Home  - Book_Author - Tao Yuanming

Books Baby Camera Phones Computers Games DVD Electronics Kitchen Magazines Music Garden Software Tools Toys Video Apparel & Accessories Jewelry & Watches Musical Instruments Health & Personal Care Beauty Sports & Outdoors Office Products

e99.com Bookstore

Images

Newsgroups

21-40 of 103    Back | 1  | 2  | 3  | 4  | 5  | 6  | Next 20

A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z

Tao Yuanming:     more books (46)

Gleanings from Tao Yuan-ming: Prose & poetry = Tao Yuanming shi wen xuan yi by Qian Tao, 1984 Literatur (5. Jahrhundert): Sententiae Syriacae, Syrisch-Römisches Rechtsbuch, Tao Yuanming, Sengzhao, Blossius Aemilius Dracontius, Hou Hanshu (German Edition) The Complete Works of Tao Yuanming (Library of Chinese Classics) The Complete Works of Tao Yuanming by Unknown, 1991-01-01 Tao Yuan-ming (AD 365-427), his works and their meaning by A. R Davis, 1983 Selected Poems. Yuanming Panda Books. Cover Wang Ruilin. STATED FIRST EDITION 1993. by Tao Yuanming, 1993 Pfirsichblütenquell. Gedichte. by Tao Yüan-ming, 1992-04-01 Classical Chinese 2B : Selections from by Liu Hsiang, Szu-ma Ch'ian (Han), et all 1976 Oeuvres complètes by Yuan-ming Tao, Paul Jacob, 1990-03-22 Poetry and Prose of the Han, Wei and Six Dynasties by Tao Yuanming, 2005-01 Tao Yuanming yan jiu zi liao xin bian (Mandarin Chinese Edition) Tao Yuanming tan suo (Wen shi zhe da xi) (Mandarin Chinese Edition) by Meili Chen, Gu jin yin yi shi ren zhi zong: Tao Yuanming lun xi (Yun chen cong kan) (Mandarin Chinese Edition) by Guoying Wang, luan shi si da wen hao he ji zhu yi: Tao Yuanming ji, Ji Kang ji, Ruan Ji ji, Cao Cao ji (Mandarin Chinese Edition)

lists with details

21. Changingtrip.com
    Since Tao YuanMing s time, a variety of guesses have been made.some say it must be Tao YuanMing lived in a wartorn world. After abandoning his official  
    http://www.changingtrip.com/english/50sight/27.asp

22. UW Press: Search Books In Print
    In Tao YuanMing and Manuscript Culture, Xiaofei Tian shows how readers not Considered emblematic of the national character, Tao YuanMing (also known as  
    http://www.washington.edu/uwpress/search/books/TIATAO.html
    
    Extractions: As medieval Chinese manuscripts were copied and recopied through the centuries, both mistakes and deliberate editorial changes were introduced, thereby affecting readers' impressions of the author's intent. In Tao Yuanming and Manuscript Culture, Xiaofei Tian shows how readers not only experience authors but produce them by shaping texts to their interpretation. Tian examines the mechanics and history of textual transmission in China by focusing on the evolution over the centuries of the reclusive poet Tao Yuanming into a figure of epic stature. Considered emblematic of the national character, Tao Yuanming (also known as Tao Qian, 365?-427 c.e.) is admired for having turned his back on active government service and city life to live a simple rural life of voluntary poverty. The artlessness of his poetic style is held as the highest literary and moral ideal, and literary critics have taken great pains to demonstrate perfect consistency between Tao Yuanming's life and poetry. Earlier work on Tao Yuanming has tended to accept this image, interpreting the poems to confirm the image. Tao Yuanming and Manuscript Culture is a study of how this cultural icon was produced and of the elusive traces of another, historical Tao Yuanming behind the icon. By comparing four early biographies of the poet, Tian shows how these are in large measure constructed out of Tao Yuanming's self-image as projected in his poetry and prose. Drawing on work in European medieval literature, she demonstrates the fluidity of the Chinese medieval textual world and how its materials were historically reconfigured for later purposes.

23. Chinese History - Southern And Northern Dynasties Philosophy
    The most famous poets of this period were Tao YuanMing ? (Tao Qian ),Xie Lingyun ? and Yan Yanzhi ?. Poetic style became so trendy that  
    http://www.chinaknowledge.de/History/Division/jin-literature.html
    
    Extractions: next period (Sui) Revival of Daoism and mutual interpretation of Daoism and Confucianism - The school of Mysteries - Poetry and rhyme prose - Literature critits - Geography and tales - Buddhist and Confucian literature in the north The orthodox Confucianism of the Han Dynasty that was only able to comment the old canonical books and to produce a sterile officialdom, was thoroughly discredited by the end of Later Han. Retiring from governmental offices became the normal way of life for the literati and the scholarship. The most famous representatives of this attitude were the "Seven Sages of the Bamboo Grove" ( Zhulin Qixian 竹林七賢: Ruan Ji 阮籍, Xi Kang 嵇康, Shan Tao 山濤, Xiang Xiu 向秀, Liu Ling 劉伶, Wang Rong 王戎, and Ruan Xian 阮咸) that engaged in highly sophisticated discussions ("pure discussions"

24. *The Project Gutenberg Etext Of Tao Hua Yuan Ji, By Tao YuanMing
    Peach Blossom Shangrila (Tao Hua Yuan Ji) By Tao YuanMing 1 During the Taiyuanera 2 of the Jin Dynasty 3 there was a man of Wuling 4 who made his  
    http://www.gutenberg.org/dirs/etext00/peach10.txt

25. Tao Yuanming And Manuscript Culture
    Tao YuanMing and Manuscript Culture. Xiaofei Tian , 0295985534, UNIVERSITY OFWASHINGTON PRESS, November 2005, 328pp, HB Availability NYP Price $120.00  
    http://www.unireps.com.au/isbn/0295985534.htm
    
    Extractions: Booksellers Discount Code: Frontlist As medieval Chinese manuscripts were copied and recopied through the centuries, both mistakes and deliberate editorial changes were introduced, thereby affecting readers' impressions of the author's intent. Xiaofei Tian shows how readers not only experience authors but produce them by shaping texts to their interpretation. Tian examines the mechanics and history of textual transmission in China by focusing on the evolution over the centuries of the reclusive poet Tao Yuanming into a figure of epic stature.

26. Young Tao
    3 Poems After Tao YuanMing. by David Young. 1. Spending the Day by the River Xie.New Year’s Day and suddenly I’m sixty,. my life getting ready  
    http://www.cipherjournal.com/html/young_tao.html

27. Chinese, Yuan Dynasty / Scholar Tao Yuanming's Return To His Village / 14th Cent
    Chinese, Yuan dynasty / Scholar Tao YuanMing s Return to his Village / 14th century.  
    http://www.davidrumsey.com/amico/amico11215198-37244.html

28. Directory Of Pages Each Page Represents One Object In The Collection
    Chinese, Yuan dynasty / Scholar Tao YuanMing s Re / 14th century Chinese,Yuan dynasty / Scholar Tao YuanMing s Re / 14th century Chinese,  
    http://www.davidrumsey.com/amico/amico11_list1.html
    
    Extractions: Directory of Pages, each page represents one image in the collection: China / Funerary Sculpture of a H / Tang dynasty, 618-906 China / Funerary Sculpture of a H / Tang dynasty, 618-906 China / Funerary Sculpture of a H / Middle Tang dynasty, abou China / Funerary Sculpture of a H / Middle Tang dynasty, abou ... Contact

29. Tao Qian - Wikipedia, The Free Encyclopedia
    Tao YuanMing Ji Yi Zhu ISBN 7806260641. Wu Zheshun ed. Tao YuanMing Ji ISBN780520-683-X; David Hinton (translator). The Selected Poems of T ao Ch ien.  
    http://en.wikipedia.org/wiki/Tao_Qian
    
    Extractions: Portrait of Tao Qian, by Chen Hongshou (1599-1652) T¡o Qi¡n Chinese Wade-Giles : T'ao Ch'ien) ( ), also known as T¡o Yuānm­ng (陶淵明),born in Xunyang Chaishang (now Jiujiang in Jiangxi province ). T'ao Y¼an-ming , was one of the most influential pre- Tang Dynasty Chinese poets He came from a notable family which had descended into poverty; when young, he was torn between ambition and a desire to retreat into solitude. He served in a series of minor posts, but his sister's death, as well as disgust at the corruption and infighting of the Jin Court prompted his resignation, convincing him that life was too short to compromise on his principles; as he put it himself, 'I shall not break my back for five bushels of grain' (The term 'five bushels of grain' is often used to describe officialdom). He lived in retirement for his last 22 years. Approximately 120 of his poems survive, which depict an idyllic pastoral life of farming and drinking. His works had a major influence on subsequent poets. edit Meng Erdong ed.

30. Chinese Program's Message Board
    of the following short poem by T ao Chi en (or Tao YuanMing). I searched everywherewithout success.  
    http://www.b2g5.com/boards/board.cgi?action=read&id=1069880885&user=sfsuchin

31. Chinese Program's Message Board
    Re(1) Question about poem by T ao Chi en (Tao YuanMing) Posted on January 7,2004 at 074808 PM by ttt ? ?,  
    http://www.b2g5.com/boards/board.cgi?action=read&id=1073533688&user=sfsuchin

32. Peach Blossom Shangri-la (Tao Hua Yuan Ji) - The Story
    By Tao YuanMing 1 By Tao YuanMing 1. During the Taiyuan era 2 of theJin Dynasty 3 there was a man of Wuling 4 who made his living as a  
    http://www.worldwideschool.org/library/books/lit/shortstories/PeachBlossomShangr
    
    Extractions: During the Taiyuan era [2] of the Jin Dynasty [3] there was a man of Wuling [4] who made his living as a fisherman. Once while following a stream he forgot how far he had gone. He suddenly came to a grove of blossoming peach trees. It lined both banks for several hundred paces and included not a single other kind of tree. Petals of the dazzling and fragrant blossoms were falling everywhere in profusion. Thinking this place highly unusual, the fisherman advanced once again in wanting to see how far it went. [1] Chinese nature poet, c. 365-427. This prose story is one of the poet's most well-known works. [4] A place in present-day Hunan Province. The peach trees stopped at the stream's source, where the fisherman came to a mountain with a small opening through which it seemed he could see light. Leaving his boat, he entered the opening. At first it was so narrow that he could barely pass, but after advancing a short distance it suddenly opened up to reveal a broad, flat area with imposing houses, good fields, beautiful ponds, mulberry trees, bamboo, and the like. The fisherman saw paths extending among the fields in all directions, and could hear the sounds of chickens and dogs. Men and women working in the fields all wore clothing that looked like that of foreign lands. The elderly and children all seemed to be happy and enjoying themselves.

33. Art Bulletin, The: Revisiting The Eastern Fence: Tao Qian's Chrysanthemums
    The painting is reproduced in color in Yuanming yizhi, 11; included in manyhandscrolls illustrating Episodes in the Life of Tao YuanMing (an example is  
    http://www.findarticles.com/p/articles/mi_m0422/is_3_83/ai_84192644/pg_12
    
    Extractions: (67.) The proprietor used phrases from "Returning Home" to name various sites in this garden (among them a "Pine and Chrysanthemum Hall"), putting up placards with the name for each. Coming and going among them, he explained in an essay, he felt as if he were in silent conversation with Tao, sharing his life and his contentment; "wherever I walk, I am 'returning home,'" See Chao Buzhi (1053-1110), Guilaizi ming Mincheng suo ju ji (Record of Master Returning-Home naming the sites of his residence in Mincheng), in Jilei ji, ed. Sibu congkan (Taibei: Shangwu, 1975), 31, 208-9. On this and other Tao-inspired Song gardens, see Robert E. Harris Jr., "Art and Identity in the Northern Sung Dynasty: Evidence from Gardens," in Arts of the Sung and Yuan (New York: Metropolitan Museum of Art, 1996), 147-63.

34. Art Bulletin, The: Revisiting The Eastern Fence: Tao Qian's Chrysanthemums
    1662), Tao YuanMing Sniffing Chrysanthemums (Yuanming xiuju), in the Palace Museumin Beijing, the poet is shown as if returning from his eastern fence,  
    http://www.findarticles.com/p/articles/mi_m0422/is_3_83/ai_84192644/pg_4
    
    Extractions: Long before Tao Qian and Cao Pi, around the turn of the third century B.C.E., the poet Qu Yuan had written of eating chrysanthemum petals, clearly as a tonic. (27) Old legends told of many other users. Wu Bin, a master of longevity techniques, taught his ninety-year-old former wife to make a concoction including chrysanthemums; she regained her vigor and was still living over a hundred years later. (28) Ge Hong (283-343), a famous immortality seeker and author of a book of advice on the subject, offers a recipe for chrysanthemums mixed with the brains of an exotic blue foxlike beast, said to ensure five hundred years of life. (29)

35. China And Inner Asia Sessions
    Tao YuanMing’s Uses of Leisure. Wendy Swartz, Columbia University. Leisure playsa crucial role in Tao YuanMing’s (365?–427) poetic selfconstruction.  
    http://www.aasianst.org/absts/2005abst/China/C-35.htm
    
    Extractions: Panels by World Area Main Menu View the Timetable of Panels Session 35: The Culture of Leisure in Medieval China: Sponsored by the Early Medieval China Group Organizer: Wendy Swartz, Columbia University Chair: David R. Knechtges, University of Washington Discussant: Stephen Owen, Harvard University Keywords: leisure, medieval China, Six Dynasties, Tang, culture. Leisure was a remarkable, ubiquitous phenomenon in medieval Chinese culture, yet it has rarely been treated in scholarly discourse. It figures in or underlies many literary, historical and cultural documents from the period, revealing a distinct culture of leisure. It cannot be reduced to empty time to be filled or simply defined against work, raising a host of complex issues such as (un)productivity, morality, self-expression and modes of reading. This panel explores the idea and practices of leisure in the Six Dynasties and early Tang through examinations of their formulations in architecture, music and literature. qin , in medieval culture. Robert Ashmore’s paper will examine the experience of reading as "excursion" (

36. Session 141
    Minru Li details Tang and Song poetic appropriations from Tao YuanMing (c.365–427); Since Tao YuanMing (c. 365–427) composed the preface and poem Peach  
    http://www.aasianst.org/absts/1999abst/china/c-141.htm
    
    Extractions: Back to Table of Contents Session 141: Voice Within Voices: Alternating Layers of Discourse in Traditional Chinese Poetics Organizer: Colin Hawes , University of British Columbia Chair: Xiaoshan Yang , University of Notre Dame Discussant: Alice W. Cheang , University of Notre Dame No writer escapes his or her antecedents. In the Chinese tradition, past literary practices and practitioners are understood to loom particularly large. Overwhelmed by their cultural inheritance, runs the common assumption, classical Chinese authors, far from straining for originality, eagerly sought to "transmit" the received wisdom of their forebears and "return to the ancients." What if this identification with the past—for some authors, or in certain periods, at least—is regarded as a mainly superficial gesture which masks real intentions to clear creative space by subverting powerful predecessors? To what extent can resistance to the pressure of established models, or the anxieties of influence endured by late-born "talents" striving to prove themselves, be gauged? The panel also assesses on the theoretical level the relevance in the Chinese context of such Western perspectives as Harold Bloom’s concept of the "anxiety of influence," and whether the Chinese tradition offers a viable alternative to Freudian-inspired terms.

37. Tao Yuanming, Famoso Poeta De Dinastía Jin
    Translate this page Xie Lingyun y Yan Yanzhi, que vivieron un poco despu©s de Tao YuanMing, A trav©s de semejantes descripciones Tao YuanMing nos ofrece un verdadero  
    http://www.spanish.xinhuanet.com/spanish/2005-03/30/content_97381.htm
    
    Extractions: Portada Tao Yuanming, famoso poeta de dinast­a Jin 30.03.2005 Actualizado a las 13:19:57 Beijing, 29 mar (Xinhuanet) Tao Yuanming, o Tao Qian, era natural de Chaishang (hoy Jiujiang, de Jiangxi). Naci³ entre 365 y 372 y muri³ en 427. Proven­a de una familia de terratenientes empobrecidos, fue un hombre de reconocida integridad y sirvi³ como funcionario de escasa categor­a hasta el a±o 405, en que se retir³ a vivir en su granja. Esto lo acerc³ a los campesinos; ©l mismo labraba la tierra y a menudo pas³ fr­o y hambre. Estas experiencias lo hicieron ver la vida en forma diferente de otros escritores de su ©poca. Esta profunda comprensi³n, unida a sus brillantes dotes literarias, hizo de ©l el m¡s grande poeta de la dinast­a Jin y uno de los m¡s grandes poetas en toda la historia de China. Muchos de los poetas que gozaron de popularidad durante la dinast­a Jin, como Lu Ji y Pan Yue, pusieron el acento en la forma, a expensas del contenido. En realidad ©ste era el camino para ganar la fama en aquellos tiempos. Xie Lingyun y Yan Yanzhi, que vivieron un poco despu©s de Tao Yuanming, escribieron brillantes poemas - la naturaleza de los poemas de Xie Lingyun es muy celebrada - aunque a veces muestran en ellos un exceso innecesario de adornos. Pero en esa ©poca en que el lenguaje florido y artificioso estaba a la moda, Tao Yuanming fue el ºnico poeta que us³ una forma simple, la forma en que se habla cotidianamente, para escribir sobre la vida diaria. Ejemplo de ©sto es "Cosechando arroz tempranero en el campo del oeste, en el noveno mes del a±o Guangxu"-

38. CorreoCastellano@xinhuanet.com Portada Literatura Diez Imágenes
    Translate this page Tao YuanMing, famoso poeta de dinast­a Jin (30.03.2005). Tao YuanMing, o TaoQian, era natural de Chaishang (hoy Jiujiang, de Jiangxi).  
    http://www.spanish.xinhuanet.com/spanish/litera.htm
    
    Extractions: El drama de la dinast­a Yuan (1206- 1368), un tipo de verso popular en la dinast­a Yuan, no s³lo ocupaba un lugar importante en esta ©poca, sino tambien tiene gran peso en la historia de literatura y arte de China. Drama en la dinast­a Yuan, gran peso en la literatura y  arte de China El drama de la dinast­a Yuan (1206- 1368), un tipo de verso popular en la dinast­a Yuan, no s³lo ocupaba un lugar importante en esta ©poca, sino tambien tiene gran peso en la historia de literatura y arte de China. Diez im¡genes mitol³gicas de China La gente cree que la zorra sobrenatural de mil a±os puede dar buena o mala suerte a las personas. Por lo tanto, la llama inmortal y considera su aparici³n como augurio de la felicidad o desgracia. Tao Yuanming, famoso poeta de dinast­a Jin Tao Yuanming, o Tao Qian, era natural de Chaishang (hoy Jiujiang, de Jiangxi). Naci³ entre 365 y 372 y muri³ en 427. Proven­a de una familia de terratenientes empobrecidos, fue un hombre de reconocida integridad y sirvi³ como funcionario de escasa categor­a hasta el a±o 405, en que se retir³ a vivir en su granja. Presentan en China nuevo libro sobre poeta chileno Pablo Neruda En una entrevista exclusiva con Xinhua, el autor expres³ hoy que continuar¡ esforz¡ndose por introducir las obras de poetas chilenos y de otros pa­ses latinoamericanos al pueblo chino.

39. Tomnolovic
    Su Guo? Continuation of Su Shi? Literary Association with Tao YuanMing Brook reflected Su Guo? regard for Tao YuanMing ? (365427).  
    http://www.wbaos.org/AOS03/tomnolovic.html
    
    Extractions: Su Guo Ĭ¹L (1072Ð1123), the youngest son of the prominent Northern Song scholar-official Su Shi (1037Ð-1101), is known to posterity primarily because of association with his father. Su GuoÕs biography in the Song History is appended to that of Su Shi. Because his poetry and calligraphic style were said to resemble those of Su Dongpo ĬªF©Y , he was popularly known by the diminutive ÒXiao Po ¤p©Y .Ó Among the six sons of Su Shi and his brother Su Zhe (1039Ð1112), only Su Guo was accorded a biography in the dynastic history; only his collected works are extant. A consideration of Su GuoÕs poetry and prose in his Xiechuan ji ±×¤t¶° reveals that in diction, style and theme, he was influenced by Su Shi. The earliest poems in the collection were composed when Su Guo accompanied his father during exiles in Huizhou and Danzhou. Many of the poems were written to the match the rhymes of his fatherÕs original compositions. One of the consolations expressed by Su Shi during this time was the realization that his son possessed literary talent. The choice of the alternate name Retired Scholar of Xie Brook ±×¤t©~¤h reflected Su GuoÕs regard for Tao Yuanming ³³²W©ú (365-427). Furthermore, alluding to the place of TaoÕs roaming, Xie Brook, Su Guo titled his collected works. Although Su Guo did not compose, as did his father, rhyme-matching poems for all of the works in Tao YuanmingÕs corpus, he wrote numerous poems that referenced TaoÕs works. Certainly Su GuoÕs poems paled in comparison with those of Su Shi; nonetheless several of his poems are excellent compositions. As a calligrapher, Su Guo wrote in several styles preferred by his father; for deceased members of the Su family, Su Guo was called upon to provide calligraphy for funerary inscriptions and grave stele.

40. Welcome To Literature
    Tao YuanMing, who led a reclusive life after rejecting the life of an official, Xie Lingyun (AD 385433), who ived around the same time as Tao YuanMing,  
    http://english.ccnt.com.cn/?catog=literature&file=020100&page=3&ads=service_001

A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z

21-40 of 103    Back | 1  | 2  | 3  | 4  | 5  | 6  | Next 20