, N.Y. : Distribution, C-Disc Z GAA 1405 Anthony, Marc.

34. Browse By Label: INNOVA
    It is subtitled Historic Speech-Music Recordings from the harry partch . The video release Enclosure Four harry partch (Innova 404) features the film  
    http://www.forcedexposure.com/Labels/innova.html
    
    Extractions: Artist: NORRIS, TJ Title: Trimix: Tribyrd Installation Soundtracks Deconstructed Label: INNOVA Format: CD/DVD Price: Catalog #: INNO 121CD "A living archaeology of Portland, Oregon, would include its abandoned shipyards and warehouses, its layers of graffiti, and industrial detritus. Through the lens and imagination of artist TJ Norris, however, it takes on a sumptuous other-worldliness. He has unpeeled its ever-evolving history of culture and place in a set of three gallery installations together dubbed Tribryd. Trimix , this CD/DVD set, now re-imagines those events in yet another light. TJ asked eleven international sound artists, including such underground stars as Scanner, SETI, and Asmus Tietchens, to create electronic works that would accompany him on his photo journeys around the industrial Pacific Northwest. These sounds were then remixed and became an intrinsic part of the installations, along with three new video works by such luminaries as Sue Costabile and Ryan Jeffery."

35. Bitter Music : Collected Journals, Essays, Introductions, And Librettos: [by] Ha
    Bitter Music Collected Journals, Essays, Introductions, and Librettos by harry partch ; edited with an introduction by Thomas McGeary.; partch, harry;  
    http://www.antiqbook.com/boox/calvel/7931.shtml
    
    Extractions: Urbana, University of Illinois Press, 1991. Octavo in dark green DJ; xxx, 487 p. : ill. ; 24 cm.bibliographical references (p. [465]-479) and index.. Hardcover. ISBN: 0252016602. As New / Mint (an unread copy), Modern Classicl Music ; Avant-garde music; American Composers United States Biography. Music United States 20th century History and criticism. Compositeurs États-Unis Biographies. Musique instrumentale États-Unis 20e siècle Discographie. Livrets (Musique) Musique de scène Scénarios.

36. P-LOVE ALL UP IN YOUR MIND 1CD BULLY 25978-8009-2 18.99US$ 18.99CA
    THE FURY 1CD INNOVA 406 17.99US$ 17.99CA$NEWMUSIC partch, harry ENCLOSURE 2 4CD harry VOLUME 1 1CD NEW WORLD 80621 14.99US$ 14.99CA$NEWMUSIC partch,  
    http://www.cheapthrills.ca/catalog/PQ.TXT

37. Harry Partch - Newspaper Articles Mayfield, Selby Noel. Student
    harry partch newspaper articles Mayfield, Selby Noel. Student Devises 29-Degree Octave Theory of Music Also Invents Instruments to Play Small Divisions  
    http://www.amrhome.net/contents/parnsp.txt
    
    Extractions: Harry Partch - newspaper articles Mayfield, Selby Noel. "Student Devises 29-Degree Octave Theory of Music: Also Invents Instruments to Play Small Divisions of His Scale." New Orleans Times Picayune, 16 November 1930, 25. Mason, Redfern. "Music Gamut of Speech is Noted Down." San Francisco Examiner, 29 November 1931, E-8. "Monophony Demonstrated in Concert Tuesday Night." San Fransisco Call-Bulletin, 6 February 1932, 8. "Monophony to Be Concert Feature." San Fransisco Chronicle, 7 February 1932, D-3. "New Music Debut Slated for Tonight." San Fransisco Call-Bulletin, 9 February 1932, 16. Fisher, Marjorie M. "Monophony and MonphoneIlllustrated by Harry Partch." The San Fransisco News, 10 February 1932, 9. Fried, Alexander. "Declamation Music Given by Originator: Partch Plays Obbligato as Soprano Recites Classic Texts." San Fransisco Chronicle, 10 February 1932, 9. Nathan, Paul S. "Music Inventor in Oakland Concert." Oakland Post Enquirer, 1 March 1932, 10. Scofield, R. D. "Music Played in New Scale at Exhibition: Oakland Program Presented to Demonstrate 55 Gradations of Fractional Tone." Oakland Tribune,1 March 1932, 12. Knisely, Bertha McCord. "Music" Saturday Night (LA), 14 May 1932, 12. Barnes, Eleanor. "Musician Divides Notes; Shaves Sound Tones; Partch Has Novel Idea." Illustrated Daily News (LA), 7 June 1932, 16. "Expounds New Music Theory." Pasadena Star-News, 16 February 1933, 10. "Plans Second Recital." Pasadena Star-News, 17 February 1933, 9. Knisely, Bertha McCord. "Music." Saturday Night, 25 February 1933, 12. Knisely, Bertha McCord. "Music." Saturday Night, 30 December 1933, 12. Heath-Taylor, Noel. "Monphony: Looking into the Future." Pacific Coast Musician, August 1939, 2. Drake, Mary P. "Harry Partch Makes Musical History: Carmel Genius Perfects Amazing New Musical Instrument at Big Sur." The Carmel Pine Cone, 28 February 1941, 7, 11. John Simon Guggenheim Memorial Foundation. 1943 and 1944 Reports of the Secretary of the Treasurer. New York: John Simon Guggenheim Memorial Foundation, 1944. Bowles, Paul. "Harry Partch Gives Program of Own Works: Uses 'Americano Texts'; His Titles Include 'US Highball.' Y.D. Fantasy.'" New York Herald Tribune, 23 April 1944, 38. R. L. "Unusual Program by Harry Partch: Composers' League Sponsors His 'Speech-Music' ConcertNew Instruments Seen." New York Times 23 April 1944: 40. Simon, Henry. "A Theorist with a Heart." PM Daily (NY), 24 April 1944, 40. Joseph, Jules. "Harry Partch Uses 43 Tone Scale to Preserve Natural Word Rhythm." Daily Cardinal (U. of Wisconsin, Mad.), 30 January 1945, 7. "Harry Partch to Lecture at U. W." Capital Times (Mad, WI), 22 February 1945, 6. "Partch in Two Campus Recitals." Capital Times, 25 February 1945, 15. "Partch, Folk Music Creator, to Give Two U.W. Concerts." Wisconsin State Journal (Mad.), 25 February 1945, 24. "Partch Will Present Folk Song Concert in Music Auditorium." Daily Cardinal, 27 February 1945, 1. "Notes for You . . . .." Wisconsin State Journal, 27 February 1945, 4. "Composer Partch Features His Works at Madison Concert." Daily Cardinal, 1 March 1945, 1. "May Music Festival Will Start April 29." Daily Cardinal, 27 April 1945, 1, 8. 'May Music Festival Features Program Tonight by UW Band." Daily Cardinal, 2 May 1945, 6. "Partch Plays Own Music in Program." Daily Cardinal, 4 May 1945, 6. "Partch Lecture Series Scheduled." Capital Times, 20 March 1946, 17. "Harry Partch Begins Lecture Series Tonight." Wisconsin State Journal, 21 March 1946, 4. "Harry Partch to Talk on Musical Varieties." Daily Cardinal, 21 March 1946, 1. 'The Harmonicanon [sic] and Its Designer: Harry Partch's Harmonicanon May Revolutionize Lyric Art." Capital Times, 24 March 1946, 9. "Partch To Give Music Talk Thursday." Wisconsin State Journal, 2 April 1946, 2. Partch Talks on Music Thursday." Capital Times, 3 April 1946, 8. "Partch Will Present Second Music Talk in Union Thursday" Daily Cardinal, 3 April 1946, 8. Archer, William K. "Dissonances." Daily Cardinal, 1 October 1946, 8.1950. "7 UC Teachers, 5 Others in Bay Area Granted Guggenheim Fellowships." San Fransisco Examiner, 17 April 1950, 6. Heath-Taylor, Noel. "Music: Some Observations of Speech Song." Frontier (Beverly Hills, CA) (Sept 1950): 9. John Simon Guggenheim Memorial Foundation. 1949 and 1950 Reports of the Secretary of the Treasurer. New York: John Simon Guggenheim Memorial Foundation, 1950. Gessler, Clifford. "Oakland Composer's Music Played on New Instruments, Heard at Mills College." Oakland Tribune, 27 May 1951, C-3. "43-Tone Scale to Be Used." San Fransisco Examiner, 9 March 1952, sec. 2-16. Hagen, R. H. "The Mills College Production of 'King Oedipus'- in 43 Tones" San Francisco Chronicle (This World Section), 9 March 1952, 29. Soanes, Wood. "Mills Group Stages Ancient Greek Tragedy." Oakland Tribune, 15 March 1952, D-11. Frankenstein, Alfred. "New Version of Oedipus at Mills." San Francisco Chronicle, 16 March 1952, 13. Fisher, Marjorie M. "Musical Experiment in Opera Succeeds: Harry Partch's 'King Oedipus' Combines Old and New Forms." San Francisco News, 17 March 1952, 9. Fried, Alexander. "Strange Partch Music Adds to Effect of Mills 'Oedipus'" San Francisco Examiner, 17 March 1952, 33. Gessler, Clifford. "'King Oedipus' Introduces New, Flexible Music." Oakland Tribune, 17 March 1952, 14. Biskind, Joseph. "Sophocles, Yeats, and Harry Partch." The Argonaut (San Fran), 21 March 1952, 18. Foisie, Jack "Atomic-Age 'Oedipus': Pyrex Bottles, Other Ultra-New Devices Help Reproduce 43-Tone Greek Scale." New York Herald Tribune, 22 March 1952, sec. 4, 2. Hagen, R. H. "Harry Partch's Invented Scale and Instruments." San Francisco Chronicle, 4 October 1953, 32, 35. Gessler, Cliford. "Of Music and the Dance: Partch's Unique Music Recorded." Oakland Tribune, 11 October 1953, C-3. "Oedipus to Be Played Tonight." Mill Valley (CA) Review, 2 June 1954, 4. Fried, Alexander. "Sausalito Fair Bills Partch Music Drama." San Francisco Examiner, 10 September 1954, 18. Tory, Alan. "Unique Play, Unique Instrument." A Review of Oedipus by Harry Partch. Fortnight: California's Own Magazine (LA), October 6 1954, 45. Goldberg, Albert. A Review of Oedipus by Harry Partch (Harry Partch Trust Fund Edition, 1954) Los Angeles Times, 17 October 1954, (part 4), 5. Rogers, Harold. "Music for Percussion and a 43-Tone Scale." A Review of Oedipus by Harry Partch (Harry Partch Trust Fund Edition, 1954) Christian Science Monitor, 19 October 1954, 11. Hagen, R. H. "Some of the Classical Recordings in Review." A Review of Oedipus by Harry Partch (Harry Partch Trust Fund Edition, 1954) San Francisco Chronicle, 25 October 1954, 35. Sherman, Thomas B. "Classical Records." A Review of Oedipus by Harry Partch (Harry Partch Trust Fund Edition, 1954) St. Louis Post-Dispatch, 13 January 1955, D-6. Hansen, Bill. "Wierd Instruments: Musicians to Play 'The Bewitched.'" Daily Illini (U. of Illinois, Urbana), 21 September 1956, 7. Sablosky, Irving. "Harry Partch: Mad Composer or Genius?: They're in Tune with 'New Music'." Chicago Daily News, 16 February 1957, 9. Krebes, Wilson, "Piano e Forte." Daily Illini, 20 February 1957, 6. Scoofakes, Maria. "Festival to Have a New Look: Unique Instruments Set for 'Bewitched.'" Daily Illini, 21 February 1957, 5. Talmadge, Ellenor. "U. of I. Contemporary Arts Festival." Illinois Education (March 1957): 273. Farlow, Helen. "The Idea Man Invents Own Instruments for Original Music." A Review of the premier of The Bewitched by Harry Partch. Urbana Courier, 16 March 1957, 5-6. "Novel Instruments." New York Herald-Tribune, 17 March 1957, (sec 4) 4. "Ensemble Set to Play for Dance Satire." Champaign-Urbana Courier, 18 March 1957, 2. "'The Bewitched' : Instruments on the Stage for Premier." News-Gazette (Champaign IL.), 19 March 1957, 2. "'Bewitched' to Switch Set." Daily Illini, 19 March 1957, 9. "Playhouse Troupe to Peform Here for 'Bewitched.'" Daily Illini, 20 March 1957, 4. "Dance Company Here Tuesday: Will Appear in 'The Bewitched' at U. of I." Champaign-Urbana Courier, 21 March 1957, 2. "Dance Troupe of 7 Appears in 'Bewitched.'" News-Gazette, 21 March 1957, 6. "Harry Partch to Offer Lecture Sunday at UI." News-Gazette, 22 March 1957, 19. "'Soul Tormented' . . . : Partch to Discuss Modern Music; Will Bemonstrate Unique Instrument." Daily Illini, 22 March 1957, 8. "Composer to Discuss Show." Daily Illini, 23 March 1957, 13. "A Dance Drama." St. Louis Post-Dispatch, 24 March 1957, B-5. "Dance Group Arrives Here." Champaign-Urbana Courier, 24 March 1957, 4. "Instrumental Oddities: Creations of Composer to Be Used in Concert Here." ST. Louis Post-Dispatch, 27 March 1957, 13. "Revolutionary Music: 'The Bewitched' to Bow Tonight in Lincoln Theatre." Daily Illini, 26 March 1957, 4. Cahill, Paul. "Finds 'Bewitched' Funny and Good Entertainment." A Review of the Premier of The Bewitched by Harry Partch. News-Gazette, 27 March 1957, 22. Doherty, Larry. "'The Bewitched' Applauded: Partch Dance Satire Premiered at UI." A Review of the Premier of The Bewitched by Harry Partch. Champaign-Urbana Courier, 27 March 1957, 10. Krebs, Wilson C. "Rhythm and Light: 'Bewitched' Ballet Pleases Audience." A Review of the Premier of The Bewitched by Harry Partch. Daily Illini, 27 March 1957, 1. "Moving Truck Hauls Music Instruments." News Gazette, 27 March 1957, 18. Klein, Francis. "Harry Partch's Dance Satire is Weird, Colorful." A Review of a Performance of The Bewitched by Harry Partch. St. Louis Globe Democrat, 28 March 1957, A-13. Menees, Charles. "Unusual Cance Satire Presented: 'The Bewitched' In Washington U, Concert Series Attended by 1500." Review of a Performance of The Bewitched by Harry Partch. St. Louis Post-Dispatch, 28 March 1957, B-3. Talley, Howard. "Krenek, Meyerowitz Operas Staged in Illinois Festival." Musical America (April 1957): 8. Krebs, Wilson. "Piano e Forte." Daily Illini, 3 April 1957, 6. Miller, Evabeth. "'Bewitched' Bothers and Bewildrs." A Review of a Performance of The Bewitched by Hary Partch. Peoria Journal Star, 3 April 1957, A-14. "Tunes from Tumblers." Newsweek, April 8 1957, 75. Sablosky, Irving. "Festival at Urbana: New Scores Commissioned by Fromm: Introduced at University of Illinois." New York Times, 21 April 1957, (Sec 2) 11. "An Unusual Musical Instrument." Chicago Tribune, 23 June 1957, (Sec 3) 14. Klein, Francis A. "Concert Notes." A Review of The Bewitched by Harry Partch (Gate 5 Records, 1957) St. Louis Globe-Democrat, 30 June 1957, G-9. Rogers, Harold. "Harry Partch's Exotic Music." A Review of The Bewitched by Harry Partch (Gate 5 Records, 1957). Christian Science Monitor, 9 July 1957, 7. Soblosky, Irving. "43 to the Octave: New Scores by Harry Partch Use Split Tones and Many Novel Instruments." New York Times, 21 July 1957, (Sec 2) 7. "World of Harry Partch." Dayton (Ohio) Daily News, 17 August 1957, 4. Larrabee, Eric. "The Face We Turn to the World: It can be Seen in 350 Books Selected to Act as American Ambassadors Abroad." The New York Times Book Review, 15 December 1957, 1. Ludlow, Lynn. "Partch, UI Musicains to Give 'Bewithced.'" Champaign-Urbana Courier, 14 January 1959, 2. "UI Musicians to Perform in N.Y City." Daily Illini, 16 January 1959, 9. "UI to Perform 'Bewitched' in New York." News-Gazette, 16 January 1959, 24. "Illinois Projects." New York Times, 15 February, 1959, X-5. "Partch Rehearses Satire: Musician's Show Will Play in N. Y." Daily Illini, 5 March 1959, 8. "UI Arts Festivals Pay Off: Partch's 'Bewitched' Goes to New York." Champaign-Urbana Courier, 30 March 1959, 6. Smith, Russel. "The New Music." Harper's Magazine, April 1959, 37-44."'The Bewitched' to Play Here: Dance Satire Visits Campus for Second Time." Daily Illini, 8 April 1959, 8. "UI Musicians, Dancers in N.Y. Show." News-Gazette, 9 April 1959, 36. Martin, John. "A 'Dance-Satire' is Offered Here: Columbia and University of Ilinois Stage 'Bewitched' at Julliard Concert Hall." New York Times, 11 April 1959, 14. Terry, Walter and Jay S. Harrison. "'The Bewitched.'" A Review of the 1959 New York Performance of The Bewitched by Harry Partch. New York Herald Tribune, 11 April 1959, 6. "About Town: Notable American Composers." Champaign-Urbana Courier, 13 April 1959, 3. "Critics Laud 'Bewitched' in New York" Champaign-Urbana Courier, 16 April 1959, 19. "Dance-Satire to be Friday." Champaign-Urbana Courier, 21 April 1959, 8. "Partch's 'Bewitched' to Be Presented Friday at UI." News-Gazette, 22 April 1959, 11. "UI Will Perform 'The Bewitched.'" Daily Illini, 23 April 1959, 10. Ludlow, Lynn. "Partch Amalgam Delightful: 'Bewitched' is Star-Course Presentation." A Review of a performance of The Bewitched by Harry Partch. Champaign-Urbana Courier, 25 April 1959, 3. Wolf, Edward. "Reviewer Twitches As Parthc 'Bewitches' in Dance Satires." A Review of a performance of The Bewitched by Harry Partch. Daily Illini, 25 April 1959, X-9. Bloch, Suzanne and Peggy Glanville-Hicks. "From the Mail Pouch: Pro Partch." New York Times, 26 April 1959, X-9. Black, Joseph W. "Partch Work is 'Superb'; Miss Schell Magnificent." A Review of a performance of The Bewitched by Harry Partch. News-Gazette, 27 April 1959. "Partch Music Defended: Two Protest Absence of Review in Times." Champaign-Urbana Courier, 30 April 1959, 11. Ludlow, Lynn. "New Musical Sound Born at U.I.." Champaign-Urbana Courier, 8 December 1959, 8.1960 Black, Joseph. "Partch Displays Music Techniques." News-Gazette, 10 January 1960, 26. Wolf, Edward. "Partch Searches for Individual: Big, Diverse Music World." Daily Illini, 26 March 1960, 9. Black, Joseph M. "Music and Motion." News-Gazette, 1 May 1960, 29. Ludlow, Lynn. "Partch Prepares Concert: Most Unorthodox to Date." Champaign-Urbana Courier, 18 November 1960, 8.1961 Bowen, J. David. "Harry Partch's Music between the Keys." Hi Fi/Stereo Review, Febuary 1961, 50-53. "Gymnasts Get Partch Score." Champaign-Urbana Courier, 29 March 1961. "Partch Work to Premier on Campus." News-Gazette, 29 March 1961, 5. Millas, Joanne. "To Premier 'Revelation': Partch's Work Has 2 Shows." Daily Illini, 1 April 1961, 1-2. "Hooray for American Music." Champaign-Urbana Courier, 4 April 1961, 7. "Partch Offers 'Veteran' Cast." Daily Illini, 5 April 1961, 2. "Four Veteran Partch Production Performers to Join in 'Revelation.'" Champaign-Urbana Courier, 6 April 1961, 20. "Friends Come Here to See Partch Show." News-Gazette, 9 April 1961, 10. "Six Veterans to Be in Partch Premier." News-Gazette, 9 April 1961, 8. Ludlow, Lynn. "Partch Takes a Tumble: Music for Gymnasts is Good Theater." A Review of a performance of Rotate the Body by Harry Partch. Champaign-Urbana Courier, 10 April 1961, 6. "'Revelation' Performance Set Tuesday." Champaign-Urbana Courier

38. Jack Logan, Professor Of Music
    partch, harry, Ulysses Departs from the Edge of the World, (for a consort of harry partch instruments, Baritone Saxophone and Trumpet; Danlee Mitchell,  
    http://trumpet.sdsu.edu/jacklogan.html

39. MusicMoz - Bands And Artists: P: Partch, Harry
    harry partch. From. United States. Search. Whole Directory Top » Bands and Artists » P » partch, harry. Subcategories. Links (6). External Resources  
    http://musicmoz.org/Bands_and_Artists/P/Partch,_Harry/

40. Harry Isn't Kidding - TIME
    harry partch spent all day moving his homemade orchestra from his home in an abandoned chicken hatchery in Petaluma to the ballroom of San Francisco s  
    http://www.time.com/time/magazine/article/0,9171,875031,00.html
    
    Extractions: var s_account="timecom"; Time.com CNN.com Search Archive Friday, Jul. 05, 1963 Article Tools Print Email Reprints Sphere addthis_url = location.href; addthis_title = document.title; addthis_pub = 'timecom'; RSS Sphere.Inline.search('sphereSideBar','http://time.com/') tiiQuigoWriteAd(755769, 1290761, 180, 200, -1); Harry Partch spent all day moving his homemade orchestra from his home in an abandoned chicken hatchery in Petaluma to the ballroom of San Francisco's Sheraton-Palace Hotel. Not until evening, when delegates to the Ameri can Symphony Orchestra League's convention began drifting into the room, were all the instruments ready. There stood the "Spoils of War," the "Sur rogate Kithara," the "Harmonic Canons I and II," the "Chromelodeon" —and there stood Harry Partch, quietly examining the tolerant smiles that have confronted him all his life. "This re minds me of an old Chinese proverb " Partch told his 400 listeners. " 'I agree. I am what you accuse me of being.' " Having pleasantly confessed to whatever musical eccentricities his audience had already convicted him of, Partch sat down at Harmonic Canon II and began to play, aided by a disciple who had flown down from Tacoma, Wash., for the occasion. "You exclamation-point Jim," Partch chanted to the rhythm of the Surrogate Kithara's ponderous clucks, "get your semicolon asterisk out o this yard." It was music the likes of which few in the audience had heard before, but it forced upon everyone in the Palace a new and respectful opinion of Harry Partch: Harry may be nuts but Harry isn't kidding.

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