Extractions: (Diacritical marks have beeen omitted; listing is by Cutter numbers decimally) A B C D ... W-Z A Composer Name Cutter no. Abbott, Allan Abel, Karl Friedrich Absil, Jean Adam, Adolphe Adam, de la Hale Adams, John Adams, Leslie Adams, Robert J. Addinsell, Richard Addison, Phyllis Adler, Samuel Adney, Robert W. Adolphe, Bruce Adson, John Agay, Denes Ager, Klaus Agostini, G. Agricola, Alexander Aharoni, Eliezar Aitken, Hugh Aladov, Nikolai Ilich Albeniz, Isaac Albert, Thomas Alberti, Giuseppe Matteo Albinoni, Tomaso Albrechtsberger, Johann Georg Albright, Fred Aldrovandini, Giuseppe Alexander, Josef Alfano, Franco Alkan, Charles Henri Valentin Allwood, Ralph Almeida, Laurindo Altenburg, Johann Ernst Altes, Henry Amlon, Martin Ammerbach, Elias Nikolau Amram, David Amy, Gilbert Ancelin, Pierre Anderson, Leroy (1908-1975) Anderson, Mark Anderson, T.J. (Thomas Jefferson) Andersson, Benny Andraund, Albert J. Andriessen, Hendrik Andriessen, Jurriaan
International Women's Day Thanks to exceptional timing, its author, the now forgotten francesca caccini (1587c. 1640) was able to express her incredible talent at a time when http://www.scena.org/lsm/sm10-6/women-day.htm
Extractions: Opus to Woman Power Bess Vasilakopoulos T hree hundred and eighty years ago, the obscure Baroque composition La Liberazione di Ruggiero dall'isola d'Alcina (LLRDA) became the first opera written by a woman, the first opera not to be based on Greek legend, and the first Italian opera to ever be performed outside of Italy. Thanks to exceptional timing, its author, the now forgotten Francesca Caccini (1587c. 1640) was able to express her incredible talent at a time when virtually every woman was powerless. Both in historical significance and in its musical treatment of the libretto, LLRDA became a symbol of woman power. The eldest daughter of prominent composer Giulio Caccini (15461618), Francesca, nicknamed "La Cecchina" ("the songbird") by the Florentines for her lovely singing, received early training in singing and composition from her father at a time when monody and opera were new and growing genres. She would eventually compose and publish the first collection of sacred monodies, Il Primo libro delle musiche a una e due voci (published in 1618), which was the most extensive collection of solo songs by a composer to be published at the time.
FRANCESCA CACCINI S PRIMO LIBRO Your browser may not have a PDF reader available. Google recommends visiting our text version of this document. http://ml.oxfordjournals.org/cgi/reprint/XLVIII/4/350.pdf
A Celebration Of Women Writers: 1501 - 1600 16th C.) caccini, francesca (1587ca.1645); Campiglia, Maddalena (1553-1595); Canossa, Egeria (fl. 16th C.) Capece, Isabella (fl. http://digital.library.upenn.edu/women/_generate/1501-1600.html
Extractions: WRITERS LIVING BETWEEN 1501 AND 1600 Anguissola, Sofonisba ca.1535-1625 Anne Clifford [aka Countess of Pembroke, Anne Clifford Herbert; Lady Anne Clifford Herbert; Countess of Dorset Pembroke and Montgomery] (1590-1676) Aragona, Giulia (fl. 16th C.) Aragona, Tullia D' More Information Aringhieri, Ermelma [aka Ermelma de' Ceretani] (fl. 16th C.) Askew, Anne (1521-1546) Atalanta (fl. 16th C.) Aubespine, Madeleine de l'Dame de Villeroy (1546-1596) Avalo, Costanza d' (fl. 16th C.) Bacon, Ann Cooke (1528-1610) Baffa, Francesca (fl. 1540) Battiferra, Laura [aka Laura Battiferri Ammannati] (1523-1589) Beaton, Mary (ca.1543-ca.1597) Beaufort, Margaret (1443-1509) Berenice G. (fl. 16th C.)
An Anthology Of Baroque Music Contents francesca caccini, O che nuovo stupor (Il primo libro delle Musiche, 1618, pp. 4346), 176 . Girolamo Frescobaldi, Sonetto spirituale. http://plato.acadiau.ca/courses/musi/callon/2233/2233an3.htm
Extractions: Hughe Ashton, A Hornpipe Facsimile from John Stafford Smith, Musica Antiqua ca Orlando Gibbons, The Queenes Command Facsimile from J.S. Smith, Musica Antiqua ca Alonso Mudarra, "Si me llaman a mi" from Tres libros... , 1546 (lib. III no. 22) Alonso Mudarra, "Triste estaba el rey David" [David's lament] from Tres libros... , 1546 (lib. III no. 5, sig. b8-c) Emilio de Cavalieri, "O che nuovo miracolo" Ballo from Intermedio VI for La Pellegrina Alessandro Piccinini, Toccata VI Intavolatura di liuto, et di chitarrone Libro primo , 1623, pp. 100-101), for chitarrone Alessandro Piccinini, Chiaccona in partie variate Intavolatura di liuto, et di chitarrone Libro primo , 1623, p. 121), for chitarrone John Dowland, "Time stands still" The Third and Last Booke of Songs or Ayres , 1603, no. 2)
Francesca Caccini Translate this page Compositrice italienne, fille de Giulio caccini (chanteur et compositeur), francesca caccini (1587-1640) est probablement la première femme ayant composé http://www.lamediatheque.be/travers_sons/caccinif.htm
Extractions: Femmes compositrices Francesca CACCINI Compositrice italienne, fille de Giulio Caccini (chanteur et compositeur), Francesca Caccini (1587-1640) est probablement la première femme ayant composé des opéras. Très jeune, son père linitie à la musique. Il lui apprend le chant, le clavecin, le luth, la théorie musicale et la composition. La grande chance de Francesca Caccini est dêtre née dans une période radicale de transition musicale et davoir été informée directement des tendances musicales italiennes du moment. La seule partition d'opéra qui nous soit parvenue, La Liberazione di Ruggiero dall'Isola d'Alcina, relève de l'esthétique des premiers spectacles de la cour de Florence. L'écriture vocale est d'une absolue beauté, la soprano virtuose.
XXXII 639 Your browser may not have a PDF reader available. Google recommends visiting our text version of this document. http://mq.oxfordjournals.org/cgi/reprint/XXXII/4/639.pdf
University Of California Press - Error Your browser may not have a PDF reader available. Google recommends visiting our text version of this document. http://caliber.ucpress.net/doi/pdf/10.1525/jams.2005.58.1.266
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Alcina In Arcadia Your browser may not have a PDF reader available. Google recommends visiting our text version of this document. http://utpjournals.metapress.com/index/D6P7548658386527.pdf
