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King Ross:     more books (100)

Continuing Koren Book and CD by Ross King, 2002-01-01 Machiavelli Philosopher of Power by Ross King, 2007-01-01 The Judgment of Paris by Ross King, 2006 Machiavelli by Ross King, 2009 Ex-Libris by Ross King, 1998 MICHELANGELO AND THE POPE'S CEILING by Ross King, 2003-01-01 Domino by Ross King, 2002 Domino by Ross King, 2002 The Judgment of Paris by King Ross, 2006 Ex-Libris by Ross King, 1998 Domino by Ross King, 1995 A Middle-ring Suburb: A Study of the Urban Fabric of Hawthorn (Australia) by Ross; Pike, Jeremy; & Seddon, George King, 1979-01-01 MAQUIAVEL: FILOSOFO DO PODER by ROSS KING, 2010-01-01 Michelangelo and the Pope's Ceiling by Ross King, 2003

lists with details

101. Blogcritics.org: Michelangelo And The Pope's Ceiling - Ross King
     Blogcritics Surly, often sullen, perpetually brooding, argumentative, distrustful, highly competitive, monstrously creative and ugly to boot,  
     http://blogcritics.org/archives/2004/03/16/232506.php
     
     Extractions: Link to Blogcritics! var site="s11blogcritics" Home Posted by Deano on March 16, 2004 11:25 PM (See all posts by Deano Filed under: Books Books: Arts Books: History Scroll down to read comments on this story and/or add one of your own. Michelangelo and the Pope's Ceiling Ross King Book from Release date: 01 January, 2003 Surly, often sullen, perpetually brooding, argumentative, distrustful, highly competitive, monstrously creative and ugly to boot, Michelangelo Buonarroti was a sculptor of genius. Ross King's superlative book

102. Insolent Women And Crest-fallen Men: Christopher Smart,The Midwife, And Literary
     ross king. In Jubilate Agno, a collection of fragments written in a Bethnal Green madhouse during the early 1760s, Christopher Smart makes a number of  
     http://www.arts.gla.ac.uk/SESLL/STELLA/COMET/glasgrev/issue2/king.htm
     
     Extractions: In Jubilate Agno, a collection of fragments written in a Bethnal Green madhouse during the early 1760s, Christopher Smart makes a number of observations on the relationship between gender and what he perceives to be a deterioration of the cultural and political order. Though a prolonged hymn of praise to God, the poem is infected by a deep sexual bias and dwells at some length, and with much bitterness, on `mischief concerning women', Perhaps the most striking instance of this link between the sexual and cultural orders involves Smart's narrative of man's loss and recovery of his `horn', which, like the beard, is a token of masculinity whose loss or removal indicates `impaired' manhood and an upsetting of the patriarchal order: For I prophecy that we shall have our horns again. For in the day of David Man as yet had a glorious horn upon his forehead. [C.118-19]For it was taken away all at once from all of them. For this was done in the divine contempt of a general pusillanimity.

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