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Griffith D W:     more books (100)

D. W. GRIFFITH: The Years at Biograph by Robert M. Henderson, 1970 National Register of Historic Places in Oldham County, Kentucky: Pewee Valley Confederate Cemetery, D. W. Griffith House, Wooldridge-Rose House Film notes from the D. W. Griffith Film Center by Scott Hammen, 1979 D.W. GRIFFITH: THE YEARS AT BIOGRAPH by Robert M Henderson, 1979-01-01 D. W. GRIFFITH by IRIS BARRY, 1965 D.W. Griffith: American Film Master. by Iris Barry, 2002-01-01 D.W. Griffith American Film Master by Barry, Iris D. W. Griffith the Years a Biography by Robert M. Henderson, 1970 California Historical Society Quarterly. Volume Xliv. No. 3. D.W. Griffith, Ymca, Sarah Sands... by Manuel (Ed). Servin, 1965-01-01 "AMERICA": A MOTION PICTURE PRODUCED IN 1924 BY D.W. GRIFFITH by Robert W Chambers, 1970-01-01 D.W. Griffith and the Birth of Film by Richard SCHICKEL, 1984 D. W. Griffith, American Film Master by iris barry, 1965 Focus on D.W. Griffith The Birth of a Nation: Birth of a Nation (1982 Film), Thomas Dixon, Jr., The Clansman, D. W. Griffith, Silent Film, American Civil War

lists with details

81. Tom Gunning / D.W. Griffith And The Origins Of American Narrative Film: The Earl
    An allencompassing vision of D.W. griffith s early work. Gunning s study is full of new information and places the Biographs in a lucid  
    http://www.press.uillinois.edu/books/catalog/87gbw5tr9780252063664.html
    
    Extractions: David Desser , coauthor of American Jewish Filmmakers: Traditions and Trends "An all-encompassing vision of D.W. Griffith's early work. Gunning's study is full of new information and places the Biographs in a lucid historical-critical context that will serve any future scholar who ventures into the realm of early cinema."

82. Reason Magazine - The Outsiders
    How D.W. griffith Paved the Way for Ed Wood. Jesse Walker February 8, 2005. Ninety years ago today, at Clune s Auditorium in Los Angeles,  
    http://www.reason.com/news/show/33991.html
    
    Extractions: @import "/media/css/tf.css"; /* layout - screen only*/ @import "/media/css/reason.css"; /* layout - screen only*/ Reason Magazine Mike Alissi Chris Mitchell 3415 S. Sepulveda Blvd. Suite 400 Los Angeles, CA 90034 How D.W. Griffith Paved the Way for Ed Wood Jesse Walker Ninety years ago today, at Clune's Auditorium in Los Angeles, 2,500 people watched the premiere of The Clansman , a 12-reel saga of the Civil War and Reconstruction directed by the Kentucky-born filmmaker D.W. Griffith. Later retitled The Birth of a Nation , the movie climaxes with a horde of Negroes besieging a cabin full of whites. If you've seen any modern zombie movie, then you've seen an echo of the cabin scene: In Griffith's eyes, the blacks outside that little house are the Living Dead, their monstrous arms reaching through the doors and windows while our heroes try desperately to fend them off. In Griffith's movie, the whites are rescued by the Ku Klux Klan, who subsequently strip the blacks of their arms and of the franchise. The movie had already been condemned by the National Association for the Advancement of Colored People, and the city of Los Angeles had passed an injunction against a matinee screening. Other jurisdictions would soon ban the picture outright. But

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