Notes On Variations On "America" (Charles Ives) Variations on America (189192, 1902). Charles Ives (1874-1954). Picture ofIves Charles Ives was not yet twenty, still serving his musical apprenticeship http://www.loudounsymphony.org/notes/ives-america.html
Extractions: Notes on Charles Ives was not yet twenty, still serving his musical apprenticeship under the tutelage of his father Edward, when he completed the first version of what has proven one of his most enduring works, the Variations on "America." Its status as something of a signature piece for the composer is a bit anomalous; although it gives clear evidence of the path the mature Ives would follow, Variations is a distinctly youthful work that also suggests the road he quickly abandoned. From the perspective of Ives's later work, Variations on "America" stands out for its decorous, almost pedantic good behavior. This may seem a strange assertion, given its rather cavalier treatment of the main theme, a melody sacrosanct even in Ives's day. But compared to the boldly experimental approach to musical form characteristic of all of his mature work, this piece, with its clear invocation of the centuries-old structure of introduction, theme, and variations seems positively reactionary. It also bears observing that the irreverence we are likely to hear in Variations derives in some measure from William Schuman's masterful orchestration. Ives's original is for the organ (the instrument on which he earned his living before turning to seek his fortune as an insurance executive); Schuman's instrumentation sharpens, and occasionally exaggerates, the playfulness of the original.
The Life Of Charles Ives - Cambridge University Press Ives, Charles,18741954; ComposersUnited StatesBiography Charles Ivesgrew up in the nineteenth century and composed chiefly in the twentieth. http://www.cambridge.org/uk/catalogue/catalogue.asp?isbn=0521590728
Program Charles Ives (18741954). Ann Street. Charles Ives (1874-1954). The Housatonicat Stockbridge. Charles Ives (1874-1954). The Cage. Charles Ives (1874-1954) http://www.palomar.edu/concerthour/Pipes_Hammers/Program.htm
Extractions: Book Description Reviews TABLE OF CONTENTS: Preface and Acknowledgments Ives and the Four Musical Traditions Innovation and Nostalgia: Ives, Mahler, and the Origins of Modernism Ives's Concord Sonata and the Texture of Music Charles Ives and the American Democratic Tradition Of Men and Mountains: Ives in the Adirondacks Selected Correspondence 1881-1954 Selected Reviews 1888-1951 Charles E. Ives Charles E. Ives Charles Ives: The Man and His Music (Excerpt) An American Innovator, Charles Ives Ives Today: His Vision and Challenge Four Symphonies by Charles Ives Tardy Recognition: Emergence of Charles Ives as Strongly Individual Figure in American Music On Horseback to Heaven Posterity Catches Up with Charles Ives Charles Ives - America's Musical Prophet Charles E. Ives: 1874-1954 Index List of Contributors Return to Book Description File created: 8/5/2005 Questions and comments to: webmaster@pupress.princeton.edu
Ives, Charles (Norwegian Writers' Web) Playwrights Association Norwegian Writers Center Norwegian Association ofLiterary Translators. Ives, Charles 18741954. E-text Project Gutenberg http://www.litteraturnettet.no/i/ives.charles.asp?lang=gb&type=
Charles Edward Ives (1874-1954) - Klassiekemuziekgids.net Charles Edward Ives Danbury, Conn., 1874 New York 1954 Geschriften Essaysbefore a sonata and other writings by Charles Ives (waarbij Postface to 114 http://www.klassiekemuziekgids.net/componisten/ives.htm
Extractions: In 1906 begon hij een succesvolle carrière als leider van een mede door hem opgerichte verzekeringsmaatschappij. Zijn kantoorbetrekking stelde hem naar eigen zeggen in staat als kunstenaar onafhankelijk te blijven. Hoewel er voor het componeren weinig tijd overbleef, was zijn productiviteit zeer groot. Na 1926 heeft hij echter geen nieuwe werken meer voltooid. Ives begon al vroeg met muzikale verkenningen buiten het conventionele idioom. In een reeks psalmzettingen uit 1894 treft men polytonaliteit, enhemitoniek en allerlei vormen van dissonerend contrapunt aan. Hij kwam later tot een atonale schrijfwijze en een vergaande differentiatie van metriek en ritmiek, onkundig van soortgelijke ontwikkelingen die terzelfder tijd in Europa plaatsvonden. Tevens experimenteerde hij met kwarttonen ( Three quarter-tone pieces voor 2 piano's, 19231924). Anderzijds keerde hij voortdurend terug naar traditionele Amerikaanse bronnen: de populaire melodieën, gospelliederen, circus- en marsmuziek die hij uit zijn jeugd kende en die hij in zijn muziek citeerde.
Extractions: January 20, 2005 New England Conservatory Presents Charles Ives and His World, Composer John Heiss Curates His 15th NEC Festival, Offering Array of Concerts, Masterclasses, Panels with Leading Ives Scholars Memphis Symphony Music Director David Loebel Conducts NEC Festival Orchestra in Boston Premiere of John Heiss Charles Ives and His World Symphony No. 2 Stephen Drury , NEC Wind Ensemble Director Charles Peltz , and Boston Globe Charles Ives and His World is produced with financial support from The Harriet K. Maxwell Foundation, administered by The Charles Ives Society, Inc. The schedule for the festival follows. Faculty directors and/or conductors of NEC ensembles are noted in parentheses. Charles Ives and His World
Anecdote - Charles Edward Ives - Charles Ives Ives, Charles Edward (18741954) American insurance pioneer and composer notedfor his creation of the first training course for insurance agents and his http://www.anecdotage.com/index.php?aid=3297
Art Of The States: Charles Ives Charles Ives (18741954). String Quartet No. 1 From the Salvation Army (c.1897-1900). Charles Ives (1874-1954). string quartet http://artofthestates.org/cgi-bin/composer.pl?comp=33
Art Of The States: Charles Ives Although virtually unknown until he ceased composing in 1925, Charles Ives (18741954)is considered one of the first great composers of concert music in http://artofthestates.org/cgi-bin/compbio.pl?compname=ivescharles
11Modern Music : Charles_Edward_Ives Charles EDWARD Ives (18741954) - Born in Danbury, Connecticut, Ives was both acomposer and a business man. His music sounds experimental, even today. http://trumpet.sdsu.edu/M345/Knowledge_Webs/A11Modern_MusicY/Charles_Edward_Ives
Extractions: @import "/dram/_styles/style.css"; Javascript must be enabled for this site to function properly. Browse About DRAM Login ... Logout An Old Song Resung: Works by Cadman/Farwell/Griffes/Ives Composer(s): Cadman, Charles Wakefield Farwell, Arthur Griffes, Charles Tomlinson Ives, Charles Performers: Baldwin, Dalton Performer : piano; Huckaby, William Performer : piano; Parker, William Vocal Tass, John Bannister Lyrics Album Runtime: 55:12 Stream Liner Note: View in new window Work: Three Indian Songs Composer(s): Farwell, Arthur Work: Four American Indian Songs, Op. 45 Composer(s): Cadman, Charles Wakefield Work: At The River Composer(s): Ives, Charles Work: His Exaltation Composer(s): Ives, Charles Work: Watchman! Composer(s): Ives, Charles Work: The Camp Meeting Composer(s): Ives, Charles Work: Sunrise Composer(s): Ives, Charles (1874-1954): also lyrics Work: Chanson de Florian Composer(s): Ives, Charles Work: Rosamunde Composer(s): Ives, Charles Work: Qu'il m'irait bien Composer(s): Ives, Charles
IVEPER - Ives Periodical Literature (thru 74) Plus A Few Newer Charles E. Ives 18741954. The Yale Review, XLIV, June, 1955, pp. 535-545.Sear, HG Charles Ives Song Writer. Monthly Musical Record, February, 1951. http://www.ibiblio.org/pub/academic/music/American-Music-Resource/subject-index/
Extractions: IVEPER - Ives periodical literature (thru '74) plus a few newer Alexander, Michael. "Ives' Piano Takeoffs - Bad Resolutions or Good. Tempo, #158, Sept., 1986. Baron, Calro K. "Dating Charles Ives' Music: Facts and Fictions." Perspectives of New Music. 28:1 (Winter, 1990): 20. Bellamann, Henry. "Charles Ives: The Man and His Music," The Musical Quarterly, 1933, Vol. 1. Boatwright, Howard. "Ives' Quarter-Tone Impressions," Perspectives of New Music, Vol. 3, No. 2. Spring-Summer, 1965. Bolcom, William. Letter to the Editor: "Of Ives, Music and Insurance" New York Times, 3/13/88. Carpenter, Patricia. "The Musical Object," Current Musicology, No. 5, 1967. Carter, Elliott. "The Rhythm Basis of American Music," Score, June, 1955. Carter, Elliott. "An American Destiny," Listen, IX, November, 1946, 4-7. Carter, Elliott. "Shop Talk by an American Composer," The Musical Quarterly, Vol. 46, No. 2, 1960. Carter, Elliott. "The Case of Mr. Ives," Perspectives of New Music, Vol. 2, No. 2, 1964. Carter, Elliott. "Ives Today: His Vision and Challenge," Modern Music, XXI, May-June, 1944, 199-202. Cazden, Norman. "Realism in Abstract Music," Music and Letters, Vol. XXXVI, January, 1955, p. 38. Charles, Sydney Robinson. "The Use of Borrowed Material in Ives' Second Symphony," The Music Review, VIII, May, 1967, pp. 102-111. "Charles E. Ives." Anon. Rev., Life, October 31, 1949. Citkowitz, Israel. "Experiment and Necessity - New York, 1932," Modern Music, November, 1933. "Composer's Column" (Charles E. Ives). International Musician. November, 1949. Copland, Aaron. "A Businessman Who Wrote Music on Sundays." Music and Musicians. 9: 18, November, 1960. Copland, Aaron. "One Hundred Fourteen Songs." Modern Music, XI, January- February, 1934, pp. 59-64. Cowell, Henry. "Three Native Composers." The New Freeman, May 3, 1930. Cowell, Henry. "Charles Ives and His Music." The Musical Quarterly, No. 4, 1955. Cowell, Henry. "American Composers. IX: Charles Ives." Modern Music, X, November-December, 1932, pp. 24-32. "Double Indemnity," Anon. Rev. Time, LI, February 23, 1948, pp. 66-67. Downes, Olin. "Charles Ives." American Composers Alliance. Vol. 4, No. 1, 1954. Eger, Joseph. "Ives and the Beatles," Music Journal, September, 1968. Ericson, R. "Charles Ives: After 55 Years, Still Avant-Garde." New York Times, May 24, 1964, p. 113, 18, Sect. 2. Frankenstein, Alfred. "Ives' Concord Sonata - A Great Day for American Music." ACA Bulletin, Special Commemorative Issue, Vol. 10, No. 2, May, 1962. Gardner, John. "Testing Genius by Analysis." Composer, No. 24, Summer, 1967. Garland, Peter, ed. Soundings: Ives, Ruggles, Varese. Soundings Magazine, 1974. Goodman, John. "An Urbanized Thoreau." The New Leader, September 23, 1968, pp. 23-24. Grunfeld, Frederic. "Charles Ives: Yankee Rebel," High Fidelity, November, 1954. Hall, David. "Charles Ives: An American Original," HiFi/Stereo Review, September, 1964. Harrison, Lou. "On Quotation," Modern Music, XXIII, Summer, 1946. Henehan, Donal. "Is an Icon Becoming a Has-Been." New York Times, 4/5/87. Henehan, Donal. "Did Ives Fiddle With the Truth?" New York Times, 2/21/88, Section 2. Herrmann, Bernard. "Four Symphonies by Charles Ives." Modern Music, XXII, May-June 1945, pp. 215-222. Insurance Man. Anon. Rev., Time, XXXIII, January 30, 1939, pp. 44-45. Kelly, June. "American Music Comes of Age." Music Journal, September, 1949. Kirkpatrick, John. "Ives as Revealed in his Marginalia." The Cornell University Musical Review, IV, 1961, pp. 14-19. Klein, Howard. "Ives: A White Heat of Conviction." New York Times, April 16, 1967, p. 26D. Kolodin, Irving. "A Dream of a Dream - New Ives Hence." Saturday Review, May 15, 1965. Lambert, J. Phillip. "Aggregate Structures in the Music of Charles Ives." Journal of Music Theory. 34:1 (Spring, 1990): 29. Lang, Paul Henry. "Ives in Retrospect." Saturday Review, XXIX, June 1, 1946. Lippman, Edward Arthur. "Symbolism in Music," The Musical Quarterly, October, 1953, Vol. XXXIX, No. 4. Maniates, Maria Rika. "Sound, Silence and Time: Towards a Fundamental Ontology of Music," Current Musicology, Spring, 1966. Marshall, Dennis. "Charles Ives' Quotations: Manner or Substance?" Perspectives of New Music, Vol. 6, No. 2, Spring-Summer, 1968. Mellers, W. H. "Music in the Melting Pot." Scrutiny, March, 1939. Moor, Paul. "On Horseback to Heaven: Charles Ives." Harper's Magazine, CXCVII, September, 1948, pp. 65-73. Moor, Paul. "Two Titans." Theatre Arts, XXIV, ii, February, 1950, pp. 49-51; 94-95. Noske, Fritz R. "Musical Quotation as a Dramatic Device: The Fourth Act of Le Nozze Di Figaro." The Musical Quarterly, Vol. LIV, No. 2, April, 1968. "Notes of the Day." Anon. Monthly Musical Record, Vol. 85, No. 968, July- August, 1955. Parker, Horatio. "Addresses, Essays, Lectures, 189?-1919." No. 13, Yale University Library of the School of Music, (ma 33-P-A4). Perkins, Francis D. "In Defense of Critics." Harper's, December, 1948. Pratt, Waldo S. "Music as a University Course." The American Monthly Review of Reviews, Vol. XIV, July 1896, p. 87. Rosenfeld, Paul. "Charles E. Ives," The New Republic, LXXI, July 20, 1932, pp 262-264. Rosenfelt, Paul. "The Advent of American Music." Kenyon Review, Winter, 1939 and Spring, 1939. Rosenfelt, Paul. "A Plea for Improvisation." Modern Music, November, 1941. Sargeant, Winthrop. "Saluting Mr. Ives." New Yorker, October 11, 1958. Schonberg, Harold. "America's Greatest Composer," Esquire, December, 1958. Schrade, Leo. "Charles E. Ives: 1874-1954." The Yale Review, XLIV, June, 1955, pp. 535-545. Sear, H. G. "Charles Ives: Song Writer." Monthly Musical Record, February, 1951. Slonimsky, Nicholas. "Musical Rebel." Americas, September, 1953. Slonimsky, Nicholas. "Etude Musical Miscellany." Etude, April, 1949. Slonimsky, Nicholas. "Bringing Ives Alive." Saturday Review of Literature, XXXI, XXXV, August 23, 1948, pp. 45, 49. Slonimsky, Nicholas. "Charles Ives - America's Musical Prophet." Pan Pipes, 47: 20, January, 1955. Smith, Max. "Mona." Musical America, Vol. XV, No. 20, March 23, 1912, pp. 1-4. Solomon, Maynard. "Charles Ives: Some Questions of Veracity." JAMS, Fall, 1987. Stambler, Bernard. "Four American Composers." The Juilliard Review, II, Winter, 1955, pp. 7-16. Stoddard, Hope. "Music in Connecticut." International Musician, March, 1951. Stone, Kurt. "A Postscript on Ives' Fourth," The Musical Quarterly, Vol. 52, 1966. Taubman, Howard. "Posterity Catches Up With Charles Ives," The New York Times Magazine, October 23, 1949, 15: 34-36. The Times, May 16, 1966. "The Legacy of Charles Ives." Anon. Pan Pipes, January, 1963, Vol. 55, No. 2. "untitled." Anon. Sun (New York), March 15, 1912, pp. 9, col. 1-3. Weerts, Richard. "His Name is Ives." Musical Journal, March 5, 1951, pp. 72-74. "Yankee Music." Anon. Rev. Time, LVII, X, March 5, 1951, 72-74 (is this correct?, see above Weerts) Yates, Peter. "Charles Ives." Art and Architecture, LXVII, 10, February, 1950.
Ives, Charles - Compositions De Lerma, Dominique-Rene. Charles Charles Edward Ives, 18741954 a bibliography of his music. Kent, OH Kent StateUniversity Press, 1970. Henderson, Clayton W. The Charles Ives Tunebook. http://www.ibiblio.org/pub/academic/music/American-Music-Resource/subject-index/
Extractions: Ives, Charles - compositions De Lerma, Dominique-Rene. Charles Edward Ives, 1874-1954: a bibliography of his music. Kent, OH: Kent State University Press, 1970. Henderson, Clayton W. The Charles Ives Tunebook. Published for the College Music Society series - Bibliographies in American Music; Warren, MI: Harmonie Park Press, 1990. Ives, Charles. 114 Songs. Reading, Conn.: By the author, 1922; Reprint, New York: Jointly by Associated Music Publishers, Peer International, and Theodore Presser, 1975. Newman, Philip, ed. The Songs of Charles Ives. 2-volume collection of songs, 1967, 68. 1/20/93
Ives, Charles Ives, Charles Repertoire list and information on his/her piano music. Charles Ives. 18741954. United States. Work list. Composition timeline http://www.pianopedia.com/cp_129_w_ives.aspx
Extractions: Search Sign In Add Work Charles Ives United States Work list Composition timeline Piano solo Piano Sonata n.2, 'Concord, Mass., 1840-1860' Study n.20 (March: Slow Allegro or Fast Andante) Study n.21: Some South-Paw Pitching Study n.23 (Allegro) The Anti-abolitionist Riots in the 1830's and 1840's Three-Page Sonata Home About Contact
Charles Ives (1874-1954) - Komponist Translate this page Charles Ives (1874-1954). US-amerikanischer Komponist. Künstler I CharlesIves Übersicht 24-Jan-2005/17-Apr-05 http://www.kefk.net/Audio/Künstler/I/Ives.Charles/index.asp
Extractions: In eigener Sache : Mehrere privatwirtschaftliche Unternehmen versuchen, das bisher noch freie Internet Das gesamte Kefk Network einschließlich der Website, die Sie gerade lesen, ist unmittelbar durch eine Abmahnung der Musikindustrie und den Versuch der Kriminalisierung von Hyperlinks von der sofortigen Abschaltung bedroht. Bitte beachten Sie unsere Berichterstattung zu diesem Angriff auf die Meinungs- und Informationsfreiheit! Auch dem Heise-Verlag und zahlreichen anderen Website-Betreibern wird wird in teilweise ähnlichen Fällen die Verbreitung oder das Nichtverhindern der Verbreitung angeblich »illegaler« Hyperlinks vorgeworfen: Eine kleine Chronologie Ein weiteres Unternehmen mag das Internet anscheinend ebenfalls nicht: Die Photo Dose GmbH geht mit einem ursprünglich deklarierten Gegenstandswert von einer Viertelmillion Euro in einem vollkommen anderes gelagerten Fall gegen das Kefk Network vor; Anlaß ist ein mißliebiger Bericht über das vollständige Verschwinden des Filialnetzes des Fotohändlers aus Berlin. Auch dieses Unternehmen will mittlerweile Geschäfte im Internet machen, klagt aber gegen den freien Austausch von Informationen und Meinungen!
Extractions: MSS 14, The Charles Ives Papers in the Irving S. Gilmore Music Library of Yale University Title: The Charles Ives Papers Dates: 1874-1983 (inclusive) Created by: Charles Ives Call number: MSS 14 Repository: Irving S. Gilmore Music Library, Yale University Quantity: 51 linear feet (70 boxes) Abstract: Music, correspondence and other writings, photographs, and additional materials by and about the American composer and insurance executive Charles Ives (1874-1954) In 10 series as follows: I. Music manuscripts. II. Literary writings. III. Correspondence. IV. Scrapbooks. V. Diaries. VI. Photographs. VII. Programs. VIII. Writings about Ives. IX. Ives's collection of music by others. X. Miscellaneous. Access Restrictions: The Papers are open to researchers by appointment. There are no restricted materials in the collection. Please contact the Special Collections staff to schedule an appointment. Some of the materials may be stored at the Library's off-campus shelving facility, so researchers should allow at least two business days to have the appropriate boxes paged. Acquisition Information: The Charles Ives Papers were established in the Music Library of Yale University by Harmony Twichell Ives in 1955.
Albany Records Complete Songs, Vol. 4 Charles Edward Ives (18741954) was a prolific composer of orchestral, instrumental,and vocal music. He composed more songs than any other type of music. http://www.albanyrecords.com/cgi-bin/miva?Merchant2/merchant.mv Screen=PROD&Stor