Abbott Thayer And The Protective Coloration Debate Your browser may not have a PDF reader available. Google recommends visiting our text version of this document. http://www.springerlink.com/index/R0721720X6385714.pdf
SEARCH TEMPORARILY DISABLED Only In T/Thayer,_Abbott_H. Top Arts Top Arts Art History Artists T thayer, abbott H. (1) abbott Handerson thayer AskART.com s auction results, biographies, images and books http://somalinet.com/dir1/Arts/Art_History/Artists/T/Thayer,_Abbott_H./
Leonardo On-Line Camouflage Bibliography A biography, written by his daughter, of a prominent 19thcentury American painter who collaborated with abbott H. thayer on early camouflage experiments. http://www.leonardo.info/isast/spec.projects/camouflagebib.html
Extractions: Order Index/Search Home About Us ... Whats New Compiled by Roy R. Behrens. E-mail: ballast@netins.net The wartime use of camouflage is by no means a modern invention; it is as old as human history. But its importance increased during World War I as a result of the use of the airplane and photography for aerial observation. The first section de camouflage in military history was established in 1915 by the French, under the command of an artist, and thereafter comparable units were used by the British and Americans, and, to lesser extent, by the Germans, Italians, and Russians. These units were largely made up of camoufleurs who in civilian life had been artists of one kind or another, including fine artists, designers, and architects. As a result, literally hundreds of artists served during both World Wars, by participants on all sides of the conflicts, as military or civil defense camouflage experts, including such familiar names as Abbott H. Thayer, Jean-Louis Forain, Jacques Villon, Andre Dunoyer de Segonzac, Franz Marc, Oskar Schlemmer, Edward Wadsworth, William Stanley Hayter, Arshile Gorky, Thomas Hart Benton, Grant Wood, Laszlo Moholy-Nagy, and Ellsworth Kelly. This following bibliography is an incomplete list of books, exhibition catalogs and articles that contain information on the contributions of artists to modern studies of camouflage, both biological and military. A far more extensive bibliography, without annotations, can be found in R.R. Behrens
Gladys Thayer - Artist, Art - Gladys Thayer Gladys was the daughter and pupil of abbott H. thayer, and wife of artist David Reasoner. Exh San Diego Art Guild, 1937; So. Calif. Art, 1939. Source http://askart.com/artist/T/gladys_thayer.asp?ID=115691
Extractions: Abbot Handerson Thayer As a painter of portraits, landscapes, animals and the ideal figure, he won high rank among American artists. Among his best-known pictures are Virgin Enthroned, Caritas, In Memoriam, Robert Louis Stevenson, and Portrait of a Young Woman; and he did some decorative work for the Walker Art Building, Bowdoin College, Maine. Thayer is also well known as a naturalist. He developed a theory of "protective coloration" in animals, which has attracted considerable attention among naturalists. According to this theory, "animals are painted by nature darkest on those parts which tend to be most lighted by the sky's light, and vice versa"; and the earth-brown of the upper parts, bathed in sky-light, equals the skylight color of the belly, bathed in earth-yellow and shadow. One of Thayer's most controversial theories purported that "large-scale protective coloration (or camouflage) had the unique capacity to bewilder and confuse the mind, especially when present in small spaces." For this theory, which he was never able to successfully prove, he drew some criticism among his peers. He spent the early part of his career in New York City. Thayer declined an invitation to join the Ten American Painters and settled in Dublin, New Hampshire in 1901. He was part of the art colony near Mount Monadnock.
Search By Artist T thayer, Abbot. Winged Figure Seated Upon a Rock. 3270T. 16 x 20. 21 x 25. S61. $239.00. thayer, abbott H. Virgin. 3572T. 15.75 x 20 http://www.artisticdecor.com/artistT.htm
Extractions: T Artist Title Item # Image Size Framed Size Frame Liner Sales Price Takino, Hatuo Noah's Ark 22.25 x 64.25 32 x 73 SRQ Takino, Hatuo Noah's Ark 23 x 30 SZC Tarbell, E. C. Three Sisters 25.5 x 29 31 x 35 ST Tarrant, Margaret W. Peter's Friends 11 x 16 14 x 19 Tarrant, Percy Upland Song 1916, An 11.25 x 16.25 17 x 22 SX L Terelak, John C. Back Roads 22.75 x 29.5 29 x 36 SPC Terelak, John C. Boston Public Gardens 22.75 x 30 27 x 35 Terelak, John C. Boston Public Gardens 22.75 x 30 29 x 37 SPC Thayer, Abbot Winged Figure Seated Upon a Rock 16 x 20 21 x 25 Thayer, Abbott H. Virgin 15.75 x 20 20 x 25 Thoma, Hans Meadow In The Wood 14.5 x 17.5 Thoma, Hans Meadow In The Wood 17.5 x 21.5 Thoma, Hans Meadow In The Wood 20.5 x 25.5 Thoma, Hans Meadow In The Wood 26.5 x 33.5 Thorn, Richard Hilltop Evening 13.25 x 25 17 x 29 SPV Thownsend, John R. On The Veranda 20.25 x 24 26 x 30 SMR Tiffany, Louis Comfort Garden Landscape and Fountain 23 x 34.75 27 x 39 SG Tissot, James Ball, The 14 x 26 18 x 30 Tissot, James Young Woman Looking in a Boat 22 x 28.75 27 x 34 Tissot, James J. Bunch of Lilacs, The 20 x 30.25
The Art Of Camo « MadSilence Gift of the heirs of abbott Handerson thayer. 1950.2.15. Hidden talents The Camouflage Paintings of Abbot Handerson thayer, by Emily Gephart, http://madsilence.wordpress.com/2007/08/24/the-art-of-camo/
Extractions: The art of fruit and veggie ... The art of automobile design Copperhead Snake on Dead Leaves In a recent post MadSilence profiled the Iraqi artists who formed Jamaat al-Jidaar, âthe Wall Groupâ, to paint concrete blast walls. Itâs interesting to note that camouflage was associated from its beginnings with art and artists. Camouflage, the concealing of things, especially troops and military equipment, by disguising them to look like their surroundings, has become an important aspect of modern warfare. The first section de camouflage in military history was established in 1915 by the French, under the command of an artist, and thereafter comparable units were used by the British and Americans, and, to lesser extent, by the Germans, Italians, and Russians. These units were largely made up of camoufleurs who in civilian life had been artists of one kind or another, including fine artists, designers, and architects. As a result, literally hundreds of artists served during both World Wars, by participants on all sides of the conflicts, as military or civil defense camouflage experts, including such familiar names as Abbott H. Thayer, Jean-Louis Forain, Jacques Villon, Andre Dunoyer de Segonzac, Franz Marc, Oskar Schlemmer, Edward Wadsworth, William Stanley Hayter, Arshile Gorky, Thomas Hart Benton, Grant Wood, Laszlo Moholy-Nagy, and Ellsworth Kelly. Artists were put into service in World War I to camouflage equipment and installations. Gertrude Stein famously reported the remarks of Picasso and Braque, viewing camouflaged military equipment on parade in Paris at the beginning World War I.
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Content 18501924) from 1860 to 1909 (app), mostly to her father, one with drawings; plus an original drawing of Emma thayer by abbott H. http://www.brucegimelson.com/content.asp?c=8
Cornell University Making Of America thayer, abbott H. 1. thayer, Catherine, 4. thayer, E. S., 1. thayer, Eli, 1. thayer, Eugene, 2. thayer, James B. 2. thayer, James Bradley, 3 http://cdl.library.cornell.edu/cgi-bin/moa/sgml/ww-idx?type=author&q1=Thayer, Ja
Abbott Handerson Thayer Posters At AllPosters.com Hidley, Joseph H. Hildebrandt, Greg The abbott Handerson thayer category contains 13 items. Poster/Print (7). PreFramed (4) http://www.allposters.com/-st/Abbott-Handerson-Thayer-Posters_c28712_.htm
Extractions: var isLoaded = true; Top Fine Art Fine Art by National... American Art Browse American Art: Abbey, Edwin Austin Ainslie, M. Alexander, John White Anshutz, Thomas Pollock Appel, Karel Artschwager, Richard Audubon, John James Badger, Joseph Baeder, John Baldessari, John Bama, James Barber, John Warner Barnet, Will Baziotes, William Beard, William Holbrook Bearden, Romare Beaux, Cecilia Bell, Charles Bellows, George Wesley Benson, Frank Weston Benton, Thomas Hart Bierstadt, Albert Bingham, George Caleb Bischoff, Elmer Blackwell, Tom Blake, Peter Blaylock, Ted Bonestell, Chesley Boulet, Susan Seddon Bradley, John Bricher, Alfred Thompson Brown, George Loring Brown, John Appleton Brown, John George Brown, John Lewis Browning, Colleen Brownscombe, Jennie Augusta Bunker, Dennis Miller Cahoon, Martha Cahoon, Ralph Calder, Alexander Carlsen, Soren Emil Carter, Dennis Malone Cassatt, Mary Catlin, George Chadwick, William Chambers, Thomas Champney, James Wells Chappel, Alonzo Chase, William Merritt Chittenden, Alice Brown Christo Church, Frederic Edwin Close, Chuck
Extractions: Search over 40,000 articles from the original, classic Encyclopedia Britannica, 11th Edition. Online Encyclopedia Originally appearing in Volume V26, Page 728 of the 1911 Encyclopedia Britannica. Make a correction to this article. Add information or comments to this article. Spread the word: del.icio.us it! See also: ABBOTT HANDERSON See also: THAYER See also: American artist, was See also: born at See also: Boston See also: Massachusetts , on the 12th of See also: August 1849 . He was a See also: pupil of J . L .
The Scorpion (Nelson C. White, abbott H. thayer Painter and Naturalist, Hartford, Connecticut Printers Inc., 1951, p.76). Photographs of Miss Price show that the artist http://thescorp.multics.org/17amart.html
Extractions: Capital Culture FOUR BLOCKS NORTH of the main tourist attractions on the Washington Mall lies a cultural gem no Scorpion reader visiting the anti-nation's capital should miss. The National Museum of American Art along with the National Portrait Gallery, is housed in the Old Patent Building. The main entrance is located on F Street between 7th and 9th Streets. The building itself is of historical and architectural interest, being a Greek Revivial building, "temple of the useful arts", begun in 1836. The principle enticement for a vist, however, will be found on the second floor of the N.M.A.A. Here are exhibited numerous works of nineteenth and early twentieth century art which explicitly celebrates Northern European aesthetics. The second half of the nineteeth century and the early years of this century can now be viewed as the latest (hopefully not the last) efflorescence of Northern civilization. Nordic societies were at a high water mark of power, wealth and knowledge vis- -vis the rest of mankind. They were in the midst of a technical-industrial revolution at home which provided the impetus to complete the settlement of two continents (North America and Australia) and the exploration of another (Antartica). Expansiveness of spirit was in part a cause and in part a result of the physical and material advancement of the race. Nordics of this era generally felt a consciousness of kind, a pride in the present and a faith in the future. The psychological environment animated most Northern artists of the day to extol traditional Western aesthetics in their creations.
Abbott Handerson Thayer On Artnet abbott Handerson thayer (American, 18491921) - Find works of art, auction results sale prices of artist abbott Handerson thayer at galleries and auctions http://www.artnet.com/artist/16523/abbott-handerson-thayer.html
Extractions: lot detail Abbott Handerson Thayer Biography Born Boston, Ma Training in formal artistic At 16 years studied Under H. D. Morse Boston, MA Moved to New York City New York, NY Student of J.B. Whittaker at Brooklyn Art School Brooklyn, NY Attended National Academy of Design under Wilmarth Invited to join "The Ten", but declined the offer Comitted himself to the Hospital Memorial Exhibition Metropolitan Museum of Art Died of a stroke Student of Lehmann at Ecole des Beaux Arts Links to further information www.artcyclopedia.com
JSTOR The Abbott H. Thayer Memorial Exhibition THE abbott H. thayer MEMORIAL EXHIBITION DURING the several months of pre paration for the memorial exhibition of the works of abbott Handerson thayer, http://spider.jstor.org:9080/spidergate/article?sici=0026-1521(192203)1:17:3<49:
Artist Index thayer abbott; Charles Arter; Samuel Burtis Baker; Edward H. Barnard; James Carroll Beckwith; Frank W. Benson; John Prentiss Benson; Robert F. Blum http://www.johnghagan.com/index.asp?page=artistIndex
Generations, The Artistic Influence Of An American Master Her uncle, abbott H.thayer (18491921), reigned as the artistic beacon from which generations, including his daughter, Gladys thayer Reasoner (ca. http://clubs.plattsburgh.edu/museum/gen_ferris.htm
Extractions: Generations of artists are not uncommon. In the families of Pieter Brueghel, Charles Willson Peale, N. C. Wyeth, and Abbott Handerson Thayer, a prominent father/artist figure generally assumed the responsibility of guiding his own children's technical development. In the family of Rockwell Kent (1882-1971), however, this was not the case. Kent's influence came not through direct instruction but from the physical presence of his work-paintings, drawings, prints, booksand his strong philosophical convictions. There is no precedence in the Kent family for a direct artistic lineage, per se, though, Kent's great uncle, Cleveland Rockwell (1837-1907), his cousin, Alice Kent Stoddard Pearson (ca. 1885-1976), his aunt, Ellen Josephine Holgate ('Auntie Jo,' 1858-1935), and his sister Dorothy Kent (1888-1981), all practiced the fine arts with varying degrees of success. To this broad stream, which culminates in the current exhibition, must be added the family of Kathleen Whiting Kent, Rockwell Kent's first wife. Her uncle, Abbott H.Thayer (1849-1921), reigned as the artistic beacon from which generations, including his daughter, Gladys Thayer Reasoner (ca. 1886-1945), and son, Gerald, have been guided, both stylistically and topically.