Sons And Lovers: The New Yorker Mick (aidan gillen) has a body like a switchbladealways ready to spring into action and respond to violence with violence. In a leather jacket as black as http://www.newyorker.com/critics/theatre/?031117crth_theatre
Extractions: BUDDY BOY A beautifully acted, haunting enigma about the sub-reality of daily experiences that gets a bit too weird to have genuine power *SILVER Two things jump off of the screen in Buddy Boy ; Aidan Gillens performance and Mark Hanlons directorial talent to draw us into the thick of emotional confusion and voiceless isolation. Aidan Gillen plays Francis, a man who appears of sufficient age to lead an independent, productive life, yet Francis lives with his alcoholic, physically impaired, and abusive mother (Susan Tyrrell) in a run down apartment. He is too meek to speak out against the mothers blinding Catholic dogma. His face, indicative of his outlook on life, is locked in an expression of crippling self-doubt. Francis develops a voyeuristic obsession with the beautiful woman living in the building across the street. A strategic peephole provides him with fantasy for intimate connection. This fleeting experience of pleasure is reduced to guilty masturbation, which sucks his life force both because he is committing a sin against his Catholic belief and because his orgasm is a gasp of desperation for the consummation he desires but lacks the stuff to achieve with a real person. In contrast to his life, the woman across the street lives a gregarious, connected life with friends and lovers.
Extractions: Aiden Gillen is the dark horse in the Irish acting sweepstakes. Farrell can brood for Ireland, Rhys Meyers can do Byronic til the cows come home, Cillian Murphy can be delicate and deranged in equal measure, but the 38-year-old Drumcondra-born London-based actor is a magnetic and wilfully maverick character devoted to Bukowski, The Replacements, Cassavetes and the 70s generation of American auteurs.
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Roundabout Theater Company News - The New York Times aidan gillen is the only cast member who conveys ambiguity with conviction and precision in this Harold Pinter revival at the American Airlines Theater. http://topics.nytimes.com/top/reference/timestopics/organizations/r/roundabout_t