Miya Masaoka - Wikipedia, The Free Encyclopedia Wikipedia article involving her works, performances, and teaching. Includes internal references to related people and topics and links. http://en.wikipedia.org/wiki/Miya_Masaoka
Extractions: Jump to: navigation search Miya Masaoka (b. Washington, D.C. ) is an American musician and composer who performs on the 17-string Japanese koto zither, often augmenting it with string preparations and electronic triggers (as in her "Koto Monster", where additional laser beam "strings" hover over the koto). She is known for creative, improvisational technique, and a sensibility that combines experimental Western approaches with the tradition of the koto. Her compositions have included works for large ensembles, sometimes with unusual sound sources such as hives of bees, or the amplified sounds of human bodies (brain waves, heartbeat, etc). One notable piece was performed outdoors in a plaza on San Francisco 's sometimes unsavory Market Street, utilizing an ensemble of dozens of musicians, a pair of male and female exotic dancers, and taped interviews with sex workers: "What's the Difference Between Stripping and Playing the Violin?" An impressive blend of musical composition, and site-specific conceptual art. She has also done performance art utilizing insects ( Madagascar hissing cockroaches , bees) crawling across her body (references to the Yoko Ono film Fly Miya Masaoka is known as one of the more distinctive members of the Bay Area Improv Scene (sometimes also called the Creative/New Music scene) in the San Francisco area.
Networked Music Review â Interview: Miya Masaoka Miya Masaoka is a musician, composer and performance artist. She has created works for koto, laser interfaces, laptop and video and written scores for http://transition.turbulence.org/networked_music_review/2007/05/21/interview-miy
Extractions: networked music wearable sound ... Miya Masaoka is a musician, composer and performance artist. She has created works for koto, laser interfaces, laptop and video and written scores for ensembles, chamber orchestras and mixed choirs. In her performance pieces she has investigated the sound and movement of insects, as well as the physiological responses of plants, the human brain, and her own body. Helen Thorington : Miya, you were trained in Japanese court music as well as contemporary music and I understand have expanded on the playing techniques of the koto â first by using extended techniques, but more importantly, by building a Laser Koto. For those who donât know, can you tell us about the koto and how you developed it? What is the Laser Koto and how does it work? Miya Masaoka : Sometimes various events, thoughts and inspiration converge in particular ways, and evolve over a period of time, I would say this was the case for the Laser Koto. For many years I had been trying to develop ways of extending the koto electronically âand continue to do soâ and along these lines I was an aritist in residence at STEIM in Amsterdam and worked with Matt Wright at CNMAT to develop ways of building an interface for real time processing and sampling using gestural controllers and other ways of capturing and modifying sound. We recorded and mapped 900 koto samples that could be accessed in various ways.
Augusta Savage Gallery -Miya Masaoka Miya Masaoka, musician, composer, performance artist, has created works for koto, laser interfaces, laptop and video and written scores for ensembles, http://www.umass.edu/fac/calendar/augusta/events/MiyaMasaoka.html
Extractions: Miya Masaoka, musician, composer, performance artist, has created works for koto, laser interfaces, laptop and video and written scores for ensembles, chamber orchestras and mixed choirs. In her performance pieces she has investigated the sound and movement of insects, as well as the physiological responses of plants, the human brain, and her own body. Within these varied contexts of sound, music and nature, her performance work emphasizes the interactive, live nature of improvisation, and reflects an individual, contemporary expression of Japanese gagaku aural gesturalism. Masaoka's work has been presented in Japan, Canada, Europe, Eastern Europe and she has toured to India six times. Venues include V2 in Rotterdam, Cybertheater in Brussels, Elektronisch Festival in Groningen, the Cleveland Performance Art Festival, The Electronik Body Festival in Bratislava, Slovakia, Radio Bremen, Germany, Festival of Lights, Hyberadad, India, and the London Musicians Collective. Since forming and directing the San Francisco Gagaku Society, Masaoka has been creating new ways of thinking about and performing on the Japanese koto. She has developed a virtuosic and innovative approach, including improvisation and expanding the instrument into a virtual space using computer, lasers, live sampling, and real time processing.
Miya Masaoka - Wikipedia Translate this page NAME, Masaoka, Miya. KURZBESCHREIBUNG, US-amerikanische Kotospielerin, avantgardistische Musikerin und Komponistin. GEBURTSDATUM, 1958 http://de.wikipedia.org/wiki/Miya_Masaoka
Extractions: Wechseln zu: Navigation Suche Miya Masaoka in Washington D.C. ) ist eine US-amerikanische Koto -Spielerin, avantgardistische Musikerin und Komponistin. Masaoka erhielt eine Ausbildung in japanischer Musik bei Suenobu Togi und studierte dann an der San Francisco State University (bis 1990) und am Mills College (bis 1991) bei Alvin Curran . Anfang der 1990er Jahre arbeitete sie mit Pharoah Sanders Wadada Leo Smith und Henry Kaiser zusammen. Sie wurde vor allem mit multimedialen B¼hnenprojekten bekannt. 1996 entstand das Bee Project #1 , bei dem Bienensummen und Livemusik gemischt wurden. Groe mediale Aufmerksamkeit fand , eine Vorf¼hrung f¼r Band, zwei exotische T¤nzer und Tonband, die 1997 an einer Straenecke in San Francisco aufgef¼hrt (und aufgezeichnet) wurde. Seit ver¶ffentlichte sie eigene Alben, daneben arbeitete sie mit Musikern wie Steve Coleman George Lewis und Ben Goldberg , seit 1997 arbeitet sie mit Fred Frith und Larry Ochs im Trio Maybe Monday . Sie ist Gr¼nderin und Leiterin der San Francisco Gagaku Society Masaoka kompoinierte ein Ballett , ein St¼ck zum zehnj¤hrigen Jubil¤um des Buena Center for the Arts f¼r Chor, Kinderchor und Solisten, St¼cke f¼r Kammerorchester
Bagger: Miya Masaoka Miya Masaoka s work with skin and insects and video uses image and metaphor to explore human and insect societal issues of race, herding, gender and sites http://bagger-ce.blogspot.com/2007/07/miya-masaoka.html
Extractions: Miya Masaoka's work with skin and insects and video uses image and metaphor to explore human and insect societal issues of race, herding, gender and sites of control and explores empathy and the interconnectedness of inter-species interactions. She has performed with live Madagascar Hissing Cockroaches and thousands of honeybees on stage, using their sound and movement as a sound source within sound and video compositions. Geplaatst door CE op Labels: artist bioart video Een reactie plaatsen Nieuwer bericht Ouder bericht Startpagina Abonneren op: Reacties plaatsen (Atom) var sc_project=2405296; var sc_invisible=0; var sc_partition=22; var sc_security="db907a10"; SUPER LA TIEF Noordkaap presenteert: Super La Tief. Vechtsport, bier drinken, carpimpen, de straat, sportschool en genretelevisie. Met het WooverCorso, het Gala Sterkste Kunstenaar van Nederland, Arno's Eurotrash winkel en bruikbare workshops in de Voorstraat Noord. Deelnemende kunstenaars o.a. Federico D'Orazio, Arno Coenen, Olaf Mooi, Rufus, Piek en Dan Dryer. Gastcurator Hans van den Ban Super La Tief wordt mede mogelijk gemaakt door de Mondriaan Stichting. 31 mei 2008 - 28 jul 2008 privacyproject google translate kunstsubsidiedebat - over het Fonds BKVB The Saatchi Gallery ... vernissage.tv
Extractions: By Heuwell Tircuit Concerts devoted to authentic performances of Asian music are not locally as common as in days of yore. So Friday's Japanese Music Summit II in Old First Church was doubly welcome, offering the rare opportunity to hear classic works, new and old, played on original instruments by experts. The program featured six Japanese works, one Korean, one quasi-Asian piece by Canadian Brett Larner plus an ensemble improvisation by Trio Narro, expanded to a quartet for the occasion. The curious aspect of the programming lay in the fact that although devoted to traditional instruments and classical styles, all the music offered except Ichijuro Koide's 17th Century Kurokami was of 20th Century origins. So one faced a curious paradox. It was at once an evening of the real thing, and at the same time nostalgia carried close to being parody. Kurokami, performed by the full group of eight players, opened the performance as a beautiful example of formal austerity. Partly sung, the 10-minute example reached something close to the hypnotic sphere of experience. The effect proved ravishing, largely because the ensemble and intonation were superb in the performance Spectacular performance This was followed by Yuji Takahashi's 1994 Three Pieces for Shakuhachi
MoreMoment'sNotice masaoka miya Masaokas For Birds, Planes Cello mixes field recordings and Joan Jeanrenauds cello to create an hourlong, thought-provoking soundscape. http://pointofdeparture.org/archives/PoD-3/PoD-3_MoreMomentsNotice.html
Extractions: Nonesuch 79891-2 Music for 18 Musicians (1978; ECM). Reich realized early on that the rhythmic effervescence resulting from this approach provides a sly, effective conveyance to the trance state that is part and parcel of the minimalist aesthetic. His application of this approach and the overlay of his ever-deepening Judaism through texts on the four-part title piece makes You Are (Variations) Giacinto Scelsi Fresh Sound/New Talent FSNT 222 Perspective does more than introduce an alto saxophonist and composer whose talents and promise are obvious. It provides another vantage into the Philly scene that yielded Blue Note-anointed pianist Robert Glasper, which remains one of the vital jazz communities in the US. Post-war Philadelphia was a hothouse for jazz talent because of its strong community fabric; the case in point being the young John Coltrane and Jimmy Heath, kids in the same neighborhood whose talents were nurtured by parents, teachers and friends. That fabric remains intact, as evidenced by the contemporaneous ascent of Shaw and drummer Johnathan Blake (son of violinist John Blake), who have been playing together since they were 12. Shaw was in high school when he first heard Glasper, who he then befriended before the inevitable move to New York. On
Toshiyuki Honda Easy Breathing CD Marc Ribot, Leo Smith, Eugene Chadbourne, masaoka miya, Bob Ostertag, Kramer, Chris Cutler, Richard Teitelbaum. All profits will go directly to . http://www.cduniverse.com/search/xx/music/pid/6997979/a/Easy Breathing.htm
San Francisco - Movies - Zoom Lens International Film Festival; during this series, his innovative Crossways is joined by an unorthodox koto performance by masaoka miya s ensemble. http://sfweekly.com/2002-09-04/film/zoom-lens/
Extractions: OAS_AD('Top'); News Blogs Restaurants Calendar ... Event Search Most Viewed Most Commented Film My Body, My Self Food issues and a bad self-image led our columnist to undergo weight-loss surgery. She's still a mess, but a better-looking one. BitTorrent, Comcast, EFF Antipathetic To FCC Regulation of P2P Traffic Oxbow's Eugene Robinson chokes rowdy concertgoers So, how will he behave on his new book tour? Unforgettable,That's What You Are "Vicious" six-pound dog scares the shit out of mailman in the Sunset My Body, My Self (12) Food issues and a bad self-image led our columnist to undergo weight-loss surgery. She's still a mess, but a better-looking one. No Linkup for You! (97) In the world of online community, one authoritative man can dictate your social life "Vicious" six-pound dog scares the shit out of mailman in the Sunset (7) Oxbow's Eugene Robinson chokes rowdy concertgoers (7) So, how will he behave on his new book tour? Burnt Chefs (78) Former admissions representatives at CCA say they preyed on students dreams of becoming celebrity chefs and glossed over the painful economic realities of the industry The Way He Lives Now As Daniel Day-Lewis' fourth film in a decade arrives in theaters, the movies' most enigmatic leading man reveals the method behind his onscreen madness
Index Of Piero Scaruffi's History Of Jazz Music masaoka miya 20 Mays Lyle 18 McBee Cecil 16.4 McFerrin Bobby 16.7 McGregor Chris 16.6 McIntyre Maurice 16.1 McLaughlin John 17.5 McLean Jackie 13 http://www.scaruffi.com/history/jazzind.html
Extractions: A complete alphabetical index would have been too long and costly to produce. This index is a compromise between providing help to locate a musician and saving space/money. If you want to find out all the places where a certain musician is mentioned, you can go to www.scaruffi.com and use the search engine. Abercrombie John 17.5
P H A R O A H S A N D E R S - Musicians masaoka miya koto 1994, 1997 Mathews Myrna voc - 1977 Maxwell Omar dr - 1990 Mboup Abdou talking dr, kora, djembe, voice - 1998, 1999, 2000, 2001, 2003 http://www.angelfire.com/id2/laotan/musicians.html
Links interview by Robert Young, Junk Media (2001); masaoka miya koto interview by Declan O Driscoll, Rubberneck (1999); Thollem McDonas piano http://www.restructures.net/links/links.htm
Miya Masaoka: Composer, Performer, Sound Artist Official site of musician, composer and performance artist miya masaoka. Includes information on works, as well as photos, music files and video clips. http://www.miyamasaoka.com/
Extractions: About Music Interdisciplinary Media Files ... Laser Koto , field recordings, laptop, video and written scores for ensembles , chamber orchestras and mixed choirs. In her pieces she has investigated the sound and movement of insects , as well as the physiological response of plants , the human brain and her own body. Within these varied contexts her performance work investigates the interactive, collaborative aspects of sound, improvisation, nature and society.
MusicMoz - Composition: Composers: M: Masaoka, Miya miya masaoka Top » Composition » Composers » M » masaoka, miya. Subcategories. Links (2). This category needs an editor. validate xml edit http://musicmoz.org/Composition/Composers/M/Masaoka,_Miya/
Chadbourne, Eugene / Masaoka, Miya: Eugene & Miya: Squidco Squidco sells avantgarde unusual, experimental, improvisational music CDs, magazines and books. Free shipping for all US orders. http://www.squidco.com/miva/merchant.mv?Screen=PROD&Store_Code=S&Product_Code=59
Miya Masaoka Article from AsianImprov.com emphasizing her freeform works and performances, jazz influences, and collaborations. Includes photograph and discography. http://www.asianimprov.com/artists_one.asp?artistid=19
Miya Masaoka Biography from the Other Minds Festival touching on her wide range of musical accomplishments. Includes photograph of her playing the koto. http://www.otherminds.org/shtml/Masaoka.shtml
Extractions: Miya Masaoka (born Washington, DC, 1958) works simultaneously in the varied musical worlds of jazz, Western classical music, electronic music, traditional Japanese music, and free improvisation, and is currently the director of an ensemble of traditional Japanese court music, the San Francisco Gagaku Society. She has studied Japanese music with court musician Suenobu Togi, and holds music degrees from San Francisco State University and Mills College, where she received a Masters degree in composition, having studied with Alvin Curran. Her debut recording for solo koto, Compositions/Improvisations, has received critical acclaim in Europe and the United States. She has performed solo and with a wide variety of musicians and traditions, including Pharoah Sanders, L. Subramaniam and the Global Symphony, Rova Saxophone Quartet, Steve Coleman, Tetsuhiro Daiku, Francis Wong, Mark Izu, George Lewis, and others. Her investigations of improvisational and compositional forms encapsulate both the inward solo koto works, and have led her to forming her own orchestra, the Masaoka Orchestra. She and the orchestra have been commissioned by the San Francisco Art Commission and Zellerbach to perform a site-specific piece
Extractions: ZoomSearchBox.init(1, ''); Welcome, Guest Register Sign in Help Welcome to the ZoomInfo People Directory Find the person you're searching for in the list below and click on their name for more detailed information. Or use the search box above to explore our entire directory of over 30 million business professionals. Can't find yourself in ZoomInfo? Create your own profile now. var biz_data = ""; Masanoff, Michael ULI SE Florida/Caribbean Boca Raton business leader Michael D. Masanoff , J.D., has been elected to the position of chair of the tri-county transit ... Masanotti, Dino Hockey Montreal International Dino Masanotti Masanotti, Dino Perfectskater Schools Dino Masanotti Dino Masanotti Perfectskater Masanotti, Jay Skate Team Manager The contest already has 20 people pre-registered and Jay Masanotti , SouthTown skate ... , is expecting between 50 and ... Masanotti, Lynn New York State Association of REALTORS Inc Lynn Masanotti ... image of Lynn Masanotti Licensed Associate Broker, Masanotti, Peggy
Extractions: this.window.name = "rhapsody"; var rhapsodyURL = "http://www.rhapsody.com"; var rhapsodyBID = "300240512"; var staticPath = "http://static.realone.com/rotw/"; var signUpURL = "http://rhapsodytracking.real.com/account/signup"; var shopURL = "http://shop.rhapsody.com"; var upsellURL = "http://www.rhapsody.com/upgradesAndTrialsNoCC.html"; /* */ writePersonalizationAndCustomization( false, true ); By Artist By Keyword By Track By Album By Composer By Videos By Lyrics Search Sign In Help Masaoka has made a name for herself by doing new things with an ancient instrument. She plays the koto, a harp-like Japanese zither, from which she summons a full range of plucks, scrapes, rattles, and beautifully cascading flurries. Her original background in Japanese Gagaku court music has over the years given way to endeavors in computer-based Electronic music, textural Free Improvisation, and Bop-ish jazz. However, rather than merely making gimmicky use of an "exotic" instrument by placing it in foreign contexts, she establishes herself on equal footing by taking an assertive, headfirst approach. Her playing can be alternately tumultuous and peaceful, confrontational and supportive, but always distinguishes itself through a unique sense of space and sonic detail. While awkward moments of culture-clash can occasionally surface, Masaoka's accomplishments bear the mark of one confidently heading into uncharted territory.
Extractions: 11 Jan 2007 Category: Features Worldwide Japan Music ... Technology Every time Miya Masaoka touches the laser, a prerecorded koto sound sample gets triggered through her Apple. Photo by Lori Eanes Experimental technicians-slash-musicians have always tried to push the boundaries of sound. Thatâs why there is a nice collection of undoubtedly strange instruments on this planet! Just think of electronic inventions such as the Theremin and its ghostly whining. Today we picked a recent-queer one for you: The Laser Koto ! American Miya Masaoka updated the koto , a giant traditional Japanese instrument resembling a zither , to modern digital music making and enhanced it with laser beams. Eventually she replaced the whole analogue corpus with lasers and connects that to an Apple computer. For real, this Laser Koto is definitely something strange along the way of the intertwined relationship between music and technology. Or maybe this is Miyaâs way of keeping up the tradition as a third generation Japanese, currently residing in New York with her little daughter!? PingMag talked to Miya Masaoka about her enhanced instruments â and her sound experiments with insects such as cockroaches and bees. Written by Verena
