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Pissarro Camille:     more books (100)

Pissarro: Camille Pissarro, 1830-1903 by John Rewald, 1980-08 Camille Pissarro (The Library of great painters) by John Rewald, 1963 Camille Pissarro Letters To His Son Lucien Camille Pissarro at Crystal Palace by Nicholas Reed, 1995-12 The Impressionist and the City: Pissarro's Series Paintings by Dr. Richard R. Brettell, Joachim Pissarro, 1992-11-25 The Letters of Lucien to Camille Pissarro, 1883-1903 (Cambridge Studies in the History of Art) (French Edition) by Lucien Pissarro, 2005-11-10 Camille Pissarro;: The impressionist printmaker, by Barbara Stern Shapiro, 1973 Die Druckgraphik Camille Pissarros (European university studies. Series XXVIII, History of art) (German Edition) by Annegret Rittmann, 1991 Studies on Camille Pissarro Artists, Writers, Politics: Camille Pissarro and His Friends by Anne Thorold, 2006-07-29 Camille Pissarro: Le bonheur de peindre (PocheCouleur, No. 40) (French Edition) by Jean-Jacques Leveque, 2006 Camille Pissarro in the Caribbean, 1850-1855: Drawings from the Collection at Olana by Richard R. Brettell, 1996-01 Camille Pissarro, 1830-1903, drawings, watercolors and pastels by Camille Pissarro, 1984 Camille Pissarro. Bildtitel in deutsch und englisch, tls. in französisch. by Joachim Pissarro, 2002-02-01

lists with details

21. Camille Pissarro (1830 - 1903) Artwork Images, Exhibitions, Reviews
    camille pissarro pissarro was born in 1830 in St. Thomas, the West Indies. In 1841 he was sent to school in Paris where he created his first drawings.  
    http://wwar.com/masters/p/pissarro-camille.html

22. Guggenheim Collection - Artist - Pissarro - Biography
    Biography for camille pissarro. Jacob’Abraham’camille pissarro was born on July 10, 1830, to French Jewish parents on the West Indies island of Saint  
    http://www.guggenheimcollection.org/site/artist_bio_127.html
    
    Extractions: Shortcut Full search b. 1830, Saint Thomas, West Indies; d. 1903, Paris Edouard Manet Claude Monet Pierre Auguste Renoir , and Alfred Sisley, he began to revise his method of landscape painting, privileging the role of color in his expression of natural phenomena and employing smaller patches of paint. This artistic circle was dispersed by the Franco-Prussian War, which Pissarro fled by moving to London in 1870-71. There he met Paul Durand-Ruel, the Parisian dealer who would become an ardent supporter of Pissarro and his fellow Impressionists. Pissarro participated in his last official Salon in 1870. and Paul Gauguin Edgar Degas Pissarro experienced somewhat of an artistic crisis in 1885. As he had done consistently throughout his career, he opened himself up to fresh influences by meeting with the younger generation, this time with Paul Signac and Georges Seurat , who were experimenting with a divisionist technique rooted in the scientific study of optics.

23. Camille Pissarro - Olga's Gallery
    Comprehensive collection of the images of his works with biography and historical comments.  
    http://www.abcgallery.com/P/pissaro/pissaro.html
    
    Extractions: Embroider this picture with Advanced Embroidery Designs Biography Page One Camille Pissarro at Artprice To look at auction records, find Pissarro's works in upcoming auctions, check price levels and indexes for his works, read his biography and view his signature, access the Artprice database. Chennevieres au bord de la Marne. c. 1864-65. Oil on canvas. National Gallery of Scotland, Edinburgh, UK. Bords de la Marne (?). 1864. Oil on canvas. Glasgow Museums and Art Galleries, Glasgow, UK. Bords de la Marne en hiver. 1866. Oil on canvas. Art Institute of Chicago, Chicago, IL, USA. Jallais Hill, Pontoise. 1867. Oil on canvas. The Metropolitan Museum of Art, New York, USA. L'Hermitage a Pontoise. 1867. Oil on canvas. Wallraf-Richartz Museum, Cologne, Germany. Still Life. 1867. Oil on canvas. The Toledo Museum of Art, Toledo, Spain. L'Hermitage. 1868. Oil on canvas. Narodni Gallery, Prague, Czechia. L'Hermitage. c. 1868. Oil on canvas. Solomon R.Guggenheim Museum, New York, USA. La Route de versailles a Louveciennes (effet de neige).

24. Camille Pissarro The First Impressionist
    camille pissarro (18301903) was the only painter of the Impressionist group who participated in all eight of the historic Impressionist exhibitions and was  
    http://www.artgallery.nsw.gov.au/sub/pissarro/

25. Camille Pissarro
    Settling in France in 1855, pissarro kept faith throughout his career with the official definition of a painter of landscapes from life, interested in  
    http://www.mcs.csuhayward.edu/~malek/Impression/Pissarro/Camille1.html
    
    Extractions: Pissarro declared that he wanted to eliminate black and dark shadows from his landscapes. For this reason he left Paris for the countryside, moving first to Pontoise and then to Louvciennes. After 1870, when cracks began to show in the solidarityof the Impressionist group, Pissarro saw himself as the custodian of the movement's original spirit. Impressionism Gallery

26. The Jewish Museum - Special Exhibition
    camille pissarro (18301903) was one of the preeminent French Impressionists camille pissarro Impressions of City and Country is sponsored, in part,  
    http://www.thejewishmuseum.org/site/pages/onlinex.php?id=156

27. Artists I To P - Animation & Fine Art Galleries
    pissarro, camille (1831 1903). Jardins Formals, Lithograph on cream India appliqué; 1890; signed C. pissarro in pencil lower left, and signed in pencil by  
    http://www.animationandfineart.com/Fine/ArtistsIP.html
    
    Extractions: Availability INDIANA, Robert (b. 1928) The American Art Layaway for only /month! In Apaean (LOVE) , Serigraph and embossing on A.N.W. Crestwood Museum Edition paper; 1997; Signed R I in pencil, lower right and numbered 195/200 in pencil, lower left; Framed using an acid-free mat, a linen mat liner, a silver wood exterior frame and conservation clear UV protective glass; Image size 21 1/4" x 14 11/16"; Sheet size 24” x 20”; Frame size 30 9/16" x 26 9/16"; Layaway for only /month! LOVE: Enflame (LOVE) , Serigraph and embossing on A.N.W. Crestwood Museum Edition paper; 1997; Signed R I in pencil, lower right and numbered 195/200 in pencil, lower left; Framed using a linen mat liner, a gold and black wood frame and conservation clear UV protective glass; Image size 20 1/2" x 8 7/8"; Sheet size 23 15/16” x 19 15/16”; Frame size 28 7/16" x 24 3/16"; Layaway for only /month!

28. Camille Pissarro Posters At AllPosters.com
    camille pissarro Posters at AllPosters.com. Choose from over 300000 posters and prints. Professional custom framing available.  
    http://www.allposters.com/-st/Camille-Pissarro-Posters_c27421_.htm
    
    Extractions: var isLoaded = true; Top Fine Art Fine Art by National... French Art Browse French Art: Adam, Henri Adam, Lambert-Sigisbert Adam, Victor Jean Alaix, Gustave Allegrain, Etienne Amaury-Duval, Eugene Emmanuel Anderson, Sophie Angrand, Charles Auvray, Felix Avril, Edouard-henri Barbier, Georges Barye, Antoine-Louis Bastien-Lepage, Jules Baugin, Lubin Bazille, Frederic Bendall, Mildred Bennet, L Beraud, Jean Berthon, Paul Besnard, Albert Bichard, Alphonse Adolf Boilly, Louis Leopold Bonheur, Rosa Bonnard, Pierre Bonnart, Nicolas Bonnat, Leon Joseph Florentin Bonvin, Francois Boucher, Francois Bouchot, Francois Boudin, Eugene Bouguereau, William Adolphe Bouhot, Etienne Boulanger, Gustave Clarence R... Boulanger, Louis Bourgonnier, Claude Charles Breton, Jules Brion, Gustave Burnand, Eugene Cabanel, Alexandre Caillebotte, Gustave Calmet, Dom Augustin Caron, Antoine Carpeaux, Jean-Baptiste Carrier-belleuse, Albert-ernest Carrier-Belleuse, Louis Robert Carrier-belleuse, Pierre Cezanne, Paul Champaigne, Jean Baptiste de Champaigne, Philippe De Chardin, Jean-Baptiste Simeon Charpentier, Jean Baptiste

29. Camille Pissarro Page; French Painter & Anarchist, From The Daily Bleed's Anarch
    camille pissarro Page; French painter anarchist Anarchist Encyclopedia a Gallery of Saints Sinners from the Daily Bleed anarchy, anarchofeminism,  
    http://recollectionbooks.com/bleed/Encyclopedia/PissarroCamille.htm
    
    Extractions: Associated with the anarchist magazine "Temps Nouveaux", as were Paul Signac , Aristide Delannoy, Maximilien Luce, Alexandre Steinlen, Theo van Rysselberghe , Van Dongen, George Willaume, etc. Others explained in more sentimental terms why they were anarchists. Signac, for instance, listed among the reasons for his convictions 'the sufferings of many; logic; kindness; honesty; physiological laws (the rights of the stomach, of the brain, of the eyes, etc.); the need to feel happiness around oneself.' - John Rewald, Post Impressionism , p. 155 http://www.artcyclopedia.com/artists/pissarro_camille.html

30. NGA - Camille Pissarro, Vincent Van Gogh, Paul Cézanne
    Tour camille pissarro, Vincent van Gogh, Paul Cézanne 1 camille pissarro, Peasant Girl with a Straw Hat, 1881 2 camille pissarro, Place du  
    http://www.nga.gov/collection/gallery/gg84/gg84-main1.html

31. B Camille Pissarro
    Translate this page 1830-1903. Biographie et oeuvres du peintre impressionniste, né aux Antilles danoises et mort à Paris. Analyse d un de ses tableaux. Quelques liens.  
    http://www.geocities.com/camillepissarro/

32. Contradictions In Pissarro's Art: Camille Pissarro: Biographical Information
    So, from an early age, camille pissarro had a family to support, and often his only source of income, besides what little he made on his paintings,  
    http://blogs.princeton.edu/writingart10/archives/2005/01/camille_pissarr.html
    
    Extractions: Like most of the Impressionists, Pissarro's personal life and his road to success as a painter were neither simple nor easy. Born in 1830 in the Virgin Islands, Pissarro was the son of a general store owner. His parents sent him to boarding school in Paris, where he first discovered his interest in painting, encouraged by a teacher of his. Upon his return to the Virgin Islands, he was sent to work as a clerk in his father's store, ever sketching in his free moments (Rewald 10). When it became too much to bear, Pissarro ran away from his parents to Venezuela in order to pursue painting with an artist he met on his home island. Finally, his parents conceded to allow him to return to Paris and to seek success as an artist (Rewald 11). On his arrival, Pissarro met and was influenced by such artists as Corot, Millet, Daubigny, and Courbet. He began to discover his own convictions with regard to art. Very much a realist, he believed that an artist should study and become in touch with nature (and other subject matter) in order to paint it as accurately as possible. Instead of pandering to the public, in his paintings giving false beauty to the subject, Pissarro painted as he saw, presenting to his viewers his “sensation” (Rewald 13). Though these views remained unpopular (and, perhaps more importantly at some points in his life, unprofitable) nearly to the end of his days, Pissarro upheld them in every work of art that he produced.

33. Pissarro, Camille
    camille pissarro was a key member of the French Impressionist group of painters. He was born in St. Thomas in the West Indies, where his father was a  
    http://www.cartage.org.lb/en/themes/biographies/MainBiographies/P/pissarro/1.htm
    
    Extractions: Pissarro, Camille Camille Pissarro was a key member of the French Impressionist group of painters. He was born in St. Thomas in the West Indies, where his father was a prosperous merchant. The Pissarro family, French and Jewish in origin, had settled in the Danish colony of St. Thomas a few years earlier. Pissarro received his early education at a boarding school near Paris. Returning to St. Thomas, the young man had little interest in the family business, and spent his time sketching the picturesque port. In 1852, he left for Venezuela in the company of the Danish painter Fritz Melbye, and worked as an artist there for two years. Pissarro settled in France 1855. He arrived in time to see the great Exposition Universelle (World's Fair) which included a large art section. Following the advice of Corot , whose landscapes he had admired at the fair, Pissarro was soon painting and sketching in small towns and villages near Paris, along the Seine, Oise and Marne rivers. He formed friendships with Claude Monet , and other future members of the Impressionist group. By the late 1860s, his powerful realist landscapes were praised by the prominent critic

34. Camille Pissarro - Maloon, Terence; Art Gallery Of New South Wales
    camille pissarro (18301903) was the only member of the Impressionist group to exhibit in all eight of their exhibitions held in Paris between 1874 and 1886  
    http://yalepress.yale.edu/yupbooks/book.asp?isbn=9780300115529

35. Artists - Camille Pissarro : Brushstrokes® Fine Art Inc., The New Original - Ha
    Brushstrokes® Fine Art Inc. camille pissarro oil painting, hand painted, textured, paintings, portrait, oil on canvas, art, wall art, hand finished,  
    http://www.brushstrokesdirect.com/artists-camille-pissarro-c-9_121.html

36. Pissarro: The First Impressionist
    Regarded by many as the father of Impressionism, camille pissarro (1830 – 1903) is the subject of this major retrospective exhibition.  
    http://www.ngv.vic.gov.au/pissarro/

37. Camille Pissaro
    Jacob camille pissarro (18301903), was a French Impressionist painter, whose friendship and support provided encouragement for many younger painters.  
    http://arthistory.heindorffhus.dk/frame-Pissarro.htm
    
    Extractions: Back to Impressionism Jacob Camille Pissarro (1830-1903), was a French Impressionist painter, whose friendship and support provided encouragement for many younger painters. Pissarro was born in St Thomas, Virgin Islands (the former Danish West Indies), where his family, French and Jewish in origin, had settled. His nationality was thus Danish and remained so all his life. He received his early education at a boarding school near Paris, before returning to St. Thomas, where he spent much time sketching the picturesque port. He later left for Venezuela in the company of the Danish painter Fritz Melbye, and worked as an artist there for two years. In 1955, Pissaro settled in France, where he among others met Paul Gauguin and over time formed his close friendship with him. Paul Gauguin's marriage to the Danish woman Mette Gad, enabled Pissaro to maintain his relation with Denmark. At first associated with the Barbizon School, Pissarro subsequently joined the Impressionists and was represented in all their exhibitions.

38. Camille Pissarro Prints And Posters At Art.com
    camille pissarro Prints and Posters. Find camille pissarro Prints and Posters at Art.com.  
    http://www.art.com/asp/display_artist-asp/_/crid--41/Camille_Pissarro.htm

39. MAM - Exhibition Details
    camille pissarro Hoarfrost at Ennery, 1873. Oil on canvas. Musée d Orsay, Paris, France, Oil on canvas Ruth and Bruce Dayton, camille pissarro  
    http://mam.org/exhibitions/exhibition_details.aspx?ID=79

40. The Camille Pissarro Web Page
    camille pissarro (18301903) was a key member of the French Impressionist group of painters. He was born in St. Thomas in the West Indies, where his father  
    http://ca.geocities.com/studiousalli/
    
    Extractions: Last updated: December 1, 2007 A Short Biography of Pissarro Camille Pissarro (1830-1903) was a key member of the French Impressionist group of painters. He was born in St. Thomas in the West Indies, where his father was a prosperous merchant. The Pissarro family, French and Jewish in origin, had settled in the Danish colony of St. Thomas a few years earlier. Pissarro received his early education at a boarding school near Paris. Returning to St. Thomas, the young man had little interest in the family business, and spent his time sketching the picturesque port. In 1852, he left for Venezuela in the company of the Danish painter Fritz Melbye, and worked as an artist there for two years. Pissarro settled in France 1855. He arrived in time to see the great Exposition Universelle (World's Fair) which included a large art section. Following the advice of Corot, Pissarro's period of residence in England during the Franco-Prussian War and the Commune (1870-71) was a fruitful one for him. After his return to France, he was a key instigator of the first Impressionist Exhibition in 1874, and was the only member of the group to exhibit in all eight Impressionist Exhibitions. Always searching for new means of expression, Pissarro was one of the most innovative of the Impressionists. He was among the first to divide colors, as in his painting T

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